This volume offers a comprehensive introduction to the major political, social, economic, and cultural developments in Vienna from c. 1100 to c. 1500. It provides a multidisciplinary view of the complexity of the vibrant city on the Danube. The volume is divided into four sections: Vienna, the city and urban design, politics, economy and sovereignty, social groups and communities, and spaces of knowledge, arts, and performance. An international team of eighteen scholars examines issues ranging from the city's urban environment and art history, to economic and social concerns, using a range of sources and reflecting the wide array of possible approaches to the study of medieval Vienna today. Contributors are: Peter Csendes, Ulrike Denk, Thomas Ertl, Christian Gastgeber, Thomas Haffner, Martha Keil, Franz Kirchweger, Heike Krause, Christina Lutter, Paul Mitchell, Kurt Muhlberger, Zoe Opacic, Ferdinand Opll, Barbara Schedl, Christoph Sonnlechner, and Peter Wright.

Samizdat, the production and circulation of texts outside official channels, was an integral part of life in the final decades of the Soviet Union. But as Josephine von Zitzewitz explains, while much is known about the texts themselves, little is available on the complex communities and cultures that existed around them due to their necessarily secretive, and sometimes dissident, nature. By analysing the behaviours of different actors involved in Samizdat - readers, typists, librarians and the editors of periodicals in 1970s Leningrad, The Culture of Samizdat fills this lacuna in Soviet history scholarship. Crucially, as well as providing new insight into Samizdat texts, the book makes use of oral and written testimonies to examine the role of Samizdat activists and employs an interdisciplinary theoretical approach drawing on both the sociology of reading and book history. In doing so, von Zitzewitz uncovers the importance of 'middlemen' for Samizdat culture. Diligently researched and engagingly written, this book will be of great value to scholars of Soviet cultural history and Russian literary studies alike.

The historical development of Russia remains one of the most unique yet ambiguous timelines in the realm of political science and sociology. Understanding the state of culture as a single, dynamic, and interrelated phenomenon is a vital component regarding the memoirs of this prominent nation. Political, Economic, and Social Factors Affecting the Development of Russian Statehood: Emerging Research and Opportunities is a collection of innovative research on the historical aspects of the formation of the political system in Russia and proposes directions for the further development of modern Russian statehood. While highlighting topics including socio-politics, Soviet culture, and capitalization, this book is ideally designed for economists, government officials, policymakers, historians, diplomats, intelligence specialists, political analysts, professors, students, and professionals seeking current research on the history of public administration in Russia.

Since the 1920s, Socialist and Communist parties in Europe and elsewhere have engaged in episodes of both rivalry and cooperation, with each seeking to dominate the European Left. Enemy Brothers analyzes how this relationship has developed over the past century, focusing on France, Italy, and Spain, where Socialists and Communists have been politically important. Drawing on fieldwork and interviews in all three nations, W. Rand Smith identifies the critical junctures that these parties faced and the strategic choices they made, especially regarding alliance partners. In explaining the parties' diverse alliance strategies, Enemy Brothers stresses the impact of institutional arrangements, party culture, and leadership.

In an era haunted by its past, modern Europe sought to break with the old; the future and the new became the ideal. In Italy however, where the remains of the past dominated the landscape, ruins were a token both of decadence and of the inspiring legacy of tradition. Sabrina Ferri proposes a counter-narrative to the European story of progress by focusing on the often-marginalized and distinctive case of Italy. For Italians, ruins uncovered the creative potential of the past, transforming it into an inexhaustible source of philosophical speculation and poetic invention whilst simultaneously symbolizing decay, loss and melancholy. Focusing on the representation of ruins by Italian writers, scientists, and artists between the mid-eighteenth and early nineteenth centuries, Sabrina Ferri explores the culture of the period and traces Italy's complex relationship with its past. Combining the analysis of major works, from Vico's New science to Leopardi's Canti, with that of archival sources and little-studied materials such as scientific travel journals, letters, and political essays, the author reveals how: the ruin became a figure for Italy's uneasy transition into modernity; the interplay between reflections on the processes of history and speculations on the laws of nature shaped the country's sense of the past and its vision of the future; the convergence of narratives depicting historical and natural change influenced both the creative arts and the emerging sciences of geology, biology, and archaeology; the temporal crisis at the dawn of the nineteenth century called into question traditional models for investigating the past and understanding the present.

A Companion to Religious Minorities in Early Modern Rome investigates the lives and stories of the many groups and individuals in Rome, between 1500 and approximately 1750, who were not Roman (Latin) Catholic. It shows how early modern Catholic people and institutions in Rome were directly influenced by their interactions with other religious traditions. This collection reveals the significant impact of Protestants, Muslims, Jews, and Eastern Rite Christians; the influence of the many transient groups and individual travelers who passed through the city; the unique contributions of converts to Catholicism, who drew on the religion of their birth; and the importance of intermediaries, fluent in more than one culture and religion. Contributors include: Olivia Adankpo-Labadie, Robert John Clines, Matthew Coneys Wainwright, Serena Di Nepi, Irene Fosi, Mayu Fujikawa, Sam Kennerley, Emily Michelson, James Nelson Novoa, Cesare Santus, Piet van Boxel, and Justine A. Walden.

Between the birth of Dante in 1265 and the death of Galileo in 1642 something happened which completely revolutionized Western civilization. Painting, sculpture and architecture would all visibly change in a striking fashion. Likewise, the thought and self-conception of humanity would take on a completely different aspect. Sciences would be born - or emerge in an entirely new guise. In this sweeping 400-year history, Paul Strathern reveals how, and why, these new ideas which formed the Renaissance began, and flourished, in the city of Florence. Just as central and northern Germany gave birth to the Reformation, Britain was a driver of the Industrial Revolution and Silicon Valley shaped the digital age, so too, Strathern argues, did Florence play a similarly unique and transformative role in the Renaissance. While vividly bringing to life the city and a vast cast of characters - including Dante, Botticelli, Machiavelli, Leonardo da Vinci, Michelangelo and Galileo - Strathern shows how these great Florentines forever altered Europe and the Western world.