The Mobilities Paradox: A Critical Analysis asks how the mobilities paradigm, arguably one of the most influential theoretical innovations of the 21st century, holds up against the empirical realities of a deeply unequal world. Korstanje's provocative analysis pairs a sweeping overview of the theoretical landscape with specific instances of tourism, terrorism, hospitality, automobility, digital technologies, and non-places to put mobilities theory to the test.' - Jennie Germann Molz, College of the Holy Cross, US The theory of mobilities has gained great recognition and traction over recent decades, illustrating not only the influence of mobilities in daily life but also the rise and expansion of globalization worldwide. But what if this sense of mobilities is in fact an ideological bubble that provides the illusion of freedom whilst limiting our mobility or even keeping us immobile? This book reviews the strengths and weaknesses of the mobilities paradigm and reminds us that today only a small percentage of the world?s population travel internationally. In doing so the author?s insightful analysis constructs a bridge between Marxism and Cultural theory. Offering a critical discussion of the theory of mobilities, the book explores the concept in the context of colonialism, nation states, consumption, globalization, fear and terrorism. This unique book presents an alternative viewpoint that is vital reading for cultural theorists, sociologists, anthropologists and Marxist scholars seeking a different understanding of the theory of mobilities.

This important Research Handbook offers a comprehensive analysis of the intersections between intellectual property (IP) and cultural heritage law. It explores and compares how both have evolved and sometimes converged over time, how they increased tremendously in significance, as well as in economic value, despite the fact that the former mainly pertains to the private sphere, whilst the latter is considered a 'common good'. Featuring an excellent combination of contributions from leading experts, chapters offer insights into relevant cutting-edge issues that still remain unsettled. Divided into three main parts, it focuses on how IP can work as a tool for cultural heritage protection and, in particular, intangible cultural heritage, and discusses the politics and policies in this area, including whether such protection is fit for purpose. The final section explores special issues of intersection between the two, making it relevant to cultural heritage institutions such as museums, galleries, auction houses, libraries, and platforms, including issues of cultural heritage and IP management. Encompassing the latest developments and debates in the area, this Research Handbook will be key reading for academics, postgraduate students, and researchers in the fields of cultural heritage and art law, cultural heritage management, and intellectual property law. It will also be relevant for practitioners, policymakers, cultural heritage institutions, and content platforms.

There is no moment of our waking life in which we do not experience sounds or make sounds. The human body is a sound-making organism. In densely peopled areas like many parts of Southeast Asia, then, the potential is for tumult, an infinity of different sounds competing to be heard. Pandemonium is not unheard of in Southeast Asia - not least in times of political unrest - but in everyday situations uproar is uncommon; cultural, social, political and personal factors (among others) work to calm, channel or even silence the tumult. Providing focus to this interdisciplinary volume on sound in SE Asia are detailed descriptions of the context of sounds and sound-making within the region's diverse socio-cultural semiotic frames of hierarchy and power. Drawing on examples from Myanmar, Thailand, Malaysia, Indonesia and the Philippines, each author discusses some aspect of sound in relation to their ethnographic context. Sound examples are also found on a companion website. Varied approaches to understanding sound are offered but in some way each relates to hierarchy and power. All show the importance of sound for understanding the processual implementation of hierarchy (or its opposite) in the construction of the social environment and the role of sound in the efficacious engagement of power in a variety of religious and political form. This is a much-needed volume, long overdue, not only offers non-Western perspectives to a field that is firmly Eurocentric; it also goes beyond examining sound in isolation, considering this instead in relation to the other senses and to sociocultural constructions. In such ways, then, the volume offers new directions of study, an exciting prospect.

Whose job is it to teach the public about sex? Parents? The churches? The schools? And what should they be taught? These questions have sparked some of the most heated political debates in recent American history, most recently the battle between proponents of comprehensive sex education and those in favor of an "abstinence-only" curriculum. Kristy Slominski shows that these questions have a long, complex, and surprising history. Teaching Moral Sex is the first comprehensive study of the role of religion in the history of public sex education in the United States. The field of sex education, Slominski shows, was created through a collaboration between religious sex educators-primarily liberal Protestants, along with some Catholics and Reform Jews-and "men of science"-namely physicians, biology professors, and social scientists. She argues that the work of early religious sex educators laid the foundation for both sides of contemporary controversies that are now often treated as disputes between "religious" and "secular" Americans. Slominski examines the religious contributions to national sex education organizations from the late nineteenth century to the early twenty-first. Far from being a barrier to sex education, she demonstrates, religion has been deeply embedded in the history of sex education, and its legacy has shaped the terms of current debates. Focusing on religion uncovers an under-recognized cast of characters-including Quaker and Unitarian social purity reformers, military chaplains, and the Young Men's Christian Association- who, Slominski deftly shows, worked to make sex education more acceptable to the public through a strategic combination of progressive and restrictive approaches to sexuality. Teaching Moral Sex highlights the essential contributions of religious actors to the movement for sex education in the United States and reveals where their influence can still be felt today.

A rollercoaster ride of the absurd combining the photographs of Kate Schermerhorn and the writing of Simon Winchester in a compelling and hilarious exploration of this search for fun. We see people bungee jump, pretend to bungee jump, play bingo, bowl, hit golf balls through clown heads and stack Oreo Cookies. This is a quirky affectionate take on Americans at play.

This timely study sheds new light on debates about humour and identity in France, and is the first book about humour and identity in France to be published in either English or French that analyses both debates about Charlie Hebdo and standup comedy. It examines humour, freedom of expression, and social cohesion in France during a crucial time in France's recent history punctuated by the Charlie Hebdo attacks of January 2015. It evaluates the state of French society and attitudes to humour in France in the aftermath of the events of January 2015. This book argues that debates surrounding Charlie Hebdo, although significant, only provide part of the picture when it comes to understanding humour and multiculturalism in France. This monograph fills significant gaps in French and international media coverage and academic writing, which has generally failed to adequately examine the broader picture that emerges when one examines career trajectories of notable contemporary French comedians. By addressing this failing, this book provides a more complete picture of humour, identity, and Republican values in France. By focusing primarily on contemporary comedians in France, this book explores competing uses of French Republican discourse in debates about humour, offensiveness, and freedom of expression. Ultimately, it argues that studying humour and identity in France often reveals a sense of national unease within the Republic at a time of considerable turmoil.

In the early modern period, images of revolts and violence became increasingly important tools to legitimize or contest political structures. This volume offers the first in-depth analysis of how early modern people produced and consumed violent imagery, and assesses its role in memory practices, political mobilization, and the negotiation of cruelty and justice. Critically evaluating the traditional focus on Western European imagery, the case studies in this book draw on evidence from Russia, China, Hungary, Portugal, Germany, North America, and other regions. The contributors highlight the distinctions among visual cultures of violence, as well as their entanglements in networks of intensive transregional communication, early globalization, and European colonization. Contributors: Monika Barget, David de Boer, Nora G. Etenyi, Fabian Fechner, Joana Fraga, Malte Griesse, Alain Hugon, Gleb Kazakov, Nancy Kollmann, Ya-Chen Ma, Galina Tirnanic, and Ramon Voges.

Founded in 1961, Studia Hibernica is devoted to the study of the Irish language and its literature, Irish history and archaeology, Irish folklore and place names, and related subjects. Its aim is to present the research of scholars in these fields of Irish studies and so to bring them within easy reach of each other and the wider public. It endeavours to provide in each issue a proportion of articles, such as surveys of periods or theme in history or literature, which will be of general interest. A long review section is a special feature of the journal and all new publications within its scope are there reviewed by competent authorities.

Privacy is often considered a modern phenomenon. Early Modern Privacy: Sources and Approaches challenges this view. This collection examines instances, experiences, and spaces of early modern privacy, and opens new avenues to understanding the structures and dynamics that shape early modern societies. Scholars of architectural history, art history, church history, economic history, gender history, history of law, history of literature, history of medicine, history of science, and social history detail how privacy and the private manifest within a wide array of sources, discourses, practices, and spatial programmes. In doing so, they tackle the methodological challenges of early modern privacy, in all its rich, historical specificity. Contributors: Ivana Bicak, Mette Birkedal Bruun, Maarten Delbeke, Willem Frijhoff, Michael Green, Mia Korpiola, Mathieu Laflamme, Natacha Klein Kafer, Hang Lin, Walter S. Melion, Helene Merlin-Kajman, Lars Cyril Norgaard, Anne Regent-Susini, Marian Rothstein, Thomas Max Safley, Valeria Viola, Lee Palmer Wandel, and Heide Wunder.

Rewatching on the Point of the Cinematic Index offers a reassessment of the cinematic index as it sits at the intersection of film studies, trauma studies, and adaptation studies. Author Allen H. Redmon argues that far too often scholars imagine the cinematic index to be nothing more than an acknowledgment that the lens-based camera captures and brings to the screen a reality that existed before the camera. When cinema's indexicality is so narrowly defined, the entire nature of film is called into question the moment film no longer relies on a lens-based camera. The presence of digital technologies seemingly strips cinema of its indexical standing. This volume pushes for a broader understanding of the cinematic index by returning to the early discussions of the index in film studies and the more recent discussions of the index in other digital arts. Bolstered by the insights these discussions can offer, the volume looks to replace what might be best deemed a diminished concept of the cinematic index with a series of more complex cinematic indices, the impoverished index, the indefinite index, the intertextual index, and the imaginative index. The central argument of this book is that these more complex indices encourage spectators to enter a process of ongoing adaptation of the reality they see on the screen, and that it is on the point of these indices that the most significant instances of rewatching movies occur. Examining such films as John Lee Hancock's Saving Mr. Banks (2013); Richard Linklater's oeuvre; Paul Greengrass's United 93 (2006); Oliver Stone's World Trade Center (2006); Stephen Daldry's Extremely Loud and Incredibly Close (2011); and Christopher Nolan's Dunkirk (2017), Inception (2010), and Memento (2000), Redmon demonstrates that the cinematic index invites spectators to enter a process of ongoing adaptation.

Several of the world's most notorious serial killer cases are here represented in adult comic strip form, deconstructing the media circus which surrounds the phenomenon of the serial killer, while at the same time recognizing the impact these pariahs have had on (mis)shaping the twentieth century.

Lust-murderers like Jack the Ripper and Bible John-both of whom are featured in "Killer Komix 2"-remain topical with writers speculating on their possible real identities and motives.

Machiavelli is chiefly known for The Prince, but his main considerations on politics are found in his later work Discourses on Livy. Despite this book's historical and theoretical importance, its complexity, length and style have often discouraged new readers and interpreters of Machiavelli from engaging with it. For this reason, the Discourses has not been given the attention it deserves. This volume of newly commissioned essays by some of the world’s leading Machiavelli experts seeks to remedy this deficiency. It is the first collective volume dedicated specifically to this profound work, covering topics such as Machiavelli’s republicanism, the relation between liberty and tyranny, the role of religion, Machiavelli’s conception of history, his writing style, his view of society as a plural and conflictive body, his suggestion of how a free state should be organized, and his notions of people and virtù. Contributors: Jérémie Barthas, Thomas Berns, Alessandro Campi, J. Patrick Coby, Marie Gaille, Marco Geuna, Mark Jurdjevic, Cary J. Nederman, Gabriele Pedullà, Diogo Pires Aurélio, Fabio Raimondi, Andre Santos Campos, Miguel Vatter, and Camila Vergara.

Inspired by Raymond Williams' cultural materialism, H.F. Pimlott explores the connections between political practice and cultural form through Marxism Today's transformation from a Communist Party theoretical journal into a 'glossy' left magazine. Marxism Today's successes and failures during the 1980s are analysed through its political and cultural critiques of Thatcherism and the left, especially by Stuart Hall and Eric Hobsbawm, innovative publicity and marketplace distribution, relationships with the national UK press, cultural coverage, design and format, and writing style. Wars of Position offers insights for contemporary media activists and challenges the neglect of the left press by media scholars.

Batman is one of the most recognized and popular pop culture icons. Appearing on the page of Detective Comics #27 in 1939, the character has inspired numerous characters, franchises, and spin-offs over his 80+ year history. The character has displayed versatility, appearing in stories from multiple genres, including science fiction, noir, and fantasy and mediums far beyond his comic book origins. While there are volumes analyzing Batman through literary, philosophical, and psychological lenses, this volume is one of the first academic monographs to examine Batman through a theological and religious lens. Theology and Batman analyzes Batman and his world, specifically exploring the themes of theodicy and evil, ethics and morality, justice and vengeance, and the Divine Nature. Scholars will appreciate the breadth of material covered while Batman fans will appreciate the love for the character expressed through each chapter.

The Bloomsbury Handbook of Popular Music and Youth Culture provides a comprehensive and fully up-to-date overview of key themes and debates relating to the academic study of popular music and youth culture. While this is a highly popular and rapidly expanding field of research, there currently exists no single-source reference book for those interested in this topic. The handbook is comprised of 32 original chapters written by leading authors in the field of popular music and youth culture and covers a range of topics including: theory; method; historical perspectives; genre; audience; media; globalization; ageing and generation.