A BOLD NEW VISION FOR A NEW WORLD
Our way of life isn't working anymore. People are losing their jobs, their homes, their neighborhoods--and even their hope for a just society. We urgently need a new story to live by, based on fairness--not simply on the accumulation of wealth and "survival of the fittest."
"The Bond "offers a radical new blueprint for living a more harmonious, prosperous, and connected life. International bestselling author Lynne McTaggart demonstrates with hard science that we are living contrary to our true nature.
In fact, life doesn't have to be "I win, you lose; "we have been designed to succeed and prosper when we work as part of a greater whole. "The Bond "proves that we are weak when we compete, and thrive only when we cooperate and connect deeply with each other.
In this seminal book for our age, McTaggart also offers a complete program of practical tools and exercises to help you enjoy closer relationships--across even the deepest divides--encourage a more connected workplace, rebuild a united neighborhood, and become a powerful, global agent of change.

Why do some states and societies thrive while others do not? What awaits us in the future? Is there a universal model that can guide our success? The author, Vadim Makhov believes that there is and that it can be found by means of careful analysis of the past. In this truly big-idea book, he presents his `lucky clover' theory in which, when four critical elements - science, society, innovation and wealth - are present, interacting and developing simultaneously, culminate in success. Having studied hundreds of sources, scrutinized numerous tangled intricacies in world history, and found interesting correlations between various events and phenomena, the author sets out to demonstrate that, through careful analysis of the past, we can find the right path to success.

Financial advisor and TV presenter Emmanuel Asuquo, is here to prove that learning about money does not have to be boring, especially as we battle through the current cost of living crisis. Get Your Money Right is a no-nonsense, no jargon guide to money, written by the TV financial expert Emmanuel Asuquo who grew up in Tower Hamlets, where nobody talked about money, looking at Canary Wharf, where he thought everybody talked about it all day. It is designed to take you from wherever you are financially to a place where you are in CONTROL of your money, so that you can earn more of it, build wealth and finally, pass it on to the next generation. Emmanuel takes complicated financial principles and break them down into practical, easy-to-understand concepts; he may be an Instagram superstar, but he is also a certified financial adviser as well. He explains the basics of finance and what you must look out for - whether it is getting a Money Mindset, Building Good Financial Habits, through to how to spend it on property, cars, pensions or savings. To make all of this more understandable, he shares stories of clients he has helped and the mess they were in before they met him, giving specific tips into how he helped them out of their situation. Get Your Money Right will allow you to understand: The UK Financial System, Financial Education in the UK, Money Mindset, Building Good Financial Habits, Working a Nine-to-Five, Running a Business/Setting up a Side Hustle, Budgeting, How to Spend Money, The UK Credit System, Borrowing, Saving, Pensions, Investing, Property, Protecting your assets, Generational Wealth, Philanthropy Usually, with money, you need to learn from your mistakes, but now you can just read this book and learn from other people's and the advice of a qualified financial adviser. We can confirm that this book is great investment - it is the first step to understanding your money and making it work for you. Time to take CONTROL.

The hidden history of South Africa's book and reading cultures shows how the common practice of reading can illuminate the social and political history of a culture. This ground-breaking study reveals resistance strategies in the reading and writing practices of South Africans; strategies that have been hidden until now for political reasons relating to the country's liberation struggles. By looking to records from a slave lodge, women's associations, army education units, universities, courts, libraries, prison departments, and political groups, Archie Dick exposes the key works of fiction and non-fiction, magazines, and newspapers that were read and discussed by political activists and prisoners. Uncovering the book and library schemes that elites used to regulate reading, Dick exposes incidences of intellectual fraud, book theft, censorship, and book burning. Through this innovative methodology, Dick aptly shows how South African readers used reading and books to resist unjust regimes and build community across South Africa's class and racial barriers.

The Most Excellent Order of the British Empire celebrated its centenary year in 2017. In the past one hundred years, the order has gone from a way of rewarding men and women of all walks of life for service during the Great War to one of the most recognisable orders in the world.

The names change, but the game remains the same.

The pimp has reached nearly mythical status. We are fascinated by the question of how a guy from the ghetto with no startup capital and no credit -- nothing but the words out of his mouth -- comes not only to have a stable of sexy women who consider him "their man," but to drive a Rolls, sport diamonds, and wear custom suits and alligator shoes from Italy.

His secret is to follow the "unwritten rules of the game" -- a set of regulations handed down orally from older, wiser macks -- which give him superhuman powers of charm, psychological manipulation, and persuasion.

In "Pimpology," star of the documentaries "Pimps Up, Ho's Down" and American Pimp and Annual Players Ball Mack of the Year winner Ken Ivy pulls a square's coat on the unwritten rules that took him from the ghetto streets to the executive suites. Ken's lessons will serve any person in any interaction: Whether at work, in relationships, or among friends, somebody's got to be on top. To be the one with the upper hand, you've got to have good game, and good game starts with knowing the rules.

If you want the money, power, and respect you dream of, you can't just "pimp your ride," you need to pimp your whole life. And unless you've seen Ray Charles leading Stevie Wonder somewhere, you need Ken's guidelines to do it. They'll reach out and touch you like AT&T and bring good things to life like GE. Then you can be the boss with the hot sauce who gets it all like Monty Hall.

In 1784, passengers on the ship Empress of China became the first Americans to land in China, and the first to eat Chinese food. Today there are over 40,000 Chinese restaurants across the United States--by far the most plentiful among all our ethnic eateries. Now, in Chop Suey Andrew Coe provides the authoritative history of the American infatuation with Chinese food, telling its fascinating story for the first time.
It's a tale that moves from curiosity to disgust and then desire. From China, Coe's story travels to the American West, where Chinese immigrants drawn by the 1848 Gold Rush struggled against racism and culinary prejudice but still established restaurants and farms and imported an array of Asian ingredients. He traces the Chinese migration to the East Coast, highlighting that crucial moment when New York "Bohemians" discovered Chinese cuisine--and for better or worse, chop suey. Along the way, Coe shows how the peasant food of an obscure part of China came to dominate Chinese-American restaurants; unravels the truth of chop suey's origins; reveals why American Jews fell in love with egg rolls and chow mein; shows how President Nixon's 1972 trip to China opened our palates to a new range of cuisine; and explains why we still can't get dishes like those served in Beijing or Shanghai. The book also explores how American tastes have been shaped by our relationship with the outside world, and how we've relentlessly changed foreign foods to adapt to them our own deep-down conservative culinary preferences.
Andrew Coe's Chop Suey: A Cultural History of Chinese Food in the United States is a fascinating tour of America's centuries-long appetite for Chinese food. Always illuminating, often exploding long-held culinary myths, this book opens a new window into defining what is American cuisine.

Storytelling has proliferated today, from TED Talks and Humans of New York to a plethora of story-coaching agencies and consultants. These narratives are typically heartbreaking accounts of poverty, mistreatment, and struggle that often move us deeply. But what do they move us to? And what are the stakes in the crafting and use of storytelling? In Curated Stories, Sujatha Fernandes considers the rise of storytelling alongside the broader shift to neoliberal, free-market economies to argue that stories have been reconfigured to promote entrepreneurial self-making and restructured as easily digestible soundbites mobilized toward utilitarian ends. Fernandes roams the globe and returns with stories from the Afghan Women's Writing Project, the domestic workers movement and the undocumented student Dreamer movement in the United States, and the Mision Cultura project in Venezuela to show how the conditions under which the stories are told, the tropes through which they are narrated, and the ways in which they are responded to may actually disguise the deeper contexts of global inequality. Curated stories shift the focus away from structural problems and defuse the confrontational politics of social movements. Not just a critical examination of contemporary use of narrative and its wider impact on our collective understanding of pressing social issues, Curated Stories also explores how storytelling might be reclaimed to allow for the complexity of experience to be expressed in pursuit of transformative social change.

Anglo-Japanese Cultural Pioneers 1945-2015 covers interviews with ten prominent people in the field of Anglo-Japanese exchange, showing the rich cultural diversity and interaction between professional people in the UK, Europe and Japan during the last 70 years since 1945. Coming from diverse backgrounds, diplomats, scholars, musicians, business people, journalists, gardeners, and humanitarian activists, all of whom have made an impact in the field of international understanding, and contibuted to the social history of of our era.

A perennially popular collection of colour cartoon illustrations, with accompanying texts, on the endearing oddities of our British life and character. Drawing on their many years' experience of teaching English as a Foreign Language the authors also offer the wider world a tongue-in-cheek guide on how to get around in English and at the same time make sense of our 'funny ways'. It's a gentle brand of satire, and although there's the occasional barbed arrow for bland food, fashion disasters or dubious standards of hygiene, the tone of The "How To Be British Collection" is more nostalgic than scornful, and the pet-loving, royal-watching, tea drinking characters that populate its pages are viewed with wry affection. Cartoons like "How to be Polite" and "How to Complain" have been reproduced in publications all over the world, perhaps because they put a finger on that peculiar tentativeness that foreigners find so puzzling (and so funny) about us. In order to be British, or at any rate to pass unnoticed in British society, the visitor must learn not to 'make a fuss'. A fuss is something that the true Brit cannot stand. It is nearly as bad as a 'scene', and in the same category as 'drawing attention to yourself'. In the first frame of How To Be Polite, a man -- presumably an uninitiated foreign visitor -- has fallen into a river. He's clearly in trouble and is shouting HELP! -- at the top of his voice, judging by the speech bubble. An English gentleman is walking his dog along the river bank. There's a lifebelt prominently displayed beside them, but the gent and his dog are walking away from the emergency with disapproving expressions. In the next frame, the man in the river has changed his strategy and is calling out: "Excuse me, Sir. I'm terribly sorry to bother you, but I wonder if you would mind helping me a moment, as long as it's no trouble, of course...". And this time, naturally, the English gent is rushing to his aid, throwing the lifebelt into the water. Even the dog is smiling. Much of the material in The "How to be British Collection" is about how cultural differences can prove a minefield for the unwary. To that extent its appeal - in an age where so many of us travel and even set up home overseas - is universal. Every visitor to Britain comes knowing that our favourite conversational gambit is the weather. But how many can successfully do it at 1) Elementary 2) Intermediate and 3) Advanced levels? The book's enduring popularity comes from the recognition factor -- how exposed we can be once we stray away from the comfort zone of our own native language. A hapless visitor, phrase book in hand, stops to ask an old lady in the street for directions. He looks pleased with himself for phrasing the question so nicely, but then is utterly at a loss to understand her long, rambling, minutely detailed reply. We've all been there. To help the poor innocent abroad around these cultural and linguistic booby-traps, the book includes on most pages collectible Expressions to learn and (of course) Expressions to avoid. Thus, under the entry for Real English, which negotiates the difficult area of colloquial speech including "idioms, slang and even the occasional taboo word, as used by flesh and blood native speakers" we find -- Expressions to learn:"'E nicked it off of a lorry and now the coppers 'ave done 'im for it." Expressions to avoid: "That's not correct English, Mrs. Jones -- it says so here in my grammar book".

You need to read this book if you have an interest in where new technology is taking storytelling. "Set the Storyworld to Random" is about storytelling, media and modern audiences.

A New York Times Notable Book of the Year

Twenty-five years ago, after Richard Nixon resigned the presidency, Gerald Ford promised a return to normalcy. "My fellow Americans, our long national nightmare is over," President Ford declared.

But it was not. The Watergate scandal, and the remedies against future abuses of power, would have an enduring impact on presidents and the country. In Shadow, Bob Woodward takes us deep into the administrations of Ford, Carter, Reagan, Bush and Clinton to describe how each discovered that the presidency was forever altered. With special emphasis on the human toll, Woodward shows the consequences of the new ethics laws, and the emboldened Congress and media. Powerful investigations increasingly stripped away the privacy and protections once expected by the nation's chief executive.

Shadow is an authoritative, unsettling narrative of the modern, beleaguered presidency.

An intriguing account of what has attracted musicians, artists, writers and people of the theatre to the delights of coastal Suffolk over the last 200 years and beyond. Inspiration has been drawn from the constantly changing North Sea, the generously proportioned skies, vast areas of serene marshes and abundant wildlife. All appear to be persuaded that there is something very special about the area. The likes of JMW Turner, Philip Wilson Steer and Charles Rennie Mackintosh found what they wanted here. The same applied to Benjamin Britten, Yehudi Menuhin, EM Forster and WH Auden. Elizabeth Jane Howard's books are as popular as ever and Jill Freud's Summer Theatre continues to thrive. There is something for everyone in coastal Suffolk.

The Civil War in Missouri was a time of great confusion, violence, and destruction. Although several major battles were fought in the state between Confederate and Union forces, much of the fighting in Missouri was an ugly form of terrorism carried out by loose bands of Missouri guerrillas, by Kansas "Jayhawkers," or by marauding patrols of Union soldiers. This irregular warfare provided a training ground for people like Jesse and Frank James who, after the war, used their newly learned skills to form an outlaw band that ultimately became known all over the world.

Jesse James and the Civil War in Missouri discusses the underlying causes of the Civil War as they relate to Missouri and reveals how the war helped create both the legend and the reality of Jesse James and his gang. Written in an accessible style, this valuable little book will be welcomed by anyone with an interest in the Civil War, the legend of Jesse James, or Missouri history.