Fashion is all around us: we see it, we buy it, we read about it, but most people know little about fashion as a business. Veronica Manlow considers the broader signifi cance of fashion in society, the creative process of fashion design, and how fashion unfolds in an organizational context where design is conceived and executed. To get a true insider's perspective, she became an intern at fashion giant Tommy Hilfi ger. Th ere, she observed and recorded how a business's culture is built on a brand that is linked to the charisma and style of its leader.

Fashion firms are not just in the business of selling clothing along with a variety of sidelines. Th ese companies must also sell a larger concept around which people can identify and distinguish themselves from others. Manlow defi nes the four main tasks of a fashion fi rm as creation of an image, translation of that image into a product, presentation of the product, and selling the product. Each of these processes is interrelated and each requires the eff orts of a variety of specialists, who are often in distant locations. Manlow shows how the design and presentation of fashion is infl uenced by changes in society, both cultural and economic. Information about past sales and reception of items, as well as projective research informs design, manufacturing, sales, distribution, and marketing decisions.

Manlow offers a comprehensive view of the ways in which creative decisions are made, leading up to the creation of actual styles. She helps to defi ne the contribution fashion fi rms make in upholding, challenging, or redefi ning the social order. Readers will fi nd this a fascinating examination of an industry that is quite visible, but little understood.

Christian Dior famously noted that "the real proof of an elegant woman is what is on her feet." From the surprisingly sexy boots hiding under Victorian crinolines to the glittering T-strap heels worn by flappers dancing the Charleston, a woman's shoe choice has long been far more than a mundane practicality. Indeed, a beautifully shaped shoe can be a statement of wealth, style, or sexuality - and often all at once. This petite volume presents 250 eye-catching examples from the 17th century to the present, including many of today's top designers such as Manolo Blahnik, Christian Louboutin, Roger Vivier, and Nicholas Kirkwood. Fashion historian Raissa Bretana introduces each new era with a concise overview of the period's fashionable styles and innovations. A must for shoe collectors and a delight for any fashionista, this Tiny Folio (TM) will inspire you to put your best foot forward.

Fantastic fashion that won't cost you the earth. What is a 'fashion footprint'? What's the problem with fast fashion? And is there any alternative to it? This inspirational guide is your sustainable sourcebook full of activities and practical tips on how you can cut ties with unethical fashion practices and form new fashion habits that work for you - all without compromising your signature style! Author Laura Strutt will help readers identify the approach that will work best for them - are you a seasonal clothes swapper or would you rather get crafty? Covering topics such as motivational mindset changes, trusted brands to try, buying and selling secondhand clothes, inspiration for upcycles, mending techniques and questions to ask companies before you shop, this is the ultimate book for the closet-curious who want to create a wardrobe that doesn't cost the Earth.

Fashion Reimagined features 50 outstanding examples of fashionable dress drawn entirely from the outstanding collection of the Mint Museum, Charlotte, NC, including men's and women's fashions from 1760 to 2022. The book is divided into three sections that reflect three aspects of historicism: Minimalism, Pattern and Decoration, and The Body Reimagined. Each catalogue entry addresses a theme and provides information and insights about the individual designers, fabric and construction details, and globalization that is embedded in both the textiles and fashions 1760 to the present. Ranging from court suits to street wear, highlights include an English 18th-century sack back dress, two English men's court suits, early 19th-century printed cotton dresses, wedding dresses from the mid and last quarter of the 19th century, as well as a rare 1920s wedding ensemble by Roman fashion artist Maria Monaci Gallenga, a very rare early 20th-century Ispahan mantle by Paul Poiret, an unusual mid twentieth century Black Narcissus dress by American designer James Galanos, several examples of 1960s and 70s mod and hippie chic style, and innovative contemporary fashions by Giorgio Armani, Romeo Gigli, Zandra Rhodes, Anna Sui, Yoji Yamamoto, Wale Oyejide for Ikire Jones, Anamika Khanna, and Iris van Herpen, among others.

Mid-1930s clothing for men, women, and children are presented in 300 color photographs from the Sears catalogs. See the popular styles of dresses, suits, coats, and sleepwear; as well as hats, shoes, and undergarments. Printed and solid fabrics are shown with customary accessories and in the latest styles available. Today's fashion designers will find the pages inspiring, and vintage clothing collectors will enjoy authentic designs.

The Fashion Annual 2018/19 is created by one of the country's leading fashion editors and textiles experts, Lynne Coleman. The annual paints fashion portraits portraying the events that have hit the headlines this year. From political turmoil to #metoo, plastic pollution to social media anxiety, The Algorithm Edition depicts our year through the medium of fashion and art in ten breathtaking editorials.

This beautifully illustrated, full-colour history of costume has been produced by bestselling author John Peacock especially for children.With over 320 hand-drawn illustrations, and clearly written descriptions on every page, the book offers a broad survey of Western costume from ancient times through to the present day, and is sure to delight any child with an interest in fashion or history, as well as being an invaluable educational resource.

Learn how to develop, launch and build a successful fashion brand with this definitive textbook which explores the realities of the contemporary fashion industry. Fashion Brand Management is a complete guide to operating a fashion business in a multi-trillion revenue industry. Written by a leading innovator in the space, it describes how to gain competitive advantage, meaningfully embrace sustainability and purpose and successfully market to and engage consumers. Balancing theory with practical applications throughout, it also explores the key business models and financial management processes used in the industry and how fashion brands can build entrepreneurial advantage. Exploring the key challenges and opportunities for today's fashion businesses both large and small, Fashion Brand Management examines supply chain disruption, social selling and technological innovations including the metaverse, digital collections and blockchain. Featuring case studies from a range of innovative global brands including Ecoalf, MWHQ, Pala Eyewear and Unhidden, in-text features include learning objectives, key terms and activities. With supporting online resources consisting of lecture slides, self-test questions, group activities and worksheets, this is an essential resource for fashion students.

From the turn-of-the-century S-bend silhouette to celebrity couture of the new millennium and the evolution of streetwear, this comprehensive survey explores significant developments in fashion from 1900 to the present day. Fashion historians Amy de la Haye and Valerie Mendes focus on key movements and innovations in style, and explore trends through the work of some of the world's most original and influential designers and couturiers. Chapters are organized around crucial shifts in tastes and major world events, and exciting advances in fashion are placed within their socioeconomic, political and cultural contexts. International in scope with colour illustrations throughout, this edition includes updated text as well as a new chapter that discusses some of the defining features of fashion in our time: the industry's proactive embrace of age, gender and race diversity, and its ongoing efforts to combat labour exploitation and encourage global sustainability. With 315 illustrations in colour

Originally published in 1996, Stud: Architectures of Masculinity is an interdisciplinary exploration of the active role architecture plays in the construction of male identity. Architects, artists, and theorists investigate how sexuality is constituted through the organization of materials, objects, and human subjects in actual space. This collection of essays and visual projects critically analyzes the spaces that we habitually take for granted but that quietly participates in the manufacturing of "maleness." Employing a variety of critical perspectives (feminism, "queer theory," deconstruction, and psychoanalysis), Stud's contributors reveal how masculinity, always an unstable construct, is coded in our environment. Stud also addresses the relationship between architecture and gay male sexuality, illustrating the resourceful ways that gay men have appropriated and reordered everyday public domains, from streets to sex clubs, in the formation of gay social space.

"Cool" colors were hot for fabrics in the late 1960s. The youth of the day wore hot pinks and purples, chartreuse, orange, and yellow. Sometimes called neon colors, these cool hot colors were often combined into wild and psychedelic floral and geometric designs. Hundreds of splashy colors and designs from actual 1960s European and American textile manufacturers' sample books are photographed and displayed with full descriptions and fabric content information. This book takes the '60s enthusiast on a magical ride to an era of outrageous artistic expression.

This nostalgic look at children's costume, from 1860 to 1920, reveals diverse cultural influences on its manufacture and design. More than 300 historic photographs, fashion plates, and selections from vintage catalogs and magazines, plus 115 color images, show examples of costume and accessories. See infants in period dress plus school-aged and teen fads and trends. Learn about the history of clothing use and development, fabric types, conservation and storage of textiles, and artistic inspiration, all arranged by decade. All types of clothing are represented, including christening gowns; boys breeches, knickerbockers, and sack suits; swimwear and underwear; bloomers and blouses; fur, feather boas, and frocks; sailor suits and uniforms; collars and belts; capes and hoods; lingerie and dresses; sweaters and cardigans; overalls; and many more. Whether you are interested in clothing children wore in 1920 or to church in the Victorian era, this reference is a fun and evocative collection.

As the latest edition of a growing, popular series, this fascinating book showcases exciting new designs by more than 100 recent graduates from 16 premier fashion design programs in the United States. With more than 400 startling color images, the third edition of the series features unique, beautifully crafted and innovative garments, representing evening wear, menswear, children's wear, sportswear, and more. The wide range of work in this anthology is augmented with a brief dossier on each young designer, including the inspirations for their designs and materials they used. This easy to navigate resource is organized alphabetically by designer and indexed by school. For anyone with an interest in fashion or whose business is fashion, this is an essential reference to the newest talent and latest trends.

Norman Hartnell (1901-1979) was a uniquely British genius. For nearly sixty years he was a major personality in the world of fashion. By the mid 1930s, Hartnell's meteoric rise to fame resulted in London becoming a centre of style that closely rivalled Paris. Known for glamorous evening clothes, Hartnell augmented his early design successes by creating a series of stunning wedding dresses for his younger society clientele. His bridal extravaganzas culminated in the romantic 1947 wedding of Princess Elizabeth to Prince Philip. While Hartnell clients included members of the English upper class as well as the best-known stage and film actresses of the time, it was his royal patronage that assured him a place in history. The famous "White Wardrobe" created for Queen Elizabeth (and photographed by Cecil Beaton) in the late 1930s changed her image forever; the extraordinary coronation robes designed for Elizabeth II in 1953; and the sublimely simple wedding dress he made for Princess Margaret when she was married to Lord Snowdon in 1960 remain iconic to this day. Decades of achievement were rewarded with a Knighthood in 1977. Sir Norman Hartnell became the first of two fashion designers to be so honoured. Hartnell continued to create both daywear and evening clothes for a well-heeled sophisticated clientele until his death in 1979. In 'Be Dazzled!: Norman Hartnell, Sixty Years of Glamour and Fashion', royal enthusiasts and fashion connoisseurs will be able to examine in greater detail his drawings, vintage photographs, fabric samples and personal scrapbooks that have never been published before.

The world of vintage clothing is a fun, exciting, rewarding area of collecting. This is particularly true of the fashions of 1940s, 50s, and 60s. Unlike earlier eras, these creations can be worn and enjoyed everyday. And there is something for every taste...from the formal to the whimsical and from the chic tailored suits of the 1940s to the free-style fashions of the late-1960s.

Fun Buttons is different! Humor in button subjects and design is featured in the nearly 400 color photographs, text and captions. From all over the world, over three centuries, this gathering of buttons is both delightful and informative. Organized by materials and themes, these funny buttons include children's subjects, animals, fairie, fruit, vehicles and sports designs which can't help but amuse and fascinate collectors, dealers and those who sew. The list of button clubs and organizations is a wonderful reference in itself. "The book...illuminates the myriad of subjects that the designers have used over the years to tickle the public's fancy. Seeing them pictured here has tickled mine! I dare you to read this book and not crack a smile or chuckle to yourself. I couldn't do it." (from the foreword by Tom Wolfe)

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Ashmolean: Cranes, Cycads and Wisteria by Nishimura So-zaemon XII. The Ashmolean is the University of Oxford's museum of art and archaeology, founded in 1683. This beautiful hanging was presented to the Ashmolean Museum in 1958 by Sir Herbert Ingram, who travelled to Japan on his honeymoon in 1908. In Japanese culture the crane represents good fortune and longevity and is known as 'the bird of happiness' - a fitting subject for a newly-married couple.

Creating sustainable fashion has never been more important. Circular Fashion provides an accessible, practical, and holistic approach to this key topic for anyone studying fashion. This introductory text to sustainability in fashion includes best practice case studies and profiles of key companies such as Patagonia, Veja, Christopher Raeburn, and Stella McCartney. It begins with an overview of the fashion business, tackling the issues of the linear production model of make, use, dispose, before introducing the idea of the circular supply chain. Circular Fashion is the must-have book for fashion students, creatives and anyone passionate about sustainability and fashion.

This title was first published in 2002. To date, studies explaining decorative practice in the early modernist period have largely overlooked the work of women artists. For the most part, studies have focused on the denigration of decorative work by leading male artists, frequently dismissed as fashionably feminine. With few exceptions, women have been cast as consumers rather than producers. The first book to examine the decorative strategies of late nineteenth- and early twentieth-century women artists, Women Artists and the Decorative Arts concentrates in particular on women artists who turned to fashion, interior design and artisanal production as ways of critically engaging various aspects of modernity. Women artists and designers played a vital role in developing a broad spectrum of modernist forms. In these essays new light is shed on the practice of such well-known women artists as May Morris, Clarice Cliff, Natacha Rambova, Eileen Gray and Florine Stettheimer, whose decorative practices are linked with a number of fascinating but lesser known figures such as Phoebe Traquair, Mary Watts, Gluck and Laura Nagy.

There is an old English saying: "Manners maketh man." One can also claim that "accessories maketh clothes." This new book sets out to demonstrate the variety and beauty of fashion accessories during the hundred-year period beginning in 1840. Fashion has always reflected the social, sexual, and economic spirit of its age. Clothing and accessories also express the status, aspirations, and wealth of the wearer. Most books on fashion tend to divide clothing and accessories into decades. This book seeks find the natural shifts from one fashion theme to another. The accessories are shown with a full-length, dressed figure and explanatory text for context. This is an invaluable book for collectors, fashion historians, designers, and theatrical costumers.

Keeping people warm for four centuries, wool has been an essential commodity from colonial times to the present. Wool's colorful and surprisingly epic tale has impacted millions of lives, from immigrants, slaves, and Native Americans, to farmers and advertisers. Author Hart reveals little-known but fascinating facts about US society-for example, how huge flocks of sheep were driven to the California gold fields to feed hungry miners, and why sheep grazed on the White House lawn during World War I. Moving from the realms of handcrafted artisanry to industrialization and back, Wool is a story of technological and social change, marketing forces, and above all, consumer choices. A must-read for anyone who has knitted socks, woven a tapestry, or curled up with a warm wool blanket.

Glamorous fashions, personalities, and places captured by iconic photographer Slim Aarons Slim Aarons, at least according to the man himself, did not photograph fashion: "I didn't do fashion. I did the people in their clothes that became the fashion." But despite what he claimed, Aarons's work is indelibly tied to fashion. Aarons's incredibly influential photographs of high society and socialites being unambiguously themselves are still a source of inspiration for modern day style icons. Slim Aarons: Style showcases the photographs that both recorded and influenced the luminaries of the fashion world. This volume features early black-and-white fashion photography, as well as portraits of the fashionable elite-like Jacqueline de Ribes, C.Z. Guest, Nan Kempner, and Marisa Berenson-and those that designed the clothes, such as Oscar de la Renta, Emilio Pucci, Mary McFadden, and Lilly Pulitzer. Featuring some never-before-seen images and detailed captions written by fashion historians, Slim Aarons: Style is a collection of the photographer's most stylish work.