Unlike previous volumes which focus on how to earn a living while writing in very specific areas, this anthology accurately describes a wide range of different avenues an aspiring author can pursue, either for profit or for personal fulfillment. Speaking directly to retirees, this book opens doors to many other areas worth pursuing; its chapters vary from the inspirational (the importance of linking to a community with similar interests, reconnecting to one s dreams, seeking inspirational sources) to the quotidian (everyday writing tips, and how to use one s experience to find subjects to write about). Writing after Retirement provides a variety of vantage points from published authors and paints a realistic portrayal of what it takes to get started in the industry. This book also includes preparation for the challenges that aspiring writers face, and practical guides for overcoming them. A range of issues are addressed: .Linking one s writing to current activities .The nuts and bolts of writing .Planning one s estate .New career paths .Writing opportunities .Practical advice on how to take that first step Whether writing for pleasure or for profit, the reader will find plenty to choose from in this collection."

"Screenwriting With a Conscience: Ethics for Screenwriters" is for screenwriters who care deeply about what they write; who are aware that movie images matter and can influence audiences; and who want to create meaningful screenplays that make powerful statements while entertaining and winning over audiences. A user-friendly guide to ethical screenwriting, this book makes the case that social responsibility is endemic to public art while it emphatically champions First Amendment rights and condemns censorship.
In this dynamic and practical volume, author Marilyn Beker provides methods for self-assessment of values, ideas, and ethical stances, and demonstrates the application of these values to the development of plot, character, and dialogue. Screenwriters are introduced to ethical decision making models and shown--through specific film examples--how they can be utilized in plot and character development. In addition, specific techniques and exercises are supplied to help screenwriters determine the difference between "good" and "evil," to write realistic and compelling characters based on this determination, and to present "messages" and write dialogue powerfully without preaching. This book also puts forth a livable work philosophy for dealing with the ethics of the screenwriting business, and presents a viable personal philosophy for surviving in the screenwriting world.
"Screenwriting With a Conscience: Ethics for Screenwriters" is an indispensible, dynamic guide for the ethics-conscious screenwriter. It is intended for screenwriters at the student and professional level, and is appropriate for beginning to graduate screenwriting courses in film and English programs, andfor film courses dealing with Ethics in the Media.

In this innovative fusion of practice and criticism, Jeremy Scott shows how insights from stylistics can enrich the craft of creative writing. Focusing on crucial methodological issues that confront the practicing writer, Creative Writing and Stylistics: - introduces key topics from stylistics; - provides in-depth analysis of a wide range of writing examples; - includes practical exercises to help develop creative writing skills. Clear and accessible, this invaluable guide will give both students and writers a greater critical awareness of the creative possibilities of language.

There's more to writing a successful fantasy story than building a unique world or inventing a new type of magic. From the writing of strong, action-packed scenes to the creation of dynamic, multi-dimensional characters, fantasy author Deborah Chester guides novices and intermediate writers through a step-by-step process of story construction. Whether offering tips on how to test a plot premise or survive what she calls the dark dismal middle, Chester shares the techniques she uses in writing her own novels. Examples drawn from both traditional and urban fantasy illustrate her nuts-and-bolts approach to elemental story design. With a foreword by New York Times best-selling author Jim Butcher, who studied writing in Chester's classes at the University of Oklahoma, The fantasy fiction formula delivers a practical, proven approach to writing fantasy like a pro. -- .

Writing for children is not about writing little stories, it is about writing big stories, shorter. Children's literature is an art form in its own right, and this book is for everyone who wants not just to write for children, but to write well for them. This short guide to creative writing for children is based on the author's own successful MA course. Andrew Melrose provides guidance on every aspect of the process of writing for children. He stresses the importance of 'writing for' the child and not 'writing to or at' them. Literacy and learning depend on writing and reading and it is therefore the responsibility of the writer to understand who they are writing for. The book is divided into four sections which cover all aspects of the writing process.
This book goes far beyond the 'how to' format to help writers learn the finely balanced craft of writing for children. It will be an indispensable handbook for aspiring and practising children's authors.

eBook available with sample pages: 0203164849

MediaWriting is an invaluable resource for students planning to enter the dynamic and changing world of media writing in the twenty-first century. With easy-to-read chapters, a wealth of updated, real-world examples, and helpful "How To" boxes throughout, this textbook explains the various styles of writing for print, broadcast, online, social media, public relations, and multimedia outlets. Some of the features included in the book are: A re-written Chapter 13, Writing and Reporting in the New New Media, with updates to how social media is used today Expanded chapters on print reporting methods and the Associated Press Stylebook Updates to Chapters 5 and 6, Legal Considerations in Media Writing, and Ethical Decisions in Writing and Reporting, discuss recent court cases and current ethical issues Explanatory "How To" boxes that help readers understand and retain main themes Illustrative "It Happened to Me" vignettes from the authors' professional experiences Discussion questions and exercises at the end of every chapter Designed to meet the needs of students of print and broadcast media, public relations, or a wannabe jack-of-all trades in the online media environment, this reader-friendly primer will equip beginners with the skills necessary to succeed in their chosen writing field.

Thinking Creative Writing explores the many ways in which creative writing can be critically considered, and understood, as well as the teaching and learning of creative writing. Featuring thematic ideas and practice-orientated thoughts, such as those related to the value of distraction when undertaking creative work, the book also presents contemporary work in the field of what is termed 'Creative Writing Studies', and offers an analysis of doctoral research on Creative Writing. Additionally, the book includes reports on cultural and heritage studies of creative writing as a practice, in relation to the literature it brings about and the audiences it engages. Thinking Creative Writing presents a snapshot of contemporary work in and around departments of creative writing in our universities and colleges. It will be of interest to those researching in the field, as well as those with a broader interest in writing creatively. The chapters in this book were originally published as articles in the New Writing journal.

This guidebook offers a rhetorical framework for writing and analyzing content for social media and the web. In the age of disinformation and hyper-targeted digital advertising, writers and teachers of writing must be prepared to delve into the digital world with a critical and strategic perspective. This book offers an interdisciplinary approach to writing scenarios with insights from classical and contemporary rhetoric, the philosophy of technology, and digital media theory. Special emphases are also placed on preparing for writing, marketing, and communications careers in the digital space, and on ethical issues related to digital and social media.

Winner of the 2022 Critics' Circle Award for Best New Play Nominated for the 2022 Olivier Award for Best New Play "A man should never turn down two things. Sex, and appearing on television." 1968 - a year of protest that divided America. As two men fight to become the next President, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the iconoclastic liberal Gore Vidal. Beliefs are challenged and slurs slung as these political idols feud nightly in a new television format, debating the moral landscape of a shattered nation. Little do they know they're about to open up a new frontier in American politics, and transform television news forever... Best of Enemies is the electric new play by James Graham (Quiz, Labour of Love), directed by Jeremy Herrin, inspired by the documentary by Morgan Neville and Robert Gordon. This revised and updated edition was published to coincide with the West End transfer to the Noel Coward Theatre in November 2022.

Your personal gateway to one of the most effective daily tools for cultivating creativity, personal growth and productivity. Morning pages are three pages of longhand, stream-of-consciousness writing done first thing in the morning. They are about anything and everything that crosses your mind, and are intended to provoke, clarify, comfort, cajole, prioritize and synchronize the day at hand. This daily writing, coupled with the 12-week programme outlined in The Artist's Way, will help you discover and recover your personal creativity, artistic confidence and productivity. The Artist's Way Morning Pages Journal includes an introduction by Julia Cameron with complete instructions on how to use the morning pages and benefit fully from their daily use. Its inspiring quotations will guide you through the process, and a final chapter shows how to start an Artist's Way study group.

The act of writing a memoir may feel daunting, but it doesn't have to be! With 70 inspiring topics, these pages invite you to capture meaningful parts of your life through briefly written snapshots. Each topic starts with a list prompt to help spark ideas followed by a few questions for reflection, and then plenty of space to explore your memories in more detail. From reflecting on your best childhood friends and memorable trips to embarrassing moments and toughest experiences, use this journal as a tool for self-discovery and create a mini memoir that will keep your stories alive for generations to come.

What is creative writing? In Critical Approaches to Creative Writing, Graeme Harper draws on both creative and critical knowledge to look at what creative writing is, and how it can be better understood. Harper explores how to critically consider creative writing in progress, while also tutoring the reader on how to improve their own final results. Throughout the book, Harper explains the nature of 'creative exposition', where creative writing is closely and directly examined in practice as well as through its final results. This book aims to empower you to develop your own critical approaches so that you can consider any creative writing situations you face, develop creative exposition that can be applied to writing problems, provide you with more creative choices and assist you in building your creative writing strengths.

For anyone interested in drama, " Playwrights on Playwriting: From Ibsen to Ionesco " offers revealing and astute insights on modern theater and the creation of plays. The book gathers the opinions and theories of the greatest names in the past 200 years of drama, among them Anton Chekhov, George Bernard Shaw, Federico Garcia Lorca, Eugene O'Neill, Bertolt Brecht, Tenessee Williams, Sean O'Casey, and Arthur Miller, to name a few. In the first part of the book, "Credos and Concepts," the playwrights offer their differing philosophies on the dynamics of theatrical performance and the changes in drama since Aristotle. In the second part, "Creations," the same dramatists look at specific plays of their own, commenting on their intended goals and the works' overall success. A unique and enlightening collection, Playwrights on Playwriting is an essential resource for the enthusiast of theater.

In Write to TV (third edition) industry veteran Martie Cook offers practical advice on writing innovative television scripts that will allow you to finally get that big idea out of your head and onto the screen. With this book you'll learn to craft smart, original stories and scripts for a variety of television formats and genres, including comedy, drama, pilots, web series, and subscription video on demand. This new edition has been updated with expanded coverage on writing for global audiences, content creation for streaming services such as Netflix, Amazon and Hulu, as well as writing the web series, podcasts and utilizing free platforms such as YouTube. It also features new chapters on writing for niche markets; breaking into the writers' room; creating binge-worthy series and how to accompany pilot scripts with a series pitch document. Plus, expanded information on creating complex and compelling characters including writing anti-heroes and strong female protagonists and much, much more. Including information directly from studio and network executives, agents, and managers on what they're looking for in new writers and how to avoid common pitfalls, advice from successful creators and showrunners on creating original content that sells, and tips from new writers on how to get into a writers room and stay there. This book contains information from more than 20 new interviews, access to sample outlines, script pages, checklists, and countless other invaluable resources, and is the ideal book for anyone who wants to break into the TV writing industry.

Do you have an idea for a romance story but don't know where to start? How To Write a Romance Novel will show you how to get ideas, shape them into a story that's unique and how to create memorable characters. It also covers two crucial aspects of the genre, emotion and sexual tension. Whether you want to write for Mills and Boon/Harlequin or pen more erotic stories like Fifty Shades of Grey, How to Write a Romance will get you started and help you get published. Susan Palmquist was born in London, England but now resides in the US. She's been writing since the late 80s and is now a freelance writer, short story writer, blogger, and author. Her first romance novel, A Sterling Affair was published by The Wild Rose Press. Her work has also appeared in magazines and anthologies in both the US and UK. Under her pen name, she's bestselling author Vanessa Devereaux. As well as her writing career, she's also a tutor for Writers' News Home Study Courses, and frequently teaches workshops through various chapters of the Romance Writers of America.

Thinking in pictures is a gift; transferring them to words on paper is a craft. Put them together, and that's the screenwriter's art.Big Screen, Small Screen is a complete guide to writing for film and television for beginners as well as more experienced writers. It covers all aspects of screenwriting from changing a film genre to picking a television timeslot.Big Screen, Small Screen takes you through the basics of screenwriting with step by step guides to structure, character and the first draft script, and valuable tips and exercises. It also shows you how to find and agent, deal with producers, market your script and apply for funding.

The argument has been made that memoir reflects and augments the narcissistic tendencies of our neo-liberal age. Mediating Memory: Tracing the Limits of Memoir challenges and dismantles that assumption. Focusing on the history, theory and practice of memoir writing, editors Bunty Avieson, Fiona Giles and Sue Joseph provide a thorough and cutting-edge examination of memoir through the lenses of ethics, practice and innovation. By investigating memoir across cultural boundaries, in its various guises, and tracing its limits, the editors convincingly demonstrate the plurality of ways in which memoir is helping us make sense of who we are, who we were and the influences that shape us along the way.