Histoire des deux Indes, was arguably the first major example of a world history, exploring the ramifications of European colonialism from a global perspective. Frequently reprinted and translated into many languages, its readers included statesmen, historians, philosophers and writers throughout Europe and North America. Underpinning the encyclopedic scope of the work was an extensive transnational network of correspondents and informants assiduously cultivated by Raynal to obtain the latest expert knowledge. How these networks shaped Raynal's writing and what they reveal about eighteenth-century intellectual sociability, trade and global interaction is the driving theme of this current volume. From text-based analyses of the anthropology that structures Raynal's history of human society to articles that examine new archival material relating to his use of written and oral sources, contributors to this book explore among other topics: how the Histoire created a forum for intellectual interaction and collaboration; how Raynal created and manipulated his own image as a friend to humanity as a promotional strategy; Raynal's intellectual debts to contemporary economic theorists; the transnational associations of booksellers involved in marketing the Histoire; the Histoire's reception across Europe and North America and its long-lasting influence on colonial historiography and political debate well into the nineteenth century.

This unique and insightful book provides a comprehensive examination of contemporary cultural policy and its discourses, influences, and consequences. It examines the factors that have led to a narrowing of cultural policy and suggests new ways of thinking about cultural policy beyond economics by reconnecting it with the practices of work, value, and the social. With a particular focus on Australia and the UK, and with reference to transnational bodies including UNESCO, this book identifies and examines influential national and international factors that have shaped cultural policy, including its implementation of an economic agenda. Deborah Stevenson retraces the foundations of contemporary cultural policy, with chapters exploring the hierarchies of legitimacy that form the basis of value and excellence, the increased hegemony of the economy within the art world complex, and the notions of class and gender as two key factors of social inequality that shape access to the arts. Analysing cultural value, work, and the social as important points of tension and potential disruption within contemporary cultural policy, this book will be essential reading for students and scholars of arts and cultural management, cultural policy studies, cultural sociology, economics, and leisure and urban studies. It will also be of interest to students, scholars, and practitioners across the humanities and the social sciences.

It is a misconception that Christianity and Humanism are in any way in conflict with each other. The present book shows that through many centuries, and especially in the Renaissance, the two stood in a relation that was mutually complementary. The contributions in this volume treat aspects and manifestations of this cultural symbiosis, and they throw new light on authors and texts both more and less familiar. The subject-areas discussed include: religion, history, philosophy, literature and education. The age of Renaissance and Reformation is the central focus, but earlier and later periods are also featured. The contributions comprise a Festschrift for Professor Arjo Vanderjagt, whose work deals centrally with both Christianity and Humanism. Contributors are Fokke Akkerman, Istvan P. Bejczy, Alexander Broadie, Chris-toph Burger, Marcia L. Colish, Albrecht Diem, Stephen Gersh, Berndt Hamm, Volker Honemann, Adrie van der Laan, Alasdair A. MacDonald, Peter Mack, Zweder von Martels, Matthieu van der Meer, Hans Mooij, Simone Mooij-Valk, Just Niemeijer, John North, Willemien Otten, Jan Papy, Detlev Patzold, Rob Pauls, Marc van der Poel, Burcht Pranger, Peter Raedts, Han van Ruler, Rudolf Suntrup, Jan R. Veenstra, and Ronald Witt.

The Cultural Politics of Food, Taste, and Identity examines the social, cultural, and political processes that shape the experience of taste. The book positions flavor as involving all the senses, and describes the multiple ways in which taste becomes tied to local, translocal, glocal, and cosmopolitan politics of identity. Global case studies are included from Japan, China, India, Belize, Chile, Guatemala, the United States, France, Italy, Poland and Spain. Chapters examine local responses to industrialized food and the heritage industry, and look at how professional culinary practice has become foundational for local identities. The book also discusses the unfolding construction of "local taste" in the context of sociocultural developments, and addresses how cultural political divides are created between meat consumption and vegetarianism, innovation and tradition, heritage and social class, popular food and authenticity, and street and restaurant food. In addition, contributors discuss how different food products-such as kimchi, quinoa, and Soylent-have entered the international market of industrial and heritage foods, connecting different places and shaping taste and political identities.

"[A] useful and well done collection, serving to outline the nature of an evolving critical pedagogy, while also clearly demonstrating its roots in actual practice and experience." Contemporary Sociology An excellent example of the progress--both conceptual and political--that has been made in our understanding of how education works in an unequal society. . . . An exceptionally valuable book." Michael Apple "All readers who are interested in the possibilities of radical discourse in a conservative time will find relevance in the text and in the excellent, extensive bibliography." Choice

Contributions by Christina M. Chica, Kathryn Coto, Sarah Park Dahlen, Preethi Gorecki, Tolonda Henderson, Marcia Hernandez, Jackie C. Horne, Susan E. Howard, Peter C. Kunze, Florence Maatita, Sridevi Rao, Kallie Schell, Jennifer Patrice Sims, Paul Spickard, Lily Anne Welty Tamai, Ebony Elizabeth Thomas, Jasmine Wade, Karin E. Westman, and Charles D. Wilson Race matters in the fictional Wizarding World of the Harry Potter series as much as it does in the real world. As J. K. Rowling continues to reveal details about the world she created, a growing number of fans, scholars, readers, and publics are conflicted and concerned about how the original Wizarding World-quintessentially white and British-depicts diverse and multicultural identities, social subjectivities, and communities. Harry Potter and the Other: Race, Justice, and Difference in the Wizarding World is a timely anthology that examines, interrogates, and critiques representations of race and difference across various Harry Potter media, including books, films, and official websites, as well as online forums and the classroom. As the contributors to this volume demonstrate, a deeper reading of the series reveals multiple ruptures in popular understandings of the liberatory potential of the Potter series. Young people who are progressive, liberal, and empowered to question authority may have believed they were reading something radical as children and young teens, but increasingly they have raised alarms about the series' depiction of peoples of color, cultural appropriation in worldbuilding, and the author's antitrans statements in the media. Included essays examine the failed wizarding justice system, the counterproductive portrayal of Nagini as an Asian woman, the liberation of Dobby the elf, and more, adding meaningful contributions to existing scholarship on the Harry Potter series. As we approach the twenty-fifth anniversary of the publication of Harry Potter and the Philosopher's Stone, Harry Potter and the Other provides a smorgasbord of insights into the way that race and difference have shaped this story, its world, its author, and the generations who have come of age during the era of the Wizarding World.

What was the Scottish Enlightenment? Long since ignored or sidelined, it is now a controversial topic - damned by some as a conservative movement objectively allied to the enemies of enlightenment, placed centre stage by others as the archetype of what is meant by 'Enlightenment'. In this book leading experts reassess the issue by exploring both the eighteenth-century intellectual developments taking place within Scotland and the Scottish contribution to the Enlightenment as a whole. The Scottish experience during this period forms the underlying theme of early chapters, with contributors examining the central philosophy of the 'science of man', the reality of 'applied enlightenment' in Scotland, and the Presbyterian hostility to the spread of 'heretical' ideas. Moving beyond Scotland's borders, contributors in later chapters examine the wider recognition of Scotland's intellectual activity, both within Europe and across the Atlantic. Through a series of case studies authors assess the engagement of European intellectuals with Scottish thinkers, looking at the French interpretation of Adam Smith's notion of sympathy, divergent approaches to the writing of history in Scotland and Germany, and the variety of Neapolitan responses to Scottish thought; the final chapter analyses the links between the 'moderate Enlightenment' in Scotland and America. Through these innovative studies this book provides a rich and nuanced understanding of Enlightenment thought in Scotland and its impact in Europe and North America, highlighting the importance of placing the national context in a transnational perspective.

This collection of essays presents new insights into what shaped and constituted the Renaissance and early modern views of fate and fortune. It argues that these ideas were emblematic of a more fundamental argument about the self, society, and the universe and shows that their influence was more widespread, both geographically and thematically, than hitherto assumed.

Beauty is a central concept in the Italian cultural imagination throughout its history and in virtually all its manifestations. It particularly permeates the domains that have governed the construction of Italian identity: literature and language. The Idea of Beauty in Italian Literature and Language assesses this long tradition in a series of essays covering a wide chronological and thematic range, while crossing from historical linguistics to literary and cultural studies. It offers elements for reflection on cross-disciplinary approaches in the humanities, and demonstrates the power of beauty as a fundamental category beyond aesthetics.

Vacillating between the longue duree and microhistory, between ideological critique and historical sympathy, between the contrary formalisms of close and distant reading, literary historians operate with such disparate senses of what the term "history" means that the field risks compartmentalization and estrangement. The Romantic Historicism to Come engages this uncertainty in order to construct a more robust, more capacious idea of history. Focusing attention on Romantic conceptions of history's connection to the future, The Romantic Historicism to Come examines the complications of not only Romantic historicism, but also our own contemporary critical methods: what would it mean if the causal assumptions that underpin our historical judgments do not themselves develop in a stable, progressive manner? Articulating history's minimum conditions, Jonathan Crimmins develops a theoretical apparatus that accounts for the concurrent influence of the various sociohistorical forces that pressure each moment. He provides a conception of history as open to radical change without severing its connection to causality, better addressing the problem of the future at the heart of questions about the past.

The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 is the final volume of the four-volume series of cultural histories of the avant-garde movements in the Nordic countries. This volume carries the avant-garde discussion forward to present-day avant-gardes, challenged by the globalisation of the entertainment industries and new interactive media such as the internet. The avant-garde can now be considered a tradition that has been made more widely available through the opening of archives, electronic documentation and new research, which has spurred both re-enactments, revisions and continuations of historical avant-garde practices, while new cultural contexts, political, technological and ecological conditions have called for new strategies.

In this dazzling history of the imagination, Patrick Harpur links together fields as far apart as Greek philosophy and depth psychology, Renaissance magic and tribal ritual, Romantic poetry and modern models of the Universe, to trace how myths have been used to make sense of the world. In so doing he uncovers that tradition which alchemists imagined as a Golden Chain of initiates, who passed their mysterious 'secret fire' down through the ages. As this inspiring book shows, the secret of this perennial wisdom is of an imaginative insight: a simple way of seeing that re-enchants our existence and restores us to our own true selves..."His flame-like knowledge is central to the urgent seriousness of this book; buy a copy before it vanishes." THE LONDON MAGAZINE ..."It would be hard to overestimate the value of Harpur's book or to praise it too highly." RESURGENCE MAGAZINE ..."Once we believed that truth was 'out there', now we hold that it's 'in here', but if Harpur is right then it lies in the line of vision between the two" THE INDEPENDENT ON SUNDAY ..."Mr. Harpur links together fields as far apart as Greek philosophy and depth psychology, Renaissance magic and tribal ritual, Romantic poetry and the ecstasy of the shaman, to trace how societies over time have used myths to make sense of the world. Harpur leads us through history's secret chambers with such grace of language and insight that we forget the hour. I would make Harpur's book required reading for every student of philosophy, depth psychology, and history." DIANNE SKAFTE

At least 200,000 people died from hunger or malnutrition-related diseases in Spain during the 1940s. This book provides a political explanation for the famine and brings together a broad range of academics based in Spain, the United Kingdom, the United States and Australia to achieve this. Topics include the political causes of the famine, the physical and social consequences, the ways Spaniards tried to survive, the regime's reluctance to accept international relief, the politics of cooking at a time of famine, and the memory of the famine. The volume challenges the silence and misrepresentation that still surround the famine. It reveals the reality of how people perished in Spain because the Francoist authorities instituted a policy of food self-sufficiency (or autarky): a system of price regulation which placed restrictions on transport as well as food sales. The contributors trace the massive decline in food production which followed, the hoarding which took place on an enormous scale and the vast and deeply iniquitous black market that subsequently flourished at a time when salaries plunged to 50% below their levels in 1936: all contributing factors in the large-scale atrocity explored fully here for the first time.