Multiculturalism, Social Justice, and the Community: Contemporary Readings provides students with an introduction to the flawed nature of definitions of race and ethnicity, and how these definitions contribute to disparate treatment, especially in the criminal justice system. The anthology examines majority group discrimination and bias and their impact on minority groups. It also provides policy recommendations designed to improve police-minority relationships. Unit I introduces the concept of multiculturalism and features articles that explore why minority groups are disproportionately overrepresented in the justice system and why it's imperative for criminological theories to not only examine the social status of justice-involved minorities but also the ways in which they are targeted and treated by mainstream society. In Unit II, the readings examine social justice issues through the intersectional lenses of class, race, gender identity, and sexual orientation. In Unit III, students explore how communities have shifted, changed, and, in some cases, reinforced segregation because of income and class status. Each unit features an engaging introduction, summary, and student study questions. Designed to address timely topics within our global society, Multiculturalism, Social Justice, and the Community is an excellent resource for courses and programs in social and criminal justice.

The Enigma of Justice: Freedom and Morality in the Work of Immanuel Kant, G.W.F Hegel, Agnes Heller, and Axel Honneth offers a novel perspective on the idea of justice. Claire Nyblom argues that justice is a cultural and historical constant, routinely summoned as if it were a foundational concept to legitimate or challenge social arrangements. Instead, justice is characterized by a plurality of theories, containing regulative and critical dimensions that are in tension. Nyblom argues that the categorical imperative can be positioned as a strong evaluative standard that mediates plurality, creating a revisable idea of justice resistant to relativism. After identifying the originating architecture of Immanuel Kant and G.W.F Hegel, the discussion engages with the work of Agnes Heller and Axel Honneth, using the "pivots of justice" as an analytic lens focused on commonalities rather than differences. This framework leads to a dialogue between Heller and Honneth that strengthens their respective positions. The Enigma of Justice provides a valuable study and insight into the contemporary nature of justice. The book provides a useful orientation for students and scholars interested in debates about justice, and to those working in the areas of European philosophy, social and political theory, sociology, and the law.

This high-quality collectible replica of Harry Potter's Hogwarts trunk from the Harry Potter films includes a keepsake box, wand pen, interactive journal, enamel pin, Marauder's Map and more! A perfect gift for fans of the Wizarding World. Kit includes: * SPECIFICATIONS: This deluxe collectible includes a replica of Harry Potter's Hogwarts trunk measuring 12 inches long by 6-3/4 inches wide by 3-3/4 inches high, complete with a journal, Harry's wand-pen, a chocolate frog enamel pin, replicas of Harry Potter's Hogwarts acceptance letter, train ticket on the Hogwarts Express, Marauder's map, and ticket to a Quidditch match * AUTHENTIC REPLICA: This trunk is a molded replica of Harry Potter's trunk used for the Hogwarts School of Witchcraft and Wizardry * KEEPSAKE TRUNK: Full-color printed box modeled on the trunk seen in the Harry Potter films featuring two metal closing locks and handle, to transport anywhere * JOURNAL INCLUDED: Record your magical thoughts in this Hogwarts-themed journal, measuring 4-1/4 inches by 7 inches, complete with quotes, writing prompts, and photos throughout * PERFECT PRESENT: This one-of-a kind, ultra-deluxe, Wizarding World kit is a perfect gift or self-purchase for the Potter fan or collector * OFFICIALLY LICENSED: Authentic Harry Potter Collectible

This first and only English translation of Rong Xinjiang's The Silk Road and Cultural Exchanges Between East and West is a collection of 28 papers on the history of the Silk Road and the interactions among the peoples and cultures of East and Central Asia, including the so-called Western Regions in modern-day Xinjiang. Each paper is a masterly study that combines information obtained from historical records with excavated materials, such as manuscripts, inscriptions and artefacts. The new materials primarily come from north-western China, including sites in the regions of Dunhuang, Turfan, Kucha, and Khotan. The book contains a wealth of original insights into nearly every aspect of the complex history of this region.

The present book examines the cultural diversities of the Northeast region in India. The chapters cover various aspects of cultural forms and practices of the communities. It serves as a bridge between vanishing cultural forms and their commodification, on the one hand, and their cultural ritual origins, evolution and significance in identity formation, on the other. The book analyses the continuity of cultural forms, their plural embodied representations associated with people's belief systems and their reinventions under globalisation. Further, the book underlines historical forces such as colonialism and religious conversion that transformed socio-cultural practices. Yet some of the pre-colonial, ritual-performative traditions hold on. Theoretically rich in analysis, this book presents a balanced view of the region's historical, ethnic-folk and socio-cultural aspects. The book is invaluable to students and researchers in cultural studies, anthropology, folklore, history and literature. It is also helpful for those critical readers engaged in research and interested in Northeast cultural forms and practices.

Gender and Sexuality in the Southern United States provides students with engaging and thought-provoking readings that examine the intersection of sex, gender, and sexuality in the American South. The anthology emphasizes the myriad identities and expressions present in the South and the rich opportunities available for sociological study in the region. The anthology is divided into five distinct units. In Unit I, students read articles that provide them with a brief primer on the Southern U.S. and why it remains a unique region. Unit II explores issues of Southern womanhood, including performances of religiosity, gender inequality, and conception, pregnancy, and abortion. Unit III features readings that examine masculinities in the South. These articles discuss hunting and the masculine ideal, collegiate athletics and the mascotting of Black masculinity, and how the ideas of honor, mastery, and independence fuel the South's concept of the masculine. Unit IV features readings on trans and non-binary Southerners. The final unit discusses Southern queer history, the lives of lesbians and Black gay men in the South, and the struggle of the "toxic closet" for gay people living in conservative areas. Gender and Sexuality in the Southern United States is an ideal resource for courses in gender studies, gender and sexuality, and sociology.

Pop art has traditionally been the most visible visual art within popular culture because its main transgression is easy to understand: the infiltration of the "low" into the "high". The same cannot be said of contemporary art of the 21st century, where the term "Gaga Aesthetics" characterizes the condition of popular culture being extensively imbricated in high culture, and vice-versa. Taking Adorno and Horkheimer's "The Culture Industry" and Adorno's Aesthetic Theory as key touchstones, this book explores the dialectic of high and low that forms the foundation of Adornian aesthetics and the extent to which it still applied, and the extent to which it has radically shifted, thereby 'upending tradition'. In the tradition of philosophical aesthetics that Adorno began with Lukacs, this explores the ever-urgent notion that high culture has become deeply enmeshed with popular culture. This is "Gaga Aesthetics": aesthetics that no longer follows clear fields of activity, where "fine art" is but one area of critical activity. Indeed, Adorno's concepts of alienation and the tragic, which inform his reading of the modernist experiment, are now no longer confined to art. Rather, stirring examples can be found in phenomena such as fashion and music video. In addition to dealing with Lady Gaga herself, this book traverses examples ranging from Madonna's Madam X to Moschino and Vetements, to deliberate on the strategies of subversion in the culture industry.

Fred Rogers was an international celebrity. He was a pioneer in children's television, an advocate for families, and a multimedia artist and performer. He wrote the television scripts and music, performed puppetry, sang, hosted, and directed Mister Rogers' Neighborhood for more than thirty years. In his almost nine-hundred episodes, Rogers pursued dramatic topics: divorce, death, war, sibling rivalry, disabilities, racism. Rogers' direct, slow, gentle, and empathic approach is supported by his superior emotional strength, his intellectual and creative courage, and his joyful spiritual confidence. The Green Mister Rogers: Environmentalism in "Mister Rogers' Neighborhood" centers on the show's environmentalism, primarily expressed through his themed week "Caring for the Environment," produced in 1990 in coordination with the twentieth anniversary of Earth Day. Unfolding against a trash catastrophe in the Neighborhood of Make-Believe, Rogers advances an environmentalism for children that secures children in their family homes while extending their perspective to faraway places, from the local recycling center to Florida's coral reef. Rogers depicts animal wisdom and uses puppets to voice anxiety and hope and shows an interconnected world where each part of creation is valued, and love is circulated in networks of care. Ultimately, Rogers cultivates a practical wisdom that provides a way for children to confront the environmental crisis through action and hope and, in doing so, develop into adults who possess greater care for the environment and a capacious imagination for solving the ecological problems we face.

Contributions by Jose Alaniz, Ian Blechschmidt, Paul Fisher Davies, Zanne Domoney-Lyttle, David Huxley, Lynn Marie Kutch, Julian Lawrence, Liliana Milkova, Stiliana Milkova, Kim A. Munson, Jason S. Polley, Paul Sheehan, Clarence Burton Sheffield Jr., and Daniel Worden From his work on underground comix like Zap and Weirdo, to his cultural prominence, R. Crumb is one of the most renowned comics artists in the medium's history. His work, beginning in the 1960s, ranges provocatively and controversially over major moments, tensions, and ideas in the late twentieth and early twenty-first centuries, from the counterculture and the emergence of the modern environmentalist movement, to racial politics and sexual liberation. While Crumb's early work refined the parodic, over-the-top, and sexually explicit styles we associate with underground comix, he also pioneered the comics memoir, through his own autobiographical and confessional comics, as well as in his collaborations. More recently, Crumb has turned to long-form, book-length works, such as his acclaimed Book of Genesis and Kafka. Over the long arc of his career, Crumb has shaped the conventions of underground and alternative comics, autobiographical comics, and the ""graphic novel."" And, through his involvement in music, animation, and documentary film projects, Crumb is a widely recognized persona, an artist who has defined the vocation of the cartoonist in a widely influential way. The Comics of R. Crumb: Underground in the Art Museum is a groundbreaking collection on the work of a pioneer of underground comix and a fixture of comics culture. Ranging from art history and literary studies, to environmental studies and religious history, the essays included in this volume cast Crumb's work as formally sophisticated and complex in its representations of gender, sexuality, race, politics, and history, while also charting Crumb's role in underground comix and the ways in which his work has circulated in the art museum.

Volume II of Africa's Radicalisms and Conservatisms continues the broad themes of radicalisms and conservatisms that were examined in volume I. Like volume I, the essays examine why the two "isms" of radicalisms and conservatisms should not be viewed as mere irreconcilable conceptual tools with which to categorize or structure knowledge. The volume demonstrates that these concepts are intertwined, have multiple and diverse meanings as perceived and understood from different disciplinary vantage points, hence, the deliberate pluralization of the terms. The twenty-two essays in the volume show what happens when one juxtaposes the two concepts and when different peoples' lived experiences of politics, pop culture, democracy, liberalism, the environment, colonialism, migration, identities, and knowledge, etc. across the length and breadth of Africa are brought to bear on our understandings of these two particularisms. Contributors are: Adesoji Oni, Admire M. Nyamwanza, Akin Tella, Akinpelu Ayokunnu Oyekunle, Bamidele Omotunde Alabi, Charles Nkem Okolie, Craig Calhoun, Diana Ekor Ofana, Edwin Etieyibo, Folusho Ayodeji, Gabriel Akinbode, Godwin Oboh, Joseph C. A. Agbakoba, Julius Niringiyimana, Lucky Uchenna Ogbonnaya, Maxwell Mudhara, Muchaparara Musemwa, Nathan Osareme Odiase, Obvious Katsaura, Okpowhoavotu Dan Ekere, Olaniran Olakunle Lateef, Omolara V. Akinyemi, Owen Mafongoya, Paramu Mafongoya, Philip Onyekachukwu Egbule, Rutanga Murindwa, Sandra Bhatasara, Takesure Taringana, Tunde A. Abioro, Victor Clement Nweke, William Muhumuza, and Zainab M. Olaitan.

This study illuminates the complex interplay between Deleuze and Guattari's philosophy and architecture. Presenting their wide-ranging impact on late 20th- and 21st-century architecture, each chapter focuses on a core Deleuzian/Guattarian philosophical concept and one key work of architecture which evokes, contorts, or extends it. Challenging the idea that a concept or theory defines and then produces the physical work and not vice versa, Chris L. Smith positions the relationship between Deleuze and Guattari's philosophy and the field of architecture as one that is mutually substantiating and constitutive. In this framework, modes of architectural production and experimentation become inextricable from the conceptual territories defined by these two key thinkers, producing a rigorous discussion of theoretical, practical, and experimental engagements with their ideas.

Institutions like schools, hospitals, and universities are not well known for having quality, healthy food. In fact, institutional food often embodies many of the worst traits of our industrialized food system, with long supply chains that are rife with environmental and social problems and growing market concentration in many stages of food production and distribution. Recently, however, non-profit organizations, government agencies, university research institutes, and activists have partnered with institutions to experiment with a wide range of more ethical and sustainable models for food purchasing, also known as values-based procurement. Institutions as Conscious Food Consumers brings together in-depth case studies from several of promising models of institutional food purchasing that aim to be more sustainable, healthy, equitable, and local. With chapters written by a diverse set of authors, including leaders in the food movement and policy researchers, this book: Documents growing interest among non-profit organizations and activists in institutional food interventions through case studies and first-hand experiences; Highlights emerging evidence about how these new procurement models affect agro-food supply chains; and Examines the role of policy and regional or geographic identity in promoting food systems change. Institutions as Conscious Food Consumers makes the case that institutions can use their budgets to change the food system for the better, although significant challenges remain. It is a must read for food systems practitioners, food chain researchers, and foodservice professionals interested in values-based procurement.

This book delves into the public character of public theology from the sites of subalternity, the excluded Dalit (non) public in the Indian public sphere. Raj Bharat Patta employs a decolonial methodology and explores the topic in three parts: First, he engages with 'theological contexts,' by mapping global and Indian public theologies and critically analysing them. Next, he discusses 'theological companions,' and explains 'theological subalternity' and 'subaltern public' as companions for a subaltern public theology for India. Finally, Patta explains 'theological contours' by discussing subaltern liturgy as a theological account of the subaltern public and explores a subaltern public theology for India.

The Boomers are the generation that changed everything, from economics to politics to popular culture. This book examines the myriad ways and long-reaching consequences of the now fully "grown up" Baby Boomer generation on America. Once upon a time, the members of the Baby Boomer generation were young, idealistic, and hungry to change the world. And they did create sweeping, irreversible changes throughout American society-but probably not in the ways their younger selves imagined they would. Now that the Boomers are in their late-adult or retirement years, their tremendous legacy can clearly be perceived. In retrospect, the paths the members of this generation took to come to power-and how they came to terms with that power-are also apparent. This single-volume work supplies a broad yet detailed critical guide to the Boomer Generation, containing essays on key people, moments, and phenomena not only during the Boomers' 1960s heyday but also their extensive influences on American culture decades afterward. The contributors address key topics such as the rise of feminism; Civil Rights; the Vietnam War and the anti-war movement; the Beatles, the Grateful Dead, and rock 'n roll; gay rights; idealism, narcissism, and materialism; the influence of television on America, and vice versa; and the transition of Boomers from being "Yippies" to "Yuppies." This work is an ideal text for students in undergraduate or graduate courses in television studies, media studies, cultural studies, and American studies; and is highly appropriate as a supplemental text in literature, history, and philosophy surveys. Supplies comprehensive, critical analysis of the legacy of the Boomer Generation that examines the benefits and drawbacks of the enormous changes this generation of Americans instituted Presents accessible but rigorous, scholarly analysis from a broad range of experts in multiple fields Spotlights the ways in which pop culture at large has responded to the Boomers' influence or example-sometimes in vehement opposition and at other times with imitation or flattery

"Reader in Religion and Popular Culture" is the classroom resource the field has been waiting for. It provides key readings as well as new approaches and cutting-edge work, encouraging a broader methodological and historical understanding. It is the first anthology to a trace broader themes of religion and popular culture across time and across very different types of media. With a combined teaching experience of over 30 years dedicated to teaching undergraduates, Lisle Dalton and Eric Mazur have ensured that the pedagogical features and structure of the volume are valuable to both students and their professors: - Divided into a number of units based on common semester syllabi- Provides a blend of materials focussed on method with materials focussed on subject- Each unit contains an introduction to the texts - Each unit is followed by questions designed to encourage or enhance post-reading reflection and classroom discussion- A glossary of terms from the unit's readings is provided, as well as suggestions for further reading and investigation- Online resource provides guidance on accessing some of the most useful interesting resources available onlineThe Reader is suitable as the foundational textbook for any undergraduate course on religion and popular culture.

This book looks at the cultural, political and economic conditions of British Euroscepticism. Focusing on eight British dystopian novels, published in the years before the decisive In/Out-Referendum, and taking into account cultural, political and economic contexts, Lisa Bischoff shows how the novels' stance towards the integration project range from slight criticism to outright hostility. The wide availability of the novels, and the prominence of both its authors and readers, among which are political figures David Cameron, Nigel Farage and Daniel Hannan, amplify the power of literary Euroscepticism. Drawing on cultural studies, literature and social science, British Novels and the European Union reveals the many facets of British Euroscepticism.

Exploring Spirituality and Sexuality: An Introduction to an Interdisciplinary Field is a collection of scholarly essays which focuses on the multiple interrelations of spirituality and sexuality, including such facets as intimate relationships, inner cultivation, gender empowerment, gender empowerment, sex education, eroticism, and ecstasy embodiments.

Trajectories of Empire extends from the beginning of the Iberian expansion of the mid-fifteenth century, through colonialism and slavery, and into the twentieth and twenty-first centuries in Latin American republics. Its point of departure is the question of empire and its aftermath, as reflected in the lives of contemporary Latin Americans of African descent, and of their ancestors caught up in the historical process of Iberian colonial expansion, colonization, and the Atlantic slave trade. The book's chapters explore what it's like to be Black today in the so-called racial democracies of Brazil, Colombia, and Cuba; the role of medical science in the objectification and nullification of Black female personhood during slavery in Brazil in the nineteenth century; the deployment of visual culture to support insurgency for a largely illiterate slave body again in the nineteenth century in Cuba; aspects of discourse that promoted the colonial project as evangelization, or alternately offered resistance to its racialized culture of dominance in the seventeenth century; and the experiences of the first generations of forced African migrants into Spain and Portugal in the fifteenth and sixteenth centuries, as the discursive template was created around their social roles as enslaved or formerly enslaved people. Trajectories of Empire's contributors come from the fields of literary criticism, visual culture, history, anthropology, popular culture (rap), and cultural studies. As the product of an interdisciplinary collective, this book will be of interest to researchers and graduate students in Iberian or Hispanic Studies, Africana Studies, Postcolonial Studies, and Transatlantic Studies, as well as the general public.

This book explores how women's relationship with food has been represented in Italian literature, cinema, scientific writings and other forms of cultural expression from the 19th century to the present. Italian women have often been portrayed cooking and serving meals to others, while denying themselves the pleasure of the table. The collection presents a comprehensive understanding of the symbolic meanings associated with food and of the way these intersect with Italian women's socio-cultural history and the feminist movement. From case studies on Sophia Loren and Elena Ferrante, to analyses of cookbooks by Italian chefs, each chapter examines the unique contribution Italian culture has made to perceiving and portraying women in a specific relation to food, addressing issues of gender, identity and politics of the body.