Christian churches erected in Mexico during the early colonial era represented the triumph of European conquest and religious domination. Or did they? Building on recent research that questions the ""cultural"" conquest of Mesoamerica, Eleanor Wake shows that colonial Mexican churches also reflected the beliefs of the indigenous communities that built them. European authorities failed to recognize that the meaning of the edifices they so admired was being challenged: pre-Columbian iconography integrated into Christian imagery, altars oriented toward indigenous sacred landmarks, and carefully recycled masonry. In Framing the Sacred, Wake examines how the art and architecture of Mexico's religious structures reveals the indigenous people's own decisions regarding the conversion program and their accommodation of the Christian message. As Wake shows, native peoples selected aspects of the invading culture to secure their own culture's survival. In focusing on anomalies present in indigenous art and their relationship to orthodox Christian iconography, she draws on a wide geographical sampling across various forms of Indian artistic expression, including religious sculpture and painting, innovative architectural detail, cartography, and devotional poetry. She also offers a detailed analysis of documented native ritual practices that - she argues - assist in the interpretation of the imagery. With more than 260 illustrations, Framing the Sacred is the most extensive study to date of the indigenous aspects of these churches and fosters a more complete understanding of Christianity's influence on Mexican peoples.

Ifa: A Forest of Mystery by Nicholaj de Mattos Frisvold is a major study on the cosmology, metaphysics, philosophy and divination system of Ifa, written by a tradition holder and member of the council of elders, known as the Ogboni society, of Abeokuta, Nigeria. Ifa - an alternative name for its prophet Orunmila - is a religion, a wisdom tradition and a system of divination encoding the rich and complex oral and material culture of the Yoruba people. The Yoruba culture is grounded in memory, an ancestral repository of wisdom, that generates good counsel, advises appropriate ebo (sacrifice) and opens the way to develop a good character on our journey through life and in our interactions with the visible and invisible worlds. The work is a presentation of the first sixteen odu of the Ifa corpus of divination verses explained in stories, allegories and proverbs reflecting the practical wisdom of Ifa. The work is both a presentation of Ifa for those with little knowledge of it, and a dynamic presentation of the wealth of its wisdom for those already familiar with Ifa. The deities and key concepts of Ifa metaphysics are discussed, including: Obatala, Onile, Sango, Ogun, Oya, Osanyin, Yemoja, Esu, ase (power), egungun (ancestry), iwa (character), and ori (head/consciousness/daimon). Notably, Dr Frisvold has created a work which celebrates the Yoruba wisdom tradition and makes a bridge with the Western world. It is of value for the light that it casts on the origins and mysteries of Esu and orisa, and an important source for those practicing Quimbanda, Palo, Santeria, Vodou and the African Diaspora religions. Yet its lessons are universal, for it is the art of developing character, of attracting good fortune and accruing wisdom in life. "Ifa is a philosophy, a theogony, theology and cosmology rooted in a particular metaphysic that concerns itself with the real and the ideal, the world and its beginning. It is rooted in the constitution of man and the purpose of life and the nature of fate. Ifa is a philosophy of character. The philosophy of Ifa lies at the root of any religious cult or organization involving the veneration of orisa. [...] Through stories and legends, divinatory verses and proverbs, this philosophy will be revealed piece by piece until the landscape has been laid open before you." - Nicholaj de Mattos Frisvold

Descended from a Werewolf Egil stirs up trouble with his first murder with an axe at the age of seven. The story goes on to tell the tales of Egil's voyages to Scandinavia and England and his personal vendetta against King Eric Bloodaxe.

This book is written to create awareness and see if adequate interpretation would be given to certain phenomena and calamities created by the vagaries of nature and induced by spirits, Agwu inclusive, and suggest how they can be resolved. To do this, Agwu has examined the concept in all its tendencies and ramifications.

It tries to explain the relationship between Agwu and other creatures from the sources of life-Supreme Being-to the least inanimate object. The moral standard set by Agwu to its worshippers has been a masterpiece incentive and also a source of inspiration to ordinary mortals who watch with admiration the special Agwu elect.

Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu--the Yoruba sacred scriptures--along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love's work explores the ways in which an ancient worldview survives in modern times.

Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.

This saga tells the story of two Icelandic poets Gunnlaugr ormstunga and Hrafn Onundarson, and their competition for the love of Helga the Fair, granddaughter of Egill Skallagrimsson. The story opens with a prophetic dream of two eagles fighting over a swan, prefiguring the love triangle in the story. The story then follows Gunnlaugr as it describes his ambitious career as a court poet. He first competes with Hrafn (Raven) in verse and later in battle.

Asatru, or Heathenry, is based on the pre-Christian religion and way-of-life of our Northern European Ancestors. Modern Heathen honor the true Gods of their ancestors, and we honor them in the ways that they did. We also honor our ancestors and the spirits of the land. Heathenry is very family oriented, and encourages us to live responsible lives of honor. Nothing is more important than our families and the children that we bring into this world. The modern heathen fables within are just one part of a larger puzzle of finding better ways of sharing our way-of-life with our children. This book brings together all of the essays written by the author to-date on the topic of Heathen children and families. Love your children, give gifts to your Gods, honor your ancestors, and respect the Vaettir of the land. Hail our Folk

The Temiar are a Mon-Khmer-speaking group living in the uplands of northern Peninsular Malaysia. People in the region once practised Mahayana Buddhism and later Islam, but when Geoffrey Benjamin began his fieldwork in 1964, the Temiar practised a localised and unexportable animistic religion. Over a period of nearly 50 years he has followed the Temiar community, witnessing a series of changes that have seen them become ever more embedded in broader Malaysian society. Benjamin's work traces a process of religious enchantment, disenchantment and re-enchantment, as the Temiars reacted in various ways to Baha'i, Islam and Christianity, including developing their own new religion. In a text enriched by detailed ethnographic reportage, Benjamin draws on the Temiar experience to set out a novel theory of religion, and to explore the changing intellectual framework of anthropology over the past half-century.

Coming Full Circle is an interdisciplinary exploration of the relationships between spirituality and health among Coast Salish and Chinook communities in western Washington from 1805 to 2005. Suzanne Crawford O'Brien examines how these communities define what it means to be healthy and how recent tribal community-based health programs have applied this understanding to their missions and activities. She also explores how contemporary definitions, goals, and activities relating to health and healing are informed by Coast Salish history and also by indigenous spiritual views of the body. These views, she argues, are based on an understanding of the relationship between self, ecology, and community. Coming Full Circle draws on a historical framework in reflecting on contemporary tribal health-care efforts and the ways in which they engage indigenous healing traditions alongside twenty-first-century biomedicine. The book makes a strong case for the current shift toward tribally controlled care, arguing that local, culturally distinct ways of healing and understanding illness must be a part of Native health care. Combining in-depth archival research, extensive ethnographic participant-based field work, and skillful scholarship on theories of religion and embodiment, Crawford O'Brien offers an original and masterful analysis of Coast Salish and Chinook traditions and worldviews, and the intersection of religion and healing.

The Vikings Bok, commonly known as the Poetic Edda, is the spiritual foundation for the Heathen revival today. It is the indigenous, historical remains of a once widespread Teutonic spirituality that has been too long absent from the Western world. This newly revised edition is based on the rare and highly acclaimed Olive Bray translation. Together with a New Glossary of modern Heathen terms and a concise introduction, this single source book is a practical "must have" for those interested in following the Northern Way