French Intellectuals at a Crossroads examines a broad array of interrelated subjects: the effect of World War I on France's intellectual community, the Russian Revolution of 1917 and the rise of international communism, calls for pacifism, the creation of an "Intellectuals' International of the Mind," the debate over the myth of the disengaged intellectual, the apolitical group of "intellectuels non-conformistes," and, finally, the challenges of surrealism. Together, these developments reflected the diversity of intellectual commitment in France in the uncertain and troubled 1920s and 1930s. The interwar period also witnessed France's relative decline, as expressed in a move from a mood of immense relief coupled with a feeling of debilitating fatigue to an inward-looking, pessimistic, and defeatist outlook that presaged World War II and national collapse.

In ANOTHER WAY OF SEEING, Peter Gabel argues that our most fundamental spiritual need as human beings is the desire for authentic mutual recognition. Because we live in a world in which this desire is systematically denied due to the legacy of fear of the other that has been passed on from generation to generation, we exist as what he calls "withdrawn selves," perceiving the other as a threat rather than as the source of our completion as social beings. Calling for a new kind of "spiritual activism" that speaks to this universal interpersonal longing, Gabel shows how we can transform law, politics, public policy, and culture so as to build a new social movement through which we become more fully present to each other-creating a new "parallel universe" existing alongside our socially separated world and reaffirming the social bond that inherently unites us. "Peter Gabel is one of the grand prophetic voices in our day. He also is a long-distance runner in the struggle for justice. Don't miss this book " -Cornel West, The Class of 1943 Professor, Princeton University, and Professor of Philosophy and Christian Practice, Union Theological Seminary "Peter Gabel has delivered a set of unmatched phenomenological analyses of the profound alienation that pervades everyday life in America in the early 21st century. His insightful descriptions of the way things really are challenge us to open our eyes, minds and hearts to our own and one another's deepest longings, and together, to bring one another back home. ... Like a pick axe thrown ahead to anchor us all, to paraphrase one of his most evocative images, Gabel's polemic teaches and inspires us to 'think with our hearts, ' to genuinely and confidently love ourselves and our brothers and sisters on this very planet Earth, to lift ourselves and one another on the strength of our authentic Presence, and to move things forward together. Now." -Rhonda V. Magee, Professor of Law, University of San Francisco

This book explores a common but almost forgotten historical argument that positions the Kurds as powerless victims of the First World War (WW1). To this end, the book looks critically at the unfavourable political situations of the Kurds in the post-WW1 era, which began with the emergence of three new modern nation-states in the Middle East-Turkey, Iraq, and Syria-as well as related modernising events in Iran. It demonstrates the dire consequences of oppressive international and regional state policies against the Kurds, which led to mass displacement and forced migration of the Kurds from the 1920s on. The first part of the book sets out the context required to explain the historic and systematic sociopolitical marginalisation of the Kurds in the Middle Eastern region until the present day. In the second part, the book attempts to explain the formation of Kurdish diaspora communities in different European cities, and to describe their new and positive shifting position from victims in the Middle East to active citizens in Europe. This book examines Kurdish diaspora integration and identity in some major cities in Sweden, Finland and Germany, with a specific focus and an in-depth discussion on the negotiation of multiculturalism in London. This book uncovers the gaps in the existing literature, and critically highlights the dominance of policy- and politics-driven research in this field, thereby justifying the need for a more radical social constructivist approach by recognising flexible, multifaceted, and complex human cultural behaviours in different situations through the consideration of the lived experiences and by presenting more direct voices of members of the Kurdish diaspora in London, and by articulating the new and radical concept of Kurdish Londoner.

Contemporary public speaking remains an important part of our national life and a substantial force in shaping current events. Many of America's most important moments and issues, such as wars, scandals, election campaigns, September 11, 2001, have been defined by oratory. Here, over 50 essays cover a substantial and interesting group of major American social, political, economic, and cultural figures from the 1960s to the present. Each entry explains the biographical forces that shaped a speaker and his or her rhetorical approach, focuses mainly on a discussion of the orator's major speeches within the context of historical events, and concludes with an appraisal of the speaker and his or her contribution to American political and social life. All entries incorporate chronologies of major speeches, bibliographies including primary sources, biographies, and critical studies and archival collections or Web sites appropriate for student research.

Entries include high profile individuals such as: John D. Ashcroft, Elizabeth Dole, Jerry Falwell, Anita Hill, Ralph Nader, Ronald Reagan, Janet Reno, Gloria Steinem, Malcolm X; and many others. Excerpts of major speeches and sidebars complement the text. Ideal for researchers and students in public speaking classes, American history classes, American politics classes, contemporary public address classes, and rhetorical theory/criticism classes.

In early-twentieth-century motion picture houses, offensive stereotypes of African Americans were as predictable as they were prevalent. Watermelon eating, chicken thievery, savages with uncontrollable appetites, Sambo and Zip Coon were all representations associated with African American people. Most of these caricatures were rendered by whites in blackface.

Few people realize that from 1915 through 1929 a number of African American film directors worked diligently to counter such racist definitions of black manhood found in films like D. W. Griffith's The Birth of a Nation, the 1915 epic that glorified the Ku Klux Klan. In the wake of the film's phenomenal success, African American filmmakers sought to defend and redefine black manhood through motion pictures.

Gerald Butters's comprehensive study of the African American cinematic vision in silent film concentrates on works largely ignored by most contemporary film scholars: African American-produced and -directed films and white independent productions of all-black features. Using these "race movies" to explore the construction of masculine identity and the use of race in popular culture, he separates cinematic myth from historical reality: the myth of the Euro American-controlled cinematic portrayal of black men versus the actual black male experience.

Through intense archival research, Butters reconstructs many lost films, expanding the discussion of race and representation beyond the debate about "good" and "bad" imagery to explore the construction of masculine identity and the use of race as device in the context of Western popular culture. He particularly examines the filmmaking of Oscar Micheaux, the most prolific and controversial of all African American silent film directors and creator of the recently rediscovered Within Our Gates-the legendary film that exposed a virtual litany of white abuses toward blacks.

"Black Manhood on the Silent Screen" is unique in that it takes contemporary and original film theory, applies it to the distinctive body of African American independent films in the silent era, and relates the meaning of these films to larger political, social, and intellectual events in American society. By showing how both white and black men have defined their own sense of manhood through cinema, it examines the intersection of race and gender in the movies and offers a deft interweaving of film theory, American history, and film history.

For Georgia, the signing of the Association Agreement and the DCFTA with the European Union in 2014 was an act of strategic geopolitical significance. Of all the EU's eastern partners, the country distinguished itself since the Rose Revolution of 2003 by pushing ahead with a radical liberalisation and economic reform agenda. Georgia is unique among the countries in the region for having largely cleansed its economy of corruption in the post-Rose Revolution period, although its political system is marked by oligarchal state capture since the change of government in 2012. The purpose of this Handbook is to make the complex political, economic and legal content of the Association Agreement readily understandable. This third edition, published seven years since signature of after entry into force of the Agreement's implementation is substantially new in content, both updating how Georgia has been implementing the Agreement, and introducing new dimensions (including the Green Deal, the Covid-19 pandemic, cyber security, and gender equality). The Handbook is also up to date in analysing Georgia's troubled democracy. Two teams of researchers from leading independent think tanks, CEPS in Brussels and Reformatics in Tbilisi, collaborated on this project, with the support of the Swedish International Development Agency (Sida). This Handbook is one of a trilogy examining similar Association Agreements made by the EU with Ukraine and Moldova.

Contributions by Susan Eleuterio, Andrea Glass, Rachelle Hope Saltzman, Jack Santino, Patricia E. Sawin, and Adam Zolkover. The 2016 US presidential campaign and its aftermath provoked an array of protests notable for their use of humor, puns, memes, and graphic language. During the campaign, a video surfaced of then-candidate Donald Trump's lewd use of the word "pussy"; in response, many women have made the issue and the term central to the public debate about women's bodies and their political, social, and economic rights. Focusing on the women-centred aspects of the protests that started with the 2017 Women's March, Pussy Hats, Politics, and Public Protest deals with the very public nature of that surprising, grassroots spectacle and explores the relationship between the personal and the political in the protests. Contributors to this edited collection use a folkloristic lens to engage with the signs, memes, handmade pussy hats, and other items of material culture that proliferated during the march and in subsequent public protests. Contributors explore how this march and others throughout history have employed the social critique functions and features of carnival to stage public protests; how different generations interacted and acted in the march; how perspectives on inclusion and citizenship influenced and motivated participation; how women-owned businesses and their dedicated patrons interacted with the election, the march, and subsequent protests; how popular belief affects actions and reactions, regardless of some objective notion of truth; and how traditionally female crafts and gifting behaviour strengthened and united those involved in the march.

This book provides an enlightening, representative account of how rappers talk about God in their lyrics-and why a sense of religion plays an intrinsic role within hip hop culture. Why is the battle between good and evil a recurring theme in rap lyrics? What role does the devil play in hip hop? What exactly does it mean when rappers wear a diamond-encrusted "Jesus" around their necks? Why do rappers acknowledge God during award shows and frequently include prayers in their albums? Rap and Religion: Understanding the Gangsta's God tackles a sensitive and controversial topic: the juxtaposition-and seeming hypocrisy-of references to God within hip hop culture and rap music. This book provides a focused examination of the intersection of God and religion with hip hop and rap music. Author Ebony A. Utley, PhD, references selected rap lyrics and videos that span three decades of mainstream hip hop culture in America, representing the East Coast, the West Coast, and the South in order to account for how and why rappers talk about God. Utley also describes the complex urban environments that birthed rap music and sources interviews, award acceptance speeches, magazine and website content, and liner notes to further explain how God became entrenched in hip hop. A bibliography of cited sources on rap music and hip hop culture An index of key terms and artists A discography of rap songs with religious themes

Due to various social and political affairs, cultures around the world have become increasingly strict. However, throughout history, many civilizations have created extensive and long-term cultural links with different cultural groups; this network of interaction activated the acculturation phenomenon. From past to present, cultures actuated language, religion, nationality, and war mechanisms to protect themselves. However, these ideological mechanisms of civilizations could not stop the cultural encounters and coexistence. This editorial work brings together an analysis of the cultural encounters and coexistence phenomena from different scholarly approaches throughout history. The book will solidify indulgences of cultures through visual and material evidence and effectively add to the scientific environment. We live in an age where cultures have started to behave more harshly with each other; in order to activate a culture of tolerance, we must re-examine the coexistence of cultures using historical evidence materials. This book is ideal for all branches of the social sciences, from literature to architectural history.

The Emergence of the French Public Intellectual provides a working definition of "public intellectuals" in order to clarify who they are and what they do. It then follows their varied itineraries from the Middle Ages through the Renaissance and the Enlightenment to the nineteenth century. Public intellectuals became a fixture in French society during the Dreyfus Affair but have a long history in France, as the contributions of Christine de Pizan, Voltaire, and Victor Hugo, among many others, illustrate. The French novelist Emile Zola launched the Dreyfus Affair when he published "J'Accuse," an open letter to French President Felix Faure denouncing a conspiracy by the government and army against Captain Alfred Dreyfus, who was Jewish and had been wrongly convicted of treason three years earlier. The consequent emergence of a publicly-engaged intellectual created a new, modern space in intellectual life as France and the world confronted the challenges of the twentieth century.

In the tradition of his own bestselling masterpieces "The Story of Civilization" and "The Lessons of History, " Pulitzer Prize-winning historian Will Durant here traces the lives and ideas of those who have helped to define civilization, from its dawn to the beginning of the modern world.

Four years before his death, Will Durant began work on an abbreviated version of his highly acclaimed eleven-volume series, "The Story of Civilization." The project was conceived as a series of audio lectures, but Durant soon realized that the dialogues could be developed into a book that would serve as a wonderfully readable introduction to the subject of history.

Durant completed twenty-one of a proposed twenty-three chapters before his death in 1981, at the age of ninety-six. Those chapters span thousands of years of human history -- from Confucius to Shakespeare, from the Roman Empire to the Reformation, finally ending in the eighteenth century. The manuscript was recently found by Will Durant scholar John Little -- twenty years after Durant finished it -- and its discovery is a major event, not only for lovers of his prose, but for students of history and philosophy the world over.

"Heroes of History" is a book of life-enhancing wisdom and optimism, complete with Durant's wit, knowledge, and unique ability to explain events and ideas in simple, exciting terms. It is the lessons of our heritage passed on for the edification and benefit of future generations -- a fitting legacy from America's most beloved historian and philosopher.

Will Durant's popularity as America's favorite teacher of history and philosophy remains undiminished by time. His books are accessible to readers of every kind, and his unique ability to compress complicated ideas and events into a few pages without ever "talking down" to the reader, enhanced by his memorable wit and a razor-sharp judgment about men and their motives, made all of his books huge bestsellers. "Heroes of History" carries on this tradition of making scholarship and philosophy understandable to the general reader, and making them good reading, as well.

At the dawn of a new millennium and the beginning of a new century, nothing could be more appropriate than this brilliant book that examines the meaning of human civilization and history and draws from the experience of the past the lessons we need to know to put the future into context and live in confidence, rather than fear and ignorance.

Will Durant's work is marked by his own special quality as a writer -- he is tough-minded, optimistic, courageous, and convinced that without a knowledge of the past there is no wisdom to guide us to the future. "Heroes of History" was his last word on the subject, and much of it has been aimed directly at the doubts and fears of people today. It is a major, and unexpected, literary and historical event.

This book is also available on audio tape and CD format, read by Will and Ariel Durant. If you would like more information on this and other products featuring Will Durant's life-enhancing philosophy, we encourage you to visit the web site at www.willdurant.com.

Grounded in the work of Roland Barthes, Bruno Latour, Pierre Bourdieu, and Michel Foucault, this exciting book uses food as a lens to examine agency and the political, economic, social, and cultural power which underlies every choice of food and every act of eating. The book is divided into three parts - National Characters; Anthropological Situations; Health - with each of the eight chapters exploring the power of food as well as the power relationships reflected and refracted through food. Featuring contributions from historians, sociologists, anthropologists, and cultural studies scholars from around the world, the book offers case studies of a diverse range -from German cuisine and ethnicity in San Francisco after the Gold Rush, through Italian cuisine in Japan, to 'ultragreasy bureks' and teenage fast food consumption in Slovenia. By directly engaging with questions of agency and power, the book pushes the field of food studies in new directions. An important read for students and researchers in food studies, food history, anthropology of food, and sociology of food.

This book engages with the experience of space and time in youth cultures across the world. Putting together contemporary case studies on young transnationalists, young glocals and young protesters in cities on the five continents, it analyzes new agoras and chronotopes in global cities. It is based on a selection of papers first presented to the International Sociological Association (ISA) Research Committee 34 session on Youth Cultures, Space and Time that took place during the ISA World Congresses of Sociology in Gothenburg, Sweden (2010), and in Yokohama, Japan (2014). The value of this volume for youth researchers worldwide is twofold. Firstly, the chapters exemplify innovative approaches to understanding the fluid and dynamic urban space-time dimension in which young people's cultural and bodily practices are located. Secondly, the volume offers a transnational perspective. Chapter contributors come from countries across the world, and give account of very diverse youth culture phenomena. They represent both established researchers and new voices in youth research. Contributors are: Oscar Aguilera Ruiz, Ilenya Camozzi, Carles Feixa, Vitor Sergio Ferreira, Liliana Galindo Ramirez, Elham Golpoush-Nezhad, Leila Jeolas, Jeffrey J. Juris, Hagen Kordes, Sofia Laine, Carmen Leccardi, Pam Nilan, Jordi Nofre, Ndukaeze Nwabueze, Luca Queirolo Palmas, Yannis Pechtelidis, Geoffrey Pleyers, Jose Sanchez Garcia, Mahmood Shahabi. Youth, Space and Time is now available in paperback for individual customers.

An authoritative, comprehensive, and highly accessible assessment of the happiest and least happy countries and cities in the world, as well as of the happiest and least happy cities and states in the United States. Which are the happiest countries in the world and which nations are the least contented? Which cities in the world are considered the happiest and unhappiest? Which American cities and states are at the top of the list and which ones rank poorly? Presenting findings that are based on solid data and authoritative information, this book offers a bold take on the geography of happiness around the world-and presents results that are often unexpected. It enables readers to make informed cross-cultural comparisons between countries and world cities, and uniquely synthesizes global information in a way that allows us answer the important question: "What makes us happy?" A book like no other, Global Happiness: A Guide to the Most Contented (and Discontented) Places around the Globe tackles the complex equation of determining what places offer the happiest living experiences by considering quality of life, prospects for the future, social relations, confidence in good government, and many other factors that together constitute critical differences in living experience. The author-a professor of geography and urban studies as well as a world traveler-also takes into account the current events, politics, and environmental situations of specific regions, states, and cities, and considers what residents of the cities and countries say about their own places to derive accurate and fair assessments. Supplies insightful and interesting information about all of the most contented and least contented countries and cities around the globe-and the factors that make the people who live in these places notably happy or discontented Examines and explains the complexity of happiness and contentment as they apply to specific places and regions in the world Synthesizes and evaluates the maze of existing rankings of cities and countries in the world with fresh and original information to produce a novel assessment of the geography of global happiness Presents information about cities and countries in all parts of the world fairly and in both positive and negative lights

In the wake of the First World War, in which France suffered severe food shortages, colonial produce became an increasingly important element of the French diet. The colonial lobby seized upon these foodstuffs as powerful symbols of the importance of the colonial project to the life of the French nation. But how was colonial food really received by the French public? And what does this tell us about the place of empire in French society? In Colonial Food in Interwar Paris, Lauren Janes disputes the claim that empire was central to French history and identity, arguing that the distrust of colonial food reflected a wider disinterest in the empire. From Indochinese rice to North African grains and tropical fruit to curry powder, this book offers an intriguing and original challenge to current orthodoxy about the centrality of empire to modern France by examining the place of colonial foods in the nation's capital.

What Movies Teach about Race: Exceptionalism, Erasure, & Entitlement reveals the way that media frames in entertainment content persuade audiences to see themselves and others through a prescriptive lens that favors whiteness. These media representations threaten democracy as conglomeration and convergence concentrate the media's global influence in the hands of a few corporations. By linking film's political economy with the movie content in the most influential films, this critical discourse study uncovers the socially-shared cognitive structures that the movie industry passes down from one generation to another. Roslyn M. Satchel encourages media literacy and proposes an entertainment media cascading network activation theory that uncovers racialized rhetoric in media content that cyclically begins in historic ideologies, influences elite discourse, embeds in media systems, produces media frames and representations, shapes public opinion, and then is recycled and perpetuated generationally.

Cookbooks. Menus. Ingredients. Dishes. Pots. Kitchens. Markets. Museum exhibitions. These objects, representations, and environments are part of what the volume calls the material cultures of food. The book features leading scholars, professionals, and chefs who apply a material cultural perspective to consider two relatively unexplored questions: 1) What is the material culture of food? and 2) How are frameworks, concepts, and methods of material culture used in scholarly research and professional practice? This book acknowledges that materiality is historically and culturally specific (local), but also global, as food both transcends and collapses geographical and ideological borders. Contributors capture the malleability of food, its material environments and "stuff," and its representations in media, museums, and marketing, while following food through cycles of production, circulation, and consumption. As many of the featured authors explore, food and its many material and immaterial manifestations not only reflect social issues, but also actively produce, preserve, and disrupt identities, communities, economic systems, and everyday social practices. The volume includes contributions from and interviews with a dynamic group of scholars, museum and information professionals, and chefs who represent diverse disciplines, such as communication studies, anthropology, history, American studies, folklore, and food studies.

Drawing on original fieldwork, Carl Morris examines Muslim cultural production in Britain, with a focus on the performance-based entertainment industries: music, comedy, film, television and theatre. It is a seminal study that charts the growing agency and involvement of British Muslims in cultural production over the last two decades. Morris sets this discussion within the context of wider religious, social and cultural change, with important insights concerning the sociological profile, religious lives and public visibility of Muslims in contemporary Britain. Morris draws on theoretical considerations concerning the mediatization of religion and cosmopolitanization in a globally-connected world. He argues that a new generation of media-savvy and internationalist Muslim cultural producers in Britain are constructing counter narratives in the public sphere and are reshaping everyday religious lives within their own communities. This is having a profound impact upon areas that range from Islamic authority and religious practice, to political and public debate, and understandings of Muslim identity and belonging.