Fashion by Design, Second Edition, explains how the elements and principles of design relate to fashion, based on the philosophy of the Bauhaus Experiment of the 1920s and 1930s, which is the foundation for art education in the United States. The book is structured into three parts: the stages of the design process (inspiration, identification, conceptualization, exploration/refinement, definition/modeling, communication, and production); physical elements (such as line, shape, form, space, texture, light, pattern, color, and value); and theoretical principles (like balance, emphasis, rhythm, proportion, and unity) of design. This is reinforced by fashion designer profiles and illustrations covering art, architecture, and fashion. The book aims to improve the designer's eye for creating fashion and related art forms; to identify terminology used in the communication of fashion; and to show how other factors, such as the human form, clothing structure, historic silhouettes, fashion trends, culture, and industry trends, may impact the development of a line or a collection. New to this Edition: -A more user-friendly order of information, in a more condensed language style, with updated color visuals -Expanded section on the design process, with information on sustainable design -New creative assignments at the end of chapters with application to the fields of fashion design (including the development of a design journal), fashion merchandising (such as styling, product development, buying or trend research) and theater arts (such as costumes, sets, lighting) STUDIO Features: -Study smarter with self-quizzes featuring scored results and personalized study tips -Review concepts with flashcards of essential vocabulary - Downloadable "Paper Dolls" pdfs for students to interact with key concepts of the design process Instructor Resources: -PowerPoint (R) slides featuring key concepts from each chapter -Instructor's Guide with sample course outlines for teaching and tools for integrating the STUDIO with the course

Montreal is a la mode. A fashionable city in its own right, it also boasts fashion schools, an industry packed with local designers and manufacturers and a dynamic scene that exhibits local and international collections. With its vibrant cultural life and affordable cost of living, designers and artists flock from all over to be a part of Montreal's hip fashion community. MontrealChic is the first book to document this scene and how it connects with the city's design, film, music and cultural history. Scholars Katrina Sark and Sara Daniele Belanger-Michaud are intimately acquainted with Montreal and use their firsthand knowledge of the city's fashion to explore urban culture, music, institutions, scenes and subcultures, along the way uncovering many untold stories of Montreal's fashion scene.

Peter Lindbergh, one of the world's foremost fashion photographers, celebrates the female form in this classic book. Peter Lindbergh's Images of Women is now available in this new unabridged compact edition. Lindbergh, who passed away in 2019, took a comprehensive look at his body of work from the 1980s and '90s and hand selected these black-and-white photographs of the most beautiful and famous women in the world. It was the era of the supermodels, a phenomenon he himself had helped create, and he left his own unique stamp upon it, influencing an entire generation of fashion photographers with his distinct style. Lindbergh was always interested in the aura, individuality, and personality of his models which resulted in images that captured an ideal of beauty more than just perfection and glamour. This splendid monograph represents the definitive collection of Lindbergh's considerable oeuvre: classic fashion photographs, arresting candids, portraits of female celebrities--including Madonna, Isabella Rossellini, Sharon Stone, Catherine Deneuve, Charlotte Rampling, Daryl Hannah--and of course his signature shots of the world's supermodels.

Easy, well-illustrated manual which describes how to mend clothes. This manual provides all necessary knowledge for anyone who wants to acquire the basic skills for mending, altering and fixing clothes. The publication explains in an easy to understand and simple language the most usual clothing repairs, like shortening pants, a seam to be redone, darning a hole, shortening the sleeves of a shirt, etc. From learning to do stitches by hand to using the sewing machine, the author guides the reader throughout the process by simple texts and useful photographs proving that mending is easy. The book also includes a glossary of technical terms. With this DIY guide, the reader will be able to perform some alterations and mendings without the need of going to the professional tailor. It's a basic manual, but also contains some more complicated mendings that people with advanced skills can tackle. AUTHOR: Anna De Leo was born in Cosenza in 1987. In 2014 she graduated at the Euromode School Italia, in Bormio in Valtellina. In 2015 she moved to Udine, where she attended a course of tailoring repair at the Ires (Institute of Economic and Social Research Friuli Venezia Giulia). She later enrolled in the Fashion Design course at Milan Fashion Campus in Milan, and an online Personal Shopper and Image consultant course. From 2015 to 2017 she worked in different fashion companies, refining knowledge and skills that allow her to experiment also with the packaging of the clothes and the study of new modeling techniques. She is an author of fashion-related books. SELLING POINTS: . An essential resource for any household. . Fixing clothes explained in a simple and clear way. . The reader will learn how to perform the most simple and common alterations and mendings to their clothes. 300 colour illustrations

For college and high school courses in Fashion Design by Computer, Fashion Illustration by Computer, Computer Design, and CAD for Fashion. This fully-updated text addresses industry's need to train fashion students to draw fashion flats and illustrations, textile designs, and presentations using the latest versions of Adobe Illustrator. Emphasizing the creative process, "ADOBE ILLUSTRATOR FOR FASHION DESIGN, 2/e" explores Illustrator's powerful capabilities as related to drawings of clothing, fashion poses, and textile prints. It offers clear and illustrated instructions throughout, guiding students through learning all the electronic drawing techniques they will need to work successfully in fashion. In this second edition, new online videos show students how to perform many key techniques step-by-step, and online examples of previous student projects inspire new students. This Second Edition also adds updated coverage of merchandising techniques, electronic portfolio preparation, technical drawings, tech packs, and much more.

A Cultural History of Color in the Modern Age covers the period 1920 to the present, a time of extraordinary developments in colour science, philosophy, art, design and technologies. The expansion of products produced with synthetic dyes was accelerated by mass consumerism as artists, designers, architects, writers, theater and filmmakers made us a 'color conscious' society. This influenced what we wore, how we chose to furnish and decorate our homes, and how we responded to the vibrancy and chromatic eclecticism of contemporary visual cultures.The volume brings together research on how philosophers, scientists, linguists and artists debated color's polyvalence, its meaning to different cultures, and how it could be measured, manufactured, manipulated and enjoyed. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Anders Steinvall is Senior Lecturer in English Linguistics at Umea University, Sweden. Sarah Street is Professor of Film at the University of Bristol, UK. Volume 6 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

Welcome to the world of the sharp-suited 'faces'. The Italianistas. The scooter-riding, all-night-dancing instigators of what became, from its myriad sources, a very British phenomenon. Mod began life as the quintessential working-class movement of a newly affluent nation - a uniquely British amalgam of American music and European fashions that mixed modern jazz with modernist design in an attempt to escape the drab conformity, snobbery and prudery of life in 1950s Britain. But what started as a popular cult became a mainstream culture, and a style became a revolution. In Mod, Richard Weight tells the story of Britain's biggest and most influential youth cult. He charts the origins of Mod in the Soho jazz scene of the 1950s, set to the cool sounds of Charlie Parker and Miles Davis. He explores Mod's heyday in Swinging London in the mid-60s - to a new soundtrack courtesy of the Small Faces, the Who and the Kinks. He takes us to the Mod-Rocker riots at Margate and Brighton, and into the world of fashion and design dominated by Twiggy, Mary Quant and Terence Conran. But Mod did not end in the 1960s. Richard Weight not only brings us up to the cult's revival in the late 70s - played out against its own soundtrack of Quadrophenia and the Jam - but reveals Mod to be the DNA of British youth culture, leaving its mark on glam and Northern Soul, punk and Two Tone, Britpop and rave. This is the story of Britain's biggest and brassiest youth movement - and of its legacy. Music, film, fashion, art, architecture and design - nothing was untouched by the eclectic, frenetic, irresistible energy of Mod.

An exploration of the corset as a motif for textile artists, with practical tips and examples.Used for the last 400 years to contort the female body into a variety of fashionable silhouettes, the corset has become a fascinating and hugely popular motif for modern textile artists who wish to represent the female body using the largely feminine traditions of textile and stitch. Beginning with a step-by-step guide to constructing a simple fabric corset, the book goes on to explore more contemporary and experimental approaches to construction, from using unusual materials such as lace, metal, paper and found fibres to up-cycling or repurposing existing garments to make a statement. This practical guide is full of exercises for creating intimate garments and wearable art in two- and three-dimensions and is packed with inspiring work and installations by other contemporary artists.

The heyday of Silent Film, so beloved by film buffs, was an era that became instantly quaint with the arrival of "Talkies." As early as 1929, critics and film historians were writing of the period as though of the distant past. Since then, a torrent of books has been released, many of which mention art-in the main, asking whether film could be art-others discussing the splendor of the sets, the persuasion of the ambiance, or the psychological depth of the scenario. What these authors seem to have overlooked is the work of the costume and set designers to provide the background which profoundly affects all of the above. Most especially, they failed to examine the source of the inspiration on those who created that background. To fill this apparent gap, the premise of this volume-costume and set design in the silent film-concentrates on what is arguably the most prevailing influence on both, the presumed nobility of the Middle Ages. Largely owing to the psychological upset of World War I, although beginning earlier, society was in a state of flux. Women, who had been so active during the war, refused to return exclusively to home and kitchen. Veterans, who had experienced the worst, could no longer accept the prewar class restrictions and artificial manners. It was only natural that a longing for what seemed a nobler and purer period would be created. Designers, if only partly consciously, turned to that period like flowers to the sun, creating an ambiance which they felt reflected those higher ideals. Ironically, although the influence is more than obvious in both sets and wardrobes, the period devolves into one of freedom bordering on license, and an almost complete overthrow of those old-fashioned ideals.

A step-by-step guide to two essential tools for textile and fashion designers. Designer and educator Robert Hume guides you from novice to expert through 20 carefully crafted projects. You'll start by mastering layers and custom brushes, learning about stripes and weaves, scanning and manipulation before moving on to repeats, colorways, and simple geometry. Next, transformations, filters and effects become tools for your personal creativity and you'll explore varied approaches to drawing garments. Finally, you'll learn about key layout and presentation techniques in both programs. There's also advice on sharing, communication and output, and help with diagnosing and correcting common problems. Files for many of the projects are available from: www.bloomsburyonlineresources.com/fashion-and-textile-design-with-photoshop-and-illustrator-2e Seven case studies showcase the work and creative thinking of innovative professional designers. These designers offer insight and inspiration to help you develop your own successful and inventive designs. This new edition incorporates updates to Photoshop and Illustrator CC and a new extended introduction outlines the layout of each program and good practice in working with their tools and windows. There are also two new projects, the first will help you draw a pair of jeans using closed path ways, incorporating distressing and treatments such as stone-washing and whiskering. The second new project shows how to create a paisley design using Illustrator brushes to add complexity in design work.

The long-running popular TV series Doctor Who is, Piers Britton argues, a 'uniquely design intensive text': its time-and-space-travel premise requires that designers be tirelessly imaginative in devising new worlds and entities and recreating past civilizations. While Doctor Who's attempts at worldbuilding are notorious for being hit-and-miss - old jokes about wobbly walls and sink plungers die hard - the distinctiveness of the series' design imagery is beyond question. And over the course of six decades Doctor Who has produced designs which are not only iconic but, in being repeatedly revisited and updated, have proven to be an ever-more important element in the series' identity and mythos. In the first in-depth study of Doctor Who's costumes, sets and graphics, Piers Britton offers an historical overview of both the original and the revived series, explores theoretical frameworks for evaluating Doctor Who design, and provides detailed analysis of key images. Case studies include the visual morphology of Doctor Who's historical adventures, the evaluative character of cosplay, and the ongoing significance for the Doctor Who brand of such high-profile designs as the Daleks and the TARDIS interior, the 'time-tunnel' title sequence, and the costumes of the Fourth and Thirteenth Doctors.

Woven & Worn offers a fascinating insight into the workings of innovative global craftspeople who create environmentally-conscious clothing in a bid to protect the planet from the ruinous effects of a toxic industry. Within this book, talented artisan makers such as weavers, dressmakers, dyers, and jewellers give consumers the power to alter the tired fabric of the fashion industry and embrace the energetic campaign for a sustainable circular economy. Marking a potential revival of the make-do-and-mend era, Woven & Worn showcases the variety of materials and processes used to craft wearables with both longevity and soul. Demonstrating the diversity within sustainable garment making, this title highlights ground-breaking renewable materials created from by-products of the food industry, such as banana and fish skins, as well as ingenious techniques, and "zero waste" production methods, including utilising offcut materials and upcycling vintage fabrics. Discover tactile vegan leather rucksacks, painterly plant-dyed textiles, and intricate reclaimed plastic adornment alongside traditional repair techniques such as darning and sashiko. Delve into the unseen creative workspaces of skilled crafters; admire their unique tools and processes, and absorb their intriguing stories. Sustainability is tightly woven into their creative practices as they tackle the wasteful industry, one beautifully-crafted garment at a time.

The retrospective on the work of couturier Thierry Mugler (1948-2022) at the Brooklyn Museum includes more than 150 costumes designed between 1977 and 2014, along with many unpublished archive documents and sketches. It showcases the multiple worlds of this one-of-a-kind artistic figure-a visionary fashion designer, director, photographer and perfumer-through a display of his pret-a-porter and haute couture silhouettes. Thierry Mugler staged the most spectacular fashion shows of his time. He dressed many celebrities, including Diana Ross, David Bowie, Lady Gaga, Liza Minnelli, Celine Dion and Kim Kardashian. He created the costumes for many of Mylene Farmer's and Beyonce's tours and videos. A photographer and director, he filmed clips as well as short films starring actresses like Isabelle Huppert and Juliette Binoche. This book was published in conjunction with the exhibition and is organised into several main sections. It reproduces a selection of full-page photographs, most of which have not been published before, by the greatest artists who worked with Mugler throughout his career-Helmut Newton, Peter Knapp, Jacques-Henri Lartigue, David LaChapelle, Stephane Sednaoui, Jean-Baptiste Mondino, Jean-Paul Goude, Pierre & Gilles, Patrice Stable, Inez & Vinoodh, to name just a few. It also includes views of the exhibition layout and displays. Prior tour dates and locations: Kunsthal Rotterdam, Netherlands - 10.13.2019 - 03.08.2020 Hypo-Kunsthalle Munich, Germany - 05.25.2020 - 04.13.2021 Musee des Arts Decoratifs, Paris - 09.30.2021 - 04.24.2022 Text in English and French.

'Riello and McNeil's new collection of essays represents an immense and impressive project' Choice

'Now, the key contributions from nearly every expert in the field are assembled in one fascinating book. This kaleidoscopic and informative volume ranges impressively across conventional boundaries of chronology, geography, and discipline.' Glenn Adamson, Victoria and Albert Museum, London, UK

'This book is indispensable for anyone interested in fashion. History has never been more alive than in the pages of this Reader.' Patrizia Calefato, University of Bari, Italy

The Fashion History Reader is an innovative work that provides a broad introduction to the complex literature in the fields of fashion studies, and dress and fashion history. Twenty-three chapters and over forty shorter Snapshot texts cover a wide range of topics and approaches within the history of fashion, ranging from object-based studies to theory-driven analyses. The book is divided into six parts, surveying some of the key themes in the history of fashion. Themes also move in and across time, providing a chronology to enable student learning:

• parts one to three cover the fifteenth to the eighteenth-century
• parts four and five cover the nineteenth-century to the contemporary (with particular attention given to non-European countries)
• part six provides a survey of the global setting and current globalized nature of fashion.

A comprehensive introduction by the editors contextualizes debates for students, synthesising past history and bringing them up-to-date through a discussion of globalization. Each section also includes a short, accessible introduction by the editors, placing each chapter within the wider, thematic treatment of fashion and its history, and an 'Annotated Guide to Further Reading' encourages students to enhance their learning independently.

The Fashion History Reader was awarded a prize for 'Best Edited Book' at the Art Association of Australia and New Zealand: Art Historians of Australasia, Annual General Meeting, December 2011.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. "A remarkable resource for the field of fashion studies suitable for both newcomers ... [and] seasoned practitioners." - Fashion Historia "A precious source in the study of the subject ... inspiring." - The Journal of Dress History The last decade has seen the growing popularity and visibility of fashion as a cultural product, including its growing presence in museum exhibitions. This book explores the history of fashion displays, highlighting the continuity of past and present curatorial practices. Comparing and contrasting exhibitions from different museums and decades-from the Paris Exposition Universelle of 1900 to the Alexander McQueen Savage Beauty show at the Metropolitan Museum of Art in 2011, and beyond-it makes connections between museum fashion and the wider fashion industry. By critically analyzing trends in fashion exhibition practice over the 20th and early 21st centuries, Julia Petrov defines and describes the varied representations of historical fashion within British and North American museum exhibitions. Rooted in extensive archival research on exhibitions by global leaders in the field-from the Victoria and Albert and the Bath Fashion Museum to the Brooklyn and the Royal Ontario Museums-the work reveals how fashion exhibitions have been shaped by the values and anxieties associated with fashion more generally. Supplemented by parallel critical approaches, including museological theory, historiography, body theory, material culture, and visual studies, Fashion, History, Museums demonstrates that in an increasingly corporate and mass-mediated world, fashion exhibitions must be analysed in a comparative and global context. Richly illustrated with 70 images, this book is essential reading for students and scholars of fashion history and museology, as well as curators, conservators, and exhibition designers.

"Quite simply the most fascinating record of a '[fashion] victim' one could hope for." The Spectator This captivating study reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, it chronicles how style-conscious accountant Matthaus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the 16th century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress - seemingly both ephemeral and trivial - is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and everyday culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of 16th-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.

Commanding the hothouse environment of Harajuku, the street fashion and culture district of Tokyo, Hiroshi Fujiwara is recognized the world over as a pioneer in streetwear, music, and art and is the ultimate arbiter of cool. Known internationally as one of the founding fathers of the 1990s Tokyo scene, Fujiwara exerts a disproportionate influence over contemporary design culture. With recent and highly successful collaborations with Louis Vuitton and Moncler, and with his mainstay work at Nike and Medicom, Fujiwara refines an aesthetic immersed in punk, hip-hop, and skate culture and translates it into pure luxury. A musician and producer originally from western Japan, Fujiwara is one of the most prolific of sneaker designers, and his kicks remain some of the most sought-after collectibles. In addition to his very visible and long-standing collaborations with major Western brands, he has long associations with Japanese disruptors like Jun Takahashi of Undercover and is head of the Tokyo-based Fragment Design. Chronicling his reign as the arbiter of hip for more than thirty years, this book presents his current preoccupations, with chapters on his highly sought-after artwork and graphics, sneakers, product design, and curated personal effects, giving readers a unique glimpse into one of the most influential tastemakers of our time.

An understanding of trends is a fundamental skill for anyone working in the fashion industry. In this book Gwyneth Holland and Rae Jones look at how to produce a well-researched trend, from initial inspiration to concrete idea and, eventually, real product. Illustrated throughout with insights from practising trend forecasters and industry insiders, it is an invaluable guide for fashion students and practitioners alike.

From the first sketch to handling a prototype, Fashion Design: The Complete Guide is an all-inclusive overview of the entire design process. This second edition begins with an exploration of fashion in the context of different histories and cultural moments, before fashion designer, and educator John Hopkins walks you through fashion drawing, colour, fibres, research methods, and studio must-knows such as pattern making, draping and fitting. You'll also learn how to develop your portfolio and practice as a professional designer. Each of the six chapters ends with activities to help you hone your skills. Interviewees include Stefan Siegel (founder and CEO of Not Just A Label), Maggie Norris (Founder of Maggie Norris Couture and former designer at Ralph Lauren), Samson Soboye (Creative Director and Founder of Soboye Boutique) and Jessica Bird (a fashion illustrator, whose clients include Vivienne Westwood and matchesfashion.com). With discussion of the evolving role of social media and the practicalities of incorporating sustainability at the centre of the design process this is an essential text for any aspiring fashion designer.

Bowlers, Bergeres, berets and beyond, this is the ultimate guide to hats through history. From the lavish fashion hats of Marie Antoinette's court to the experimental millinery of Stephen Jones and Philip Treacy, Hats takes us on a beautifully illustrated journey through class conflict, gendered etiquette and national allegiances to reveal the complex cultures from which each style emerged. Unlike any other element of dress, hats are able to confer a certain presence on the wearer, whilst working to a seemingly arcane system of codes that govern our behaviour. At which occasion is it appropriate to wear a hat? When is it respectful to take hats off? Why did hats fall out of favour? Structured thematically with issues such as power and disguise, Clair Hughes explores both historical and contemporary styles, as well as their depictions in art, literature and film, with sharp historical insights and playful narratives. Including head-turning designs at world-famous horse races, the hat habits of royal family members, literary mad hatters and French high-fashion millinery by the likes of Poiret, Vionnet and Chanel, this is the authoritative guide to one of the most culturally rich accessories in fashion. Hats is the first title in the Elements of Dress Series, edited by Susan Vincent.

In the publication TSATSAS. past, present, future, Esther and Dimitrios Tsatsas present an exciting and informative glimpse into their artistic oeuvre to mark the 10th anniversary of their business. The designer couple have been developing high-end handcrafted leather bags and accessories since 2012, eschewing established parameters of design and interweaving and developing the traditional Offenbach am Main (Germany) bag-makers' craft with their own cutting-edge design vernacular. The publication illustrates the varied work processes that go into creating their accessories, from the concept and the transformation of this traditional craft to their sources of inspiration in art, design, and architecture. Text in English and German.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. We think we know the trench coat, but where does it come from and where will it take us? From its origins in the trenches of WW1, this military outerwear came to project the inner-being of detectives, writers, reporters, rebels, artists and intellectuals. The coat outfitted imaginative leaps into the unknown. Trench Coat tells the story of seductive entanglements with technology, time, law, politics, trust and trespass. Readers follow the rise of a sartorial archetype through media, design, literature, cinema and fashion. Today, as a staple in stories of future life-worlds, the trench coat warns of disturbances to come. Object Lessons is published in partnership with an essay series in The Atlantic.

This comprehensive, profusely illustrated book--with over 800 illustrations--documents chronologically, by century, more than 2,000 years of head coverings--a subject that encompasses many eras and nationalities. Used as protection against the weather (or against an enemy's weapons), as a badge of office, or as something to enhance the wearer's self-esteem, headgear not only includes hats of all shapes and sizes but also comprises crowns, wigs, tiaras, and helmets. The author's own drawings, deriving from period paintings, sculptures, and illustrations, accurately depict varied forms of headdresses, among them, conical shaped leather caps worn by the Danish in 70 b.c.; metal Viking helmets with horns; Flemish berets (1410) enhanced with a large feather; petite straw hats adorned with a rosette and narrow ribbons (1870); handsome English top hats (1957); as well as ecclesiastical headdresses, traditional and national styles, and non-European hats and head-adornment. An invaluable reference for designers, art students, and costume historians, this entertaining and literate survey will delight anyone with a special interest in headgear. Unabridged republication of the edition published by Richard Sadler Ltd., Chalfont St. Giles, Buckinghamshire, Great Britain, 1974. Glossary. List of Sources. Over 800 black-and-white illustrations.

Rich silks embellished with needlwork were used to create expensive, high-quality garments, affordable only for the wealth. Their very exclusivity has meant that few items have lasted through the centuries. Several rare and beautiful pieces do however survive in Glasgow Muesuem's collections. This text reveals the intricate details of exquisite embroidery.

Join internationally renowned fashion illustrator Megan Hess as she explores the timeless beauty and glamour of ten of France's best-loved designers in a stylish celebration of one of the world’s favourite fashion destinations.

From the courts of Versailles to the cobbled streets of Paris, French fashion has always been the epitome of elegance. Whether it's Dior's New Look, Yves Saint Laurent's Le Smoking jacket or Chanel's little black dress, the masters of French fashion understand that clothing is more than a craft: it’s an art form.

Megan Hess’s love for French style sparked her career in fashion illustration. In these pages, she unspools the threads of ten legendary designers – Chanel, Dior, Saint Laurent, Lanvin, Givenchy, Chloé, Balmain, Louis Vuitton, Hermès and Celine – to discover the origins of haute couture, prêt-à-porter and everything chic.

Accompanied by Megan’s exquisite illustrations of current and archival collections, Elegance: The Beauty of French Fashion tells the story of how France’s iconic fashion houses have influenced the very fabric of design.