* An essential reference for students, curators and scholars of fashion, cultural studies, and the expanding range of disciplines that see fashion as imbued with meaning far beyond the material. * Over 300 in-depth entries covering designers, articles of clothing, key concepts and styles. * Edited and introduced by Valerie Steele, a scholar who has revolutionized the study of fashion, and who has been described by The Washington Post as one of "fashion's brainiest women." Derided by some as frivolous, even dangerous, and celebrated by others as art, fashion is anything but a neutral topic. Behind the hype and the glamour is an industry that affects all cultures of the world. A potent force in the global economy, fashion is also highly influential in everyday lives, even amongst those who may feel impervious. This handy volume is a one-stop reference for anyone interested in fashion - its meaning, history and theory. From Avedon to Codpiece, Dandyism to the G-String, Japanese Fashion to Subcultures, Trickle down to Zoot Suit, The Berg Companion to Fashion provides a comprehensive overview of this most fascinating of topics and will serve as the benchmark guide to the subject for many years to come.

Be a fashion designer and create the wardrobe of your dreams The Fashion Sketchpad: This fashion book tool was especially created for aspiring fashion designers who love to sketch clothes but don't have the skills (or the patience!) to draw proportional figures. The Fashion Sketchpad is filled with 420 figure templates or croquis in 20 different fashion-forward poses. Croquis - It rhymes with hokey": A croquis is every fashion designer's secret weapon, and it can be yours with The Fashion Sketchpad. Designers, both aspiring and established, sketch over croquis figures to ensure their creations are proportional on the first try. Working with a croquis provides a rapid-fire way to present your ideas to colleagues, admissions committees, or potential employers in a polished, professional format. The ultimate fashion book tool: Printed in a specially formulated Pantone color, the figures disappear from view when photocopied or scanned, eliminating the need to fuss with light boxes or tracing paper. An illustrated garment glossary showing the distinguishing details between a caftan, a sheath, a maxi, and so on - plus additional resources - help fashion rookies create the wardrobes of their dreams. If you're a fan of The Curated Closet or Aimee Song's Capture Your Style, you'll love The Fashion Sketchpad. Happy designing! We can't wait to see what you come up with. "

Survey of Historic Costume Coloring Book highlights Western dress from the ancient world to today through fashion silhouettes. By coloring line drawings that parallel chapters from the Survey of Historic Costume, Seventh Edition textbook, students will learn to identify and retain specific details that make each historical period's fashion unique. Each chapter also includes activities and prompts to promote further thinking and creativity, including features like Draw-It Boxes and Modern Connections Boxes. Through these dynamic, hands-on exercises, students will develop an understanding of historic costume, increase awareness of world culture, and have fun through this interactive learning medium. Features: -92 pieces of line art to color, adapted from images in Survey of Historic Costume -Modern Connections Boxes, Draw-It Boxes, Activity Boxes, and Global Connections Boxes provide additional exercises to apply knowledge of costume history and design -Image Captions and Cross References give additional historical context and allow images to be looked up in the companion textbook for further study

Men in khaki and grey squatting in the trenches, women at work, gender bending in goggles and overalls over their trousers, a girl at the Paris theatre in pleated, beaded silk, a bangle on her forearm made from copper fuse wire from the Somme. What people wear matters. Copiously illustrated, this book is the story of what people on both sides wore on the front line and on the home front through the seismic years of World War I. Nina Edwards, reveals fresh aspects of the war through the prism of the smallest details of personal dress, of clothes, hair and accessories, both in uniform and civilian wear. She explores how, during a period of extraordinary upheaval and rapid change, a particular preference for a type of razor blade or perfume, say, or the just-so adjustment to the tilt of a hat, offer insights into the individual experience of men, women and children during the course of World War I.

Divided into eight clear chapters, the book starts with an in-depth study on measuring and body shaping, before examining fabric technology and sartorial terminology. It describes a wide range of skirts and trousers, both for women and men, from the basic to the highly elaborate.

Veiling in Fashion enters the worlds of women who wear the hijab, both as an aspect of their religious observance and community belonging, and as a fashion statement, drawing upon global Islamic fashion history. The book uses rich ethnographic investigation of everyday veiling practices among Muslim women in the city of Helsinki as a lens through which to reflect on and advance understanding of matters concerning Muslim dress in international Muslim minority contexts. The book provides an innovative approach to studying veiling by connecting varied realms of practice, demonstrating how domains as apparently separate as fashion, materiality, city spaces, private life, religious beliefs, and cosmopolitan social conditions are all tightly bound up together in ways that only a sensitive multi-disciplinary approach can reveal. It will appeal to scholars and students in fashion, gender, religion, material cultures, and the construction of space.

The question of whether movies can deliver philosophical content is a leading topic in the cognitive and analytic debate on film. But instead of turning to the well-trodden terrain of narrative and emotional engagement, this is the first time fashion and costume choices are analyzed to demonstrate how movies can be said to be doing philosophy. Considering how fashion and costumes can deliver the epistemic content of a film and act as a guidance to the interpretation of the philosophical content of a film, Laura T. Di Summa examines fashion and costume choices in classical and contemporary films. She discusses a number of cinematic examples, and the costumes and fashion elements within them, illustrating the importance of issues such as the performative side of fashion, the alteration between novelty and repetition, the pivotal role of the body, and the relation between fashion, style, and individual as well as collective identity. Featuring close examinations of 1950s melodramas, Hollywood blockbusters and documentaries such as All That Heaven Allows, Mad Max Fury Road, and McQueen, Di Summa uses an innovative new lens to provide fresh philosophical analysis of films. The result is not only an advancement of our understanding of the aesthetic means through which film can do philosophy, but the first insights into a philosophy of fashion.

What do you use every day that is small and large, worthless and beyond price? It's easily found in the gutter, yet you may never be able to replace it. You are always losing it but it faithfully protects you; sexy and uptight, it is knitted in to your affections or it may give you nightmares. It has led to conflict, fostered and repressed political and religious change and epitomizes the great aesthetic movements. It's Eurocentric, and is found all over the world. On the Button is an inventive and unusual exploration of the cultural history of the button, illustrated with a multiplicity of buttons in black and white and colour. It tells tales of a huge variety of the button's forms and functions, its sometimes uncompromising glamour, its stronghold in fashion and literature, its place in the visual arts, its association with crime and death, its tender call to nostalgia and the sentimental. There have been works addressed to the button collector and general cultural histories. On the Button links the two, revealing why we are so attracted to buttons, and how they punch way above their weight.

Who has not, well arranged in a cupboard, well folded, or under cover, a garment emblematic of its history: the one that we do not want to get rid of! Often abondoned with regret, we dream of postponing it. But its usury or its size disuades us. Souvenir of trave, timeless but worn, imprinted by the memory of a loved one, to classical but percisely our size, too strict also, chine in a frippe, we keep it intact and it moves with us! The seven workshops in this book explain how to redo the patterns of these garments without undoing them in order to preserve them. You will find pullover, pants, shirt and corsage but also dress and jackets. Using a variety of very simple techniques, you will be able to extract a pattern that you can transform to your taste to give your new garment a look that will only belong to you! Passionate about clothes, fabrics and cutting techniques in that it reveals the history of the wearer, Claire Wargnier has been dreaming of this work for a long time in order to allow everyone to redo a garment full of emotion and of experience. It was based on the technicality of Nathalie Coppin, professor of model CAD at ESMOD Paris, able to respond to the technique of patronage explained step by step in this book.

A spectacular visual journey through 40 years of haute couture from one of the best-known and most trend-setting brands in fashion Founded in 1962 by Yves Saint Laurent and his partner, Pierre Berge, the fashion house Yves Saint Laurent has for more than half a century been synonymous with excellence in modern and iconic style. From Yves Saint Laurent's revolutionary and enduringly popular tuxedo suit for women, le smoking, to iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection, the house's haute couture line has been hugely influential in changing the way modern women dress. This definitive publication opens with a concise history of the house before exploring the collections themselves, organized chronologically and ending in 2002, the year that Yves Saint Laurent retired from the company he started. Each collection is introduced by a short text elucidating its influences and highlights and is illustrated with carefully curated catwalk images, each season styled as the designer intended and worn by the world's top models. The book showcases hundreds of spectacular clothes, details, accessories, beauty looks, and set designs.

Bestselling author Claire Shaeffer teaches you everything you need to know to plan and sew the perfect jacket. Based on couture techniques learnt from master tailors, this book begins with the equipment, materials, design elements, and sewing and construction techniques used in all types of tailoring. Part Two provides an illustrated step-by-step guide to making a couture jacket, explaining all the design options and alternative methods for making every element including collars, sleeves and pockets. Couture Tailoring includes over 800 step-by-step illustrations throughout, over 200 photographs of couture jackets by Chanel, Dior, Yves Saint Laurent and more than 100 couture tips. Any aspiring tailor must have this book in their fashion library.

Learn how to make and embellish six fabulous felt hats. 'A chic hat elevates any outfit and always draws compliments. I treasure my unique Bobbi Heath hat and now, thanks to her book, I can create my own from scratch at home. Bobbi is a natural teacher, she provides clear and easy-to-follow instructions and makes millinery fun.' - Susanna Brown - Curator, Victoria and Albert Museum A stunning felt hat is the perfect accessory for any occasion - from an everyday addition to your winter wardrobe to a head-turning statement piece for a special occasion. In this practical and informative guide, expert milliner Bobbi Heath shows you how to make felt hats in six different styles to perfectly complement any outfit, including a fabulous floppy hat, cloche, bucket, pill box, cap and button. Bobbi starts with the basics of how to measure your head, then talks you through the secrets of stiffening the felt, using steam to mould your fabric, and blocking. Learn invaluable stitching and edging techniques, then have fun experimenting with trimmings to make your hat unique. With a foreword by Dillion Wallwork, a London hat designer and prominent milliner for over 30 years, this practical book will appeal to all hat lovers and anyone looking for an easy introduction to the art of millinery.

Fashion computing - design techniques and CAD is the title to comprehensively explain how to use fashion computing software to produce fashion designs. Fashion computing - design techniques and CAD will take you through the following computing techniques - design clothing as flats/working drawings; create specification/technical sheets for samples and production; create fashion illustrations, and fabrics; create fashion presentations - moods/concepts, fabric, colour, design, illustration, forecasting etc. Design promotional material for marketing/branding, business cards and letterheads; create designs for print or screen.

We know that way we dress says a lot about us. It's drilled into us by our parents as children, as adults throughout our working lives, and eternally from the culture surrounding us. Our dress tells the outside world of the culture and era we come from to our social status within that culture. Our dress can be telling of our political views, religious beliefs, sexuality and countless other identifying traits that we can keep hidden or show to the world by our choice of what to wear when heading venturing out. This was absolutely true, famously so, in the Victorian Era in which men and women alike wore their status on their often lavish, embellished sleeves. In her new book, Dr. Madeleine Seyes explores Victorian culture through the lens of fashion in her new book, Double Threads: Fashion and Victorian Popular Literature, which sits at the intersection of the fields of Victorian literary studies, dress and material cultural studies, feminist literary criticism, and gender and sexuality studies.

"Personal style really originated with Iris Apfel; she has always espoused the virtues of not just dressing for yourself, but being who you are and doing it unapologetically, which is perhaps why she and her messaging and aesthetic have resonated so comprehensively. She's a transcendent icon!"- Leandra Medine, manrepeller.com A unique and lavishly illustrated collection of musings, anecdotes, and observations on all matters of life and style, infused with the singular candor, wit, and exuberance of the globally revered ninety-six-year-old fashion icon whose work has been celebrated at the Metropolitan Museum of Art's Costume Institute and by countless fans worldwide. A woman who transcends time and trends, Iris Apfel is a true original, one of the most dynamic personalities in the worlds of fashion, textiles, and interior design. As the cofounder with her husband, Carl Apfel, of Old World Weavers, an international textile manufacturing company that specialized in reproducing antique fabrics, her prestigious clientele has included Greta Garbo, Estee Lauder, Montgomery Clift, and Joan Rivers. She also acted as a restoration consultant and replicated fabric for the White House over nine presidential administrations. Iris's travels worldwide and a passion for flea markets of all sorts inspired her work and fueled her passion for collecting fashion and accessories. In 2005, she was the first living person who was not a designer to have her clothing and accessories exhibited at the Costume Institute at the Metropolitan Museum of Art, a blockbuster show that catapulted her to fame and a career as a supermodel, muse, and collaborator for renowned brands, from Citroen to Tag Heuer, and global gigs at Bon Marche in Paris and the Landmark Mandarin Oriental in Hong Kong. In 2015, acclaimed director Albert Maysles released Iris, his last film-now an Emmy Award nominee-to a global audience. Now, this self-dubbed geriatric starlet, whose irrepressible authenticity, wit, candor, and infectious energy have earned her nearly a million followers on social media, has created an entertaining, thought-provoking, visually arresting, and inspiring volume-her first book-that captures her unique joie de vivre. Iris Apfel: Accidental Icon, contains an eclectic mix of musings and 180 full-color and black-and-white photos and illustrations-presented in the same improvisational, multifaceted style that have made Iris a contemporary fashion icon. Astute maxims, witty anecdotes from childhood to the present, essays on style and various subjects, from the decline of manners to the importance of taking risks, fill the book as do lists, both proclamatory, revelatory, and advisory. All are paired with a bold, color-filled, exciting design that varies from page to page. Here, too, is a treasure trove of never-before-published personal photographs and mementos, mixed with images from top international fashion photographers and illustrators with enchanting, surprising novelties such as Disney cartoons, vintage postcards, the Iris Apfel Halloween costume for children, and more.

Since 1818, Brooks Brothers, America s oldest clothing brand, has grown into a global sartorial institution that has influenced American style through its iconic fashions, which conjure intimate memories of pivotal life events from your first navy blazer as a child to stepping into a bespoke suit on your wedding day. On the eve of its two-hundredth anniversary, Brooks Brothers remains synonymous with timeless style, the finest quality, and innovative designs that resonate with both old and new generations. This richly illustrated book is replete with photographs of the signature heritage pieces, from the Original Polo button-down oxford, grey flannel suit, and Rep ties to the camel overcoat, and features an unparalleled roster of high-profile political and cultural icons who have worn and made these pieces their own: from Abraham Lincoln and John F. Kennedy to Madonna, Lady Gaga, Grace Kelly, Katharine Hepburn, Miles Davis, and Andy Warhol, as well as TV and film stars in Glee, Gossip Girl, Mad Men, and Baz Luhrmann s The Great Gatsby. The text comprises interviews and personal anecdotes from the retailer s loyal clientele fashion designers, writers, and celebrities each sharing treasured memories and connections to Brooks Brothers. This dazzling volume invites readers to delve into the world of Brooks Brothers, providing insight into the people, places, and historical moments that have shaped and provoked the innovative yet timeless American institution, and is a must for those interested in fashion and American style.

Alan Flusser believes that dressing well is something every man can readily accomplish. In this newly abridged and updated edition of Style and the Man, Flusser shares his vast knowledge of men's clothes and provides essential information for anyone interested in savvy attire. This elegantly written treatise will arm any man with a connoisseur's knowledge of the dos and don'ts of buying and wearing quality clothes and how much they should cost, from dinnerwear to casual sportswear. This book is also a veritable encyclopedia on individualizing questions about fabric, quality, and fit, as well as the appreciable and qualitative distinctions between clothes of different prices and makes. Open Style and the Man to discover: the difference between a $395 and a $1,000 suitwhat two words to look for on a costly dress shirt's labelwhy the folds in a cummerbund should always be worn facing up

From the tuxedo to the Top-Sider, Alan Flusser explains the sartorial origins and modern applications of haberdashery. All a man has to do is tuck this book into a corner of his suitcase or back pocket, and he'll be armed with an insider's knowledge of how to guide the tailor or salesperson in fitting or choosing those clothes that will become long-term players in his maturing wardrobe and personal style.

These styles will ring a bell not only with America's baby-boomers, but also with current fashion trend watchers. Today's interest in retro fashions makes this book as current as it would have been more than thirty years ago, but the quality is much better. Using today's technology, it presents more than 400 color photographs of clothing styles for men, women, and children culled from 1964-67 Sears Catalogs. Images of mohair sweaters, cardigan sets, bloomer playsuits, madras jackets, checked gingham shifts with matching triangle scarves, ruffled rib-tickler tops and capri pants, Bermuda collars, wraparound skirts, maternity wear, and even days-of-the-week panties all combine to give us a look into what the average American was wearing, along with descriptions and original prices. Current prices are listed for some of the items for those interested in collectible vintage clothing from the era.

During the late 18th and early 19th centuries, there was a tubercular 'moment' in which perceptions of the consumptive disease became inextricably tied to contemporary concepts of beauty, playing out in the clothing fashions of the day. With the ravages of the illness widely regarded as conferring beauty on the sufferer, it became commonplace to regard tuberculosis as a positive affliction, one to be emulated in both beauty practices and dress. While medical writers of the time believed that the fashionable way of life of many women actually rendered them susceptible to the disease, Carolyn A. Day investigates the deliberate and widespread flouting of admonitions against these fashion practices in the pursuit of beauty. Through an exploration of contemporary social trends and medical advice revealed in medical writing, literature and personal papers, Consumptive Chic uncovers the intimate relationship between fashionable women's clothing, and medical understandings of the illness. Illustrated with over 40 full color fashion plates, caricatures, medical images, and photographs of original garments, this is a compelling story of the intimate relationship between the body, beauty, and disease - and the rise of 'tubercular chic'.

Dame Mary Quant is a fashion icon. The first focused study of her career, this book shows how she revolutionized fashion, harnessing youth, streetstyle and mass production to create a new look for everyone. It surveys the development of her business in the context of British, European and American fashion in the post-war period, and explores how her innovative marketing created a powerful global brand. Featuring new photography of Quant garments, alongside previously unpublished fashion photographs and designs, this book is a dynamic and authoritative account of the designer and her legacy.

Pattern Cutting for Menswear is a comprehensive guide to cutting patterns, from basic skills to advanced techniques. With over twenty complete patterns, including new jacket and trouser styles, this revised edition features all the elements that made the first edition so successful, as well as additional sections on the leg stride relationship in the development of certain trouser styles, fabric properties and their effect on cut and drape, fitting techniques for structured jackets, and the latest information on pattern CAD-based technologies. The step-by-step approach, complete with scaled diagrams and technical flats, fashion illustrations and photographs of toiles, enables the reader to cut patterns with confidence.

On April 24, 2021, the designer Alber Elbaz passed away due to complications from Covid-19. The artistic director of the House of Lanvin from 2001 to 2016, he was the most consequential figure from the fashion community lost to the pandemic. Love Brings Love, the celebration of Alber Elbaz s life and work that concluded Paris Fashion Week on October 5, 2021 remains a unique event in the recent history of the industry. In tribute, 44 designers, from nearly all the French and Italian maisons, to his dear friends in Japan and the United States, created dresses for a memorial fashion show the first collaborative one to have ever been held in Paris. Of the over 70 looks, thirty were by Alber, posthumously executed by his team at AZ Factory. The international fashion community came as one family to publicly mourn and remember one of their own, with a reverence and affection reserved only to someone so universally and genuinely loved. The book is divided into three parts, which includes texts written by Alber prior to his passing, a sequence of sketches by 44 designers/maisons, including Alexander McQueen, Balenciaga, Comme des Garcons, Giambattista Valli, Gucci, John Paul Gaultier, Rick Owens, Valentino, on uncoated stock, and a section of completed dresses, including dresses designed by Alber, on matte coated stock. The sequence describes in ways both conceptual and material how his friends and peers saw him, and how they intimately honored his memory with their own work.

WINNER OF THE 2021 PEN ACKERLEY PRIZE 'A strange and mesmerising piece of work' Sunday Times 'An absolute masterpiece' Laura Cumming 'An uncommon delight' Observer Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she turns her curator's eye to the fabric of life itself, tugging at the threads of memory: a cardigan worn by a child, a tin button box, the draping of a curtain, a pair of cycling shorts, a roll of lace, a pin hidden in a seam. Through these intimate and compelling close-ups, we see how the stories and the secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories. 'Effervescent, poetic, puzzle-like ... Wilcox picks at the heartstrings' Financial Times