An exquisite ode to color, this book presents the history of Dior cosmetics placed within contexts of fashion and art. Divided into twelve chapters (White, Silver, Nude, Pink, Red, Purple, Blue, Green, Yellow, Gold, Gray, and Black) Dior: The Art of Color show- cases not only the sometimes glamorous, sometimes natural cosmetics, but also the aesthetics of color, which was the source of inspiration for so much of Dior's creations. The evolution of color through the ages is presented with iconic works from renowned artists and fifty years of Dior makeup and advertising campaigns- including creations from some of the greats in the field, such as Serge Lutens, Tyen, and the current head of Dior Makeup, Peter Philips-captured by master photographers such as Irving Penn, Guy Bourdin, and Richard Burbridge. With a highly engaging text and never-before-seen imagery, this is a book that no student of fashion or art should be without.

Cecil Beaton (1904-1980) was a man of dazzling charm and style, and his talents were many. In his twenties he recorded London and New York society in needle-sharp words and drawings, and then, at Conde Nast's insistence, in photographs. The resulting work earned him a place among the great chroniclers of fashion. In this classic book, now in a sumptuous paperback edition after many years out of print, Josephine Ross selects and introduces articles, drawings and photographs by Beaton dating from the 1920s to the 1970s. It includes Beaton's essays and vignettes on high society and its denizens, as well as such stars of the arts as Greta Garbo, Ralph Richardson, Pablo Picasso and David Hockney. It also reproduces Beaton's war photographs, drawings and writings, from bombed London to China and the North Africa Desert. Beaton loved Vogue, and his contributions testify to the wit, imagination and professionalism that the man and the magazine always had in common.

New York: Through a Fashion Eye is an illustrated guide to one of the world's most-loved fashion cities by one of the world's most-loved fashion illustrators. Let Megan Hess take you on an adventure through New York, showing you the hottest places to eat, sleep and play - all illustrated in her inimitable, elegant style. Featuring fashion-themed restaurants, hotels and sites to visit, as well as Megan's favourite places to shop, this is a must-have insider's guide to New York for any fashion lover.

Enter the exciting intersection of technology and fashion known as wearable computing. Learn about the future of electronics in clothing and textiles, and be a part of creating that future! Crafting Wearables begins with the history of the field, then covers current practices and future trends. You will gain deeper insight into the strategy behind the design of wearable devices while learning about the tools and materials needed to start your own wearables toolbox. In a time when consumer electronics are becoming smaller and seamlessly integrated into our lives, it is important to understand how technology can improve and augment your lifestyle. Wearables are in a sense the most organic and natural interface we can design, yet there is still doubt about how quickly wearable technologies will become the cultural norm. Furthermore, skills that have become less valuable over the years, such as sewing, are making a return with the wearables movement. Gives a better understanding of wearable technology and how it has evolved Teaches basic skills and techniques to familiarize you with the tools and materials Showcases breakthrough designs and discoveries that impact our everyday interactions What You'll Learn Learn the history of how technology in fashion has evolved over time Discover interesting materials and fabrics for use in wearable technology Glimpse new tools for designing wearable technology and fashion Rediscover sewing and related skills that every wearables enthusiast should learn Learn how new techniques in textile manufacturing could disrupt the fashion industry Understand and respond to the cultural and societal developments around wearables Who This Book Is For The curious designer, engineer, or creative who is looking for insight into the world of fashion technology. It is for someone who wants to start exploring wearables with basic projects and dig deeper into the methods and tools of an expert. Crafting Wearables is intended to impart comprehensive general knowledge of the state of wearables in different industries while providing a well-curated list of example projects and resources by which to begin your personal journey into e-textiles. It is a wonderful read for those who are looking to expand their understanding of fashion and technology from both a hands-on and research-based perspective.

Textiles and clothing are interwoven with Islamic culture. In Islamicate Textiles, readers are taken on a journey from Central Asia to Tanzania to uncover the central roles that textiles play within Muslim-majority communities. This thematically arranged book sheds light on the traditions, rituals and religious practices of these regions, and the ways in which each one incorporates materials and clothing. Drawing on examples including Iranian lion carpets and Arabic keffiyeh, Faegheh Shirazi frames these textiles and totemic items as important cultural signifiers that, together, form a dynamic and fascinating material culture. Like a developing language, this culture expands, bends and develops to suit the needs of new generations and groups across the world. The political significance of Islamicate textiles is also explored: Faegheh Shirazi's writing reveals the fraught relationship between the East - with its sought-after materials and much-valued textiles - and the European countries that purchased and repurposed these goods, and lays bare the historical and contemporary connections between textiles, colonialism, immigration and economics. Dr Shirazi also discusses gender and how textiles and clothing are intimately linked with sexuality and gender identity.

This book tells the story of fashion workers engaged in the labor of design and the material making of New York fashion. Christina H. Moon offers an illuminating ethnography into the various sites and practices that make up fashion labor in sample rooms, design studios, runways, factories, and design schools of the New York fashion world. By exploring the work practices, social worlds, and aspirations of fashion workers, this book offers a unique look into the meaning of labor and creativity in 21st century global fashion. This book will be of interest to scholars in design studies, fashion history, and fashion labor.

This book presents 1,000 unpublished and original lingerie and beachwear designs by Dorina Croci with the collaboration of Elisabetta Drudi, author of best-selling international books, such as 4,000 Fashion Details (Promopress). Its content is intended to inspire fashion designers working in this field, showing details, colors and materials suitable for creating collections.

Francois Berthoud is known for his painstakingly produced and meticulously arranged linocuts and his expressive drip paintings and elegant computer graphics have graced the face of countless magazines and advertising campaigns for the world s most discerning and sought-after fashion brands including Yves-St-Laurent, Bulgari, Chanel, Givenchy, Sonia Rykiel, and Prada. His work presents the conceptual aspect of fashion, maintaining a strict line between the edge of eroticism which he claims to be all important. Emerging as a leading fashion illustrator and art director in the 80s, Berthoud s distinct style was championed by the legendary Anna Piaggi early on in her avant-garde publication Vanity that was published by Conde Nast. She hailed him by saying that while Francois illustrates fashion in an apparently formal and decorative way, in reality he analyses his subject in depth and with an elegant sense of detachment before recreating it in his atelier-laboratory . He experiences fashion with a sharp sense of irony and a visual culture rooted in conceptual art. But his style is totally now! Berthoud has a reputation for romantic fashion illustration and for erotica (he was the illustrator for Betony Vernon s The Boudoir Bible) and where the two often overlap. Featuring essays by Chris Dercon and Daniele Barbieri, the book concludes with a conversation with Franc?ois Berthoud transcribed by Christian Ka?mmerling.

Reporting live from "everywhere," photographer Adam Katz Sinding (formerly known as Le 21eme) travels around the globe to document the fashion zeitgeist. An Instagram hit, @aks's lens captures fashion weeks, runway idols, the next big trends, tastemakers, and - in particular - street style. His first teNeues book This is Not a F*cking Street Style Book featured a curated collection of some of his best images, taken both backstage at the shows and of the style-setters on the streets. In this new publication, Sinding widens his scope and explores culture and landmarks with the same sophisticated eye he uses to photograph fashion. In the last year, he has travelled through over 35 countries across the globe, snapping a breathtaking number of beautiful photos that capture the essence of a place as only he would recognise it. Along with his pictures, the book includes contributions from Errolson Hugh and offers a unique insight into the peculiar mind of Adam Katz Sinding himself, his obsessive exercising habits, and the cultural phenomenon he has become over the years.

Behind the iconic Gucci name lies a family torn apart by betrayal, jealousy, greed and even murder. Jenny was an operatic student in Florence when she first caught the eye of fashion designer Paolo Gucci - grandson of the founder of the world's biggest fashion house. For ten years, as Mrs Gucci, she was blissfully happy living the life of ultimate luxury. However, she quickly learned that such privilege comes at a price. Against the backdrop of boardroom rivalry and infighting, a dark side of Paolo's character emerged and Jenny's world turned upside down. When she took the unprecedented step of asking for a divorce, her husband swore to make her, and their daughter, homeless and penniless. No-one could have foreseen the lengths he was prepared to go in order to carry out his threat. Jenny has survived countless struggles and shocking trauma to emerge as a strong, independent woman. Her story will leave you breathless.

The name "Suzanne Perron" is synonymous with exquisite detail. Her expertly tailored gowns -- worn at the elaborate balls of Mardi Gras and down the aisle at New Orleans weddings -- draw from the legacy of couture design. After years working alongside Vera Wang, Carolina Herrera, Anna Sui, and Ralph Rucci in New York, Louisiana native Perron returned home in 2005 to open her own custom design business, specializing in once-in-a-lifetime gowns for brides, debutantes, and Mardi Gras royalty.

Designing in Ivory and White captures the rise of this talented designer, from her first Singer sewing machine to her success on Seventh Avenue to her post-Katrina move to a city in need of "something beautiful," as well as her design technique and meticulous craft. In addition to her personal story, Perron shares her process from the inside out, including: methods for creating crinolines and foundations; using draping and pattern making to transform a sketch into a three-dimensional form; manipulating fabric into pleats, pintucks, and folds; and hand sewing intricate beading, lace, embroidery, and flawless hems.

Her techniques and breathtaking artistry are realized through a showcase of sixteen Suzanne Perron designs. Full-length and detail shots illustrate Perron's gorgeous silhouettes and masterful handwork. Each gown also has a story that illuminates the client experience from the first sketch to the final fitting.

Designing in Ivory and White serves as a testament to the ambition and skill required to design unique dresses, and will provide inspiration for independent designers, sewing hobbyists, and all who admire couture fashion.

For college and high school courses in Fashion Design by Computer, Fashion Illustration by Computer, Computer Design, and CAD for Fashion. This fully-updated text addresses industry's need to train fashion students to draw fashion flats and illustrations, textile designs, and presentations using the latest versions of Adobe Illustrator. Emphasizing the creative process, "ADOBE ILLUSTRATOR FOR FASHION DESIGN, 2/e" explores Illustrator's powerful capabilities as related to drawings of clothing, fashion poses, and textile prints. It offers clear and illustrated instructions throughout, guiding students through learning all the electronic drawing techniques they will need to work successfully in fashion. In this second edition, new online videos show students how to perform many key techniques step-by-step, and online examples of previous student projects inspire new students. This Second Edition also adds updated coverage of merchandising techniques, electronic portfolio preparation, technical drawings, tech packs, and much more.

London fashion week designer Peter Jensen has designed an exclusive silk-screened polka bee cover for a limited run of ruled Fashionary notebooks, including a PJ Rabbit bookmark. His playful and stylish designs elevate these notebooks from fashion resource to fashion must-have.

The unexpected story of an essential 18th and 19th century accessory This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women's everyday lives-from duchesses and country gentry to prostitutes and washerwomen-and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women's stories into intimate focus. "What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them."-Kathryn Hughes, The Guardian "A riveting book . . . few stones are left unturned."-Roberta Smith's "Top Art Books of 2019," The New York Times "A brilliant book."-Ulinka Rublack, Times Literary Supplement

Day costumes, evening wear, sports clothes, shoes, hats, other accessories in over 1,000 detailed engravings. Very thorough identification of styles, materials, colors by editor. "An endlessly entertaining book."-Theatre Design and Technology.

This dazzling exploration of contemporary Muslim modest dress, from historic styles to present-day examples, accompanies a major exhibition and reveals the enormous range of self-expression through fashion achieved by Muslim men and women. Filled with documentary and fashion photography as well as stills from runway shows and the media, this book explores the ways Muslim style cultures are shaped by global trends and religious beliefs. From high-end couture to street- wear, this volume shows how established and diaspora regions, such as Dubai, Jakarta, London, and New York, are homes to thriving industries that create classic and cutting-edge looks. Accompanying these images are essays and personal narratives by leading voices that touch on everything from the history of modest dress to social media. A fascinating examination of a major segment of the fashion industry, this book highlights the ingenuity and creativity of Muslim designers and wearers as they deftly navigate the fashion industry while maintaining their religious and cultural identities.

Through ten detailed case studies on groundbreaking brands like Vivienne Westwood, Vera Wang, Levi's (R), and The Gap Inc., Fashion Brand Stories shows how fashion retailers and designers use storytelling to establish and maintain relationships with their customers. These entertaining case studies explore the evolution of each brand as a cultural entity with its own carefully crafted personality. Aided by interviews with industry professionals, you'll learn how brands start out, grow and encounter success or failure and how to apply those hard-won lessons to your own thoughts on branding. This beautifully illustrated third edition covers the changing role of social media, celebrity endorsements, quality over quantity, and more ethical sourcing, manufacturing, and consumption. Instructor's resources to accompany this edition are available at bloomsbury.pub/fashion-brand-stories-3e

Rethinking Fashion Globalization is a timely call to rewrite the fashion system and push back against Eurocentric dominance within fashion histories by presenting new models, approaches and understandings of fashion from critical thinkers at the forefront of decolonial fashion discourse. This edited collection draws together original, diverse, and richly reflective critiques of the fashion system from both established and emerging fashion scholars, researchers and creative practitioners. Chapters straddle current calls for decolonization and inclusion, as well as reflections on de-westernization, post-colonialism, sustainability, transnationalism, national identities, social activism, global fashion narratives, diversity, and more. The volume is divided into three key themes, 'Disruptions in Time and Space', 'Nationalism and Transnationalism' and 'Global Design Practices'. These themes re-map fashion's origins, practices and futures, to present alternatives for reclaiming and rethinking fashion globalization in the 21st century.

'Riello and McNeil's new collection of essays represents an immense and impressive project' Choice

'Now, the key contributions from nearly every expert in the field are assembled in one fascinating book. This kaleidoscopic and informative volume ranges impressively across conventional boundaries of chronology, geography, and discipline.' Glenn Adamson, Victoria and Albert Museum, London, UK

'This book is indispensable for anyone interested in fashion. History has never been more alive than in the pages of this Reader.' Patrizia Calefato, University of Bari, Italy

The Fashion History Reader is an innovative work that provides a broad introduction to the complex literature in the fields of fashion studies, and dress and fashion history. Twenty-three chapters and over forty shorter Snapshot texts cover a wide range of topics and approaches within the history of fashion, ranging from object-based studies to theory-driven analyses. The book is divided into six parts, surveying some of the key themes in the history of fashion. Themes also move in and across time, providing a chronology to enable student learning:

• parts one to three cover the fifteenth to the eighteenth-century
• parts four and five cover the nineteenth-century to the contemporary (with particular attention given to non-European countries)
• part six provides a survey of the global setting and current globalized nature of fashion.

A comprehensive introduction by the editors contextualizes debates for students, synthesising past history and bringing them up-to-date through a discussion of globalization. Each section also includes a short, accessible introduction by the editors, placing each chapter within the wider, thematic treatment of fashion and its history, and an 'Annotated Guide to Further Reading' encourages students to enhance their learning independently.

The Fashion History Reader was awarded a prize for 'Best Edited Book' at the Art Association of Australia and New Zealand: Art Historians of Australasia, Annual General Meeting, December 2011.

A tortured genius and one of most influential designers of the twentieth century,Yves Saint Laurent was responsible for revolutionising the way women dressedand viewed themselves. During a wildly creative career stretching from 1958 to2002 Saint Laurent established a reputation for accessible, flawlessly cut clothes.He became an overnight sensation in 1958, aged 21, when he showed his 'Trapeze'collection, his first for the House of Christian Dior, following the master's death.Four years later, Saint Laurent opened his own couture house and within a fewseasons was hailed by Vogue's Diana Vreeland as 'the pied piper of fashion'.Viewed as a master colourist and admired for his choice of sultry fabrics,his great gift was creating lasting styles - described by Vogue as 'stockpiles ofessentials in times of famine' - that flattered all shapes and sizes. As well asdesigning wardrobe classics like the 'Le Smoking' tuxedo for women, the Safarijacket, the trench and the pea coat, and introducing trousers into haute couture,he also dressed international style icons such as Catherine Deneuve, MarellaAgnelli and Lauren Bacall. With his nose for the zeitgeist, Saint Laurent recognisedthe global power of street fashion and launched Rive Gauche, his ready-to-wearboutique line in 1966. Christened 'The Saint' by Vogue, every element of his fashionempire, which included exhilarating couture collections, exquisite accessories andsought-after perfumes, was captured by Vogue's writers and leading photographerslike Richard Avedon, David Bailey and Norman Parkinson.

Shows how cinematic treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of postwar German women. This book steers attention toward two key aspects of German culture - film and fashion - that shared similar trajectories and multiple connections, looking at them not only in the immediate postwar years but as far back as 1939. They formed spectacular sites of the postwar recovery processes in both East and West Germany. Viewed against the background of the abundant fashion discourses in the Berlin-based press, the films discussed include classics such asThe Murderers Are among Us, Street Acquaintance, and Destinies of Women as well as neglected works such as And the Heavens above Us, Martina, Modell Bianka, and Ingrid. These films' treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of the women who made up a large majority of the postwar public. Costume - in films produced both by DEFA and by West German studios - is a productive site to explore the intersections between realism and escapism. With its focus on costumes within the context of the films' production, distribution, and reception, this bookopens up wider discussions about the role of the costume designer, the ways film costumes can be read as intertexts, and the impact on audiences' behaviors and looks. The book reveals multiple connections between film and fashion,both across the temporal dividing line of 1945 and the Cold War split between East and West. Mila Ganeva is Professor of German at Miami University, Oxford, Ohio.