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Books > Arts & Architecture > Industrial / commercial art & design > Fashion design
Costume Design: The Basics provides an overview of the fundamental principles of theatrical costume design, from pre-production through opening night. Beginning with a discussion of what is costume design, why do people wear clothes, and what is the role of the costume designer, this book makes accessible the art and practice of costume design. Peppered with interviews with working costume designers, it provides an understanding of what it means to be a costume designer and offers a strong foundation for additional study. Readers will learn: How to use clues from the script to decipher a character's wardrobe Methods used to sketch ideas using traditional or digital media How to discuss a concept with a team of directors, producers, and designers Strategies to use when collaborating with a professional costume shop How to maintain a healthy work/life balance Courses of action when working under a limited money and labor budget. Costume Design: The Basics is an ideal starting point for aspiring designers looking for ways to achieve the best costumes on stage and realize their vision into a visual story told through clothing.
From ancient treasures to royal weddings, great heists to the red carpet, this book is a stunning, surprising, and glittering tour of historic turning points and gem-driven drama, delving into the passions and predilections of some of the world's most interesting and extraordinary people. Starting in the era of Cleopatra and continuing through to contemporary jewelry statements by Jennifer Lopez, Lady Gaga, and Meghan Markle, Stellene Volandes tells the stories of how shiny stones and precious metals have determined empires, inspired expeditions and great crime, and been the communicator of status and ruin since ancient times. Each moment is placed in historic and relevant context, with Volandes drawing engaging parallels between Napoleon's gift to Marie Louise at the birth of their son and the modern push present or the insouciant story behind the brooch Jackie Kennedy famously wore to a 1962 State Dinner with the Shah of Iran. Illustrated with a mix of archival images and gorgeous photography of the jewels, this book is a beautiful, informative, and essential read for history lovers, fashion, celebrity, and pop-culture followers, as well as passionate jewel hounds.
This book focuses on flame retardants (FR) for textile materials. It discusses basics of flame retardancy and flammability and covers various types of flame retardants and materials, including natural FRs, halogen, phosphorous, and nanomaterial-based FRs. This book also discusses methods of applications of FRs and discusses FRs and the environment. Covers a variety of interdisciplinary applications in the textile industry Emphasizes environmental aspects Reports on a large number of FR compounds studied globally Discusses in detail recent developments in halogen-free eco-friendly flame retardants Extensively describes basic aspects of flame retardancy and their measurements Aimed at the practitioner and textile engineering professional this work aims to ensure development of safe textile materials for various uses, including apparel, protective wear, floor coverings, upholstery, drapery, and others.
'Elegant and multi-focal. Glorious!' Simon Garfield The humble pair of glasses might just be one the world's greatest inventions, allowing millions to see a world that might otherwise appear a blur. And yet how much do many of us even really think about these things perched on the ends of our noses? In this eye-opening history Travis Elborough traces the fascinating true story of spectacles: from their inception as primitive visual aids to monkish scribes right through to today's designer eyewear and the augmented reality of Google Glass. And taking in along the way such delights as lorgnettes, monocles, pince-nez, tortoise-shell 'Windsors' and Ray Ban aviator shades. Peering into early theories about how the eye worked, he considers the theological and philosophical arguments about the limits of perception by Greek thinkers, Roman statesmen and Arab scholars. There are encounters with ingenious medieval Italian glassmakers, myopic Renaissance rulers and spectacle-makers and opticians, brilliant, mad, bad and dangerous to know, in the Londons of Samuel Pepys, Dr Johnson and Sherlock Holmes. We learn how eyeglasses were the making of the silent movie star Harold Lloyd and the rock n roller Buddy Holly and helped liberate an exasperated John Lennon from Beatlemania. Get hip to horn-rims with Dizzy Gillespie and Michael Caine And see girls in glasses through the lenses of the crime fiction by Dorothy L Sayers and Raymond Chandler and the full-screen figure of Marilyn Monroe. Through the Looking Glasses is about vision and the need for humanity to see clearly, and where the impulse to improve our eyesight has led us. The society of the spectacle may finally be upon us . . . but how much of it do we really see?
From consumer boycotts and buycotts to social movement campaigns, examples of individual and collective actors forging political struggles on markets are manifold. The clothing market has been a privileged site for such contention, with global clothing brands and retailers being targets of consumer mobilization for the past 20 years. Labels and product lines now attest for the ethical quality of clothes, which has, in turn, given rise to ethical fashion. The Fight for Ethical Fashion unveils the actors and processes that have driven this market transformation through a detailed study of the Europe-wide coordinated campaign on workers' rights in the global textile industry - the Clean Clothes Campaign. Drawing on insights from qualitative fieldwork using a wide range of empirical sources, Philip Balsiger traces the emergence of this campaign back to the rise of 'consumer campaigns' and shows how tactics were adapted to market contexts in order to have retailers adopt and monitor codes of conduct. By comparing the interactions between campaigners and their corporate targets in Switzerland and France (two countries with a very different history of consumer mobilization for political issues), this ground-breaking book also reveals how one campaign can provoke contrasting reactions and forms of market change.
On January 21, 1971, couturier Yves Saint Laurent presented his Spring-Summer haute couture collection. Inspired by the garments of the war years, the collection included short dresses, platform shoes, square shoulders, and exaggerated makeup. The show caused an outrage among the public, the critics, and the press alike, earning it the title of "Paris's ugliest collection." Nevertheless, the haute couture designs of the runway made their way to the boulevards, giving full sway to the "retro" trend that quickly conquered the streets. Yves Saint Laurent: The Scandal Collection, 1971 offers a behind-the-scenes look at the influential collection that "drew fire in the fashion world" from the collection's inspiration to the press coverage that followed. Beautifully illustrated and documented with well-researched essays, this book is enriched with personal interviews and archival photographs of the show, the models, the designs, and the textile and print samples, as well as sketches and international press clippings.
A design tutorial by Daniela Brambatti, Versace's chief (design) illustrator, the book is an idea of couturier Flavio Marconi who, impressed by her drawing style and the precision with which she captures the flow of fabric over the body, convinced her to put it into print. Here Brambatti reveals her fresh and innovative style, halfway between fashion sketching and illustration.
Numerous designers have pioneered cutting-edge garments and collections throughout the evolution of fashion. But all too often a lack of obvious fit or purpose has been mistaken for a lack of design sophistication. In an informed defence of innovative fashion, Why You Can Go Out Dressed Like That champions the improbable, the provocative, the uncomfortable and the seemingly ridiculous. Inspired by diverse sources, theories and concepts, as well as futuristic textiles and techniques, the book explores the groundbreaking work of designers who strive to extend the boundaries of their creativity. There are no fixed elements to the 100 designs featured in this book, which range from the cerebral conceptions of Comme des Garcons, to the augmented anatomies of Thierry Mugler and the exaggerated physicality of Thom Browne's broad-shouldered men. The garments do not have to fulfil a function, keep you warm, or increase sexual attraction, nor do they have to beguile or disarm. They do need to have impact at the time of creation and to prove influential in the longer term. Many original designs elicit the response: `You can't go out dressed like that!'. Marnie Fogg proves decisively that modern fashion is not as outrageous and unwearable as it may seem.
Discover the secrets behind creating the costumes for HBO's Game of Thrones in this definitive guide. The official guide to the complete costumes of HBO's landmark television series Game of Thrones. Discover how BAFTA and Emmy Award-winning costume designer Michele Clapton dressed the heroes and villains of Westeros and beyond, including Daenerys Targaryen, Cersei Lannister, Jon Snow, and Arya Stark. One of 4 comprehensive and officially licensed Game of Thrones retrospective books from HarperVoyager. * CRITICALLY ACCLAIMED - '...peruse the best of the robes, gowns, coats, and suits of armor that made up the rich fabric of Westeros in Game of Thrones: The Costumes' Vanity Fair * LEARN HOW COSTUMES DEFINED CHARACTERS - 440 pages of in-depth interviews and commentary on how costume design helped convey the evolution of George R.R. Martin's beloved characters such as Tyrion Lannister, Sansa Stark, and Brienne of Tarth. * SEE EXCLUSIVE IMAGES AND DESIGNS - Over 1,000 exclusive and rarely seen images including Michele Clapton's designs and original concept sketches. * HEAR FROM THE SHOW'S CREATORS - Features an exclusive foreword from Game of Thrones showrunners David Benioff and D. B. Weiss. * AN EYECATCHING COFFEE TABLE BOOK - Deluxe 9.75 x 13 inch format. * A PERFECT GIFT FOR GAME OF THRONES FANS - Perfectly timed for the holiday season, this gift will be cherished for a lifetime.
A veteran of Fruits magazine, Rei Shito is a pioneer of the Harajuku street-style scene. Known for her unique ability to capture the unexpected, Rei's collection of street snaps offers a local girl's look into Tokyo's inimitable style--one that is honest, descriptive, and always super cool. Unlike most street-fashion compendiums, entire chapters are tutorials on achieving your own signature style. Illustrated and with step-by-step instructions, Rei unlocks the secret to pairing bold graphics, patterns, and metallics with everyday staples to create ensembles that are at once fearless and effortless. Commentary from fashion insiders including Scott Schuman, Phil Oh, Susie Bubble, and Tommy Ton highlights the influence that Tokyo street style continues to have on fashion, while dozens of tips and tricks offer readers endless inspiration on how to master pattern, texture, and color to create the perfect outfit the Tokyo way. This collection of diverse, urban style inspirations is a necessity for any fashion lover's bookshelf.
Dressing the Man is the definitive guide to what men need to know in order to dress well and look stylish without becoming fashion victims. Alan Flusser's name is synonymous with taste and style. With his new book, he combines his encyclopedic knowledge of men's clothes with his signature wit and elegance to address the fundamental paradox of modern men's fashion: Why, after men today have spent more money on clothes than in any other period of history, are there fewer well-dressed men than at any time ever before? According to Flusser, dressing well is not all that difficult, the real challenge lies in being able to acquire the right personalized instruction. Dressing well pivots on two pillars -- proportion and color. Flusser believes that "Permanent Fashionability," both his promise and goal for the reader, starts by being accountable to a personal set of physical trademarks and not to any kind of random, seasonally served-up collection of fashion flashes. Unlike fashion, which is obliged to change each season, the face's shape, the neck's height, the shoulder's width, the arm's length, the torso's structure, and the foot's size remain fairly constant over time. Once a man learns how to adapt the fundamentals of permanent fashion to his physique and complexion, he's halfway home. Taking the reader through each major clothing classification step-by-step, this user-friendly guide helps you apply your own specifics to a series of dressing options, from business casual and formalwear to pattern-on-pattern coordination, or how to choose the most flattering clothing silhouette for your body type and shirt collar for your face. A man's physical traits represent his individual road map, and the quickest route toward forging an enduring style of dress is through exposure to the legendary practitioners of this rare masculine art. Flusser has assembled the largest andmost diverse collection of stylishly mantled men ever found in one book. Many never-before-seen vintage photographs from the era of Cary Grant, Tyrone Power, and Fred Astaire are employed to help illustrate the range and diversity of authentic men's fashion. Dressing the Man's sheer magnitude of options will enable the reader to expand both the grammar and verbiage of his permanent-fashion vocabulary. For those men hoping to find sartorial fulfillment somewhere down the road, tethering their journey to the mind-set of permanent fashion will deliver them earlier rather than later in life.
An exquisitely illustrated examination of the influence of fashion, as conceived by Olivier Saillard and interpreted by Tilda Swinton. The Impossible Wardrobe documents three groundbreaking exhibitions curated by Olivier Saillard and poetically brought to life by Tilda Swinton. Serving as part fashion object, part catalog, and part artist book, this work not only consists of the sole record of Swinton's critically acclaimed sold-out performances-that were by their very nature ephemeral artworks-but also serves as a unique survey of the Palais Galliera's extraordinary collection of iconic clothing. This lavish three-book set presents the three performance pieces that spanned a period of three years. In The Impossible Wardrobe (2012), Swinton walks down a runway with a selection of historically and culturally significant garments from the past 200 years. In Eternity Dress (2013), a garment is tailor-made for the actress in front of a live audience. And in the third performance in the series, Cloakroom (2014), Swinton examines the special relationship between an item of clothing and its owner. A glorious ode to fashion, The Impossible Wardrobe presents and elevates couture to a veritable art form.
WINNER OF THE 2021 PEN ACKERLEY PRIZE 'A strange and mesmerising piece of work' Sunday Times 'An absolute masterpiece' Laura Cumming 'An uncommon delight' Observer Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she turns her curator's eye to the fabric of life itself, tugging at the threads of memory: a cardigan worn by a child, a tin button box, the draping of a curtain, a pair of cycling shorts, a roll of lace, a pin hidden in a seam. Through these intimate and compelling close-ups, we see how the stories and the secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories. 'Effervescent, poetic, puzzle-like ... Wilcox picks at the heartstrings' Financial Times
Fibres to Smart Textiles: Advances in Manufacturing, Technologies, and Applications offers comprehensive coverage of the fundamentals and advances in the textile and clothing manufacturing sectors. It describes the basics of fibres, yarns, and fabrics and their end use in the latest developments and applications in the field and addresses environmental impacts from textile processes and how to minimize them. This book serves as a single comprehensive source discussing textile fibres, yarn formation, filament formation techniques, woven fabric formation, knitting technologies, nonwoven manufacturing technologies, braiding technologies, and dyeing, printing, and finishing processes. Testing of textile materials, environmental impacts of textile processes and use of CAD and CAM in designing textile products are also included. The book also discusses applications including textile composites and biocomposites, technical textiles, smart textiles, and nanotextiles. With chapters authored by textile experts, this practical book offers guidance to professionals in textile and clothing manufacturing and shows how to avoid potential pitfalls in product development.
How has fashion mirrored the social and cultural changes that
have taken place in modern China? To what extent has fashion
contributed to those changes?
A favorite of Spike Lee, Drake, and the British boy band One Direction, the brand has its broadest appeal among the football fans of the English Premier League. Starting in the 1990s, Stone Island parkas appeared in the stands at Stoke City, Blackburn Rovers, and in cities in the north, migrating ever south to the Midlands, and ultimately to London teams such as Chelsea, Arsenal, and Tottenham. Famously worn by the likes of soccer guru Pep Guardiola, The Guardian notes that the brand entered into fashion folklore as a tough, working-class premium brand that could set you back a couple of months wages for a single jacket. More recently, the brand has experienced a surge in popularity, garnering an explosive following in the rap, hip-hop, and grime scenes rocked by the likes of Travis Scott, Vince Staples, Skepta, Kano, and Boy Better Know. Cementing its place among the masters of contemporary cool, Stone Island has ongoing collabs with Supreme and Nike. This is the first book to publish the complete history of the brand, from inception to modern day. Straight from the Stone Island archives, this volume is filled with stunning, never-before-seen images and texts, and it also takes a deep dive into the technical processes that this brand is known for.
What motivates people to dress in a manner that marks them out as different to the conventional norm? Is it true that, with dress, 'anything goes' in our mix-and-match postmodern culture? Have easily recognizable, authentic subcultures imploded in a glut of ironic revivals and stylistic fragmentation? Does this supposed 'post-subcultural' generation actively celebrate ephemerality, transience and disposability, merely casting off and trying on one alternative identity after another in an ever-accelerating fashion frenzy? This exciting book is a considered sociological examination of such questions. By listening to the voices of the subcultural stylists themselves - their subjective perceptions of their style and the ideas that lie behind them - the author provides original insights into issues of subjectivity and identity. Situating an empirical case study within a wider consideration of postmodernism and cultural change, the author rejects cultural studies perspectives that attempt to 'read' subcultures as texts. Drawing on extensive interviews with people who dress in what might be deemed a stylistically unconventional manner, he seeks instead to establish whether contemporary subcultures display modern or postmodern sensibilities and forms. He argues persuasively that they do both - a stress on postmodern hyperindividualism, fluidity and fragmentation runs alongside a modernist emphasis on authenticity and underlying essence. He concludes that a Romantic libertarianism has permeated working-class culture and that the distinction between 'individualistic' middle-class countercultures and 'collectivist' working-class subcultures has been over-emphasized.
As in a grammar book, this volume looks at the foundations and rules of the Western wardrobe. By exploring each garment with its functions that often called for extremely precise details, we have developed a teaching tool for the general public, using pieces from the author's enormous collection, to help understand the attraction and appeal of a specific garment. This third book chronologically brings together, as they appeared in Clothing History, the three main categories of a sector generically referred to today as "shirts". This includes shirts, blouses and bodices as well as waistcoats (vests), another type of garment worn close to the body that is a link with the outer clothes developed in our first book "Cover it up!". Both an introductory book and a reference document on the culture of fashion, this third book in the series focuses on interior pieces : shirts, bodices, blouses, vests and waistcoats for women and men.
VFILES was started for the kids in the line, the kids at the fashion shows and concerts who are always pushing culture forward. A ubiquitous social media platform at the crossroads of art, design, popular culture, and street savvy, VFILES represents what s happening on the streets right now. Known for creating one of the buzziest shows of New York Fashion Week, VFILES regularly launches the next big talents in all areas of the music and fashion worlds. The pages of VFILES: Style, Fashion, Music showcase the most exciting moments from VFILES s creations and collaborations over the last ten years. The authors look at the young innovators shaping contemporary culture and highlight their influence on some of the biggest names of today. With photos of such style arbiters as Rihanna, Cardi B, Janelle Monae, Solange, and Erykah Badu wearing VFILES designs, this book celebrates all aspects of street culture, from hair and makeup to art, design, and lingo. A visual feast of street style, along with glamorous runway and editorial images of hip hop celebrities in their distinctive looks, these pages celebrate the intersection between music and fashion. This book embodies the VFILES credo that you can t have fashion without music or music without fashion. And you can t have either without the street.
Radio Frequency Identification (RFID) Technology and Application in Fashion and Textile Supply Chain highlights the technology of Radio Frequency Identification (RFID) and its applications in fashion and textile manufacturing and supply chain management. It discusses the brief history, technology, and working of RFID including the types of RFID systems. It compares differences, advantages, and disadvantages of RFID and barcode technologies. It also covers application of RFID technology in textile and fashion manufacturing, supply chain, and retail, and RFID-based process control in textile and fashion manufacturing. It covers various applications of RFID starting from fibre manufacturing through yarn and fabric manufacturing; fabric chemical processing; garment manufacturing and quality control; and retail management. It offers case studies of RFID adoption by famous fashion brands detailing the competitive advantages and discusses various challenges faced and future directions of RFID technology.
With remarkable panache and discernment, Iris Apfel combines styles, colors, textures, and patterns without regard to period, provenance, or aesthetic conventions. She is a unique style icon. Over ninety sumptuous color plates, photographed by Eric Boman, show off a selection of Apfel's extraordinary outfits on wittily posed mannequins, some sporting her trademark outsized spectacles. The originality of her style is typically revealed in her mixing of Dior haute couture with flea-market finds, Dolce & Gabbana lizard trousers with nineteenth-century ecclesiastical vestments, pink Lanvin worn with ropes of Navajo turquoise. Apfel's eclectic pieces might come from a Parisian couture house, an American thrift shop, or a North African souk, or they may have been made to her own design in a tiny studio. Detailed captions describe every aspect of the outfits, including names and dates of designers, plus full information on fabrics and accessories. A selection of audacious accessories also comes under the spotlight: a giant necklace made of bear claws, a turn-of-the-century Indian horse ornament worn as a necklace, a parrot's-head brooch in colored glass and rhinestones. The book includes an introduction by Harold Koda, director of the Costume Institute at the Metropolitan Museum of Art, and an essay by Apfel herself, describing her lifelong love affair with style and illustrated with vintage photographs from her personal collection.
This book offers an essential reference for anyone interested in contemporary European jewellery design. Through guided conversations with the major designers of today, Roberta Bernabei reveals the creative, conceptual and technical working practices that underpin the aesthetic of each practitioner's work. In addition, the dialogues shed new light on these jewellers' inspiration and their ideas about functionality and the human body. Each interview is supported by photographs and a detailed bibliography and appendix which locates the jewellers' work in galleries, museums as well as online. Major jewellery artists present include: Giampaolo Babetto, Gijs Bakker, Otto Kunzli, Ruudt Peters, Mario Pinton and Tone Vigeland, alongside members of the emergent generation: Ted Noten, Annamaria Zanella and Christoph Zellweger. This book, which opens the door to contemporary jewellery practice, will be welcomed by all students, lecturers and practitioners. |
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