Short-Form Creative Writing: A Writer's Guide and Anthology is a complete introduction to the art and craft of extremely compressed works of imaginative literature. H. K. Hummel and Stephanie Lenox introduce both traditional and innovative approaches to the short form and demonstrate how it possesses structure, logic, and coherence while simultaneously resisting expectations. With discussion questions, writing prompts, flash interviews, and illustrated key concepts, the book covers: - Prose poetry - Flash fiction - Micro memoir - Lyric essay - Cross-genre/hybrid writing . . . and much more. Short-Form Creative Writing also includes an anthology, offering inspiring examples of short-form writing in all of the styles covered by the book, including work by Charles Baudelaire, Italo Calvino, Lydia Davis, Grant Faulkner, Ilya Kaminsky, Jamaica Kinkaid , and many others.

As digital reading has become more productive and active, the lines between reading and writing become more blurred. This book offers both an exploration of collaborative reading and pedagogical strategies for teaching reading and writing that reflect the realities of digital literacies. This edited scholarly collection offers strategies for teaching reading and writing that highlight the possibilities, opportunities, and complexities of digital literacies. Part 1 explores reading and writing that happen digitally and offers frameworks for thinking about this process. Part 2 focuses on strategies for the classroom by applying reading theories, design principles, and rhetorical concepts to instruction. Part 3 introduces various disciplinary implications for this blended approach to writing instruction. What is emerging is new theories and practices of reading in both print and digital spaces-theories that account for how diverse student readers encounter and engage digital texts. This collection contributes to this work by offering strategies for sustaining reading and cultivating writing in this landscape of changing digital literacies. The book is essential for the professional development of beginning teachers, who will appreciate the historical and bibliographic overview as well as classroom strategies, and for busy veteran teachers, who will gain updated knowledge and a renewed commitment to teaching an array of literacy skills. It will be ideal for graduate seminars in composition theory and pedagogy, both undergraduate and graduate; and teacher education courses, and will be key reading for scholars in rhetoric and composition interested in composition history, assessment, communication studies, and literature pedagogy.

Blueprint for Screenwriting demystifies the writing process by developing a "blueprint" for writers to follow for each new screenplay--from original concept to completed script. Author and international script consultant Dr. Rachel Ballon explores the writing craft and emphasizes creativity in the writing process. She blends her expertise in script analysis and writing coaching with her personal experience as a screenwriter to help writers construct their stories and characters. Starting with the story's framework, Dr. Ballon helps readers to understand the key "building blocks" of story structure and character development, including characters' emotional and psychological states, story conflicts, and scene and act structure. She also covers the essential components in the script writing process, such as outlines, script treatments, synopses, and formats. Dr. Ballon devotes a chapter to overcoming writer's block--the writer's greatest obstacle--and offers guidance for taking the next steps once a script is completed. A practical tool for any writer, this distinctive resource: *offers a blueprint for writers to follow, breaking the writing process down into specific, easy-to-follow steps; *stresses the psychology of the characters as well as that of the writer; and *offers first-hand knowledge of the screenwriting process and gives practical advice for completing and marketing scripts. With its unique and insightful approach to the writing process, this book will be indispensable for scriptwriters, fiction writers, and professional writers, and it will serve as a useful text in screenwriting courses.

Blueprint for Screenwriting demystifies the writing process by developing a "blueprint" for writers to follow for each new screenplay--from original concept to completed script. Author and international script consultant Dr. Rachel Ballon explores the writing craft and emphasizes creativity in the writing process. She blends her expertise in script analysis and writing coaching with her personal experience as a screenwriter to help writers construct their stories and characters. Starting with the story's framework, Dr. Ballon helps readers to understand the key "building blocks" of story structure and character development, including characters' emotional and psychological states, story conflicts, and scene and act structure. She also covers the essential components in the script writing process, such as outlines, script treatments, synopses, and formats. Dr. Ballon devotes a chapter to overcoming writer's block--the writer's greatest obstacle--and offers guidance for taking the next steps once a script is completed. A practical tool for any writer, this distinctive resource: *offers a blueprint for writers to follow, breaking the writing process down into specific, easy-to-follow steps; *stresses the psychology of the characters as well as that of the writer; and *offers first-hand knowledge of the screenwriting process and gives practical advice for completing and marketing scripts. With its unique and insightful approach to the writing process, this book will be indispensable for scriptwriters, fiction writers, and professional writers, and it will serve as a useful text in screenwriting courses.

In this book, James A. Inman explores the landscape of the contemporary computers and writing community. Its six chapters engage critical issues, including redefining the community's generally accepted history, connecting its contemporary innovators with its long-standing spirit of innovation, advocating for increased access and diversity, and more. Between chapters, readers will find "Community Voices" sections, which provide a snapshot of the contemporary computers and writing community and introduce, in a non-hierarchical form, more than 100 of its members from around the world, in their own voices. Computers and Writing: The Cyborg Era features a simultaneous emphasis on individuals, communities, and contexts they share; a creative rethinking of the character and values of the computers and writing community; a holistic exploration of meaning-making; and an activist approach to pedagogy. It is a must-read book for anyone interested in rhetoric, technology, and pedagogy, including faculty, graduate students, and colleagues in professions outside the academy.

"Screenwriting With a Conscience: Ethics for Screenwriters" is for screenwriters who care deeply about what they write; who are aware that movie images matter and can influence audiences; and who want to create meaningful screenplays that make powerful statements while entertaining and winning over audiences. A user-friendly guide to ethical screenwriting, this book makes the case that social responsibility is endemic to public art while it emphatically champions First Amendment rights and condemns censorship.
In this dynamic and practical volume, author Marilyn Beker provides methods for self-assessment of values, ideas, and ethical stances, and demonstrates the application of these values to the development of plot, character, and dialogue. Screenwriters are introduced to ethical decision making models and shown--through specific film examples--how they can be utilized in plot and character development. In addition, specific techniques and exercises are supplied to help screenwriters determine the difference between "good" and "evil," to write realistic and compelling characters based on this determination, and to present "messages" and write dialogue powerfully without preaching. This book also puts forth a livable work philosophy for dealing with the ethics of the screenwriting business, and presents a viable personal philosophy for surviving in the screenwriting world.
"Screenwriting With a Conscience: Ethics for Screenwriters" is an indispensible, dynamic guide for the ethics-conscious screenwriter. It is intended for screenwriters at the student and professional level, and is appropriate for beginning to graduate screenwriting courses in film and English programs, andfor film courses dealing with Ethics in the Media.

In this innovative fusion of practice and criticism, Jeremy Scott shows how insights from stylistics can enrich the craft of creative writing. Focusing on crucial methodological issues that confront the practicing writer, Creative Writing and Stylistics: - introduces key topics from stylistics; - provides in-depth analysis of a wide range of writing examples; - includes practical exercises to help develop creative writing skills. Clear and accessible, this invaluable guide will give both students and writers a greater critical awareness of the creative possibilities of language.

The Rhetoric of Videogames as Embodied Practice offers a critical reassessment of embodiment and materiality in rhetorical considerations of videogames. Holmes argues that rhetorical and philosophical conceptions of "habit" offer a critical resource for describing the interplay between thinking (writing and rhetoric) and embodiment. The book demonstrates how Aristotle's understanding of character (ethos), habit (hexis), and nature (phusis) can productively connect rhetoric to what Holmes calls "procedural habits": the ways in which rhetoric emerges from its interactions with the dynamic accumulation of conscious and nonconscious embodied experiences that consequently give rise to meaning, procedural subjectivity, control, and communicative agency both in digital game design discourse and the activity of play.

'I don't understand how we got here. How we got to the point of actual physical fucking violence' It seemed so straightforward: her and him, sex, whenever they wanted. But when the casual becomes routine and what was convenient turns all-consuming, she's left trying to figure out, trying to remember when the 'straightforward' became so vicious. Michelle Barnette's brutal debut play explores the toxicity of casual dating and the grey area between love and sex, consent and compliance, yes and no.

The screenplays of award-winning playwright John Patrick Shanley have earned him a reputation as a gifted writer with a great range and imagination. His movies Moonstruck, Five Corners, and Joe Versus the Volcano have starred such Hollywood luminaries as Cher-who took home an Oscar for her performance in Moonstruck-Nicolas Cage, Jodie Foster, John Turturro, Meg Ryan, and Tom Hanks. This collection showcases Shanley's talent for creating dialogue that is true to his characters and his ability to tell their stories in eccentric and intensely humorous situations.

Writing for children is not about writing little stories, it is about writing big stories, shorter. Children's literature is an art form in its own right, and this book is for everyone who wants not just to write for children, but to write well for them. This short guide to creative writing for children is based on the author's own successful MA course. Andrew Melrose provides guidance on every aspect of the process of writing for children. He stresses the importance of 'writing for' the child and not 'writing to or at' them. Literacy and learning depend on writing and reading and it is therefore the responsibility of the writer to understand who they are writing for. The book is divided into four sections which cover all aspects of the writing process.
This book goes far beyond the 'how to' format to help writers learn the finely balanced craft of writing for children. It will be an indispensable handbook for aspiring and practising children's authors.

eBook available with sample pages: 0203164849

Othello, the general of the Venetian army, holds much power and influence but becomes the target of an insidious plot to steal his coveted position. He is overcome with paranoia and enthralled with rumors of his wife's potential infidelity. Othello has fallen in love with a senator's daughter, Desdemona, and the two secretly marry. Their partnership generates shock and confusion as Desdemona was also loved by Roderigo, who'd already asked for her hand. Othello's ensign, Iago, is envious of the general and is spurned when he promotes the young Cassio to a higher position. This marks the beginning of a plot in which Iago plans to destroy Othello's personal and professional life. He attacks his marriage by stoking the flames of jealousy, insinuating Desdemona's infidelity. This leads to a violent confrontation with a morbid outcome. Othello is one of William Shakespeare's most well-known plays. It tackles multiple topics including race, gender, politics and revenge. It's a gripping drama that details the dangers of greed, envy and their inescapable consequences. With an eye-catching new cover, and professionally typeset manuscript, this edition of Othello is both modern and readable.

The publishing landscape can be a tricky one to navigate. There are so many aspects to authoring and publishing a book that it's easy for you to make critical mistakes that can you off course and significantly decrease your chances for success. How many of the 50 biggest mistakes authors make are you making? When you learn to avoid the biggest mistakes authors make you can greatly enhance your chances for success in the publishing world. In this insider's look at the worlds of publishing and book marketing coauthors Rick Frishman, Bret Ridgway and Bryan Hane bring their 65 combined years of experience in the publishing world to you and share their secrets to success. You'll learn: How to master media and other key marketing channels authors should use Keys to capturing the browsing buyer in bookstores and online The new publishing landscape and how it impacts you How to increase the readability of your book so readers keep coming back How your book is the key piece of your own information marketing empire And much, much more

Discover the Secrets to Getting Published. Writing a book? In the beginning stages of writing a book, most people start with a blank page and write their entire manuscript. According to author and acquisitions editor W. Terry Whalin, this approach is backwards. About 80% to 90% of nonfiction books are sold from a book proposal. This mysterious document called a proposal contains many elements that will never appear in a manuscript-yet these details are critical to publishing executives who make the decision about publishing or rejecting an author's project. In Book Proposals That Sell, Terry reveals 21 secrets to creating a book proposal that every author needs in order to create one that sells.

The Technique of the Mystery Story (1914) is a book by Carolyn Wells. Before she began writing her Detective Fleming Stone series of mystery novels, Carolyn Wells was a published poet, accomplished children's author, and professional jingle writer. In the middle of her career, she heard a mystery story by Anna Katharine Green and was instantly hooked. Through years of practice and attention to the craft, she earned a reputation as a leading fiction writer of her generation, an adept craftswoman whose stories appeared in some of the leading newspapers and magazines of the day. "Why is the detective story? To entertain, to interest, to amuse. It has no deeper intent, no more subtle raison d'etre than to give pleasure to its readers." Writing is a simple act, requiring only the mind, a pen, and a piece of paper. But how does one write well, grabbing the reader's attention and ensuring their time will be rewarded by the end of the story? In The Technique of the Mystery Story, Carolyn Wells cuts to the core of a craft she defined despite coming to it late in her career. Exploring the history of the genre, defining its many different forms, and illuminating the stylistic choices that keep a mystery tale running smoothly, Wells provides an invaluable template for writers looking to follow in her footsteps or for readers looking for access to the mind and process of a woman revered in her field. With a beautifully designed cover and professionally typeset manuscript, this edition of Carolyn Wells' The Technique of the Mystery Story is a classic work of American detective fiction reimagined for modern readers.

Metro is a unique multi-genre creative writing text that provides exercises and prompts to help students move beyond terms and concepts to active writing. By using "guided writing," the authors help students through the creative processes in fiction, poetry, drama, and creative nonfiction. A mini-anthology with relevant exercises makes this sourcebook complete.

The Technique of the Mystery Story (1914) is a book by Carolyn Wells. Before she began writing her Detective Fleming Stone series of mystery novels, Carolyn Wells was a published poet, accomplished children's author, and professional jingle writer. In the middle of her career, she heard a mystery story by Anna Katharine Green and was instantly hooked. Through years of practice and attention to the craft, she earned a reputation as a leading fiction writer of her generation, an adept craftswoman whose stories appeared in some of the leading newspapers and magazines of the day. "Why is the detective story? To entertain, to interest, to amuse. It has no deeper intent, no more subtle raison d'etre than to give pleasure to its readers." Writing is a simple act, requiring only the mind, a pen, and a piece of paper. But how does one write well, grabbing the reader's attention and ensuring their time will be rewarded by the end of the story? In The Technique of the Mystery Story, Carolyn Wells cuts to the core of a craft she defined despite coming to it late in her career. Exploring the history of the genre, defining its many different forms, and illuminating the stylistic choices that keep a mystery tale running smoothly, Wells provides an invaluable template for writers looking to follow in her footsteps or for readers looking for access to the mind and process of a woman revered in her field. With a beautifully designed cover and professionally typeset manuscript, this edition of Carolyn Wells' The Technique of the Mystery Story is a classic work of American detective fiction reimagined for modern readers.

Generations of student writers have been subjected to usage handbooks that proclaim, "This is the correct form. Learn it"--books that lay out a grammar, but don't inspire students to use it. By contrast, this antihandbook handbook, presenting some three hundred sentences drawn from the printed works of a single, typical day in the life of the language--December 29, 2008--tries to persuade readers that good grammar and usage matter. Using real-world sentences rather than invented ones, One Day in the Life of the English Language gives students the motivation to apply grammatical principles correctly and efficiently. Frank Cioffi argues that proper form undergirds effective communication and ultimately even makes society work more smoothly, while nonstandard English often marginalizes or stigmatizes a writer. He emphasizes the evolving nature of English usage and debunks some cherished but flawed grammar precepts. Is it acceptable to end a sentence with a preposition? It is. Can you start a sentence with a conjunction? You can. OK to split an infinitive? No problem. A grammar and usage handbook like no other, One Day in the Life of the English Language features accessible chapters divided into "Fundamentals," "Fine Tuning," and "Deep Focus," allowing readers to select a level most suited to their needs. It also includes a glossary, a teachers' guide, and a section refuting some myths about digital-age English.

A lapsed academic haunted by her past, and by an ambiguous angel, in the backwoods of the American South; a Midwestern widower dreams of returning to the Ireland of his youth; a heartsick cabbie auditions for his ex in a pub-theatre in Cork City; a schizophrenic grapples for freedom from the mother in his mind; three voices of the COVID-19 pandemic seek long-distance resolution and reunion. In these and other monologues, selected from over two decades of work, award-winning American playwright Dan O'Brien illuminates, in heartbreaking and unwavering fashion, the humanity of lost souls longing to be heard. "Dan O'Brien is a playwright-poet who, like a mash-up of Seamus Heaney and Dashiel Hammett, puts the audience in the middle of an unfolding mystery promising both revelation and terror, and delivering an equal measure of both." Robert Schenkkan "O'Brien is an outstanding wordsmith and a sharp observer of character." Variety "emotionally gripping, psychologically astute...a bracing and absorbing piece of theater." New York Times (Critics' Pick) on The Body of an American "A masterpiece of truthfulness and feeling" The Guardian on War Reporter "utterly riveting...frequently exhilarating" The Washington Post on The Body of an American

This classic short novel gets a classic Mark Wheeller treatment. An adaptation of a George Eliot novel might seem something of a departure, but as the play contains only words used in the novel the production exhibits narrative characteristics of other Mark Wheeller plays. He has created a beautifully taut and compelling script with immense skill. Karen Robson. Southern Daily Echo. Silas Marner, a member of a strict religious community, is wrongly accused of theft and is forced to move to the faraway village of Raveloe. A robbery at his new home leaves Marner without his hard earned gold and in the depths of depression. A mysterious, drug addicted woman is later found dead in the woods outside Marner's cottage. That same night he thinks his gold has returned... but it proves to be something very different... Silas Marner was originally performed as a Promenade production. It offers opportunities for imaginative staging that has become the hallmark for all the best known Wheellerplays. It will serve as a great read around the class script in English lessons because of its narrative style. The book is one of those allowed on various English GCSE Syllabi and is a set text for Edexcel GCSE English.