WINNER OF THE 2020 CONNECTICUT BOOK AWARD FOR NONFICTION AND NAMED ONE OF THE BEST BOOKS FOR BOOK CLUBS IN 2021 BY BOOKBROWSE "Perkins' richly detailed narrative is a reminder that gender equity has never come easily, but instead if borne from the exertions of those who precede us."-Nathalia Holt, New York Times bestselling author of Rise of the Rocket Girls If Yale was going to keep its standing as one of the top two or three colleges in the nation, the availability of women was an amenity it could no longer do without. In the winter of 1969, from big cities to small towns, young women across the country sent in applications to Yale University for the first time. The Ivy League institution dedicated to graduating "one thousand male leaders" each year had finally decided to open its doors to the nation's top female students. The landmark decision was a huge step forward for women's equality in education. Or was it? The experience the first undergraduate women found when they stepped onto Yale's imposing campus was not the same one their male peers enjoyed. Isolated from one another, singled out as oddities and sexual objects, and barred from many of the privileges an elite education was supposed to offer, many of the first girls found themselves immersed in an overwhelmingly male culture they were unprepared to face. Yale Needs Women is the story of how these young women fought against the backward-leaning traditions of a centuries-old institution and created the opportunities that would carry them into the future. Anne Gardiner Perkins's unflinching account of a group of young women striving for change is an inspiring story of strength, resilience, and courage that continues to resonate today. "Yes, Yale needed women, but it didn't really want them... Anne Gardiner Perkins tells how these young women met the challenge with courage and tenacity and forever changed Yale and its chauvinistic motto of graduating 1,000 male leaders every year."-Lynn Povich, author of The Good Girls Revolt

Nonfiction. Philosophy. Winner of the 2010 Next Generation Indie Book Award for Social Change. "Sedulously argued, this thoughtful book attempts nothing less than a revalorization of prejudice--its meaning, the way it manifests itself, and its effect on individuals (the prejudiced and those who feel the sting of it) as well as the world around them. It's an ambitious undertaking, deftly navigated by Michael Eskin, who cogently offers an entirely original framework for identifying prejudice and even confronting it. In an environment that has been optimistically (if naively) called post-racial--in which racial, gender, and ethnic divides appear to have as much poignant resolve as ever--Eskin's important book offers a set of powerful pathways for comprehending and addressing a pernicious aspect of life that remains far too at home in the headlines, the rural backroads, and the chill of urban streets"--Jeffrey Rothfeder, former BusinessWeek, Time Inc., and Bloomberg News editor, and author of McIlhenny's Gold: How a Louisiana Family Built the Tabasco Empire and Every Drop for Sale: Our Desperate Battle over Water in a World About to Run Out.

The Civil War in Missouri was a time of great confusion, violence, and destruction. Although several major battles were fought in the state between Confederate and Union forces, much of the fighting in Missouri was an ugly form of terrorism carried out by loose bands of Missouri guerrillas, by Kansas "Jayhawkers," or by marauding patrols of Union soldiers. This irregular warfare provided a training ground for people like Jesse and Frank James who, after the war, used their newly learned skills to form an outlaw band that ultimately became known all over the world.

Jesse James and the Civil War in Missouri discusses the underlying causes of the Civil War as they relate to Missouri and reveals how the war helped create both the legend and the reality of Jesse James and his gang. Written in an accessible style, this valuable little book will be welcomed by anyone with an interest in the Civil War, the legend of Jesse James, or Missouri history.

From The Onion and Reductress contributor, this collection of essays is a hilarious nostalgic trip through beloved 2000s media, interweaving cultural criticism and personal narrative to examine how a very straight decade forged a very queer woman A Lambda Literary Award Finalist Honest, funny, smart, and illuminating." --Anna Drezen, co-head writer of SNL If you came of age at the intersection of Mean Girls and The L Word: Read this book." --Sarah Pappalardo, editor in chief and co-founder of Reductress Today's gay youth have dozens of queer peer heroes, both fictional and real, but former gay teenager Grace Perry did not have that luxury. Instead, she had to search for queerness in the (largely straight) teen cultural phenomena the aughts had to offer: in Lindsay Lohan's fall from grace, Gossip Girl, Katy Perry's "I Kissed A Girl," country-era Taylor Swift, and Seth Cohen jumping on a coffee cart. And, for better or worse, these touch points shaped her adult identity. She came out on the other side like many millennials did: in her words, gay as hell. Throw on your Von Dutch hats and join Grace on a journey back through the pop culture moments of the aughts, before the cataclysmic shift in LGBTQ representation and acceptance--a time not so long ago, which many seem to forget.

1920s Cairo: singers were pressing hit records, dramatic troupes were springing up and cabarets were packed - a counterculture was on the rise. In bars, hash-dens and music halls, people of all backgrounds came together as a passionate group of artists captivated Egyptian society. Of these performers, Cairo's biggest stars were female, and they asserted themselves on the stage like never before. Two of the most famous troupes were run by women; Badia Masabni's dancehall became the hottest nightspot in town; pioneer of Egyptian cinema Aziza Amir made her stage debut; and legendary singer Oum Kalthoum first rose to fame. It is these women, who knew both the opportunities and prejudices that this world offered, who best reveal this cosmopolitan and raucous city's secrets. Midnight in Cairo tells the thrilling story of Egypt's interwar nightlife and entertainment industry through the lives of its pioneering women. Introducing an eccentric cast of characters, it brings to life a world of revolutionary ideas and provocative art - one which laid the foundations of Arab popular culture today. It is a story of modern Cairo as we have never heard it before.

Expecto Patronum! Call on the Patronuses of 11 major Harry Potter characters with this officially licensed collectible set. * SPECIFICATIONS: 3-inch projector features 11 Patronuses from the Harry Potter films and projects them across a 5-foot distance. Bonus 12th projection of the Harry Potter logo also included. * BONUS STICKER BOOK: Mini sticker book includes 22 full-color stickers. * PERFECT GIFT: A unique and keepsake item for all fans of Harry Potter. * OFFICIALLY LICENSED: Authentic collectible. Copyright (c) 2022 Warner Bros. Entertainment. WIZARDING WORLD characters, names, and related indicia are (c) & (TM) Warner Bros. Entertainment Inc. WB SHIELD: (c) & (TM) WBEI. Publishing Rights (c) JKR. (s22)

This guide provides an overview of the history of hip hop culture and an exploration of its dance style, appropriate both for student research projects and general interest reading. Rapping. Breakdancing. MCing. DJing. Beatboxing. Graffiti art. These are just some of the most well-known artistic expressions spawned from hip hop culture, which has grown from being an isolated inner-city subculture in the 1970s to being a truly international and mainstream culture that has taken root in countries as diverse as Japan, France, Israel, Poland, Brazil, South Korea, and England. This insightful book provides not only an overview of hip hop's distinctive dance style and steps, but also a historic overview of hip hop's roots as an urban expression of being left out of the mainstream pop culture, clarifying the social context of hip hop culture before it became a widespread suburban phenomenon. Hip Hop Dance documents all the forms of street music that led to one of the most groundbreaking, expressive, and influential dance styles ever created. A chronology of the development of hip hop from the 1970s to the present Black and white photographs of the various dance movements Bibliography of significant materials for further reading Detailed explanations of dance terms Helpful indexes with convenient access to various topics of interest throughout the book

Philosophy in eighteenth-century Britain was diverse, vibrant, and sophisticated. This was the age of Hume and Berkeley and Reid, of Hutcheson and Kames and Smith, of Ferguson and Burke and Wollstonecraft. Important and influential works were published in every area of philosophy, from the theory of vision to theories of political resistance, from the philosophy of language to accounts of ways of governing the passions. The philosophers of eighteenth-century Britain were enormously influential, in France, in Italy, in Germany, and in America. Their ideas and arguments remain a powerful presence in philosophy three centuries later. This Oxford Handbook is the first book ever to provide comprehensive coverage of the full range of philosophical writing in Britain in the eighteenth century. It provides accounts of the writings of all the major figures, but also puts those figures in the context provided by a host of writers less well known today. The book has five principal sections: 'Logic and Metaphysics', 'The Passions', 'Morals', 'Criticism', and 'Politics'. Each section comprises four chapters, providing detailed coverage of all of the important aspects of its subject matter. There is also an introductory section, with chapters on the general character of philosophizing in eighteenth-century Britain, and a concluding section on the important question of the relation at this time between philosophy and religion. The authors of the chapters are experts in their fields. They include philosophers, historians, political theorists, and literary critics, and they teach in colleges and universities in Britain, in Europe, and in North America.

Susie Hogarth dissects the truth and falsehoods about the greatness of celebrity, where it came from and why it is funny.

The image of western ranchers making a stand for their "rights"-against developers, the government, "illegal" immigrants-may be commonplace today, but the political power of the cowboy was a long time in the making. In a book steeped in the culture, traditions, and history of western range ranching, Michelle K. Berry takes readers into the Cold War world of cattle ranchers in the American West to show how that power, with its implications for the lands and resources of the mountain states, was built, shaped, and shored up between 1945 and 1965. After long days working the ranch, battling human and nonhuman threats, and wrestling with nature, ranchers got down to business of another sort, which Berry calls "cow talk." Discussing the best new machinery; sharing stories of drought, blizzards, and bugs; talking money and management and strategy: these ranchers were building a community specific to their time, place, and work and creating a language that embodied their culture. Cow Talk explores how this language and its iconography evolved and how it came to provide both a context and a vehicle for political power. Using ranchers' personal papers, publications, and cattle growers association records, the book provides an inside view of how range cattle ranchers in Arizona, New Mexico, Colorado, Wyoming, and Montana created a culture and a shared identity that would frame and inform their relationship with their environment and with society at large in an increasingly challenging, modernizing world. A multifaceted analysis of postwar ranch life, labor, and culture, this innovative work offers unprecedented insight into the cohesive political and cultural power of western ranchers in our day.

"These case stories focus on an important event, mishap, management practice, or ethical question, and present important lessons to the reader. Their objective is to educate, inspire, motivate, challenge, and encourage food professionals to better understand food safety management and to help increase job effectiveness and productivity with ethics and integrity. Each case addresses its subject in terms of relevance and application to food safety and covers all types of risks (e.g., microbial, chemical, physical) associated with each step of the food chain. In an engaging format, the book provides an analysis of incidents or near misses. It highlights pitfalls in food safety management and provides key insight into the means of avoiding them. The book captures the real-life experience of food safety professionals around the world in very challenging situations, and invites the reader to reflect on and discuss the situations depicted. It is an essential reference for students and food professionals, including scientists, managers, trainers, food inspectors, public health officials, and more. Each of the 87 short cases includes a paragraph on "Discussion and key learnings", which will appeal equally to educators, students and working professionals in this field."

Gerald Diffey has spent four decades immersed in the world of food, wine and hospitality, from early days waiting tables in old English hotels to establishing two of the best places in the world to drink and eat: the award-winning Gerald's Bar in North Carlton -- Heston Blumenthal described it as 'a proper, proper old-fashioned sort of bar' -- and Gerald's Bar in San Sebastian. Beggars Belief is a collection of funny, poignant, insightful and just plain ludicrous stories from Gerald's life in kitchens and behind bars: his formative years in the UK, memories of food and family; tales and tips from forty years of service; journeys and meals, people and places, from lunch on the side of a volcano in Sicily to dinner on a beach in East Timor; stories and recipes and drinks suggestions from North Carlton and San Sebastian; vignettes, slices of life, observations. 'Romance', writes Gerald in the introduction. 'That's what I sell. Sensual pleasures. Sights, sounds, smells, touch, taste. Cyrano de Bergerac said: I have tried to live my whole life with panache. If I said that, I'd sound like a twat. But you get the drift. I'm off to bone some quails.'

John Comino-James has photographed the streets, shops and shopkeepers in the centre of Thame, an historic market town some 45 miles from London. Portraits, texts and candid photographs are contained in a sequence representing a meandering walk through the town, during which we encounter not only the shops and shopkeepers but also the last cattle market operating in the area, travelling showmen at one of the two annual fairs, and the weekly street market. The accompanying interviews reveal pride in the continuation of family businesses, as well as small enterprises both challenged by and benefiting from the increasing impact of the internet. While the presence of supermarkets and services such as banks, travel agents and estate agents is acknowledged, in choosing subjects for portraits Comino-James was drawn to those shopkeepers whose aim might be summed up in the words of one of them: to keep the character of Thame as a Market Town and not a Supermarket town.

While the Western was dying a slow death across the cultural landscape, it was blazing back to life as a video game in the early twenty-first century. Rockstar Games' Red Dead franchise, beginning with Red Dead Revolver in 2004, has grown into one of the most critically acclaimed video game franchises of the twenty-first century. Red Dead Redemption: History, Myth, and Violence in the Video Game West offers a critical, interdisciplinary look at this cultural phenomenon at the intersection of game studies and American history. Drawing on game studies, western history, American studies, and cultural studies, the authors train a wide-ranging, deeply informed analytic perspective on the Red Dead franchise-from its earliest incarnation to the latest, Red Dead Redemption 2 (2018). Their intersecting chapters put the series in the context of American history, culture, and contemporary media, with inquiries into issues of authenticity, realism, the meaning of play and commercial promotion, and the relationship between the game and the wider cultural iterations of the classic Western. The contributors also delve into the role the series' development has played in recent debates around working conditions in the gaming industry and gaming culture. In its redeployment and reinvention of the Western's myth and memes, the Red Dead franchise speaks to broader aspects of American culture-the hold of the frontier myth and the "Wild West" over the popular imagination, the role of gun culture in society, depictions of gender and ethnicity in mass media, and the increasing allure of digital escapism-all of which come in for scrutiny here, making this volume a vital, sweeping, and deeply revealing cultural intervention.

Ons praat Afrikaans – diverse mense – een taal is meer as net nog ’n fotoboek: dit is die eindproduk van ’n projek wat sy ontstaan gevind het in een individu se liefde vir die Afrikaanse kultuur en taal, Douw Greeff. Die projek is geloods in 2016 toe fotograwe (amateur en ook professioneel) genader is om werke in te skryf wat hulle voel die Afrikaanse kultuur en taal raakvat. Verskeie inskrywings is ontvang en die top foto’s het deurgegaan na ’n beoordelings-rondte, waar ’n paneel die beste foto’s gekies het om in hierdie pragpublikasie te pronk.

From the Occupy protests to the Black Lives Matter movement and school strikes for climate action, the twenty-first century has been rife with activism. Although very different from one another, each of these movements has created alliances across borders, with activists stressing that their concerns are not confined to individual nation states. In this book, Daniel Laqua shows that global efforts of this kind are not a recent phenomenon, and that as long as there have been borders, activists have sought to cross them. Activism Across Borders since 1870 explores how individuals, groups and organisations have fostered bonds in their quest for political and social change, and considers the impact of national and ideological boundaries on their efforts. Focusing on Europe but with a global outlook, the book acknowledges the importance of imperial and postcolonial settings for groups and individuals that expressed far-reaching ambitions. From feminism and socialism to anti-war campaigns and green politics, this book approaches transnational activism with an emphasis on four features: connectedness, ambivalence, transience and marginality. In doing so, it demonstrates the intertwined nature of different movements, problematizes transnational action, discusses the temporary nature of some alliances, and shows how transnationalism has been used by those marginalized at the national level. With a broad chronological perspective and thematic chapters, it provides historical context, clarifies terms and concepts, and offers an alternative history of modern Europe through the lens of activists, movements and campaigns.