The publishing landscape can be a tricky one to navigate. There are so many aspects to authoring and publishing a book that it's easy for you to make critical mistakes that can you off course and significantly decrease your chances for success. How many of the 50 biggest mistakes authors make are you making? When you learn to avoid the biggest mistakes authors make you can greatly enhance your chances for success in the publishing world. In this insider's look at the worlds of publishing and book marketing coauthors Rick Frishman, Bret Ridgway and Bryan Hane bring their 65 combined years of experience in the publishing world to you and share their secrets to success. You'll learn: How to master media and other key marketing channels authors should use Keys to capturing the browsing buyer in bookstores and online The new publishing landscape and how it impacts you How to increase the readability of your book so readers keep coming back How your book is the key piece of your own information marketing empire And much, much more

Othello, the general of the Venetian army, holds much power and influence but becomes the target of an insidious plot to steal his coveted position. He is overcome with paranoia and enthralled with rumors of his wife's potential infidelity. Othello has fallen in love with a senator's daughter, Desdemona, and the two secretly marry. Their partnership generates shock and confusion as Desdemona was also loved by Roderigo, who'd already asked for her hand. Othello's ensign, Iago, is envious of the general and is spurned when he promotes the young Cassio to a higher position. This marks the beginning of a plot in which Iago plans to destroy Othello's personal and professional life. He attacks his marriage by stoking the flames of jealousy, insinuating Desdemona's infidelity. This leads to a violent confrontation with a morbid outcome. Othello is one of William Shakespeare's most well-known plays. It tackles multiple topics including race, gender, politics and revenge. It's a gripping drama that details the dangers of greed, envy and their inescapable consequences. With an eye-catching new cover, and professionally typeset manuscript, this edition of Othello is both modern and readable.

The Technique of the Mystery Story (1914) is a book by Carolyn Wells. Before she began writing her Detective Fleming Stone series of mystery novels, Carolyn Wells was a published poet, accomplished children's author, and professional jingle writer. In the middle of her career, she heard a mystery story by Anna Katharine Green and was instantly hooked. Through years of practice and attention to the craft, she earned a reputation as a leading fiction writer of her generation, an adept craftswoman whose stories appeared in some of the leading newspapers and magazines of the day. "Why is the detective story? To entertain, to interest, to amuse. It has no deeper intent, no more subtle raison d'etre than to give pleasure to its readers." Writing is a simple act, requiring only the mind, a pen, and a piece of paper. But how does one write well, grabbing the reader's attention and ensuring their time will be rewarded by the end of the story? In The Technique of the Mystery Story, Carolyn Wells cuts to the core of a craft she defined despite coming to it late in her career. Exploring the history of the genre, defining its many different forms, and illuminating the stylistic choices that keep a mystery tale running smoothly, Wells provides an invaluable template for writers looking to follow in her footsteps or for readers looking for access to the mind and process of a woman revered in her field. With a beautifully designed cover and professionally typeset manuscript, this edition of Carolyn Wells' The Technique of the Mystery Story is a classic work of American detective fiction reimagined for modern readers.

The Technique of the Mystery Story (1914) is a book by Carolyn Wells. Before she began writing her Detective Fleming Stone series of mystery novels, Carolyn Wells was a published poet, accomplished children's author, and professional jingle writer. In the middle of her career, she heard a mystery story by Anna Katharine Green and was instantly hooked. Through years of practice and attention to the craft, she earned a reputation as a leading fiction writer of her generation, an adept craftswoman whose stories appeared in some of the leading newspapers and magazines of the day. "Why is the detective story? To entertain, to interest, to amuse. It has no deeper intent, no more subtle raison d'etre than to give pleasure to its readers." Writing is a simple act, requiring only the mind, a pen, and a piece of paper. But how does one write well, grabbing the reader's attention and ensuring their time will be rewarded by the end of the story? In The Technique of the Mystery Story, Carolyn Wells cuts to the core of a craft she defined despite coming to it late in her career. Exploring the history of the genre, defining its many different forms, and illuminating the stylistic choices that keep a mystery tale running smoothly, Wells provides an invaluable template for writers looking to follow in her footsteps or for readers looking for access to the mind and process of a woman revered in her field. With a beautifully designed cover and professionally typeset manuscript, this edition of Carolyn Wells' The Technique of the Mystery Story is a classic work of American detective fiction reimagined for modern readers.

WHAT MAKES A HERO? WHO BETTER TO ANSWER THAT QUESTION THAN LEE CHILD... 'It's Lee Child. Why would you not read it?' Karin Slaughter 'I don't know another author so skilled at making me turn the page' The Times In his first work of nonfiction, the creator of the multimillion-selling Jack Reacher series explores the endurance of heroes from Achilles to Bond, showing us how this age-old myth is a fundamental part of what makes us human. He demonstrates how hero stories continue to shape our world - arguing that we need them now more than ever. From the Stone Age to the Greek Tragedies, from Shakespeare to Robin Hood, we have always had our heroes. The hero is at the centre of formative myths in every culture and persists to this day in world-conquering books, films and TV shows. But why do these characters continue to inspire us, and why are they so central to storytelling? Scalpel-sharp on the roots of storytelling and enlightening on the history and science of myth, The Hero is essential reading for anyone trying to write or understand fiction. Child teaches us how these stories still shape our minds and behaviour in an increasingly confusing modern world, and with his trademark concision and wit, demonstrates that however civilised we get, we'll always need heroes. Perfect for fans of Michael Connelly, James Patterson and David Baldacci!

A lapsed academic haunted by her past, and by an ambiguous angel, in the backwoods of the American South; a Midwestern widower dreams of returning to the Ireland of his youth; a heartsick cabbie auditions for his ex in a pub-theatre in Cork City; a schizophrenic grapples for freedom from the mother in his mind; three voices of the COVID-19 pandemic seek long-distance resolution and reunion. In these and other monologues, selected from over two decades of work, award-winning American playwright Dan O'Brien illuminates, in heartbreaking and unwavering fashion, the humanity of lost souls longing to be heard. "Dan O'Brien is a playwright-poet who, like a mash-up of Seamus Heaney and Dashiel Hammett, puts the audience in the middle of an unfolding mystery promising both revelation and terror, and delivering an equal measure of both." Robert Schenkkan "O'Brien is an outstanding wordsmith and a sharp observer of character." Variety "emotionally gripping, psychologically astute...a bracing and absorbing piece of theater." New York Times (Critics' Pick) on The Body of an American "A masterpiece of truthfulness and feeling" The Guardian on War Reporter "utterly riveting...frequently exhilarating" The Washington Post on The Body of an American

This classic short novel gets a classic Mark Wheeller treatment. An adaptation of a George Eliot novel might seem something of a departure, but as the play contains only words used in the novel the production exhibits narrative characteristics of other Mark Wheeller plays. He has created a beautifully taut and compelling script with immense skill. Karen Robson. Southern Daily Echo. Silas Marner, a member of a strict religious community, is wrongly accused of theft and is forced to move to the faraway village of Raveloe. A robbery at his new home leaves Marner without his hard earned gold and in the depths of depression. A mysterious, drug addicted woman is later found dead in the woods outside Marner's cottage. That same night he thinks his gold has returned... but it proves to be something very different... Silas Marner was originally performed as a Promenade production. It offers opportunities for imaginative staging that has become the hallmark for all the best known Wheellerplays. It will serve as a great read around the class script in English lessons because of its narrative style. The book is one of those allowed on various English GCSE Syllabi and is a set text for Edexcel GCSE English.

In this innovative fusion of practice and criticism, Jeremy Scott shows how insights from stylistics can enrich the craft of creative writing. Focusing on crucial methodological issues that confront the practicing writer, Creative Writing and Stylistics: - introduces key topics from stylistics; - provides in-depth analysis of a wide range of writing examples; - includes practical exercises to help develop creative writing skills. Clear and accessible, this invaluable guide will give both students and writers a greater critical awareness of the creative possibilities of language.

Writing for children is not about writing little stories, it is about writing big stories, shorter. Children's literature is an art form in its own right, and this book is for everyone who wants not just to write for children, but to write well for them. This short guide to creative writing for children is based on the author's own successful MA course. Andrew Melrose provides guidance on every aspect of the process of writing for children. He stresses the importance of 'writing for' the child and not 'writing to or at' them. Literacy and learning depend on writing and reading and it is therefore the responsibility of the writer to understand who they are writing for. The book is divided into four sections which cover all aspects of the writing process.
This book goes far beyond the 'how to' format to help writers learn the finely balanced craft of writing for children. It will be an indispensable handbook for aspiring and practising children's authors.

eBook available with sample pages: 0203164849

Thinking Creative Writing explores the many ways in which creative writing can be critically considered, and understood, as well as the teaching and learning of creative writing. Featuring thematic ideas and practice-orientated thoughts, such as those related to the value of distraction when undertaking creative work, the book also presents contemporary work in the field of what is termed 'Creative Writing Studies', and offers an analysis of doctoral research on Creative Writing. Additionally, the book includes reports on cultural and heritage studies of creative writing as a practice, in relation to the literature it brings about and the audiences it engages. Thinking Creative Writing presents a snapshot of contemporary work in and around departments of creative writing in our universities and colleges. It will be of interest to those researching in the field, as well as those with a broader interest in writing creatively. The chapters in this book were originally published as articles in the New Writing journal.

Two major trends have recently swept the travel world: the first, an overwhelming desire (thanks to Elizabeth Gilbert's bestseller, Eat, Pray, Love) to write one's own memoir; the second, an explosion of social media, blogs, twitter and texts, which allow travelers to document and share their experiences instantaneously. Thus, the act of chronicling one's journey has never been more popular, nor the urge stronger. Writing Away: A Creative Guide to Awakening the Journal-Writing Traveler, will inspire budding memoirists and jetsetting scribes alike. But Writing Away doesn't stop there--author Lavinia Spalding spins the romantic tradition of keeping a travelogue into a modern, witty adventure in awareness, introducing the traditional handwritten journal as a profoundly valuable tool for self-discovery, artistic expression, and spiritual growth. Writing Away teaches you to embrace mishaps in order to enrich your travel experience, recognize in advance what you want to remember, tap into all your senses, and connect with the physical world in an increasingly technological age. It helps you overcome writer's block and procrastination; tackle the discipline, routine, structure, and momentum that are crucial to the creative process; and it demonstrates how traveling--while keeping a journal along the way--is the world's most valuable writing exercise.

Two major trends have recently swept the travel world: the first, an overwhelming desire (thanks to Elizabeth Gilbert's bestseller, Eat, Pray, Love) to write one's own memoir; the second, an explosion of social media, blogs, twitter and texts, which allow travelers to document and share their experiences instantaneously. Thus, the act of chronicling one's journey has never been more popular, nor the urge stronger. Writing Away: A Creative Guide to Awakening the Journal-Writing Traveler, will inspire budding memoirists and jetsetting scribes alike. But Writing Away doesn't stop there author Lavinia Spalding spins the romantic tradition of keeping a travelogue into a modern, witty adventure in awareness, introducing the traditional handwritten journal as a profoundly valuable tool for self-discovery, artistic expression, and spiritual growth. Writing Away teaches you to embrace mishaps in order to enrich your travel experience, recognize in advance what you want to remember, tap into all your senses, and connect with the physical world in an increasingly technological age. It helps you overcome writer's block and procrastination; tackle the discipline, routine, structure, and momentum that are crucial to the creative process; and it demonstrates how traveling while keeping a journal along the way is the world's most valuable writing exercise.

In this engaging creative writing workbook, novelist and poet Linda Lappin presents a series of insightful exercises to help writers of all genres--literary travel writing, memoir, poetry, fiction, creative nonfiction--discover imagery and inspiration in the places they love. Lappin departs from the classical concept of the Genius Loci, the indwelling spirit residing in every landscape, house, city, or forest--to argue that by entering into contact with the unique energy and identity of a place, writers can access an inexhaustible source of creative power. The Soul of Place provides instruction on how to evoke that power. The writing exercises are drawn from many fields--architecture, painting, cuisine, literature and literary criticism, geography and deep maps, Jungian psychology, fairy tales, mythology, theater and performance art, metaphysics--all of which offer surprising perspectives on our writing and may help us uncover raw materials for fiction, essays, and poetry hidden in our environment. An essential resource book for the writer's library, this book is ideal for creative writing courses, with stimulating exercises adaptable to all genres. For writers or travelers about to set out on a trip abroad, The Soul of Place is the perfect road trip companion, attuning our senses to a deeper awareness of place.

To write for the unique medium of the screen, you need to be as engaged with the theory and practice of film as you are with words. Screenwriting is Filmmaking provides a wealth of insights for new and experienced writers alike on the historical, theoretical and practical essentials of screenwriting. With clear analyses drawn from a wide range of classical and contemporary films, alongside case studies and practical exercises, this book encourages the development of craft skills and a personal voice through the writing of short and feature screenplays. You will learn how to develop your screenplay from idea to final draft; apply the techniques of narrative, structure and visual language; build rounded and convincing characters; craft compelling scenes through dialogue and sub-text and maintain a meaningful and lasting creative practice. Brian Dunnigan draws on over thirty years' experience of writing, teaching and making films, to provide a practical guide on how to become an effective screenwriter as well as giving a fascinating insight into visual storytelling and the place of the screenplay in the collaborative process of filmmaking.

Metro is a unique multi-genre creative writing text that provides exercises and prompts to help students move beyond terms and concepts to active writing. By using "guided writing," the authors help students through the creative processes in fiction, poetry, drama, and creative nonfiction. A mini-anthology with relevant exercises makes this sourcebook complete.

This book presents an inside look at how the professionals read and write. Long before there were creative writing workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says the author. In "Reading Like a Writer", Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters. She reads the work of the very best writers, Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov, and discovers why these writers endure. She takes pleasure in the long and magnificent sentences of Philip Roth and the breath-taking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot's "Middlemarch". She looks to John Le Carre for a lesson in how to advance plot through dialogue, to Flannery O'Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield who offer clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted. Written with passion, humor, and wisdom, "Reading Like a Writer" will inspire readers to return to literature with a fresh eye and an eager heart.

These volumes feature works from across Lai's career, providing an exceptional selection of a diverse range of performances. Volume Three contains: A Dream Like a Dream Ago

Foreword by M. G. Leonard: 'It's rare to find a book that's as useful as it is inspiring ... essential reading.' The indispensable guide to writing for children and young adults, this Yearbook provides inspirational articles from successful writers and illustrators, as well as details on who to contact across the media. It provides practical advice on all stages of the writing process from getting started, writing for different markets and genres, through to submission to literary agents and publishers as well as on the financial and legal aspects of being a writer. Widely recognised as the essential support for authors and illustrators working across all forms: fiction, non-fiction, poetry, screen and theatre, it is equally relevant to those wishing to self-publish as well as those seeking a traditional publisher-agent deal. New articles for 2022: Christopher Edge Plotting and pace in your middle-grade adventure L. D. Lapinski World-building in your fantasy fiction Anna Wilson Finding your voice and point of view Rachel Bladon The learning curve: writing for the children's educational market Jenny Bowman How to hire a freelance editor Sophie Clarke The life and works of a literary scout Rachel Rooney Writing poetry for children

What is creative writing? In Critical Approaches to Creative Writing, Graeme Harper draws on both creative and critical knowledge to look at what creative writing is, and how it can be better understood. Harper explores how to critically consider creative writing in progress, while also tutoring the reader on how to improve their own final results. Throughout the book, Harper explains the nature of 'creative exposition', where creative writing is closely and directly examined in practice as well as through its final results. This book aims to empower you to develop your own critical approaches so that you can consider any creative writing situations you face, develop creative exposition that can be applied to writing problems, provide you with more creative choices and assist you in building your creative writing strengths.

Do you have an idea for a romance story but don't know where to start? How To Write a Romance Novel will show you how to get ideas, shape them into a story that's unique and how to create memorable characters. It also covers two crucial aspects of the genre, emotion and sexual tension. Whether you want to write for Mills and Boon/Harlequin or pen more erotic stories like Fifty Shades of Grey, How to Write a Romance will get you started and help you get published. Susan Palmquist was born in London, England but now resides in the US. She's been writing since the late 80s and is now a freelance writer, short story writer, blogger, and author. Her first romance novel, A Sterling Affair was published by The Wild Rose Press. Her work has also appeared in magazines and anthologies in both the US and UK. Under her pen name, she's bestselling author Vanessa Devereaux. As well as her writing career, she's also a tutor for Writers' News Home Study Courses, and frequently teaches workshops through various chapters of the Romance Writers of America.

remixthecontext is a cunning and satirical collection of "theoretical fictions" composed by artist, novelist and media theorist Mark Amerika. A compelling riff on the classic Platonic dialogue, Amerika's remixthecontext features Walt Whitman Benjamin, a Professor of Creative Urgency who intellectually jams with an assemblage of characters that resemble the actual artists, poets, and scholars who populate the university cafe culture depicted in the book. Each chapter is enlivened by Amerika's provocative mash-up of literary metafiction, new media rhetoric and witty repartee setting the stage for a series of freewheeling exchanges that playfully investigate a multitude of themes including remix culture, psychic automatism, gender fluidity, social media dystopia, MOOCs as performance art, and the challenges presented by cutting-edge digital arts and humanities curricula within a sclerotic academic environment.

Essential and engaging essays about the joys and challenges of creative writing and teaching creative writing by a host of Canada's leading writers. Writing Creative Writing is filled with thoughtful and entertaining essays on the joys and challenges of creative writing, the complexities of the creative writing classroom, the place of writing programs in the twenty-first century, and exciting strategies and exercises for writing and teaching different genres. Written by a host of Canada's leading writers, including Christian Boek, Catherine Bush, Suzette Mayr, Yvette Nolan, Judith Thompson, and thom vernon, this book is the first of its kind and destined to be a milestone for every creative writing student, teacher, aspirant, and professional.