The life-like depiction of the body became a central interest and defining characteristic of the European Early Modern period that coincided with the establishment of which images of the body were to be considered 'decent' and representable, and which disapproved, censored, or prohibited. Simultaneously, artists and the public became increasingly interested in the depiction of specific body parts or excretions. This book explores the concept of indecency and its relation to the human body across drawings, prints, paintings, sculptures, and texts. The ten essays investigate questions raised by such objects about practices and social norms regarding the body, and they look at the particular function of those artworks within this discourse. The heterogeneous media, genres, and historical contexts north and south of the Alps studied by the authors demonstrate how the alleged indecency clashed with artistic intentions and challenges traditional paradigms of the historiography of Early Modern visual culture.

Living Culturally Responsive Mathematics Education with/in Indigenous Communities explores challenges and possibilities across international contexts, involving Indigenous and non-Indigenous scholars, teachers and Elders responding to calls for improved education for all Indigenous students. Authors from Australia, New Zealand, United States, Micronesia, and Canada explore the nature of culturally responsive mathematics education. Chapters highlight the importance of relationships with communities and the land, each engaging critically with ideas of culturally responsive education, exploring what this stance might mean and how it is lived in local contexts within global conversations. Education researchers and teacher educators will find a living pathway where scholars, educators, youth and community members critically take-up culturally responsive teachings and the possibilities and challenges that arise along the journey. Contributors are: Dayle Anderson, Dora Andre-Ihrke, Jo-ann Archibald Q'um Q'um Xiiem, Maria Jose Athie-Martinez, Robin Averill, Trevor Bills, Beatriz A. Camacho, A. J. (Sandy) Dawson, Dwayne Donald, Herewini Easton, Tauvela Fale, Amanda Fritzlan, Florence Glanfield, Jodie Hunter, Roberta Hunter, Newell Margaret Johnson, Julie Kaomea, Robyn Jorgensen, Jerry Lipka, Lisa Lunney Borden, Dora Miura, Sharon Nelson-Barber, Cynthia Nicol, Gladys Sterenberg, Marama Taiwhati, Pania Te Maro, Jennifer S. Thom, David Wagner, Evelyn Yanez, and Joanne Yovanovich.

"Southeast Asian Affairs, first published in 1974, continues today to be required reading for not only scholars but the general public interested in in-depth analysis of critical cultural, economic and political issues in Southeast Asia. In this annual review of the region, renowned academics provide comprehensive and stimulating commentary that furthers understanding of not only the region's dynamism but also of its tensions and conflicts. It is a must read."-Suchit Bunbongkarn, Emeritus Professor, Chulalongkorn University. "Now in its forty- third edition, Southeast Asian Affairs offers an indispensable guide to this fascinating region. Lively, analytical, authoritative, and accessible, there is nothing comparable in quality or range to this series. It is a must read for academics, government officials, the business community, the media, and anybody with an interest in contemporary Southeast Asia. Drawing on its unparalleled network of researchers and commentators, ISEAS is to be congratulated for producing this major contribution to our understanding of this diverse and fast-changing region, to a consistently high standard and in a timely manner."-Hal Hill, H.W. Arndt Professor of Southeast Asian Economies, Australian National University.

The Cinema of Sofia Coppola provides the first comprehensive analysis of Coppola's oeuvre that situates her work broadly in relation to contemporary artistic, social and cultural currents. Suzanne Ferriss considers the central role of fashion - in its various manifestations - to Coppola's films, exploring fashion's primacy in every cinematic dimension: in film narrative; production, costume and sound design; cinematography; marketing, distribution and auteur branding. She also explores the theme of celebrity, including Coppola's own director-star persona, and argues that Coppola's auteur status rests on an original and distinct visual style, derived from the filmmaker's complex engagement with photography and painting. Ferriss analyzes each of Coppola's six films, categorizing them in two groups: films where fashion commands attention (Marie Antoinette, The Beguiled and The Bling Ring) and those where clothing and material goods do not stand out ostentatiously, but are essential in establishing characters' identities and relationships (The Virgin Suicides, Lost in Translation and Somewhere). Throughout, Ferriss draws on approaches from scholarship on fashion, film, visual culture, art history, celebrity and material culture to capture the complexities of Coppola's engagement with fashion, culture and celebrity. The Cinema of Sofia Coppola is beautifully illustrated with color images from her films, as well as artworks and advertising artefacts.

This book explores the theological voice of The Simpsons.Initially shunned by many in the Christian community when it made its television debut almost twenty years ago, after four hundred (and counting) episodes, and a feature-length film, few can deny that The Simpsons exhibits an astute understanding of Christianity in American culture. Its critiques of that culture are worth studying in detail. Jamey Heit's "The Springfield Reformation" investigates how The Simpsons blends important elements of contemporary American religious culture with a clear critique of the institutions and individuals that participate in and uphold that culture. Though The Simpsons is clearly a product of American popular culture, its writers offer up a well-planned, theologically informed religious climate in the cartoon world of Springfield. This world mirrors America in a way that allows the show's viewers to recognize that Christianity can hold together a family and a town that is rife with "sin," while at the same time exposing these very shortcomings.Heit focuses on distinct topics such as: god, the soul/the afterlife, prayer, the Christian ethic, evangelism, science versus religion, and faith (particularly in response to the question of why bad things happen to good people). He also explores the connections between various episodes, discussing how these connections, manifest an honest critique of Christianity in America. Engagingly written and guaranteed to appeal to smart, religiously curious fans of the show, Heit maintains that The Simpsons is not only a legitimate theological voice, but also that this voice offers a valuable addition to discussions about Christianity in America.

Building on the rich scholarly legacy of Gunnar Jarring, the Swedish Turkologist and diplomat, the fourteen contributions by sixteen authors representing a variety of disciplines in the humanities and the social sciences provide an insight into ongoing research trends in Uyghur and Xinjiang Studies. In one way or other all the chapters explore how new research in the fields of history, linguistics, anthropology and folklore can contribute to our understanding of Xinjiang's past and present, simultaneously pointing to those social and knowledge practices that Uyghurs today can claim as part of their traditions in order to reproduce and perpetuate their cultural identity. Contributors include: Ildiko Beller-Hann, Rahile Dawut, Arienne Dwyer, Fredrik Fallman, Chris Hann, Dilmurat Mahmut, Takahiro Onuma, Alexandre Papas, Eric Schluessel, Birgit Schlyter, Joanne Smith Finley, Rune Steenberg Jun Sugawara, AEsad Sulaiman, Abdurishid Yakup, Thierry Zarcone.

The German-Austrian social theorist and philosopher Leo Kofler (1907-1995) represents what Oskar Negt once called 'unmutilated, living Marxism'. Throughout his life he dealt with issues of history and modernity, Marxist philosophy and the critique of ideology, philosophical anthropology and aesthetics. In this volume, author and Kofler biographer Christoph Junke elucidates the contours of his philosophy of praxis, traces an arc from the socialist classics to postmodernism, and outlines the socialist humanist thinker's enduring relevance. The book also includes six essays by Leo Kofler published in English for the first time. The main work was first published in German as Leo Koflers Philosophie der Praxis: Eine Einfuhrung in sein Denken by Laika Verlag, 2015, ISBN 978-944233-33-8. Copyright by Laika Verlag.

Cultural transfers between eighteenth-century France and Britain did much to shape the intellectual identity of each nation. But what were the main channels of communication? How did they function? What was their impact? In Cultural transfers: France and Britain in the long eighteenth century a team of specialists focuses on the networks and correspondences on which these exchanges were based, the concrete form they took and the material, political or ideological constraints which governed them. Particular attention is paid to the roles of: intermediaries such as diplomats, scientific institutions, or the Huguenot exiles who played a crucial part in disseminating English scientific, theological and political writings gazettes, learned periodicals, and government-sponsored journals where the French learned about British political debates and institutions translators, who could significantly alter texts in line with their own preconceptions and agendas or the expectations of their readers This multidisciplinary book moves beyond the classic concern with 'influences' of one author or culture on another. It presents a new understanding of the hidden international networks that sustained the Republic of Letters and of the synthesis that emerged through contacts and interaction between French and British culture.

The complex interweaving of different Western visions of China had a profound impact on artistic exchange between China and the West during the nineteenth century. Beyond Chinoiserie addresses the complexity of this exchange. While the playful Western "vision of Cathay" formed in the previous century continued to thrive, a more realistic vision of China was increasingly formed through travel accounts, paintings, watercolors, prints, book illustrations, and photographs. Simultaneously, the new discipline of sinology led to a deepening of the understanding of Chinese cultural history. Leading and emerging scholars in the fields of art history, literary studies and material culture, have authored the ten essays in this book, which deal with artistic relations between China and the West at a time when Western powers' attempts to extend a sphere of influence in China led to increasingly hostile political interactions.

During the 1976 Bicentennial celebration, millions of Americans engaged with the past in brand-new ways. They became absorbed by historical miniseries like Roots, visited museums with new exhibits that immersed them in the past, propelled works of historical fiction onto the bestseller list, and participated in living history events across the nation. While many of these activities were sparked by the Bicentennial, M. J. Rymsza-Pawlowska shows that, in fact, they were symptomatic of a fundamental shift in Americans' relationship to history during the 1960s and 1970s. For the majority of the twentieth century, Americans thought of the past as foundational to, but separate from, the present, and they learned and thought about history in informational terms. But Rymsza-Pawlowska argues that the popular culture of the 1970s reflected an emerging desire to engage and enact the past on a more emotional level: to consider the feelings and motivations of historic individuals and, most importantly, to use this in reevaluating both the past and the present. This thought-provoking book charts the era's shifting feeling for history, and explores how it serves as a foundation for the experience and practice of history making today.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Spanish Spaces is a pioneering study that marries contemporary cultural geography with contemporary Spanish culture. The field of cultural geography has grown both extensively and rapidly, as has the field of cultural analysis and debate on Spanish cultural texts; yet despite a convergence in study between cultural geography (and cultural studies more widely) and cultural texts themselves, this has made little impact to date within the area of contemporary Spanish cultural studies. Yet Spain's varied terrain, with complex negotiations between rural, urban and coastal (negotiations that have on occasion spilled over into political and violent conflict), and perhaps its very lack of a contemporary landscape tradition familiar to British and German cultural studies, offer the opportunity for fresh insights into questions of landscape, space and place. Drawing on case studies from contemporary Spanish film and literature, Davies explores the themes of memory and forgetting, nationalism and terrorism, crime and detection, gender, tourism and immigration, investigating what it means to think of space and places in specifically Spanish terms.

Surveying the widespread appropriations of the Gothic in contemporary literature and culture, Post-Millennial Gothic shows contemporary Gothic is often romantic, funny and celebratory. Reading a wide range of popular texts, from Stephenie Meyer's Twilight series through Tim Burton's Gothic film adaptations of Sweeney Todd, Alice in Wonderland and Dark Shadows, to the appearance of Gothic in fashion, advertising and television, Catherine Spooner argues that conventional academic and media accounts of Gothic culture have overlooked this celebratory strain of 'Happy Gothic'. Identifying a shift in subcultural sensibilities following media coverage of the Columbine shootings, Spooner suggests that changing perceptions of Goth subculture have shaped the development of twenty-first century Gothic. Reading these contemporary trends back into their sources, Spooner also explores how they serve to highlight previously neglected strands of comedy and romance in earlier Gothic literature.

At least 50 million people worldwide have epilepsy. Representing Epilepsy, the latest volume in LUP's acclaimed Representations series, seeks to understand the epileptic body as a literary or figurative device intelligible beyond a medical framework. Jeannette Stirling argues that neurological discourse from the late-nineteenth century through to the mid-twentieth century is as much forged by the cultural conditions and representational politics of the times as it is by the science of western medicine. Along the way she explores narratives of epilepsy depicting ideas of social disorder, tainted bloodlines, sexual deviance, spiritualism and criminality in works as diverse as David Copperfield and The X Files. This path-breaking book will be required reading for cultural disability studies scholars and for anyone seeking greater understanding of this common condition. 'Representing Epilepsy offers a clever exploration of the cultural history of this condition, based on an effective interdisciplinary approach. It will be of particular interest to scholars and students in the field of Medical Humanities, as well as to all those involved in the care of people with epilepsy, who wish to improve their understanding of the socio-cultural repercussions of the condition.' Maria Vaccarella, King's College London

In the Kitchen insists that the preparation of food, whether imaginative, physical, or spatial, is central to a deeper understanding of early modern food cultures and practices. Devoted to the arts of cooking and medicine, early modern kitchens concentrated on producing, processing, and preserving materials necessary for nourishment and survival; yet they also fed social and economic networks and nurtured a sense of physical, spiritual, and political connection to surrounding lands and their cultures. The essays in this volume illuminate this expansive view of cooking and aspire to show how the kitchen's inner workings prove tightly, though often invisibly, interwoven with local, national, and, increasingly, global surroundings. Engaging with literary and historical methodologies, including close reading, recipe analysis, and perspectives on gender, class, race, and colonialism, we begin to develop a shared theoretical and practical language for the art of cooking that combines the physical with the intellectual, the local with the global, and the domestic with the political.

In the mid-1780s Bentham drafted his first sustained discussions of political economy and public finance for Projet Matiere (itself part of Projet d'un corps de loix complet). Those discussions are now lost, but the corresponding marginal contents open this volume, followed by three closely related appendices. The volume continues with Defence of Usury, first published 1787, which was well received, quickly translated, and established some reputation for Bentham in political economy. In 1790, whilst preparing a second edition, Bentham drafted the raft of additional materials included here in five appendices. At the same time he began Manual of Political Economy, an introductory handbook which he never finished, while the surviving text appears here, supplemented by seven appendices. In March 1793 Bentham reacted to press reports of the Irish Budget by composing A Protest against Law Taxes, a trenchant critique of the taxation of legal proceedings, and the denial of justice to the poor, which was printed in 1793, published in 1795, and extended in 1816, and which completes the volume.

Contributions by Zoe Bursztajn-Illingworth, Marc DiPaolo, Emine Akkulah Do?fan, Caroline Eades, Noelle Hedgcock, Tina Olsin Lent, Rashmila Maiti, Jack Ryan, Larry T. Shillock, Richard Vela, and Geoffrey Wilson In Next Generation Adaptation: Spectatorship and Process, editor Allen H. Redmon brings together eleven essays from a range of voices in adaptation studies. This anthology explores the political and ethical contexts of specific adaptations and, by extension, the act of adaptation itself. Grounded in questions of gender, genre, and race, these investigations focus on the ways attention to these categories renegotiates the rules of power, privilege, and principle that shape the contexts that seemingly produce and reproduce them. Contributors to the volume examine such adaptations as Quentin Tarantino's Death Proof, Jacques Tourneur's Out of the Past, Taylor Sheridan's Sicario and Sicario: Day of the Soldado, Jean-Jacques Annaud's Wolf Totem, Spike Lee's He's Got Game, and Jim Jarmusch's Paterson. Each chapter considers the expansive dialogue adaptations accelerate when they realize their capacity to bring together two or more texts, two or more peoples, two or more ideologies without allowing one expression to erase another. Building on the growing trends in adaptation studies, these essays explore the ways filmic texts experienced as adaptations highlight ethical or political concerns and argue that spectators are empowered to explore implications being raised by the adaptations.

The Bhagavata Purana is one of the most important, central and popular scriptures of Hinduism. A medieval Sanskrit text, its influence as a religious book has been comparable only to that of the great Hindu epics, the Ramayana and the Mahabharata. Ithamar Theodor here offers the first analysis for twenty years of the Bhagavata Purana (often called the Fifth Veda ) and its different layers of meaning. He addresses its lyrical meditations on the activities of Krishna (avatar of Lord Vishnu), the central place it affords to the doctrine of bhakti (religious devotion) and its treatment of older Vedic traditions of knowledge. At the same time he places this subtle, poetical book within the context of the wider Hindu scriptures and the other Puranas, including the similar but less grand and significant Vishnu Purana. The author argues that the Bhagavata Purana is a unique work which represents the meeting place of two great orthodox Hindu traditions, the Vedic-Upanishadic and the Aesthetic. As such, it is one of India s greatest theological treatises. This book illuminates its character and continuing significance."