It is not surprising that biography is one of the most popular literary genres of our day. What is remarkable is that there is no accessible guide for how to write one. Now, following his recent Biography: A Brief History (from Harvard), award-winning biographer and teacher Nigel Hamilton tackles the practicalities of doing biography in this first succinct primer to elucidate the tools of the biographer's craft. Hamilton invites the reader to join him on a fascinating journey through the art of biographical composition. Starting with personal motivation, he charts the making of a modern biography from the inside: from conception to fulfillment. He emphasizes the need to know one's audience, rehearses the excitement and perils of modern research, delves into the secrets of good and great biography, and guides the reader through the essential components of life narrative. With examples taken from the finest modern biographies, Hamilton shows how to portray the ages of man-birth, childhood, love, life's work, the evening of life, and death. In addition, he suggests effective ways to start and close a life story. He clarifies the difference between autobiography and memoir-and addresses the sometimes awkward ethical, legal, and personal consequences of truth-telling in modern life writing. He concludes with the publication and reception of biography-its afterlife, so to speak. Written with humor, insight, and compassion, How To Do Biography is the manual that would-be biographers have long been awaiting.

A good story can easily be ruined by bad dialogue. Now in its 4th edition, Rib Davis's bestselling Writing Dialogue for Scripts provides expert insight into how dialogue works, what to look out for in everyday speech and how to use dialogue effectively in scripts. Examining practical examples from film, TV, theatre and radio, this book will help aspiring and professional writers alike perfect their skills. The 4th edition of Writing Dialogue for Scripts includes: a look at recent films, such as American Hustle and Blue Jasmine; TV shows such as Mad Men and Peaky Blinders; and the award winning play, Ruined. Extended material on use of narration within scripts (for example in Peep Show) and dialogue in verbatim scripts (Alecky Blythe's London Road) also features.

The classic text on writing well, now refreshed and updated. This is the one guide that anyone who writes--whether student, businessperson, or professional writer--should keep on his or her desk. Filled with professional tips and a wealth of instructive examples, 100 Ways to Improve Your Writing can help solve any writing problem. In this compact, easy-to-use volume you'll find the eternal building blocks of good writing--from grammar and punctuation to topic sentences--as well as advice on challenges such as writer's block and creating a strong title. It is a must-have resource--perfect for reading cover to cover, or just for keeping on hand for instant reference--now updated and refreshed for the first time.

This pioneering book introduces students to the practice and art of creative writing and creative reading. It offers a fresh, distinctive and beautifully written synthesis of the discipline. David Morley discusses where creative writing comes from, the various forms and camouflages it has taken, and why we teach and learn the arts of fiction, poetry and creative nonfiction. He looks at creative writing in performance; as public art, as visual art, as e-literature and as an act of community. As a leading poet, critic and award-winning teacher of the subject, Morley finds new engagements for creative writing in the creative academy and within science. Accessible, entertaining and groundbreaking, The Cambridge Introduction to Creative Writing is not only a useful textbook for students and teachers of writing, but also an inspiring read in its own right. Aspiring authors and teachers of writing will find much to discover and enjoy.

LEARN HOW TO WRITE CONVINCING AND COMPELLING DIALOGUE. Commissioning editors say good dialogue is one of the first things that make a book stand out from the crowd - and similarly, that clunky direct speech is one of the first things that will send a book straight from the slushpile to the rejections bin. But while many other aspects of writing are pored over in intense detail, there have been very few books on the art of writing successful dialogue. In this practical guide for aspiring writers of all levels, Irving Weinman, himself a published writer and well-known creative writing tutor, uses case studies to help you explore how to write good dialogue, and gives you a range of fun and challenging exercises that will help you to write great dialogue. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.

"What do you think of my fiction book writing?" the aspiring novelist extorted.

"Darn," the editor hectored, in turn. "I can not publish your novel It is full of what we in the business call 'really awful writing.'"

"But how shall I absolve this dilemma? I have already read every tome available on how to write well and get published " The writer tossed his head about, wildly.

"It might help," opined the blonde editor, helpfully, "to ponder how NOT to write a novel, so you might avoid the very thing "

Many writing books offer sound advice on how to write well. This is not one of those books. On the contrary, this is a collection of terrible, awkward, and laughably unreadable excerpts that will teach you what to avoid--at all costs--if you ever want your novel published.

In "How Not to Write a Novel," authors Howard Mittelmark and Sandra Newman distill their 30 years combined experience in teaching, editing, writing, and reviewing fiction to bring you real advice from the other side of the query letter. Rather than telling you how or what to write, they identify the 200 most common mistakes unconsciously made by writers and teach you to recognize, avoid, and amend them. With hilarious "mis-examples" to demonstrate each manuscript-mangling error, they'll help you troubleshoot your beginnings and endings, bad guys, love interests, style, jokes, perspective, voice, and more. As funny as it is useful, this essential how-NOT-to guide will help you get your manuscript out of the slush pile and into the bookstore.

What was happening behind the Tampa headlines? How do you force a big company to take responsibility for damaging the health of its workers? What do you do when you suspect a famous author is a fake? How does it feel to be on the receiving end of police crowd control? Or on a hillside, spellbound and fearful, watching the light being sucked from the sky during an eclipse? Top writers and journalists who have written about events and issues big and small talk frankly about how they approach the task in this highly readable new collection. The Writer's Reader combines selected non-fiction articles with interviews with authors reflecting on the process of writing. Academic writing can be dry and dull, but this refreshingly accessible anthology values straight talking about writing and makes the point that if you want to write, then you had better get reading.

Name some of the huge bestselling books over the years--"In Cold Blood; All the President's Men; The Perfect Storm; Black Hawk Down; Longitude; Jarhead"--and they all have one thing in common; they all read like novels. Author and agent Peter Rubie shows the reader how to join journalistic research with riveting, character-driven prose to create narrative nonfiction. This is the only book to focus on writing and marketing the narrative nonfiction "novel." (An earlier version of this book was published under the title "Telling the Story: How to Write and Sell Narrative Nonfiction." This version has been extensively reworked.)

Have you ever wanted to be a writer? Sherri always wanted to be a writer. Problem is, every one she knows tells her it can't be done. Instead she slogs to work every day, ignoring her dream. One day, at her favorite coffee shop, she meets Daniel. He'll soon teach her how to become the author she's always dreamed of being. This parable is fictional, but seven out of nine chapters include practical exercises for readers. If you're looking to become a writer or just struggling to find a better way, this short novel is for you. If you're ready, here's the first step. Start by reading the following statement: My Name is (state your name), and I am a Writer.