The planet has reached a critical point and it is up to us all to innovate and drive change in all aspects of life, including how we design, produce and purchase our clothing. The fashion industry and its procedures are changing rapidly thanks to the visionary mindset of innovators, the renewal of industrial processes, and a reconsideration of existing values. More and more customers are demanding the clothes they buy to be socially and environmentally aware: no child labour, minimal ecological impact, and safe working conditions are the basis of the sustainable values that customers are expecting from fashion companies. This book provides all the necessary insight for designers, fashion companies, retailers, and consumers that want to become more sustainable. It includes a comprehensive overview of the current actions taken by pioneering designers and brands, and how they are integrating basic sustainable principles, as well as eco- friendly and repurposed materials, to create a new generation of fashion products, including information on different fabric types, alternative production methods, and practical care advice for garments.

The story of fashion is woven through with colour. Vividly illustrated and compellingly written, The Colour of Fashion uncovers the colourful history of style, through 10 shades and their key moments in the spotlight - including Beyonce in empowering yellow chiffon, Valentino's signature red gowns, and Audrey Hepburn in that Little Black Dress - and shows that colour means so much more than meets the eye. Black - Purple - Blue - Green - Yellow - Orange - Brown - Red - Pink - White

An exploration of how the rose-the most ravishingly beautiful and symbolic of flowers-has inspired fashion over hundreds of years The Rose in Fashion: Ravishing is a fascinating exploration of how the rose has inspired the way we look, dress, feel, and fantasize. It foregrounds innovative, refined, and challenging fashion design from elite 18th-century woven silks to the latest gender-neutral catwalk trends and Alexander McQueen rose dresses. Drawing upon fashion clothing, everyday dress, millinery, fine jewelry, perfume, and artificial and fresh roses, multiple expert contributors make reference to love, beauty, sex, sin, gendered identities, rites of passage, transgression, degradation, and death. This sumptuously illustrated book also includes a contribution and stunning images of roses by visionary photographer Nick Knight. Wild yet cultivated, savage yet delicate, this flower has remained an enduring symbol perhaps due to its versatility and the dichotomies it represents.

So you've mastered the basics in shirtmaking and you are looking to create your own couture blouses, dress shirts, or jackets... Well, you are in luck then. David Page Coffin, author of "Shirtmaking," is back to help you through amazing custom patterns for men and women Inside you'll find a helpful guide explaining specific concepts, structures, and styles, such as: Dress (or Shaped) Shirt Block, Sport (or Unshaped) Shirt Block, Knit (or Stretch-to-Fit) Shirt Block, Folk (or Rectangular) Shirt Block, and Shirt-Jacket (or Over-Sized) Block. "The Shirtmaking Workbook" also includes lists for further reading, suppliers, and references to help make your custom shirtmaking easier. With these shirtmaking basics, you'll be creating hundreds of fashionable designs in no time

A spectacular visual journey through 40 years of haute couture from one of the best-known and most trend-setting brands in fashion Founded in 1962 by Yves Saint Laurent and his partner, Pierre Berge, the fashion house Yves Saint Laurent has for more than half a century been synonymous with excellence in modern and iconic style. From Yves Saint Laurent's revolutionary and enduringly popular tuxedo suit for women, le smoking, to iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection, the house's haute couture line has been hugely influential in changing the way modern women dress. This definitive publication opens with a concise history of the house before exploring the collections themselves, organized chronologically and ending in 2002, the year that Yves Saint Laurent retired from the company he started. Each collection is introduced by a short text elucidating its influences and highlights and is illustrated with carefully curated catwalk images, each season styled as the designer intended and worn by the world's top models. The book showcases hundreds of spectacular clothes, details, accessories, beauty looks, and set designs.

"A thick, tangled and deliciously idiosyncratic history of hair." Times Literary Supplement Hair, or lack of it, is one the most significant identifiers of individuals in any society. In Antiquity, the power of hair to send a series of social messages was no different. This volume covers nearly a thousand years of history, from Archaic Greece to the end of the Roman Empire, concentrating on what is now Europe, North Africa, and the Near East. Among the key issues identified by its authors is the recognition that in any given society male and female hair tend to be opposites (when male hair is generally short, women's is long); that hair is a marker of age and stage of life (children and young people have longer, less confined hairstyles; adult hair is far more controlled); hair can be used to identify the 'other' in terms of race and ethnicity but also those who stand outside social norms such as witches and mad women. The chapters in A Cultural History of Hair in Antiquity cover the following topics: religion and ritualized belief, self and society, fashion and adornment, production and practice, health and hygiene, gender and sexuality, race and ethnicity, class and social status, and cultural representations.

Despite its limited number of inhabitants and rather small surface, the Belgian province of Limburg has a great number of designers with an international reputation. Based on the 10 principles of good design by Dieter Rams this book discovers the roots of Limburg's top design of the last 25 years. With famous names such as Martin Margiela, Raf Simons, Bram Boo, Dieter Bikkembergs and Pieter Stockmans but also unknown or almost invisible design. With contributions by Jesse Brouns, Veerle Windels, Hettie Judah, Virginia Tassinari, Nik Baerten. Cultural platform Design supports and promotes designers and design made in Limburg. In collaboration with different partners they provide inspiring thinking patterns about design and create a dynamic climate for design in Flanders.

This broad-reaching collection of essays constitutes a thorough introduction to the fields and methodologies concerned with studies of textiles and dress of the Middle Ages. New themes and critical viewpoints from many disciplines are brought to bear on the medieval material in the areas of archaeology, art and architecture, economics, law, history, literature, religion, and textile technology. The contributors address surviving objects and artifacts and interpret representations in texts and images. The articles extend in time from the fifth to the sixteenth centuries, and cover Europe from Scandinavia, England, and Ireland in the north, to Italy and the Mediterranean basin in the south. Emphasis is placed on the significant role of trade and cultural exchanges as they impact appearance and its constituent materials.

Pattern Magic Stretch Fabrics is the third in the series of cult Japanese pattern cutting books, now translated into English. The new volume looks at working with stretch and jersey fabric. Material that stretches lengthways or sideways can be magical in itself. This book takes the special qualities of stretch fabrics and uses them to create stunning, sculptural designs. In two parts, the book shows how to work with stretch fabrics and how to cut patterns that exploit their properties with truly original results. The book is accompanied by a basic paper pattern block.

A richly illustrated glimpse into the magnificent collection of seventeenth-century men's dress from the Danish kings' wardrobes Ten Kings' Clothes: Royal Danish Dress, 1596-1863 presents the unparalleled collection of seventeenth-century male dress, belonging to the Danish kings from Christian IV to Frederik VII. The incomparable research showcases the collection of each monarch, put into context against the backdrop of pivotal moments in Danish history, the networks of supply, and the production and circulation of luxury goods. Richly illustrated with portraits, prints, and the stunning garments, extended entries and hand-drafted patterns allow a detailed and technical appreciation of each item. The historical garments tell the story not only of the kings' coronations and weddings but also of everyday life at court, including the contributions of tailors, embroiderers, valets, portrait artists, castle stewards, and laundresses. The book also includes a foreword written by Her Majesty Queen Margrethe II of Denmark. Published in association with Aarhus University Press

In the turbulent political and social landscape of Revolutionary France, dress played a major role in defining and displaying new identities. What people wore was, in fact, a vital symbol of their allegiances and beliefs. Drawing on a wide range of documentary and visual sources, this book offers a vivid picture of the highly charged politics of Revolutionary appearances. The author explores the dynamic complexity of the new socio-political world, where the identification of who stood for what was such an urgent, if vexed, issue: where identical items of dress could stand for opposing political ideologies, where a variety of institutions - from local societies to the national assembly - tried to define the meanings associated with clothing, and where the clothes a person wore could seal their fate. Tracing the stories surrounding the liberty cap, the different manifestations of official dress, the tricolore cockade and the sans-culotte provides a new and exciting insight into the complexities and uncertainties that made up life in Revolutionary France and the political culture that it created.

Dear Fashion Diary is an illustrated diary full of fashion assignments for young fashionistas to explore their taste and style and trust their deepest fashion longings to. It is a highly creative activity book letting you collect your favourite outfits, create inspiration collages, list your must-haves and much more
This diary is a wonderful way of recording your fashion life and collect your style inspiration between two covers
* Attractively illustrated and produced
* A real wannahave for young fashionistas
Dear Fashion Diary has been created by Emmi Ojala and Laura de Jong, two young fashion professionals, illustrators and bloggers living in the Netherlands.

Fashion Writing and Criticism provides students with the tools to critique fashion with skill and style. Explaining the history and theory of criticism, this innovative text demonstrates how the tradition of criticism has developed and how this knowledge can be applied to fashion, enabling students to acquire the methods and proper vocabulary to be active critics themselves. Integrating history and theory, this innovative book explains the development of fashion writing, the theoretical basis on which it sits, and how it might be improved and applied. Through concise snapshot case studies, top international scholars McNeil and Miller analyse fashion excerpts in relation to philosophical ideas and situate them within historical contexts. Case studies include classic examples of fashion writing, such as Diana Vreeland at Harper's Bazaar and Richard Martin on Karl Lagerfeld, as well as contemporary examples such as Suzy Menkes and the blogger Tavi. Accessibly written, Fashion Writing and Criticism enables readers to understand, assess and make value judgments about the fascinating and changeable field of fashion. It is an invaluable text for students and researchers alike, studying fashion, journalism, history and media studies.

Sought-after, sophisticated and versatile, the Hermes carre is wearable art that never goes out of fashion. Unveiling the history and artistry of the brand's silk accessory from the first designs in the early twentieth century to today, this fashion story includes a detailed behind-the-scenes look at the artisanship involved at the company's ateliers in France, as well as reviews on different scarf designs, colour palettes, dates of issue and rarity (the 'Grail' scarves). The book includes the collaborators who have helped in the creation of over 2,000 designs, including limited editions, anniversary and tribute scarves, with highlights from renown artists and illustrators such as Hugo Grygkar, Philippe Ledoux, Kermit Oliver and Annie Faivre (who hides a monkey in her designs). Here you will discover the fashion of scarf styles throughout the decades, how to wear and tie a scarf, and the scarf in film and popular culture, along with those who made the Hermes carre a hallmark of their own - such as Queen Elizabeth II, Grace Kelly and Jackie Kennedy Onassis.

'Sick of all your clothes? How to detox your wardrobe and feel yourself again' - Metro 'Farmer's upbeat, no-nonsense guidance is particularly useful if you're feeling stuck in a sartorial rut.' - RTE Lifestyle 'Kat Farmer believes clothing can be a powerful tool for increasing your confidence and expressing your individuality and now she's distilled her wardrobe-honing skills into a new book.' - The Press and Journal Get Changed is for the countless women out there who are wondering whether they know who they are anymore. Loss of identity is an experience all too familiar to Instagram style guru and professional stylist Kat Farmer. In her own life, she found that fashion helped her regenerate herself and rediscover her confidence. In Get Changed, Kat's authentic, down-to-earth voice, trademark humour, and insights into some of her personal anxieties make you feel like she's right there in the room with you. The book delivers the personal stylist experience to readers, a step-by-step practical guide to building the ultimate new wardrobe. Borrowing from the structure of a recipe book, the prep, the ingredients and the method, Kat breaks down the process with easy-to-remember tips and tricks; the reader will come away inspired and confident that they can build a wardrobe of clothes they love. Most importantly, Kat will show that finding your confidence again and discovering the new you can be as simple as getting changed. The book covers all the basics - sorting out and assessing your current wardrobe, working out what works for your body type and your lifestyle, how to shop successfully, key wardrobe pieces (crucially that will work together) all tackled with Kat's helpful, warm and funny approach.

This final volume in the four-volume series Habits of Being shows how the dialectic between everyday appearance and outrageous acts is mediated through clothing and accessories. It considers how clothing and accessories can move quickly from the ordinary to the extravagant. Employing many different approaches, these essays explore how wearing an object-a crown, a flower, an earring, a corsage, a veil, even a length of material-can stray beyond the bounds of the body on which it is placed into the discrepant territory of flagrantly excessive public signs of love, status, honor, prestige, power, desire, and display. The varied contributions of scholars (historians, ethnographers, literary and film critics) and artists (photographers, sculptors, writers, weavers, and embroiderers) take up the threads of these forays into history, psyche, and aesthetics in surprising and useful ways. With examples from around the world, contributors address how the simple action of ornamenting the body, even with something as common as a button, are open to elaborate interpretations-which themselves offer new understandings of human behavior and artistic endeavor. When our "habits of being" receive close scrutiny, they seem anything but habitual. Contributors: Mariapia Bobbiobi; Camilla Cattarulla, U of Rome Three; Paola Colaiacomo, Sapienza, U of Rome; Maria Damon, Pratt Institute of Art; Joanne B. Eicher, U of Minnesota; Maria Giulia Fabi, U of Ferrara; Margherita di Fazio; Adeena Karasick, Fordham U; Tarrah Krajnak, Pitzer College; Charlotte Nekola, William Paterson U; Victoria R. Pass, Maryland Institute College of Art; Amanda Salvioni, U of Macerata; Maria Anita Stefanelli, U of Rome Three.

Essays on costume, fabric and clothing in the Middle Ages and beyond. All those who work with historical dress and textiles must in some way re-fashion them. This fundamental concept is developed and addressed by the articles collected here, ranging over issues of gender, status and power. Topics include: the repurposing and transformation of material items for purposes of religion, memorialisation, restoration and display; attempts to regulate dress, both ecclesiastical and secular, the reasons for it and the refashioning which was both a result and a reaction; conventional ways in which dress was used to characterise children, and their transition into young men; how symbolism-laded dress items could indicate political/religious affiliations; waysin which allegorical, biblical and historical figures were depicted in art in dress familiar to the viewers of their own era, and the emotive and intellectual responses to these costumes the artists sought to elicit; and the use of clothing in medieval literature (often rich, exotic or unique) as narrative, structuring and rhetorical devices. Taken together, they honour the costume historian and editor Robin Netherton, who has been hugely influentialin the development of medieval and Renaissance dress and textile studies. GALE R. OWEN-CROCKER is Professor Emerita at the University of Manchester; MAREN CLEGG HYER is Professor of English at Valdosta State University. Contributors: Melanie Schuessler Bond, Elizabeth Coatsworth, Lisa Evans, Gina Frasson-Hudson, Charney Goldman, Sarah-Grace Heller, Maren Clegg Hyer, John Friedman, Thomas Izbicki, Drea Leed, Christine Meek, M.A. Nordtorp-Madson, Gale R. Owen-Crocker, Lucia Sinisi, Monica L. Wright.

Consumers spend approximately $93 billion on denim products every year. This consumption comes at a great cost, with thousands of litres of fresh water, hazardous chemicals and energy contributing to just one pair of jeans, leaving the environment and the industry vulnerable to pollution and climate change. Using facts, figures, case studies and anecdotes, this book investigates why the industry has been so slow to adopt green technologies and offers practical solutions to designers and fashion executives who want to switch to cleaner manufacturing, including those working in the 'fast fashion' sector. It also offers advice to the eco-conscious consumer who wants to purchase denim more sustainably. Considering the full lifecycle of a pair of jeans from the cotton crop to disposal, it presents examples of how to go green at different stages. This book will be of great interest to fashion students and researchers, as well as designers, fashion executives, policy-makers and anyone who comes into contact with the world of denim.

In 1947, Christian Dior stunned the fashion world with his first collection; his 'New Look' featured designs that transformed the way women dressed. Dior continued to send shockwaves with his later shows, significantly altering the fashion landscape during the ten years of his career as a couturier. This book recounts Dior's search for the perfect line and how his unique vision of women's ideal silhouette developed. More than any designer before him, Dior embraced the dual aspects of creativity and commerce, becoming the first couturier to license his products in 1949. He became one of the most famous designers of the twentieth century, and his name still fronts one of the most successful haute couture fashion houses. As portrayed in the pages of Vogue by photographers such as Horst and Irving Penn and artists like Christian Berard, the book offers a unique insight into Dior's contribution to design, his dramatic impact on the landscape of 40s and 50s fashion and his personal legacy. Vogue, the international fashion bible, has charted the careers of designers through the decades. Its unique archive of photographs, taken by the leading photographers of the day from Cecil Beaton to Mario Testino, and original illustrations, together with its stable of highly respected fashion writers, make Vogue the most authoritative and prestigious source of reference on fashion. With a circulation of over 160,000 and a readership of over 1,400,000, no brand is better positioned to present a library on the great fashion designers of the modern age.

The Biographic series presents an entirely new way of looking at the lives of the world's greatest thinkers and creatives. It takes the 50 defining facts, dates, thoughts, habits and achievements of each subject and uses infographics to convey all of them in vivid snapshots. Many people know that Gabrielle 'Coco' Chanel (1883-1971) was a prolific French fashion designer and founder of the House of Chanel, who ruled over Parisian haute couture for almost six decades. What, perhaps, they don't know is that: she was taught to sew by nuns and started Chanel by making hats; that she lived in a suite at the Ritz Hotel, Paris, for 37 years; that, in 1935, she was recognized as the world's wealthiest woman; and that, prior to her fashion career, she worked as a singer, famously gaining the nickname 'Coco' from one of her songs. Biographic: Coco presents a visual catwalk through her life and work, with an array of irresistible facts and figures converted into infographics to reveal the genius behind the garments.

Recent Advances in Decolorization and Degradation of Dyes in Textile Effluent by Biological Approaches outlines various eco-friendly, cost effective methods for removal of toxic textile dyes. Large amounts of dye are unbound and released into the environment due to inefficient dyeing processes. The release of wastewater containing dye into the environment has several adverse effects as it is toxic, mutagenic and has other undesirable effects on living organisms. Hence, it is necessary to remove these dyes from industrial effluents to have a sustainable environment. This book deals with conventional as well as advanced effective treatment methods for the removal of dyes in order to increase the domain knowledge of readers. Salient features: Describes physico-chemical characteristics of textile effluent, dye classes and toxicity of dyes commonly used in the textile industry Assembles effective approaches which are used to remove dyes from textile effluent prior to their release into the environment Presents several advanced approaches such as genetic engineering, nanotechnology, immobilized cells or enzymes, biofilms and microbial fuel cells, etc. for the removal of dyes.

Future Beauty is the first comprehensive survey of Japanese avant-garde fashion of the last 30 years. Such designers as Issey Miyake, Yohji Yamamoto and Rei Kawakubo made an enormous impact on the world fashion scene in the late twentieth century, challenging established notions of beauty and turning fashion into art. Today a new generation of radical designers, among them Tao Kurihara and Jun Takahashi, is fast gaining acclaim. This spectacular book, written by a team of experts led by the eminent fashion historian Akiko Fukai, explores the distinct sensibility of Japanese design - the uniqueness of its form, cut and fabric. Illustrated with over 250 photographs and sketches, Future Beauty is an authoritative and stylish guide to some of the world's most expressive fashion.

An essential primer for students and first-stop reference for professionals, "The Fashion Design Reference & Specification Book "takes the fashion designer through the entire design process, from conceiving a garment to marketing it.

This valuable handbook contains the information and ideas essential to planning and executing fashion projects of every scale and distills them in an easy-to-use format that is compact enough to slip into a tote. Linking six central phases in the cycle of fashion--research, editing, design, construction, connection, and evolution--"The Fashion Design Reference & Specification Book" helps designers develop effective strategies for building a cohesive collection and communicating their vision.

An unprecedented and intimate behind-the-scenes look at London designer fashion over the last fifteen years, edited by Tania Fares and Sarah Mower and profiling 50 leading London fashion designers, from Paul Smith and Stella McCartney to Erdem and Simone Rocha. London has long been a fashion-world capital, and the past fifteen years have been an especially fertile period in its centuries-long history of setting trends. This stunning book is an all-access pass into the world of designer fashion - an exclusive behind-the-scenes studio tour that calls in on fifty of the city's leading design talents - London-based global superstars - all of whom open up about their practice and philosophy, and share a wealth of images from their private collections.