Gabrielle 'Coco' Chanel was, without doubt, the most influential designer of the 20th century. This book honours her influence by celebrating the key elements that defined and still define her style through inspired pairings of classic and contemporary photographs. Juxtaposing fashion plates from Chanel's own time with the most recent creations by Karl Lagerfeld, such as Cecil Beaton's portrait of Coco Chanel presented alongside one of Cate Blanchett by Lagerfeld himself, the resonance between archive and contemporary photographs becomes sharp, vibrant and telling. The vocabulary of Chanel's style - the little black dress, baroque inspirations, androgynous chic - is revealed in eleven chapters that compare original forms in the 1920s with the full range of their later expressions through every fashion era. Chanel's legendary fashion house continues to captivate a huge audience with an insatiable appetite for one of fashion's undisputed style perennials.

The latest edition of this popular, growing series showcases the exciting new designs created by more than 80 recent graduates from 18 premier fashion design programs in the United States. With over 300 striking color images, this fourth edition brings the fresh perspective of the next generation of young designers to the forefront via beautifully designed garments and skillfully rendered illustrations for eveningwear, menswear, lingerie, activewear including yoga and snowboarding apparel, and much more. The wide range of work in this anthology is augmented with a brief dossier on each young designer, including that designer's source of inspiration and materials used. This easy-to-navigate resource has garments organized alphabetically by designer and indexed graphically by school. It is an essential reference to the newest talent and trends in fashion that will be valued by all who are passionate about this ever-changing field.

The elegance of the Little Black Dress. The simplicity of the Breton shirt. The luxury of the fragrance. These signatures exemplify the image of Chanel. Bringing to life the story and designs of Gabrielle Chanel, the most influential couturiere in the history of fashion, Chanel in 55 Objects is an exquisite collection of bespoke illustrations and captivating text. The chic drawings depict her most iconic innovations including fashion, fragrance, jewellery and accessories, as well as the places, motifs and people that inspired her.

Volume II of The Watch Book follows on the successful and comprehensive earlier volume with a magnificently illustrated book about the additional functions and refinements of wristwatches. For centuries, so-called "complications" - any feature of a mechanical timepiece beyond the display of hours, minutes and seconds - have embodied the crowning glory of fine mechanical watchmaking. Among the earliest of these are alarm clocks and calendar movements. Moon phase displays have also been known for several centuries. Striking movements can be considered among the most complex and technically elaborate additional functions, while finishing techniques such as skeletonising, which is mainly done by hand, also characterise the high art of watchmaking. This superbly illustrated volume by watch expert and historian Gisbert L. Brunner is dedicated to advanced functions of mechanical timepieces, their historical development and special technical features. Topics covered in this book include: Hands and numerals; Spring; Astronomical display (moon phases etc.); Tides; Double balance; Alarm clock; Altitude/depth measurement; Skeletonisation. Text in English and German.

This book offers an essential reference for anyone interested in contemporary European jewellery design. Through guided conversations with the major designers of today, Roberta Bernabei reveals the creative, conceptual and technical working practices that underpin the aesthetic of each practitioner's work. In addition, the dialogues shed new light on these jewellers' inspiration and their ideas about functionality and the human body. Each interview is supported by photographs and a detailed bibliography and appendix which locates the jewellers' work in galleries, museums as well as online. Major jewellery artists present include: Giampaolo Babetto, Gijs Bakker, Otto Kunzli, Ruudt Peters, Mario Pinton and Tone Vigeland, alongside members of the emergent generation: Ted Noten, Annamaria Zanella and Christoph Zellweger. This book, which opens the door to contemporary jewellery practice, will be welcomed by all students, lecturers and practitioners.

A handbook for clothing designers, stylists and fashionistas, this dashing publication uses beautiful illustrations and drawings to highlight the design and key details of various forms of contemporary clothing, such as coats, jackets, shirts, tops, blouses, dresses, trousers, shorts and skirts. Traditional and contemporary materials, colors and textures for different styles are also listed. This atlas will help designers in their work, no matter which creative method of costume design they choose: inversion, analogy, empathy, fantasy, creating new combinations and problem-solving. It is meant to be a source of inspiration and a useful tool for artists and designers working with clothing, and will be of interest to anyone who is passionate about fashion and style.

Fashion Education explores how the classroom can transform the fashion industry towards body inclusion and social justice. The book is a collection of 16 essays by fashion educators from Australia, Canada, the US and the UK who recount their experiences, struggles and strategies of reimagining the exclusive foundation of fashion pedagogy and redesigning fashion curricula to centre Indigenous, Black, brown, fat, disabled, trans and queer worldviews, histories and bodies. This is the first book to explore the relationships between fashion pedagogy and social justice, and to map out new pedagogical frameworks and tools to redistribute power through fashion education. It shares the teaching practices of fashion educators implementing radical pedagogies and offers practical case studies that engage with a number of intersectional positions. Fashion Education engages with current pressing concerns for educators and is a valuable teaching resource for fashion educators - both theory and practice - working in art and design schools in Europe, the US and the UK. With chapters covering fashion theory, history, business, communication and design curricula to centre Indigenous, Black, brown, fat, disabled, trans, queer worldviews, histories and peoples it will appeal directly to the many disciplines within fashion. The discussions are also relevant to educators in other art, design and creative fields also looking to centre inclusion in their courses and the strategies presented will apply to them. Contributions from Tanveer Ahmed, Kevin Almond, Avalon Acaso, Ben Barry, Mal Burkinshaw, Johnathan Clancy, Robin J. Chantree, Deborah A. Christel, Brittany Dickinson, Greg Climer, Bianca Garcia, Denise Nicole Green, Alicia Johnson, Lucy Jones, Grace Jun, Carmen Keist, Riley Kucheran, Michael Mamp, Krys Osei, Lauren Downing Peters, Alexis Quinney, Kelly L. Reddy-Best, Austin Reeves, Joshua Simon, Colleen Schindler-Lynch, Brandon Spencer and Sang Thai

Little Book of Schiaparelli chronicles the work of one of history's most influential and eccentric couturiers. Endowed with a strikingly imaginative and experimental approach to fashion, Elsa Schiaparelli cultivated a combination of the witty and the surreal, the cutting edge and the elegant, from her garments and jewellery to her collaborations with Salvador Dali, Jean Cocteau and Alberto Giacometti. Exquisitely illustrated and expertly written, the book follows a biographical chronology detailing her life, career and primary creative themes of her work. Images of Schiaparelli's finished designs, along with close-up details and illustrations of her personal sketches, showcase the brilliance of her innovative oeuvre, and the legacy that lives on in the House of Schiaparelli to this day.

"... fashion journalist Claudia Joseph opens the door to the world's most coveted closet." - Elle "Diana: A Life in Dresses chronicles Princess Diana's sartorial evolution from her early shopping days at Harrods to working with world-renowned designers like Catherine Walker." - Harpers Bazaar "This stylish survey traces Di's evolution from unsophisticated debutante to fashion icon, telling the stories behind her most famous, and infamous, dresses." - New York Post 'I literally had one long dress, one silk shirt, one smart pair of shoes and that was it' - so Princess Diana said of the day she and Prince Charles got engaged. Sixteen years later, Diana would die, no longer the girl with one dress, but a global fashion icon who had raised more than GBP2 million for charity by selling 79 of her dresses at Christie's auction house in New York. This chic and stylish book opens Diana's wardrobe to the world. From the Regamus debutante's dress Diana wore at a ball at Althorp, her family estate, to her infamous Christina Stambolian 'Revenge' dress, which she wore on the night Prince Charles publicly admitted his adultery with Camilla Parker Bowles, each iconic moment is captured in these pages. Claudia Joseph chronicles Diana's style evolution from the days she shopped with her mother for her wedding trousseau at Harrods, to her discovery of her wedding dress designers, the Emanuels, and her relationship with Vogue fashion director Anna Harvey, who introduced her to designers such as Catherine Walker, Jacques Azagury and Versace. She looks at the designers who shaped Diana's image and tracks down her most symbolic dresses to museums around the world.

Here is a definitive look at fashion in the 1940s from French style under the Occupation and the make do and mend approach to wartime clothing shortages through the development of faux fabrics, the rise of American fashion houses, and the New Look of the post- war period. The illustrations reveal the wide range of fashions and styles from the 1940s in North America, Europe, Australasia, and Japan. The lively text by fashion specialist Jonathan Walford details how fashion was considered not a frivolity but an aesthetic expression of circumstances in the 1940s. While Fascist states tried to create national styles before the war began, by 1940 the pursuit of beauty was promoted on both sides of the conflict as a patriotic duty. From prewar to postwar, we see attitudes emerge from period advertisements, images of real clothes, and firsthand accounts in contemporary publications. The result is a celebration of everything from practical and smart-looking attire for air raids (hooded capes with large pockets and siren suits) to street fashion and the creation of Christian Dior s New Look collection in 1947."

This book seeks to establish the meaning of design research, its role in the field, and the characteristics that differentiate research in design from research in other fields. The author introduces a model to explain the relationship between the components of the ontological reality of design: the designed object, the designer, and the user. Addressing design research across disciplines, the author establishes a foundational understanding of research, and research paradigms, for the design disciplines. This will be crucial for the emerging field of design research to find its own identity and move forward, building its own knowledge base as it finds its positioning between science and art. The book will be of interest to scholars working in design history, design studies, graphic design, industrial design, interior design, architecture, fashion design, and service design.

First published in 1981, In A Glamourous Fashion is not only a fascinating look at film fashion portraying the glamour and glitter of Hollywood's heyday; but is also an invaluable reference source for any student of the film, of costume, or of the social history. It documents some of the best work of the designers - names like Adrian, Cecil Beaton, Edith Head - but tells the often-dramatic story of their careers and their relationships with legendary stars such as Garbo, Dietrich, Monroe and many more. Here are the stories behind the screen's most famous costumes: Walter Plunkett's 'curtain dress' for Scarlett O'Hara; the red Jezebel gown Orry-Kelly designed for Bette Davis; the slinky back satin sheath Rita Hayworth wore in Gilda; and the extravagant gown - 15, 000 worth of mink - worn by Ginger Rogers in Lady in the Dark. The photographs and original sketches are an essential and decorative complement to the text; there is an index, bibliography, and a full list of Academy Award winners for costume design.

VFILES was started for the kids in the line, the kids at the fashion shows and concerts who are always pushing culture forward. A ubiquitous social media platform at the crossroads of art, design, popular culture, and street savvy, VFILES represents what s happening on the streets right now. Known for creating one of the buzziest shows of New York Fashion Week, VFILES regularly launches the next big talents in all areas of the music and fashion worlds. The pages of VFILES: Style, Fashion, Music showcase the most exciting moments from VFILES s creations and collaborations over the last ten years. The authors look at the young innovators shaping contemporary culture and highlight their influence on some of the biggest names of today. With photos of such style arbiters as Rihanna, Cardi B, Janelle Monae, Solange, and Erykah Badu wearing VFILES designs, this book celebrates all aspects of street culture, from hair and makeup to art, design, and lingo. A visual feast of street style, along with glamorous runway and editorial images of hip hop celebrities in their distinctive looks, these pages celebrate the intersection between music and fashion. This book embodies the VFILES credo that you can t have fashion without music or music without fashion. And you can t have either without the street.

The ultimate Japanese knitting and crochet stitch bible--now available for English-speaking crafters! 1000 Japanese Knitting & Crochet Stitches is a treasure trove of needlecraft patterns and motifs for experienced knitters and crocheters seeking to create and better understand the infinite variety of their craft. This Japanese reference work is beloved by knitters the world over, and the English version will allow even more crafters to enjoy these techniques. This dictionary includes 700 original knitting stitch patterns and 300 original crochet patterns that have inspired many modern Japanese knitwear designs. You'll find classic lacy, cable, Aran, Fair Isle, Nordic, ethnic patterns; geometric, botanical and animal motifs; and so much more. This one-stop reference has detailed stitch diagrams showing how to execute over 60 different knitting stitches and over 40 different crochet stitches. Each pattern is charted with a delineation of the pattern repeat. Like Tuttle's other bestselling Japanese knitting dictionaries--including Hitomi Shida's Japanese Knitting Stitch Bible&#8212this one includes an introduction by Japanese knitting guru Gayle Roehm, which helps those who are new to Japanese knitting navigate the differences between the Japanese and Western styles of knitting and crochet.

Fashion is all about experimenting with styles, pushing the boundaries, and setting new trends. Despite changing seasons and tastes, the staple skills necessary for a fashion designer stay the same. 200 Skills Every Fashion Designer Must Have offers a practical overview of the core concepts and techniques required. Readers will find: - Step-by-step tutorials for essential skills - Tips on techniques for sewing and alterations - Guidance on working with fabrics, textures, and patterns - Fundamental concepts explained in a vocational context Fashion students, bloggers, and aspiring professionals alike will discover what it takes to bring their ideas to life, establish their brand, and evolve from being a good designer into a great one.

Polyester's popularity in the 1960s and 1970s ushered in distinctive new styles in colorful print designs. Enthusiastic descriptions are given for hundreds of cheerful dresses, jumpsuits, bellbottoms, hotpants, and disco clothes. The social issues of the times are described to help interpret the moods that helped to popularize these new styles. You will delight in the variety displayed, from the pretty and conservative designs of the early 1960s to the granny dresses, patchwork designs, paisley patterns, and flag fashions of the 1970s. "Vintage" clothing is differentiated from "retro," and original designs by Emilio Pucci, Oscar de la Renta, Geoffrey Beene, Diane Von Furstenberg, Lilly Pulitzer, and others are showcased. A foreword by Richard Martin of the Metropolitan Museum of Art's Costume Institute gives a nostalgic first-hand summary of this colorful era.

Louis Vuitton, the global luxury fashion house, and world-famous artist Yayoi Kusama partner again, and in the storied history of the brand’s epic collaborations with artists, this is the most ambitious to date.

In this important volume about this powerhouse collaboration, artwork by trailblazing artist Yayoi Kusama is featured alongside the groundbreaking fashion collection she designed with Louis Vuitton, and is organized around the seminal artistic themes that inspired the project.

Edited by Ferdinando Verdi and Isabel Venero, the volume includes contributions from renowned experts in both fashion and art, including writer Jo-Ann Furniss who explores the collaboration, designer Marc Jacobs who initiated the house’s relationship with Kusama, and curators Mika Yoshitake and Philip Larratt-Smith, both of whom have organized important exhibitions on the artist’s work. And Hans Ulrich Obrist, the renowned curator and Artistic Director of Serpentine Galleries, London, Hans Ulrich Obrist talks with longtime Kusama expert Akira Tatehata.

In the spirit of this iconic partnership and with a nod to the popular fascination with Kusama, the book includes musings from some of the most important contemporary artists and musicians working today—including Arca, Katherine Bradford, Anne Imhoff, Ryan McNamara, Raúl de Nieves, Ryan Trecartin, Nora Turato, and Jacolby Satterwhite—talking about Kusama’s impact and her extraordinary ability to build fantastical worlds through her signature polka dots and mirror balls, which are joyful representations of her deeply thoughtful philosophy about art and the universe.

The period since 1945 has been a transformative era for the fashion industry. Over the course of seventy years, the fashion world has moved from celebrating the craftsmanship of haute couture to revelling in ever-changing fast-fashion. This volume examines the transition from the old system to the new in a series of case studies grouped around three major themes. Part I focuses on Paris as a creative hub, aiming to understand how the birthplace of haute couture adapted to late-twentieth-century developments. Part II considers the retailer's role in shaping taste, responding to consumer expectations and disseminating fashion merchandise. Part III looks to alternative visions of the European fashion system that have appeared in unexpected places. The volume is highly interdisciplinary, covering design history, cultural anthropology, ethnography, management studies and the cultural history of business. -- .

"Fashion Design" is a core text designed to introduce undergraduate students to the central concepts of fashion design. Whereas fashion design is often considered entirely frivolous, this book considers the significant cultural, economic, and ethical issues that designers must balance to be effective in the global fashion industry. After looking at the history of fashion design, the book provides an overview of the conceptual process involved in developing a fashion line and bringing garments to the market. It looks at the impact of individual consumer characteristics as well as aesthetic, cultural, and economic influences on design. The book addresses a key topic in the new "Understanding Fashion" series. The contextual analysis of fashion design alongside critical cultural, economic, and ethical concerns sets this book apart from other texts on the same topic. Designed to aid teaching and learning, each chapter includes key definitions, summaries, case studies, discussion questions and suggestions for further reading. Using this book as a guide students will develop an understanding of fashion design that challenges stereotypes and encourages them to think creatively about issues and ideas that motivate them.

Modern Fashion Traditions questions the dynamics of fashion systems and spaces of consumption outside the West. Too often, these fashion systems are studied as a mere and recent result of globalization and Western fashion influences, but this book draws on a wide range of non-Western case studies and analyses their similarities and differences as legitimate fashion systems, contesting Eurocentric notions of tradition and modernity, continuity versus change, and 'the West versus the Rest'. Preconceptions about non-Western fashion are challenged through diverse case studies from international scholars, including street-style identity in Bhutan, the influence of Ottoman cultural heritage on contemporary Turkish fashion design, and an investigation into the origins of the word 'fashion' in Chinese. Negotiating tradition, foreign influences and the contemporary global dominance of Western fashion cities, Modern Fashion Traditions will give readers a clearer understanding of non-Western fashion identities in the present. Accessibly written, this ground-breaking text makes an essential contribution to the study of non-Western fashion and will be an important resource for students of fashion history and theory, anthropology, and cultural studies.

Featuring over 100 images, including step-by-step examples illustrating how to improve costume renderings. This is an invaluable resource for students in Costume Rendering and Costume Design courses, along with professional costume designers looking to improve their rendering skills. Written to complement any rendering style.

Materials and Technology for Sportswear and Performance Apparel takes a close look at the design and development of functional apparel designed for high-performance sportswear. Implementing materials, performance, technology, and design and marketing, the book examines this rapidly emerging textile market and outlines future directions and growing trends. The book begins by explaining how a comfort-driven focus has led the industry to embrace knitted fabric as a popular choice of constructional material. Using examples of leading brands, it outlines the basic terminology, structural details, and essential properties appropriate for performance apparel, especially for sportswear. This book describes the differences between woven and knitted structures, provides an understanding of fabric behavior and the characteristics of a functional garment, and outlines the importance of garment fit and consumer perception of garment comfort in its design and development. The authors present key research outcomes on the design and development of functional apparel designed for high-performance sportswear that explore smart materials, impact-resistant fabrics and pressure sensing. They consider the use of 3-D body scanning and its influence on pattern engineering for apparel product development; highlight the widely used fiber types for sportswear and the importance of fiber blends and their performance, and discuss the relevance of fabric structure and its interaction with the human body. The book also presents research on moisture management and temperature regulation and analyzes the performance and development of smart sportswear intended for monitoring health and performance for a range of end uses. A definitive guide detailing the future of functional clothing and sportswear, this book: Describes how to design and develop functional clothing for sportswear Reflects current research outcomes and industry requirements Clarifies with visual illustration, practical examples, and case studies an understanding of techniques and concepts Explores specifics of garment design such as fit, shape, function, fashion and design Focuses on a commitment to designing ethical and sustainable products

Artificial intelligence (AI) now infiltrates our culture. After a couple of difficult winters, AI today is a word on everybody's lips, and it attracts everyone's attention regardless of whether they are experts or not. From Apple's Siri to Amazon's Alexa, Tesla's auto-driving cars to facial recognition systems in CCTV cameras, Netflix's film offering services to Google's search engine, we live in a world of AI goods. The advent of AI-powered technologies increasingly affects people's lives across the globe. As a tool for productivity and cost-efficiency, AI also shapes our economy and welfare. AI-generated designs and works are becoming more popular. Today, AI technologies can generate several intellectual creations. Fashion is one of the industries that AI can profoundly impact. AI tools and devices are currently being used in the fashion industry to create fashion models, fabric and jewellery designs, and clothing. When we talk about AI-generated designs, we instead focus on the fruits of innovation - more best-selling apparels, more fashionable designs and more fulfilment of customer expectations - without paying heed to who the designer is. Designers invest a lot of talent, time and finances into designing and creating each article of clothing and accessory before they release their work to the public. Pattern drafting is the first and most important step in dressmaking. Designers typically start with a general sketch on paper; add styles, elements and colours; revise and refine everything; and finally deliver their design to dressmakers. AI accelerates this time-consuming and labour-intensive process. Yet the full legal consequences of AI in fashion industry are often forgotten. An AI device's ability to generate fashion designs raises the question of who will own intellectual property rights over the fashion designs. Will it be the fashion designer who hires or contracts with the AI programmer? Will it be the programmer? Will it be the AI itself? Or will it be a joint work of humans and computers? And who will be liable for infringement deriving from use of third-party material in AI-generated fashion designs? This book explores answers to these questions within the framework of EU design and copyright laws. It also crafts a solution proposal based on a three-step test and model norms, which could be used to unleash the authors, rights holders and infringers around AI-generated fashion designs.

Light, floral, exotic or heady, perfume can be both a precious ally for self-care or the ultimate weapon of seduction. From its origins in ancient times to today's colossal cosmetic industry, the story of perfume is rich and enticing.

What parts of the world do fragrances come from? Who invented them and what are their main ingredients? How did perfume cross from the sacred to the profane? Who were the first great perfumers? What role has the fashion industry played in the history of perfume? How do you become a successful 'nose'? What stories lie behind iconic perfumes such as Chanel's N°5, CK One, or Jean Paul Gaultier's Le Mâle?

Lavishly illustrated with archival documents from the most beautiful fragrance brands, The Story of Perfume transports its readers into a precious and mesmerizing world. It is the perfect gift for special occasions and a must-have for all perfume lovers.

William Morris is well known for his unmistakable tapestries, furniture, fabrics, wall paper and even stained glass. His work has now been used for over 150 years on many more decorative as well as functional products. The William Morris Celandine Embroidered Pouch from Galison features a delicate floral pattern embellished with hand-embroidered details on a conveniently sized zipper pouch so it can be used for everything from desk supplies to toiletries. - Size: 9.5 x 5 x 1.5 inches - Silk screen with azo-free dyes - Made with 100% cotton - Poly bag packaging with hangtag - Made in India