Exploring the debate over the benefits of legal protection for fashion design, this book focuses on how a combination of minimal legal protections for design, evolving social norms, digital technology, and market forces can promote innovation and creativity in a business known for its fast-paced remixing and borrowing. Focusing on the advantages and disadvantages of the main US and EU IP laws that protect fashion design in the world's biggest fashion markets, it describes how recent US case law in copyright and trademark cases has led to misaligned incentives for the industry and a lack of clear protection, while in the EU, the CJEU's interpretation of the pan-European design rights system has created significant overlap with copyright law and risks leading to the overprotection of design. The book proposes that creativity and innovation in fashion derive some benefit from a limited unregistered design right protection and that cumulation with copyright protection is unhelpful. It also proposes that there is a larger role for developing social norms relating to sustainability, the ethics of cultural appropriation, and the online shaming of counterfeiters, that can also help create a fair equilibrium between protection and borrowing in fashion design.

If Coco Chanel were to give a masterclass on design, creativity and attitude, what wisdom would she impart? Discover the life, work and legacy of Chanel in this sharply curated biography focusing on artistic spirit. Chanel's ethos captured the imagination of post-war women, releasing them from the corseted silhouette and changing what we wore forever. But how did Chanel think? How did her experiences shape her creative career? And how was her no-holds-barred attitude reflected in her work? What Coco Chanel Can Teach You About Fashion breaks down Chanel's life and work into memorable maxims that epitomise her ground-breaking perspective - including Poverty Can Be Luxury, Rebel Against Your Rivals, Find Your Spirit Animal and Twist Textile Traditions. This book uncovers Chanel's creative approach, her inspirations, her business acumen and the details that make her designs so timeless. With pithy, illuminating text and inspirational photographs, learn something from Chanel and apply it to your own life, creativity and style. These are the things that really define what it means to be Chanel. Small and beautifully formed - if you like this, What Alexander McQueen Can Teach You About Fashion is also available.

Most photovoltaic (PV) installations utilise heavy conventional glass or polycarbonate panels, and even newly developed thin plastic or metal films for PV cell use may fracture during both construction and application. Textile fabrics, the most widespread flexible materials in everyday use, offer a solution to the need for lightweight, flexible solar PV generators. Solar Textiles: The Flexible Solution for Solar Power is about the incorporation and operation of solar cells on textile fabrics. The combination of textile manufacturing and solar PV cell technology opens up further avenues for both the textile and semiconductor industries. Thus, this book reflects the progressively increasing commercial interest in PV cell technology and the versatility that their integration in textiles provides. Discusses textiles as electrical substrates Explains the photovoltaic effect and associated parameters Offers special consideration of solar cells on textiles Compares fibres and fabrics and how to implement PV activity on a textile Describes manufacturing methods outside of semiconductor technology Includes applications open only to textiles This work is aimed at textile technologists, electronic engineers, solar technologists, civil engineers and designers in building fabrics and architecture.

Featuring over 100 images, including step-by-step examples illustrating how to improve costume renderings. This is an invaluable resource for students in Costume Rendering and Costume Design courses, along with professional costume designers looking to improve their rendering skills. Written to complement any rendering style.

Animal products were used extensively in nineteenth-century Britain. A middle-class Victorian woman might wear a dress made of alpaca wool, drape herself in a sealskin jacket, brush her hair with a tortoiseshell comb, and sport feathers in her hat. She might entertain her friends by playing a piano with ivory keys or own a parrot or monkey as a living fashion accessory. In this innovative study, Helen Cowie examines the role of these animal-based commodities in Britain in the long nineteenth century and traces their rise and fall in popularity in response to changing tastes, availability, and ethical concerns. Focusing on six popular animal products - feathers, sealskin, ivory, alpaca wool, perfumes, and exotic pets - she considers how animal commodities were sourced and processed, how they were marketed and how they were consumed. She also assesses the ecological impact of nineteenth-century fashion.

"Chanel fans rejoice. . . . As glamorous and chic as you'd expect."--The Observer (on the first edition) A comprehensive and captivating overview of all of Karl Lagerfeld's Chanel collections, showcasing his creations through original catwalk photography This fully revised edition of the first overview of Karl Lagerfeld's (1933-2019) Chanel creations maintains every exceptional detail of the first edition. Images of key looks and short informative texts bring to life each season--now with 22 new collections, including Lagerfeld's final show for the house and the work of his successor, Virginie Viard. Beautifully produced, this book will stand as the ultimate reference on Lagerfeld's iconic Chanel looks and serve as a lasting tribute to one of the most talented and influential fashion designers in history. Opening with an introductory essay about Lagerfeld and his vision for Chanel, the book explores the collections chronologically, revealing the designer's inspired reinvention of classic Chanel style elements from season to season. Each collection is illustrated with a curated selection of catwalk images (filled with photos of top fashion models, including Cara Delevingne, Linda Evangelista, Kate Moss, and Claudia Schiffer), showcasing hundreds of spectacular clothes, from luxurious haute couture to trendsetting ready-to-wear, accessories, beauty looks, and set designs.

Exploring the debate over the benefits of legal protection for fashion design, this book focuses on how a combination of minimal legal protections for design, evolving social norms, digital technology, and market forces can promote innovation and creativity in a business known for its fast-paced remixing and borrowing. Focusing on the advantages and disadvantages of the main US and EU IP laws that protect fashion design in the world's biggest fashion markets, it describes how recent US case law in copyright and trademark cases has led to misaligned incentives for the industry and a lack of clear protection, while in the EU, the CJEU's interpretation of the pan-European design rights system has created significant overlap with copyright law and risks leading to the overprotection of design. The book proposes that creativity and innovation in fashion derive some benefit from a limited unregistered design right protection and that cumulation with copyright protection is unhelpful. It also proposes that there is a larger role for developing social norms relating to sustainability, the ethics of cultural appropriation, and the online shaming of counterfeiters, that can also help create a fair equilibrium between protection and borrowing in fashion design.

This practical book explains how to achieve great designs and creative cuts by seeing ideas come to life three dimensionally. By manipulating and pinning fabric on the dress form or house model, fashion designers can visualise their ideas and become more confident with their own creative visions. This new book includes advice on how to measure the body, as well as prepare the mannequin and fabric; it explains the draping process in detail with step-by-step instructions and practical tips throughout. It gives advice on working at half scale and provides calico preparation diagrams. Finally, there are chapters which introduce new design elements and/or garment type, and covers dresses, skirts, shirts and blouses. Written by a leading designer, Draping for Fashion Design is an essential guide to this skill (also known as 'moulage'), and explains how the fashion designer can understand their designs more fully, as well as the fabric and the garment's fit, in order to achieve impressive and sometimes unexpected results.

The Hermes scarf is a style icon. Worn by royalty and celebrities, coveted and admired, and now avidly collected, this deceptively simple square of silk is much more than just a fashion accessory: it is the stuff of legend. Since the first scarf made its debut in 1937, the House of Hermes has produced more than two thousand different designs. From the classic scarves that embody the Hermes tradition to the wildly imaginative stylings of contemporary designers, the House is always forging new paths and yet is never afraid to take a fresh and often witty approach to its own heritage. A scarf is not the work of a single individual; at each stage of its creation, talent and craftsmanship combine to create a work of art. These qualities shine through in the illustrations, by turns playful and poetic, which lead the reader into a richly colored world with a multitude of motifs. They range from the equestrian themes that are internationally associated with the Hermes brand, through French history and the natural world, to global cultures. From vibrant opulence to subtle harmony, every scarf conveys a mood and every one tells a story.

* Develops the concept of the Celebrity as a Human Fashion Brand, which offers a fresh perspective in the Fashion Marketing field. * Includes a broad range of well-known case studies in every chapter, coupled with reflective questions, which can be used for in-class exercises. * Ideal recommended reading for advanced undergraduate and postgraduate students studying Celebrity Fashion and Influencer Marketing, Fashion Marketing, Fashion Brand Management and Consumer Behaviour.

Here, in more than one thousand full-colour illustrations, is the history of Western costume, from ancient Egypt to Paris fashion. John Peacock's meticulous drawings are organized in chronological sections and accompanied by detailed descriptions of each figure, including the individual items of costume shown and the many types of fabric, cut, pattern and colour that have been used over the centuries. An illustrated glossary gives additional information on technical terms. The Chronicle of Western Costume is the unrivalled reference work on its subject. No student or designer in the performing arts, costume and fashion enthusiast, collector or social historian will want to be without it.

In this vibrant blend of Marie Kondo and Iyanla Vanzant, the "First Lady of Beauty" and trusted lifestyle expert Mikki Taylor shares uplifting advice for women who want to cultivate their own unique brand of beauty both inside and out in this "master class on beauty, wellness, purpose, and what it means to live in your power zone" (Gabrielle Union, actress and New York Times bestselling author). From dress code to life code, Mikki Taylor shares hundreds of her favorite secrets, including the five products you need to perfect your complexion; the genius ingredient for living in heels; how to be frugal and look fabulous; unexpected drugstore buys that give your everyday look a wake-up call; rules for mastering eye-catching makeup and the perfect red lips; what really has the power to motivate or defeat you; why being "risk adverse" is to be "success adverse" and much more. Whether you're standing in front of the mirror debating what to wear to a last-minute event or trying to hold your peace in the middle of a confrontation, Editor in Chic gives you the tools and confidence to be your best self every single day. "Mikki Taylor is like that trusted friend who has to remind you of the power that was on you all along. From life-affirming lessons, to beauty, style, and insider secrets every woman will treasure--Editor in Chic is gold" (Tina Knowles-Lawson, designer and philanthropist).

-Offers design educators a comprehensive, hands-on introduction to design education and pedagogy in higher education. -Offers educators concrete methods and strategies to improve design students' learning, holistic development, and design school experience, as well as to help students face challenges posed by the changing nature of the design industry. -Includes international case studies and interviews with thought leaders in design, design education, and higher ed, drawn from across fashion design, architecture, and industrial design. -Written by a leading educator in fashion design.

An inspiration to countless designers and the stomping ground of fashion's in-crowd, London is the capital of subculture. From Mary Quant to Alexander McQueen, from punks to goths, and from Twiggy to Naomi Campbell, Little Book of London Style is the beautifully illustrated guide to the essential brands, trends and people that make up the style DNA of this unique city.

A fascinating look into the world of men's neckwear, chronicling the style, fabric, and design changes that evolved in the second half of the 20th century. The book features nearly 400 color photographs along with a current price guide. From the slim ties of the late 1950s and early 1960s to the wide and wild Kipper ties of the mid-60s was a dramatic shift. By the late 1970s men's fashion returned to a normal state and designer labels entered the fashion scene in full force. By the late 1980s and early 1990s, retro styles became apparent as manufacturers reproduced abstract and geometric styles of the 1940s and 1950s. As the 1990s progressed, new collectible ties began flooding the market . Collecting men's ties can be extremely entertaining and a real treasure hunt. Whether it be a contemporary example or one worn decades ago, a tie is wearable art!

Thermoplastic matrix composites have attracted much attention in the composites industry due to their easy processibility and improved impact properties. Although there are many books on thermoplastic composites available, none emphasize flexible towpregs and their composite properties. This book discusses various methods of manufacturing flexible towpregs, their properties, their textile preforming behavior, the properties of textile preform, and the properties of final composites. FEATURES Gives readers a complete view of composite manufacturing Offers details on flexible prepregs that other books overlook, such as manufacturing methods, influence of processing parameters, and properties Includes explanations that cover all steps of manufacturing with examples Features case studies and homework exercises for all chapters to reinforce understanding Provides technological information, discussion, and analysis of problems related to all types of flexible towpregs, such as commingling, electrostatic powder coating, wrapped hybrid yarns, micro-braided hybrid yarns, core-spun hybrid yarns, and others This book is aimed at readers working with composite materials, industrial textiles, and related areas to understand the significance of thermoplastic composites made through textile performance of flexible towpregs.

Megan Hess: The Bag is an illustrated love story about the most timeless and useful of accessories, from internationally renowned fashion illustrator Megan Hess. A piece of fashion is so much more than an object. To the designer who creates it, the muse who inspires it or the fashion lover who lusts after it, that piece is part of a story. A beautiful bag is the ultimate fashion investment. From the Hermes Birkin to the Chanel Classic, the Lady Dior to the Louis Vuitton Trunk, the Valentino Rockstud to the Fendi Baguette, these iconic bags are not just the perfect way to carry your lipstick and book - and complete your outfit. They are works of art and craftsmanship. Megan Hess: The Bag is the latest in the Ultimate Fashion Wardrobe series, filled with fascinating information and stunning illustrations and packaged up in a beautiful hardback: the ideal accessory for any creative life.

Artificial intelligence (AI) now infiltrates our culture. After a couple of difficult winters, AI today is a word on everybody's lips, and it attracts everyone's attention regardless of whether they are experts or not. From Apple's Siri to Amazon's Alexa, Tesla's auto-driving cars to facial recognition systems in CCTV cameras, Netflix's film offering services to Google's search engine, we live in a world of AI goods. The advent of AI-powered technologies increasingly affects people's lives across the globe. As a tool for productivity and cost-efficiency, AI also shapes our economy and welfare. AI-generated designs and works are becoming more popular. Today, AI technologies can generate several intellectual creations. Fashion is one of the industries that AI can profoundly impact. AI tools and devices are currently being used in the fashion industry to create fashion models, fabric and jewellery designs, and clothing. When we talk about AI-generated designs, we instead focus on the fruits of innovation - more best-selling apparels, more fashionable designs and more fulfilment of customer expectations - without paying heed to who the designer is. Designers invest a lot of talent, time and finances into designing and creating each article of clothing and accessory before they release their work to the public. Pattern drafting is the first and most important step in dressmaking. Designers typically start with a general sketch on paper; add styles, elements and colours; revise and refine everything; and finally deliver their design to dressmakers. AI accelerates this time-consuming and labour-intensive process. Yet the full legal consequences of AI in fashion industry are often forgotten. An AI device's ability to generate fashion designs raises the question of who will own intellectual property rights over the fashion designs. Will it be the fashion designer who hires or contracts with the AI programmer? Will it be the programmer? Will it be the AI itself? Or will it be a joint work of humans and computers? And who will be liable for infringement deriving from use of third-party material in AI-generated fashion designs? This book explores answers to these questions within the framework of EU design and copyright laws. It also crafts a solution proposal based on a three-step test and model norms, which could be used to unleash the authors, rights holders and infringers around AI-generated fashion designs.

As a glance down any street in America quickly reveals, American women have forgotten how to dress. We chase fads, choose inappropriate materials and unattractive cuts, and waste energy tottering in heels when we could be moving gracefully. Quite simply, we lack the fashion know-how we need to dress professionally and flatteringly.As historian and expert dressmaker Linda Przybyszewski reveals in The Lost Art of Dress , it wasn't always like this. In the first half of the twentieth century, a remarkable group of women,the so-called Dress Doctors,taught American women how to stretch each yard of fabric and dress well on a budget. Knowledge not money, they insisted, is the key to timeless fashion. Based in Home Economics departments across the country, the Dress Doctors offered advice on radio shows, at women's clubs, and in magazines. Millions of young girls read their books in school and at 4-H clothing clubs. As Przybyszewski shows, the Dress Doctors' concerns weren't purely superficial: they prized practicality, and empowered women to design and make clothing for both the workplace and the home. They championed skirts that would allow women to move about freely and campaigned against impractical and painful shoes. Armed with the Dress Doctors'simple design principles,harmony, proportion, balance, rhythm, emphasis,modern American women from all classes could learn to dress for all occasions in a way that made them confident, engaged members of society.A captivating and beautifully-illustrated look at the world of the Dress Doctors, The Lost Art of Dress introduces a new audience to their timeless rules of fashion and beauty,rules which, with a little help, we can certainly learn again.

Celebrating the reopening of 30, avenue Montaigne following two years of renovations and the launch of the Galerie Dior, a new space dedicated to Dior s creations, this sophisticated volume published on the occasion of the House s 75th anniversary in 2022 presents the public and secret life of the iconic headquarters. Located in the heart of Paris s posh Triangle d Or, 30, avenue Montaigne has been linked to the House of Dior s story since 1946. Christian Dior chose this hotel particulier to establish his couture house and present his collections, including the inaugural 1947 fashion show that marked the New Look era s debut. Since then, Christian Dior and his successors from Yves Saint Laurent to Maria Grazia Chiuri have designed and created all the House s collections here. 30, avenue Montaigne is where the ateliers are still based, making it a fabled address of Parisian haute couture. With emblematic images, archival documents, and a portfolio of Dior creations featured in the new gallery s collections, readers will discover 30, avenue Montaigne s spirit throughout the decades while heralding its future.

Replacing buttons, darning socks and other mending skills have largely been lost to the decades. Yet, as the eco-conscious are ditching fast fashion, these techniques are being rediscovered as easy methods to revamp wardrobes with personal flair-hello, visible mending-and sustainability. In Wear, Repair, Repurpose Lily Fulop welcomes beginner and experienced makers with projects to refresh their wardrobes, make the most of thrift store finds and give worn-out cloth new life. Illustrated step-by-step instructions demystify mending techniques and skill-based projects will inspire readers to embrace their own personal style. Learn to darn socks, hem trousers, embroider over stains, and crochet and braid rugs. For anyone who cares about reducing fashion waste but doesn't want to sacrifice style, this is the immersive guide you need.

Wearable textiles hold their own stories of trade, manufacture and regionalism, just to name a few; they also tell a personal tale of the individuals who created our history. When we look at a piece of clothing, a coat, a dress, an undergarment, we see an item that is more personal, more closely related to the human body than nearly anything else it comes in contact with throughout the day. Garments can do far more for exhibitions and interpretation than merely providing a bit of color and beauty. Clothing is both artistic and utilitarian and is capable of adding so much to the story of who we are and where we came from. The Care and Display of Historic Clothing aims to assist with the full integration of costume collections into the interpretation of the past. Often relied on for their ability to add beauty and color to exhibitions, these collection items provide a very personal side to any story at a given moment in history. The topics explored in this publication range from the care and identification of items in a costume collection to discussions about both physical display and how they can be used to engage audiences. The book's focus is on costume collections and discussion topics will include information in regards to *costume collection storage, *display techniques, *basic identification, and *ideas on how to incorporate costumes into exhibitions and programming. A list of further resources at the back of the book helps provide supplemental, in-depth information on individual areas. The layout of this work will aim to provide information that slowly leads from understanding your costume collection and obtaining physical control to incorporating it in a significant and informative way into the work of the organization. Providing all of these resources in one place will make the incorporation of costumes a more obtainable goal for small to mid-sized museums and historical societies.

The best new research on medieval clothing and textiles, drawing from a variety of angles and approaches. The essays in this volume continue the Journal's tradition of groundbreaking interdisciplinary work. The volume opens with a survey of the discipline of medieval clothing and textiles, written by founding editor Gale R. Owen-Crocker. The range of the other essays extends chronologically from the early Middle Ages through the fifteenth century and covers a variety of disciplines. Topics include the conception of the author as a "wordweaver" in the literatures of Anglo-Saxon England; intertextual literary identities established through clothing in the Nibelungenlied and the Voelsunga Saga; the historical record of clothing and textiles at the court of King John of England; medallion silks, their use in Western Europe, and their representation in art; the vestments of Beguines and other penitential movements in the thirteenth and fourteenth centuries; and a depiction of heraldic textile weaving inlate-medieval art. Contributors: Tina Anderlini, Joanne W. Anderson, Maren Clegg Hyer, Alejandra Concha Sahli, Gale R. Owen-Crocker, Elizabeth M. Swedo, Hugh Thomas