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Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies
A Cultural History of The Human Body presents an authoritative survey from ancient times to the present. This set of six volumes covers 2800 years of the human body as a physical, social, spiritual and cultural object. Volume 1: A Cultural History of the Human Body in Antiquity (1300 BCE - 500 CE) Edited by Daniel Garrison, Northwestern University. Volume 2: A Cultural History of the Human Body in The Medieval Age (500 - 1500) Edited by Linda Kalof, Michigan State University Volume 3: A Cultural History of the Human Body in the Renaissance (1400 - 1650) Edited by Linda Kalof, Michigan State University and William Bynum, University College London. Volume 4: A Cultural History of the Human Body in the Enlightenment (1600 - 1800) Edited by Carole Reeves, Wellcome Trust Centre for the History of Medicine, University College London. Volume 5: A Cultural History of the Human Body in the Age of Empire (1800 - 1920) Edited by Michael Sappol, National Library of Medicine in Washington, DC, and Stephen P. Rice, Ramapo College of New Jersey. Volume 6: A Cultural History of the Human Body in the Modern Age (1900-21st Century) Edited by Ivan Crozier, University of Edinburgh, and Chiara Beccalossi, University of Queensland. Each volume discusses the same themes in its chapters: 1. Birth and Death 2. Health and Disease 3. Sex and Sexuality 4. Medical Knowledge and Technology 5. Popular Beliefs 6. Beauty and Concepts of the Ideal 7. Marked Bodies I: Gender, Race, Class, Age, Disability and Disease 8. Marked Bodies II: the Bestial, the Divine and the Natural 9. Cultural Representations of the Body 10. The Self and Society This means readers can either have a broad overview of a period by reading a volume or follow a theme through history by reading the relevant chapter in each volume. Superbly illustrated, the full six volume set combines to present the most authoritative and comprehensive survey available on the human body through history.
As mobile communication, social media, wireless networks, and flexible user interfaces become prominent topics in the study of media and culture, the screen emerges as a critical research area. This reader brings together insightful and influential texts from a variety of sources-theorists, researchers, critics, inventors, and artists-that explore the screen as a fundamental element not only in popular culture but also in our very understanding of society and the world. The Screen Media Reader is a foundational resource for studying the screen and its cultural impact. Through key contemporary and historical texts addressing the screen's development and role in communications and the social sphere, it considers how the screen functions as an idea, an object, and an everyday experience. Reflecting a number of descriptive and analytical approaches, these essays illustrate the astonishing range and depth of the screen's introduction and application in multiple media configurations and contexts. Together they demonstrate the long-standing influence of the screen as a cultural concept and communication tool that extends well beyond contemporary debates over screen saturation and addiction.
Gender and Pop Culture provides a foundation for the study of gender, pop culture, and media. This newly updated edition is comprehensive and interdisciplinary, providing both text-book style introductory and concluding chapters written by the editor. The text includes eight original contributor chapters on key topics and written in a variety of writing styles, discussion questions, additional resources, and more. Coverage includes: - Foundations for studying gender and pop culture (history, theory, methods, key concepts). - Contributor chapters on social media, technology, advertising, music, television, film, and sports. - Ideas for activism and putting this book to use beyond the classroom. - Pedagogical features. - Suggestions for further readings on topics covered and international studies of gender and pop culture. Gender and Pop Culture was designed with students in mind, to promote reflection and lively discussion. With features found in both textbooks and anthologies, this sleek book can serve as a primary or supplemental reading in courses across disciplines.
This one-volume reference provides a comprehensive overview of gambling in the Americas, examining the history, morality, market growth, and economics of the gaming industry. This is the most complete encyclopedia of gambling, covering the industry in great detail including the players, the games, the venues, and the surrounding social issues. Updates in this second edition reveal the impact of technological advances on the games, the growing legislation regulating the industry, and the expanding global footprint of gambling across the world-from Manitoba to Montana. Author William N. Thompson postulates on the impact of gambling on local communities and shows how the U.S. gaming industry is tied to the global market, most notably gaming expansion in Macau and Singapore. The book addresses the various forms of gaming, such as casino-based and online gambling, sports betting, and lotteries. Additional content examines the social issue of problem and pathological gambling and addresses the rehabilitation programs available for the mitigation and treatment of gambling problems. Includes documents from prominent court cases Profiles leading persons and organizations dealing with gambling operations Features a detailed chronology of events including legalization and laws on Internet gaming Offers an expanded bibliography that provides additional resources for further study
Reexamining the Chicano civil rights movement of the 1960s and 1970s, In the Spirit of a New People brings to light new insights about social activism in the twentieth-century and new lessons for progressive politics in the twenty-first. Randy J. Ontiveros explores the ways in which Chicano/a artists and activists used fiction, poetry, visual arts, theater, and other expressive forms to forge a common purpose and to challenge inequality in America. Focusing on cultural politics, Ontiveros reveals neglected stories about the Chicano movement and its impact: how writers used the street press to push back against the network news; how visual artists such as Santa Barraza used painting, installations, and mixed media to challenge racism in mainstream environmentalism; how El Teatro Campesino's innovative "actos," or short skits, sought to embody new, more inclusive forms of citizenship; and how Sandra Cisneros and other Chicana novelists broadened the narrative of the Chicano movement. In the Spirit of a New People articulates a fresh understanding of how the Chicano movement contributed to the social and political currents of postwar America, and how the movement remains meaningful today. Randy J. Ontiveros is Associate Professor of English and an affiliate in U.S. Latina/o Studies and Women's Studies at the University of Maryland, College Park.
Contributions by Phil Bevin, Blair Davis, Marc DiPaolo, Michele Fazio, James Gifford, Kelly Kanayama, Orion Ussner Kidder, Christina M. Knopf, Kevin Michael Scott, Andrew Alan Smith, and Terrence R. Wandtke In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community's changing attitudes towards class signifiers in superhero adventures. The often financially strapped Spider-Man proves to be a touchstone figure in many of these essays. Grant Morrison's Superman, Marvel's Shamrock, Alan Moore and David Lloyd's V for Vendetta, and The Walking Dead receive thoughtful treatment. While there have been many scholarly works concerned with issues of race and gender in comics, this book stands as the first to deal explicitly with issues of class, cultural capital, and economics as its main themes.
A Cultural History of The Human Body presents an authoritative survey from ancient times to the present. This set of six volumes covers 2800 years of the human body as a physical, social, spiritual and cultural object. Volume 1: A Cultural History of the Human Body in Antiquity (1300 BCE - 500 CE) Edited by Daniel Garrison, Northwestern University. Volume 2: A Cultural History of the Human Body in The Medieval Age (500 - 1500) Edited by Linda Kalof, Michigan State University Volume 3: A Cultural History of the Human Body in the Renaissance (1400 - 1650) Edited by Linda Kalof, Michigan State University and William Bynum, University College London. Volume 4: A Cultural History of the Human Body in the Enlightenment (1600 - 1800) Edited by Carole Reeves, Wellcome Trust Centre for the History of Medicine, University College London. Volume 5: A Cultural History of the Human Body in the Age of Empire (1800 - 1920) Edited by Michael Sappol, National Library of Medicine in Washington, DC, and Stephen P. Rice, Ramapo College of New Jersey. Volume 6: A Cultural History of the Human Body in the Modern Age (1900-21st Century) Edited by Ivan Crozier, University of Edinburgh, and Chiara Beccalossi, University of Queensland. Each volume discusses the same themes in its chapters: 1. Birth and Death 2. Health and Disease 3. Sex & Sexuality 4. Medical Knowledge and Technology 5. Popular Beliefs 6. Beauty and Concepts of the Ideal 7. Marked Bodies I: Gender, Race, Class, Age, Disability and Disease 8. Marked Bodies II: the Bestial, the Divine and the Natural 9. Cultural Representations of the Body 10. The Self and Society This means readers can either have a broad overview of a period by reading a volume or follow a theme through history by reading the relevant chapter in each volume. Superbly illustrated, the full six volume set combines to present the most authoritative and comprehensive survey available on the human body through history.
Liminal Fiction at the Edge of the Millennium: The Ends of Spanish Identity investigates the predominant perception of liminality-identity situated at a threshold, neither one thing nor another, but simultaneously both and neither-caused by encounters with otherness while negotiating identity in contemporary Spain. Examining how identity and alterity are parleyed through the cultural concerns of historical memory, gender roles, sex, religion, nationalism, and immigration, this study demonstrates how fictional representations of reality converge in a common structure wherein the end is not the end, but rather an edge, a liminal ground. On the border between two identities, the end materializes as an ephemeral limit that delineates and differentiates, yet also adjoins and approximates. In exploring the ends of Spanish fiction-both their structure and their intentionality-Liminal Fiction maps the edge as a constitutive component of narrative and identity in texts by Najat El Hachmi, Cristina Fernandez Cubas, Javier Marias, Rosa Montero, and Manuel Rivas. In their representation of identity on the edge, these fictions enact and embody the liminal not as simply a transitional and transient mode but as the structuring principle of identification in contemporary Spain.
This book argues that photography, with its inherent connection to the embodied material world and its ease of transmissibility, operates as an implicitly political medium. It makes the case that the right to see is fundamental to the right to be. Limning the paradoxical links between photography as a medium and the conditions of political, social, and epistemological disappearance, the book interprets works by African American, Indigenous American, Latinx, and Asian American photographers as acts of political activism in the contemporary idiom. Placing photographic praxis at the crux of 21st-century crises of political equity and sociality, the book uncovers the discursive visual movements through which photography enacts reappearances, bringing to visibility erased and elided histories in the Americas. Artists discussed in-depth include Shelley Niro, Carrie Mae Weems, Paula Luttringer, LaToya Ruby Frazier, Matika Wilbur, Martine Gutierrez, Ana Mendieta, An-My Le, and Rebecca Belmore. The book makes visible the American land as a site of contestation, an as-yet not fully recognized battlefield.
A Cultural History of The Human Body presents an authoritative survey from ancient times to the present. This set of six volumes covers 2800 years of the human body as a physical, social, spiritual and cultural object. Volume 1: A Cultural History of the Human Body in Antiquity (1300 BCE - 500 CE) Edited by Daniel Garrison, Northwestern University. Volume 2: A Cultural History of the Human Body in The Medieval Age (500 - 1500) Edited by Linda Kalof, Michigan State University Volume 3: A Cultural History of the Human Body in the Renaissance (1400 - 1650) Edited by Linda Kalof, Michigan State University and William Bynum, University College London. Volume 4: A Cultural History of the Human Body in the Enlightenment (1600 - 1800) Edited by Carole Reeves, Wellcome Trust Centre for the History of Medicine, University College London. Volume 5: A Cultural History of the Human Body in the Age of Empire (1800 - 1920) Edited by Michael Sappol, National Library of Medicine in Washington, DC, and Stephen P. Rice, Ramapo College of New Jersey. Volume 6: A Cultural History of the Human Body in the Modern Age (1900-21st Century) Edited by Ivan Crozier, University of Edinburgh, and Chiara Beccalossi, University of Queensland. Each volume discusses the same themes in its chapters: 1. Birth and Death 2. Health and Disease 3. Sex and Sexuality 4. Medical Knowledge and Technology 5. Popular Beliefs 6. Beauty and Concepts of the Ideal 7. Marked Bodies I: Gender, Race, Class, Age, Disability and Disease 8. Marked Bodies II: the Bestial, the Divine and the Natural 9. Cultural Representations of the Body 10. The Self and Society This means readers can either have a broad overview of a period by reading a volume or follow a theme through history by reading the relevant chapter in each volume. Superbly illustrated, the full six volume set combines to present the most authoritative and comprehensive survey available on the human body through history.
America's broken food system has provoked an outcry from consumer advocates seeking to align food policies with public health objectives. This book examines both sides of the conflict for solutions. Many believe that America's food system is in dire need of reform, with concerns ranging from the obesity epidemic to exploitative labor practices and negative environmental impact. This eye-opening book answers provocative questions about what changes are needed, who is advocating the changes, what parties are opposing these changes (and why), and what a new food system would look like. Organized into three sections, the work identifies the problems with the current system, reviews the changing landscape of food policy, and suggests workable solutions for progress. Washington insider Steve Clapp takes a comprehensive look at the struggle over the future of food. He examines the vision for a reformed national food policy that includes calculating the true cost of food, providing universal access to healthful food, adopting farm policies supporting public health and environmental objectives, improving food safety, paying fair wages to food employees, treating food animals with compassion, and reducing the food system's carbon footprint. The book explores the ways in which these issues can be resolved, drawing upon lessons learned from the early food advocates of the 1960s and 1970s. Traces the development of a national food policy proposed by food movement leaders Reveals the true cost of food and its toll on consumers and taxpayers Discusses the opposition against a national food policy from the agricultural-industrial complex Shows the effects of changing the current food system Analyzes efforts to fix the food system and the efforts to oppose them Introduces early food advocates who changed the food policy landscape
Technology for Facilitating Humanity and Combating Social Deviations: Interdisciplinary Perspectives provides a state-of-the-art compendium of research and development on socio-technical approaches to support the prevention, mitigation, and elimination of social deviations with the help of computer science and technology. This book provides historical backgrounds, experimental studies, and future perspectives on the use of computing tools to prevent and deal with physical, psychological and social problems that impact society as a whole.
George Dimitri Sawa's Arabic Musical and Socio-Cultural Glossary of Kitab al-Aghani is the first comprehensive lexicographical study of Umayyad and early Abbasid-era music theory and practices. It defines melodic and rhythmic modes, musical forms, instruments, technical terms and metaphors used in evaluating compositions and performances, and the emotional effects of tarab. It explains the processes of composition and learning, performance practice, musical change and aesthetics, and addresses the behavior of court musicians to help understand societal views of music. Medieval dictionaries, reference works on Arabic literature, theoretical treatises as well as full quotations from the Aghani are used. This glossary will be of interest to scholars and students of the music and socio-cultural history of the early Islamic era.
This volume exposes the contested history of a virtue so central to modern disciplines and public discourse that it can seem universal. The essays gathered here, however, demonstrate the emergence of impartiality. From the early seventeenth century, the new epithet 'impartial' appears prominently in a wide range of publications. Contributors trace impartiality in various fields: from news publications and polemical pamphlets to moral philosophy and historical dictionaries, from poetry and drama to natural history, in a broad European context and against the backdrop of religious and civil conflicts. Cumulatively, the volume suggests that the emergence of impartiality is implicated in the period's epochal shifts in epistemology and science, religious and political discourse, print culture, and scholarship. Contributors include: Joerg Jochen Berns, Tamas Demeter, Derek Dunne, Anne Eusterschulte, Christine Gerrard, Rainer Godel, N.J.S. Hardy, Rhodri Lewis, Hanns-Peter Neumann, Joad Raymond, Bernd Roling, Bastian Ronge, Richard Scholar, Nathaniel Stogdill, Anita Traninger, and Anja Zimmermann.
When it comes to any current scientific debate, there are more than two sides to every story. Controversies in Science and Technology, Volume 4 analyzes controversial topics in science and technology-infrastructure, ecosystem management, food security, and plastics and health-from multiple points of view. The editors have compiled thought-provoking essays from a variety of experts from academia and beyond, creating a volume that addresses many of the issues surrounding these scientific debates. Part I of the volume discusses infrastructure, and the real meaning behind the term in today's society. Essays address the central issues that motivate current discussion about infrastructure, including writing on the vulnerability to disasters. Part II, titled "Food Policy," will focus on the challenges of feeding an ever-growing world and the costs of not doing so. Part III features essays on chemicals and environmental health, and works to define "safety" as it relates to today's scientific community. The book's final section examines ecosystem management. In the end, Kleinman, Cloud-Hansen, and Handelsman provide a multifaceted volume that will be appropriate for anyone hoping to understand arguments surrounding several of today's most important scientific controversies
Embodied encounters with death affect humans deeply, with the power to crush, transform and strengthen individuals and relationships. Understanding that these encounters often have a musical accompaniment, this edited collection offers a range of critical, analytic, discursive and personal reflections on how music provides both a container and a medium for experiencing, processing and integrating embodied encounters with death. The collection showcases new and original interdisciplinary case studies written by authors from several different countries across Australia, France, The Netherlands, Poland and the UK. Taking an international, interdisciplinary and inclusive approach, this carefully curated collection elaborates embodied encounters with death through music across a variety of praxes and disciplines such as death & grief, queer studies, disability, philosophy, and more. Providing a mix of personal perspectives and insights on the impact of music and death alongside more conventional academic studies, the chapters reveal how music and human nature are intimately, and bodily, entwined. Framed by opening and closing chapters written by the team of three editors, this core text in the field provides a unique overview of the implications and ramifications of the embodiment of death through music and the musicalisation of death through the body, and signposts possibilities for further research.
This volume illuminates the vexed treatment of violence in the German cultural tradition between two crucial, and radically different, violent outbreaks: the French Revolution, and the Holocaust and Second World War. The contributions undermine the notion of violence as an intermittent or random visitor in the imagination and critical theory of modern German culture. Instead, they make a case for violence in its many manifestations as constitutive for modern theories of art, politics, identity, and agency. While the contributions elucidate trends in theories of violence leading up to the Holocaust, they also provide a genealogy of the stakes involved in ongoing discussions of the legitimate uses of violence, and of state, individual, and collective agency in its perpetration. The chapters engage the theorization of violence through analysis of cultural products, including literature, museum planning, film, and critical theory. This collection will be of interest to scholars in the fields of Literary and Cultural Studies, Critical Theory, Philosophy, Gender Studies, History, Museum Studies, and beyond.
Food Rebellions! takes a deep look at the world food crisis and its impact on the global South and underserved communities in the industrial North. Eric Holt-Gimenez and Raj Patel unpack the planet's environmentally and economically vulnerable food systems to reveal the root causes of the crisis. They shows us how the steady erosion of local and national control over their food systems has made nations dependent on a volatile global market and subject to the short-term interests of a handful of transnational agri-food monopolies. Food Rebellions! is a powerful handbook for those seeking to understand the causes and potential solutions to the current food crisis now affecting nearly half of the world's people. Why are food riots occurring around the world in a time of record harvests? What are the real impacts of agrofuels and genetically engineered crops? Food Rebellions! suggests that to solve the food crisis, we must change the global food system-from the bottom up and from the top down. The book frames the current food crisis as unique opportunity to develop productive local food systems that are engines for sustainable economic development. Hunger and poverty, the authors insist, can be eliminated by democratising food systems and respecting people's right to safe, nutritious and culturally appropriate food and to food-producing resources-in short, by advancing food sovereignty.
A popular sub-genre of fantasy and science fiction, steampunk re-imagines the Victorian age in the future, and re-works its technology, fashion, and values with a dose of anti-modernism. While often considered solely through the lens of literature, steampunk is, in fact, a complex phenomenon that also affects, transforms, and unites a wide range of disciplines, such as art, music, film, television, fashion, new media, and material culture. In Steaming into a Victorian Future: A Steampunk Anthology, Julie Anne Taddeo and Cynthia J. Miller have assembled a collection of essays that consider the social and cultural aspects of this multi-faceted genre. The essays included in this volume examine various manifestations of steampunk-both separately and in relation to each other-in order to better understand the steampunk sub-culture and its effect on-and interrelationship with-popular culture and the wider society. This volume expands and extends existing scholarship on steampunk in order to explore many previously unconsidered questions about cultural creativity, social networking, fandom, appropriation, and the creation of meaning. With a foreword by popular culture scholar Ken Dvorak, and an afterword by steampunk expert Jeff VanderMeer, Steaming into a Victorian Future offers a wide ranging look at the impact of steampunk, as well as the individuals who create, interpret, and consume it.
A discussion of the rapidly growing field, from a thinker at the forefront of research at the interface of technology and the humanities, this is a must-read for anyone interested in contemporary developments in Continental philosophy and philosophy of technology. Philosophy of technology regularly draws on key thinkers in the Continental tradition, including Husserl, Heidegger, and Foucault. Yet because of the problematic legacy of the 'empirical turn', it often criticizes 'bad' continental tendencies - lyricism, pessimism, and an outdated view of technology as an autonomous, transcendental force. This misconception is based on a faulty image of Continental thought, and in addressing it Smith productively redefines our concept of technology. By closely engaging key texts, and by examining 'exceptional technologies' such as imagined, failed, and impossible technologies that fall outside philosophy of technology's current focus, this book offers a practical guide to thinking about and using continental philosophy and philosophy of technology. It outlines and enacts three key characteristics of philosophy as practiced in the continental tradition: close reading of the history of philosophy; focus on critique; and openness to other disciplinary fields. Smith deploys the concept of exceptional technologies to provide a novel way of widening discussion in philosophy of technology, navigating the relationship between philosophy of technology and Continental philosophy; the history of both these fields; the role of imagination in relation to technologies; and the social function of technologies themselves. |
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