Film Genre for the Screenwriter is a practical study of how classic film genre components can be used in the construction of a screenplay. Based on Jule Selbo's popular course, this accessible guide includes an examination of the historical origins of specific film genres, how and why these genres are received and appreciated by film-going audiences, and how the student and professional screenwriter alike can use the knowledge of film genre components in the ideation and execution of a screenplay. Explaining the defining elements, characteristics and tropes of genres from romantic comedy to slasher horror, and using examples from classic films like Casablanca alongside recent blockbuster franchises like Harry Potter, Selbo offers a compelling and readable analysis of film genre in its written form. The book also offers case studies, talking points and exercises to make its content approachable and applicable to readers and writers across the creative field.

To write a million dollar screenplay you need determination, talent, and an insider's knowledge about what Hollywood wants. With in-depth interviews and revealing insights, this look behind the scenes is comprehensive, inspiring readers with advice, secrets, and stories from screenwriters like: Akiva Goldsman - "A Beautiful Mind"; David Hayter - "X-Men," and Ed Solomon - "Men in Black."

'Like a best friend giving you essential advice. I can't wait to give this to every writer I know.' - Candice Carty-Williams Why do stories matter? I tell stories to make sense of the world as I see it. The world I have lived and experienced, read about and heard about, and what I want it to be. I tell stories to make sense of myself. Nikesh Shukla, author, writing mentor and bestselling editor of The Good Immigrant, knows better than most the power that every unique voice has to create change. Whether it's a novel, personal essay, non-fiction work or short story - or even just the formless desire to write something - Your Story Matters will hone your skill and help you along the way. This book includes exercises and prompts that will develop your idea, no matter what genre you're writing in. It is practical, to the point and focused on letting you figure out what you want to write, how you want to write and why this is the best use of your voice. Accessible and thought-provoking, Your Story Matters will inspire you to keep thinking about writing, even when you don't have the time to put pen to paper.

Literatures in English have emerged in several Asian communities and have enjoyed a growing readership. Creative writing programmes in Asia and other parts of the world have also attracted many new voices from Asia. However, little is known about how learners from different language backgrounds become published poets in English. This book is a pioneering work on the development of poets and poetry in English in Asia. It offers a five-stage model to understand such phenomena. The life experiences of 50 published poets from five Asian locations: Macao, Hong Kong, Singapore, the Philippines and India, based on interviews conducted by the author, and their poetry are analyzed to appreciate how learners of English in multilingual environments become published poets and how such individual metamorphosis contributes to the growth of literary communities at local, regional and cosmopolitan levels. Researchers on Asian Englishes and literatures in English, teachers and participants in creative writing programmes, policy makers for English in education or the nurturing of the creative arts and any one interested in poetry writing will find the book highly informative and inspiring.

"Creative writing has become a highly professionalised academic discipline, with popular courses and prestigious degree programmes worldwide. This book is a must for all students and teachers of creative writing, indeed for anyone who aspires to be a published writer. It engages with a complex art in an accessible manner, addressing concepts important to the rapidly growing field of creative writing, while maintaining a strong craft emphasis, analysing exemplary models of writing and providing related writing exercises. Written by professional writers and teachers of writing, the chapters deal with specific genres or forms - ranging from the novel to new media - or with significant topics that explore the cutting edge state of creative writing internationally (including creative writing and science, contemporary publishing and new workshop approaches)"--

Assuming no prior knowledge, books in the series offer an accessible overview of the subject, with activities, study questions, sample analyses, commentaries and key readings - all in the same volume. The innovative and flexible 'two-dimensional' structure is built around four sections - introduction, development, exploration and extension - which offer self-contained stages for study. Each topic can be read across these sections, enabling the reader to build gradually on the knowledge gained. Written in a clear and accessible style, Stylistics, Second Edition is a comprehensive resource which covers all the major theories, concepts and methods required for the investigation of language in literature. From metre to metaphor, dialogue to discourse, the main topics are introduced and fully elaborated, as are the key research paradigms of this important and exciting field of study. Stylistics is richly illustrated with many examples from literary texts, including writing from the established literary canon alongside more contemporary work in poetry, prose and drama. Each of the book's twelve chapters contains clearly framed suggestions for practical work and is accompanied by an original reading on the relevant topic by a world-renowned scholar. This exciting new second edition builds on the strengths of the first by adding many fresh exercises and worked examples. It captures the latest major developments in stylistics, such as corpus, cognitive and multimodal approaches to the study of style, and its accompanying website has also been substantially revised to feature, amongst other things, useful links, worked examples and a new web strand on style and humour. In addition to the classic readings in stylistics contained in the first edition, the new edition includes a number of recent, stimulating readings by key figures in the contemporary field. Written by an experienced teacher and researcher, this accessible textbook is an essential resource for all students of English language, linguistics and literature.

Provides consolidation and extension for language, grammar, vocabulary, reading, writing, and fluency

This book analyzes the role of the theatrical simpleton in the pasos of the sixteenth-century playwright Lupe de Rueda, in Mario Moreno's character "Cantinflas," and in the esquirol of the 1960s Actos of the Teatro Campesino. Spanning multiple regions and time periods, this book fills an important void in Spanish and theatrical studies.

Writing begins before students even pick up a pencil, but there are many reasons to stop and rejoice between the idea and the finished project. By helping students celebrate each stage of the writing process and applauding success, we help our students persevere through what can be an extended and challenging process.

In their innovative new book, "Celebrating Writers," Ruth Ayres and Christi Overman discuss dozens of ways to respond, reflect, and rejoice along the journey to a finished project. This type of celebration nurtures students, makes them better writers, and helps them recognize that writing is a process filled with notable moments, not simply a result where publication is the only marker of success. From traveling notebooks to lunch-table writing, from author interviews with a writing partner to silent reflection, from swapping stories around a "campfire" to tweeting favorite lines, Ruth and Christi share dozens of fun and effective ways for you and your students to commemorate their progress as writers. As the authors write, "It's time to expand the idea of celebration to include the process of writers and the products they create. Let's build an approach that weaves celebration into the heart of all writers. Be ready to learn to refuel the writers in your classroom, even on the tough days."

Authorial Ethics is a normative study that deals with the many ways in which writers abuse their commitment to truth and integrity. It is divided by academic discipline and includes chapters on journalism, history, literature, art, psychology, and science, among others. Robert Hauptman offers generalizations and theoretical remarks exemplified by specific cases. Two major abrogations are inadvertent error and purposeful misconduct, which is subdivided into falsification, fabrication, and plagiarism. All of these problems appear in most disciplines, although their negative impact is felt most potently in biomedical research and publication. Professor Mary Lefkowitz, the classicist, provides an incisive foreword.

Embodying Difference: Scripting Social Images of the Female Body in Latina Theatre explores contemporary theatrical productions by Latina dramatists in the United States and focuses on the effects that neoliberal politics, global market strategies, gender formation, and racial and ethnic marginalization have had on Latinas. Through the analysis of select plays by dramatists Nao Bustamante, Coco Fusco, Anne Garcia-Romero, Josefina Lopez, Cherrie Moraga, Linda Nieves-Powell, Dolores Prida, and Milcha Sanchez-Scott, Embodying Difference shows how the bodies of Latinas are represented on stage in order to create an image of Latina consolidation. The performances of a dynamic female body challenge assumptions about ethno-racial expressions, exoticized "otherness," and political correctness as this book explores often uneasy sites of representations of the body including phenotype, sexuality, obesity, and the body as a political marker. Drawing on the theoretical framework of difference, including differing gender voices, performances, and performative acts, Embodying Difference examines social images of the Latina body as a means of understanding and rearticulating Latina subjectivity through an expression of difference. By means of a gradual realization and self-acclamation of their own images, Latinas can learn to embody notions of self that endorse their curvaceous, sexualized, and oversized bodies that have historically been marked and marketed by their "brownness."

This writing textbook bridges factual, critical, and expressive modes of writing to help students develop a reflective sense of why and how to write for university, professional, and public audiences. Exploring the ways in which writing builds tools for argument both in and beyond the university, it enables students to break out of the dusty and formulaic patterns of writing that too often threaten to render academic studies irrelevant. In a playful, personal, essayistic style, it examines existing academic writing methods and develops new modes of narrative-based expression rooted in the humanities. Reflective analysis invites emerging writers to self-consciously craft convincing and impassioned writing practices using an expanded methodological toolbox. It aims to imbue academic writing with the expressive potential of artistic research by transforming existing methods of articulating analysis within a broader expressive system, developing skills more typical of creative writing, such as providing a setting, considering frame, engaging emotions, expansion, and concision. If we believe in the value of our thoughts, discoveries, and arguments, we must enable them to sing. Loving Writing can be used as a textbook for advanced or introductory college writing courses and provides innovative guidance to liberal arts students seeking to develop their writing abilities.

'I don't understand how we got here. How we got to the point of actual physical fucking violence' It seemed so straightforward: her and him, sex, whenever they wanted. But when the casual becomes routine and what was convenient turns all-consuming, she's left trying to figure out, trying to remember when the 'straightforward' became so vicious. Michelle Barnette's brutal debut play explores the toxicity of casual dating and the grey area between love and sex, consent and compliance, yes and no.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In this epic history-cum-anthology, Megan Vaughan tells the story of the theatre blogosphere from the dawn of the carefully crafted longform post to today's digital newsletters and social media threads. Contextualising the key debates of fifteen years of theatre history, and featuring the writings of over 40 theatre bloggers, Theatre Blogging brings past and present practitioners into conversation with one another. Starting with Encore Theatre Magazine and Chris Goode in London, George Hunka and Laura Axelrod in New York, Jill Dolan at Princeton University, and Alison Croggon in Melbourne, the work of these influential early adopters is considered alongside those who followed them. Vaughan explores issues that have affected both arts journalism and the theatre industry, profiling the activist bloggers arguing for broader representation and better working conditions, highlighting the innovative dramaturgical practices that have been developed and piloted by bloggers, and offering powerful insights into the precarious systems of labour and economics in which these writers exist. She concludes by considering current threats to the theatre blogosphere, and how the form continues to evolve in response to them.

Excuse Me, Your Participle's Dangling will give you all the bare essentials of grammar that you need to write like a pro. The book also offers a simple yet foolproof method of writing under pressure, the key to success in any college program or workplace. If you're a businessperson, college student, or ESL student seeking a user-friendly grammar book that aims to make you a better writer, this book is for you! If you learn the information in one chapter each day, in less than two weeks, your writing will improve dramatically, and you'll grow in confidence as a writer. You'll also learn shortcuts to help you with all the types of writing you'll do in college and on the job. Try all of them. They really work, and that's a promise. To sum it up, grammar is only a means to an end, a tool to help you write better. That's something your teacher probably never told you. By understanding grammar, you'll learn how to express yourself beautifully in speaking and in writing.

This book explores the art of poetry writing from a practice-based perspective, showing how form, trope and theory inform the practical craft of writing poems. It is divided into three key sections: - Form and structure, covering sonnets, ballads, blank verse and more - Trope and device, introducing topics such as irony, imagery and voice - Poetics and practice, which discusses the writing of poets such as Robert Frost, Amy Lowell and Frank O'Hara Each chapter unpacks a particular concept or form, using examples to display it in practice. The book is filled with exercises to get you writing, and hints and tips for effective re-writing and for avoiding common pitfalls. Written by published poets, many of whom teach writing or literature, The Portable Poetry Workshop will push you to explore beyond your creative writing boundaries.

What are our favourite authors' words? Which bestselling writer uses the most cliches? How can we judge a book by its cover? Data meets literature in this playful and informative look at our favourite authors and their masterpieces. 'What fun this is! Ben Blatt's charming book applies numerical know-how to questions of literary style, teasing out insights about cliffhangers, adverbs' JORDAN ELLENBERG, author of How Not to Be Wrong 'Lively ... worthwhile ... Read this book thoughtfully. It's fun. And, I think, the shape of interesting things to come' The Times 'Fascinating ... the book had me humming with pleasure' The Sunday Times Nabokov's Favourite Word is Mauve is a playful look at what the numbers have to say about our favourite authors and their classic books. Journalist and statistician Ben Blatt asks the questions that have intrigued curious book lovers for generations: Does each writer have their own stylistic footprint? Do men and women write differently? What are the crutch words our best-loved authors fall back on? Spanning from Shakespeare and Jane Austen to fan fiction, JK Rowling and Stephen King, Blatt reveals the quirks and oddities of the world's greatest writers. This is a lighthearted, humorous book that uses numbers to inform our understanding of words to enlighten, to clarify, and, above all, to entertain.

The Technique of the Mystery Story (1914) is a book by Carolyn Wells. Before she began writing her Detective Fleming Stone series of mystery novels, Carolyn Wells was a published poet, accomplished children's author, and professional jingle writer. In the middle of her career, she heard a mystery story by Anna Katharine Green and was instantly hooked. Through years of practice and attention to the craft, she earned a reputation as a leading fiction writer of her generation, an adept craftswoman whose stories appeared in some of the leading newspapers and magazines of the day. "Why is the detective story? To entertain, to interest, to amuse. It has no deeper intent, no more subtle raison d'etre than to give pleasure to its readers." Writing is a simple act, requiring only the mind, a pen, and a piece of paper. But how does one write well, grabbing the reader's attention and ensuring their time will be rewarded by the end of the story? In The Technique of the Mystery Story, Carolyn Wells cuts to the core of a craft she defined despite coming to it late in her career. Exploring the history of the genre, defining its many different forms, and illuminating the stylistic choices that keep a mystery tale running smoothly, Wells provides an invaluable template for writers looking to follow in her footsteps or for readers looking for access to the mind and process of a woman revered in her field. With a beautifully designed cover and professionally typeset manuscript, this edition of Carolyn Wells' The Technique of the Mystery Story is a classic work of American detective fiction reimagined for modern readers.

Othello, the general of the Venetian army, holds much power and influence but becomes the target of an insidious plot to steal his coveted position. He is overcome with paranoia and enthralled with rumors of his wife's potential infidelity. Othello has fallen in love with a senator's daughter, Desdemona, and the two secretly marry. Their partnership generates shock and confusion as Desdemona was also loved by Roderigo, who'd already asked for her hand. Othello's ensign, Iago, is envious of the general and is spurned when he promotes the young Cassio to a higher position. This marks the beginning of a plot in which Iago plans to destroy Othello's personal and professional life. He attacks his marriage by stoking the flames of jealousy, insinuating Desdemona's infidelity. This leads to a violent confrontation with a morbid outcome. Othello is one of William Shakespeare's most well-known plays. It tackles multiple topics including race, gender, politics and revenge. It's a gripping drama that details the dangers of greed, envy and their inescapable consequences. With an eye-catching new cover, and professionally typeset manuscript, this edition of Othello is both modern and readable.

The Technique of the Mystery Story (1914) is a book by Carolyn Wells. Before she began writing her Detective Fleming Stone series of mystery novels, Carolyn Wells was a published poet, accomplished children's author, and professional jingle writer. In the middle of her career, she heard a mystery story by Anna Katharine Green and was instantly hooked. Through years of practice and attention to the craft, she earned a reputation as a leading fiction writer of her generation, an adept craftswoman whose stories appeared in some of the leading newspapers and magazines of the day. "Why is the detective story? To entertain, to interest, to amuse. It has no deeper intent, no more subtle raison d'etre than to give pleasure to its readers." Writing is a simple act, requiring only the mind, a pen, and a piece of paper. But how does one write well, grabbing the reader's attention and ensuring their time will be rewarded by the end of the story? In The Technique of the Mystery Story, Carolyn Wells cuts to the core of a craft she defined despite coming to it late in her career. Exploring the history of the genre, defining its many different forms, and illuminating the stylistic choices that keep a mystery tale running smoothly, Wells provides an invaluable template for writers looking to follow in her footsteps or for readers looking for access to the mind and process of a woman revered in her field. With a beautifully designed cover and professionally typeset manuscript, this edition of Carolyn Wells' The Technique of the Mystery Story is a classic work of American detective fiction reimagined for modern readers.

Discover the Secrets to Getting Published. Writing a book? In the beginning stages of writing a book, most people start with a blank page and write their entire manuscript. According to author and acquisitions editor W. Terry Whalin, this approach is backwards. About 80% to 90% of nonfiction books are sold from a book proposal. This mysterious document called a proposal contains many elements that will never appear in a manuscript-yet these details are critical to publishing executives who make the decision about publishing or rejecting an author's project. In Book Proposals That Sell, Terry reveals 21 secrets to creating a book proposal that every author needs in order to create one that sells.

The publishing landscape can be a tricky one to navigate. There are so many aspects to authoring and publishing a book that it's easy for you to make critical mistakes that can you off course and significantly decrease your chances for success. How many of the 50 biggest mistakes authors make are you making? When you learn to avoid the biggest mistakes authors make you can greatly enhance your chances for success in the publishing world. In this insider's look at the worlds of publishing and book marketing coauthors Rick Frishman, Bret Ridgway and Bryan Hane bring their 65 combined years of experience in the publishing world to you and share their secrets to success. You'll learn: How to master media and other key marketing channels authors should use Keys to capturing the browsing buyer in bookstores and online The new publishing landscape and how it impacts you How to increase the readability of your book so readers keep coming back How your book is the key piece of your own information marketing empire And much, much more

The screenplays of award-winning playwright John Patrick Shanley have earned him a reputation as a gifted writer with a great range and imagination. His movies Moonstruck, Five Corners, and Joe Versus the Volcano have starred such Hollywood luminaries as Cher-who took home an Oscar for her performance in Moonstruck-Nicolas Cage, Jodie Foster, John Turturro, Meg Ryan, and Tom Hanks. This collection showcases Shanley's talent for creating dialogue that is true to his characters and his ability to tell their stories in eccentric and intensely humorous situations.