Since 1921, Gucci has been a titan of the luxury fashion industry. Celebrated for its exclusive high-end accessories, the brand reigns supreme for its signature leather goods and decadent garments that have elegantly combined the understated with the opulent.

More than 100 years ago, Gucci took the world by storm as a luxury luggage and equstrian outfitter, quickly becoming a giant of 1990s haute couture. The highly sought-after products would only become more exclusive with time, and since then the company has gone from strength to strength. Under the watchful eyes of Alessandro Michele and now, Sabato de Sarno, the brand has made its mark on streetwear, inspring a new generation of fans.

Brimming with fascinating facts and inspirational quotes from celebrities, fans and the creative heads at Gucci, this little guide documents not only the brand's extraordinary journey, but also the elusive family at the helm.

'Quality is remembered long after price is forgotten.'
Aldo Gucci

Most photovoltaic (PV) installations utilise heavy conventional glass or polycarbonate panels, and even newly developed thin plastic or metal films for PV cell use may fracture during both construction and application. Textile fabrics, the most widespread flexible materials in everyday use, offer a solution to the need for lightweight, flexible solar PV generators. Solar Textiles: The Flexible Solution for Solar Power is about the incorporation and operation of solar cells on textile fabrics. The combination of textile manufacturing and solar PV cell technology opens up further avenues for both the textile and semiconductor industries. Thus, this book reflects the progressively increasing commercial interest in PV cell technology and the versatility that their integration in textiles provides. Discusses textiles as electrical substrates Explains the photovoltaic effect and associated parameters Offers special consideration of solar cells on textiles Compares fibres and fabrics and how to implement PV activity on a textile Describes manufacturing methods outside of semiconductor technology Includes applications open only to textiles This work is aimed at textile technologists, electronic engineers, solar technologists, civil engineers and designers in building fabrics and architecture.

Megan Hess: The Bag is an illustrated love story about the most timeless and useful of accessories, from internationally renowned fashion illustrator Megan Hess. A piece of fashion is so much more than an object. To the designer who creates it, the muse who inspires it or the fashion lover who lusts after it, that piece is part of a story. A beautiful bag is the ultimate fashion investment. From the Hermes Birkin to the Chanel Classic, the Lady Dior to the Louis Vuitton Trunk, the Valentino Rockstud to the Fendi Baguette, these iconic bags are not just the perfect way to carry your lipstick and book - and complete your outfit. They are works of art and craftsmanship. Megan Hess: The Bag is the latest in the Ultimate Fashion Wardrobe series, filled with fascinating information and stunning illustrations and packaged up in a beautiful hardback: the ideal accessory for any creative life.

'Don't be into trends. Don't make fashion own you, but you decide what you are, what you want to express by the way you dress...' - Gianni Versace

From Elizabeth Hurley's safety pin dress to Jennifer Lopez's plunging green gown, Versace has always been a brand at the cutting edge of fashion. With a foot firmly placed in pop culture, Versace is beloved by fashionistas and celebrities alike, providing iconic moments like Lil Nas X's gold armour at the 2021 Met Gala, many of Elton John's eclectic tour outfits and the gown worn by Lady Diana in her posthumous tribute in Harper's Bazaar.

Exquisitely illustrated and expertly written, this book explores the story of the brand, from its creation in 1978 by Gianni Versace to its iconic status today. Featuring images of red-carpet moments, key pieces and stunning catwalk shows, this is a fabulous collection of all things Versace.

Written by an expert whose fashion knowledge extends around the globe, The Fashion Design Directory presents an enticing panorama of around 150 of the most influential players in the world of fashion from the beginning of the 20th century to the present day - the people and companies who have shaped contemporary fashion and defined the modern perception of style. Engaging, informative text sets the scene for each designer - their origins, their ethos and their pathway to success - while striking runway images showcase statement looks and pieces from each designer's career. Together, they give a compelling overview of their defining collections and labels.

The retrospective on the work of couturier Thierry Mugler (1948-2022) at the Brooklyn Museum includes more than 150 costumes designed between 1977 and 2014, along with many unpublished archive documents and sketches. It showcases the multiple worlds of this one-of-a-kind artistic figure-a visionary fashion designer, director, photographer and perfumer-through a display of his pret-a-porter and haute couture silhouettes. Thierry Mugler staged the most spectacular fashion shows of his time. He dressed many celebrities, including Diana Ross, David Bowie, Lady Gaga, Liza Minnelli, Celine Dion and Kim Kardashian. He created the costumes for many of Mylene Farmer's and Beyonce's tours and videos. A photographer and director, he filmed clips as well as short films starring actresses like Isabelle Huppert and Juliette Binoche. This book was published in conjunction with the exhibition and is organised into several main sections. It reproduces a selection of full-page photographs, most of which have not been published before, by the greatest artists who worked with Mugler throughout his career-Helmut Newton, Peter Knapp, Jacques-Henri Lartigue, David LaChapelle, Stephane Sednaoui, Jean-Baptiste Mondino, Jean-Paul Goude, Pierre & Gilles, Patrice Stable, Inez & Vinoodh, to name just a few. It also includes views of the exhibition layout and displays. Prior tour dates and locations: Kunsthal Rotterdam, Netherlands - 10.13.2019 - 03.08.2020 Hypo-Kunsthalle Munich, Germany - 05.25.2020 - 04.13.2021 Musee des Arts Decoratifs, Paris - 09.30.2021 - 04.24.2022 Text in English and French.

Thermoplastic matrix composites have attracted much attention in the composites industry due to their easy processibility and improved impact properties. Although there are many books on thermoplastic composites available, none emphasize flexible towpregs and their composite properties. This book discusses various methods of manufacturing flexible towpregs, their properties, their textile preforming behavior, the properties of textile preform, and the properties of final composites. FEATURES Gives readers a complete view of composite manufacturing Offers details on flexible prepregs that other books overlook, such as manufacturing methods, influence of processing parameters, and properties Includes explanations that cover all steps of manufacturing with examples Features case studies and homework exercises for all chapters to reinforce understanding Provides technological information, discussion, and analysis of problems related to all types of flexible towpregs, such as commingling, electrostatic powder coating, wrapped hybrid yarns, micro-braided hybrid yarns, core-spun hybrid yarns, and others This book is aimed at readers working with composite materials, industrial textiles, and related areas to understand the significance of thermoplastic composites made through textile performance of flexible towpregs.

Costume defines the superhero, disguising and distinguishing him or her from the civilian alter ego. The often garish garb expresses a hero's otherness and empowers its wearers to seek a primal form of justice. This book provides the first interdisciplinary analysis of the superhero costume and investigates wide-ranging issues such as identity, otherness, ritual dress and disguise. Analysis focuses on the implications of wearing superhero costume, exploring interpretations of the costumed hero and the extent to which the costume defines his or her role. Using examples across various media (comic books, film, and television) with case studies including The X-Men, Watchmen, real-life superheroes such as Phoenix Jones and Pussy Riot, and audience activities such as cosplay, The Superhero Costume presents new perspectives on the increasingly popular genre. A lively and thorough account of superhero fashions throughout history, The Superhero Costume will be essential reading for students of visual culture, popular culture, fashion and cultural studies.

To run a successful fashion label you need to know about business as well as design. Packed with tips, case studies and tasks to help you analyse yourself, your market and your product, this book is for anyone wanting to start their own fashion business. Thoroughly revised for the social media age, with updated images throughout. With eight new case studies: AwaytoMars (Brazil/UK), FFM Dubai (UAE), Picture Organic (France), Vetta Capsule (US), ADAY, Farm, Olivia Burton (UK), and The Goods Department (Indonesia).

Starting with the premise that clothing is political and that analysing clothing can enhance understanding of political style, this collection explores the relationships among political theory, dress, and self-presentation during a period in which imperial and colonial empires assumed their modern form. Organised under three thematic clusters, the volume's chapters range from an analysis of the uniforms worn by West India regiments stationed in the Caribbean to the smock frock donned by rural agricultural labourers, and from the self-presentations of members of parliament, political thinkers, and imperial administrators to the dress of characters and caricatures in novels, paintings, and political cartoon. With its interdisciplinary approach, the book will appeal to nineteenth-century cultural and social historians and literary critics as well as advanced undergraduate and postgraduate students whose research and teaching interests include gender, politics, material culture, and imperialism. -- .

This book examines the ways in which luxury fashion brands use their heritage in their digital storytelling and marketing. With chapters from authors in China and Macau (PRC), India, Romania, Turkey, the United Kingdom, and the United States, covering British, Chinese, French, Japanese, Indian, Italian, and Turkish brands, this truly global collection is the first book of its kind devoted solely to the emerging study of digital heritage storytelling. This method of reaching potential consumers and perpetuating brand identity is a hugely important factor in the marketing of luxury brands and has yet to be studied comprehensively. The book will be of interest to scholars working in fashion studies, fashion history, design history, design studies, digital humanities, and fashion marketing.

Replacing buttons, darning socks and other mending skills have largely been lost to the decades. Yet, as the eco-conscious are ditching fast fashion, these techniques are being rediscovered as easy methods to revamp wardrobes with personal flair-hello, visible mending-and sustainability. In Wear, Repair, Repurpose Lily Fulop welcomes beginner and experienced makers with projects to refresh their wardrobes, make the most of thrift store finds and give worn-out cloth new life. Illustrated step-by-step instructions demystify mending techniques and skill-based projects will inspire readers to embrace their own personal style. Learn to darn socks, hem trousers, embroider over stains, and crochet and braid rugs. For anyone who cares about reducing fashion waste but doesn't want to sacrifice style, this is the immersive guide you need.

Over the past ten years the study of dress history has finally achieved academic respectability. This book shows how the fields of dress history and dress studies are now benefitting from the adoption of new multi-disciplinary approaches and outlines the full range of these approaches which draw on material culture, ethnography, and cultural studies. Raises a series of frank and fresh issues surrounding approaches to the history of dress, including analysis of the academic gender and subject divides that have riven it in the past. Comprehensive, engaging and trenchant, this will become the benchmark volume in the study of dress history. -- .

The Hermes scarf is a style icon. Worn by royalty and celebrities, coveted and admired, and now avidly collected, this deceptively simple square of silk is much more than just a fashion accessory: it is the stuff of legend. Since the first scarf made its debut in 1937, the House of Hermes has produced more than two thousand different designs. From the classic scarves that embody the Hermes tradition to the wildly imaginative stylings of contemporary designers, the House is always forging new paths and yet is never afraid to take a fresh and often witty approach to its own heritage. A scarf is not the work of a single individual; at each stage of its creation, talent and craftsmanship combine to create a work of art. These qualities shine through in the illustrations, by turns playful and poetic, which lead the reader into a richly colored world with a multitude of motifs. They range from the equestrian themes that are internationally associated with the Hermes brand, through French history and the natural world, to global cultures. From vibrant opulence to subtle harmony, every scarf conveys a mood and every one tells a story.

The queen of magpie style, Alice Temperley s clothing is coveted by the likes of Kate Hudson, the Kardashians, Naomie Harris, and the Duchess of Cambridge. Once sought-after for their indie-boho glamour, her looks have matured into a classic British line that pulls eclectic inspirations into polished looks. This book highlights the key moments that have shaped the last fifteen years of her brand and focuses on the personal moments that are connected with the growth and evolution that have earned her a celebrated and glamorous following. While True British had its eye turned toward the effect Temperley s work had on the fashion world, this book gives a more intimate view of the world that she inhabits, revealing both practical and sentimental sides of the artist s generative process, and conveys the essence of how Temperley works as a designer and how her brand has come to gain such renowned success.

Fashion Bags and Accessories explores fashion bags and related accessories, such as purses, wallets, clutches, cases, gloves and belts, through various approaches to creative design, product development, technological innovation, materials development, component design (hardware) and branding. Readers will become familiar with key constructions and gain grounding in both traditional craft-making techniques and contemporary digital manufacturing process. Traditional accessory materials like leather are considered alongside new and emerging sustainable materials. Key elements of fashion bags and accessories like component design, signature branding and logo design are also covered in depth. Primarily aimed at students on fashion design, product design, or specialized accessories courses, the book will also be a go-to reference for professionals wishing to move into or evolve in this product area.

In an era marked by sudden and profound change, the fashion world has also experienced significant transformations. Its boundaries, its rationale and its protagonists have all been redefined, with these changes continuing now and in the future. The purpose of this book is to analyze this market with particular focus on the segment defined as "high-end" and to provide entrepreneurs, professionals, workers in the sector, consultants, and business/fashion students, a context to understand better the latest and most up-to-date ideas and how to govern their growth. The starting point for the book's discussion begins with the title of the book, which emphasizes two important characteristics regarding its context: the increasingly blurred distinction between offline and online - hence the term "onlife" - and the absence of rules, given the obvious out-of-date nature of those on which fashion companies have based their business strategies in recent decades. This has led the authors to propose a handbook of new rules, suitable for a world that increasingly appears to be lacking them.

This volume explains cleaning of cotton after blow room treatment and individualization process in conventional card including functions related to licker-in, cylinder, and doffer, and so forth. Description of modern card includes improved cleaning at higher production rates and individualization at such higher rates. Larger part of the book is devoted to drawing of the sliver and relative description for any modern machine including on-line controls and introduction of indicator lamp system to improve both machine and labour efficiency is discussed as well. This volume also includes the related calculation for both card and draw frame. Focuses on modern carding processes, functions, and attachments. Includes chapters on defects in carding and drawn material and related calculations. Highlights the features of modern draw frame, especially the drafting system. Discusses automation and processes of modern carding machines for improving machine efficiency. Describes drafting and doubling including drafting as basic processes of spinning. This volume is aimed at senior undergraduate/Graduate students in Textile Engineering, staple fibre processing, spinning of staple fibres.

As one of the most successful fashion houses in existence, Chanel owes much to the templates first laid down by its founder - Gabrielle 'Coco' Chanel (1883-1971). Some of her most celebrated designs, such as the two-piece suit, the little black dress and the quilted handbag, remain in vogue to this day. Chanel designed first and foremost for herself: by creating clothes fit for an independent and active lifestyle, she anticipated the needs and wants of the modern woman. This beautiful book showcases a stunning array of Chanel's most notable designs from her 60 years in fashion, largely drawn from the collections of the Chanel Patrimoine, Paris and the V&A. It examines the cut, construction, embellishment and provenance of the ensembles, as well as the design themes and motifs Chanel returned to throughout her career. Newly commissioned photographs of the selected pieces, together with archival images, capture the design evolution of thie fashion icon.

This textbook aims to ensure that advances in medical textiles are addressed and that recent developments are able to be appreciated and understood not only by medical practitioners and healthcare personnel but also by textile scientists and technologists. The idea is to stimulate collaborative research and development in the field of medical textiles and to equip researchers with an understanding of the steps they need to take to ensure that their efforts, be they to develop new devices for implantation or items for external application, are carried out in such a way as to improve their effectiveness and enhance the prospects for their implementation. Attention is drawn to the need to improve outcomes in the practical setting and to guidance on the detailed planning required prior to engaging in experimental work. Standard tests can help researchers to monitor performance, but for some important applications such as those required to demonstrate antimicrobial and fluid-repellent performance in most items of protective wear, standard tests consistently fall seriously short in terms of predicting how well they might work in the practical setting. Guidance is therefore given for their further development. Chapters within the textbook cover: The history of innovation within medical textiles with particular attention given to key concepts of the latter part of the 19th Century and subsequent associated developments. Textile and polymer science underpinning fibres, fabrics, nano-fibre technology and the functional finishes that can be applied to enhance the performance of medical textile products. Woven, knitted, nonwoven and braided fabrics and the key performance characteristics of each fabric type which make them particularly suited to specific medical textile roles such as mesh, grafts, filtration and scaffolds for tissue engineering. Implantable medical textiles, non-implantable medical textiles, health and hygiene products and extracorporeal devices that use textile products. Legislative requirements for medical devices. The design of experiments and suitability for purpose of textile test methods. Case studies to illustrate how medical textiles are applied in practice. The book provides essential reading for textile professionals, biomedical engineers, and others involved in the research, design and engineering of medical and healthcare appliances, and for those employed in the medical profession wishing to gain new insights into the wealth of materials at their disposal.

Known for slim silhouettes and precise tailoring, Dior Homme has long been a leader in menswear. In this new volume of exquisite portraits of celebrities and style influencers, socialite photographer Nikolai von Bismarck celebrates the thoroughly contemporary style of the revered French fashion house. In the world of contemporary men s fashion, Christian Dior s sophisticated legacy has been upheld by innovative designers, especially current creative director Kim Jones, who s received praise for incorporating both couture values and streetwear elements into his work. With his years of experience at the heart of the fashion world, von Bismarck captures striking images of Kim s designs, which fuse exquisite detail, romantic patterns, and soft colors with traditionally masculine silhouettes while retaining the modern edge of streetwear through sports shoes and chunky industrial jewelry. Jones s reverence for Dior s heritage is evident in the photographs even in his most daring innovations he nods to Christian Dior s favorite patterns and floral motifs, as well as tailoring inspired by the signature couture designs of vintage Dior. A rare look inside an iconic menswear brand consistently at the foreground of celebrity style, The Dior Sessions is a must-have for Dior fans, fashion aficionados, and stylish men everywhere.

For over a century, the name of Chanel has been inextricably linked to elegance, modernity and fashion innovation. It was Chanel who single-handedly made striped jerseys and loose trousers chic, costume jewellery desirable, the little black dress the height of sophistication, and tweed suits a staple of every stylish woman's wardrobe. In this revised and updated book, dress historian Amy de la Haye celebrates Gabrielle 'Coco' Chanel as the couturiere who changed the way stylish women everywhere dress, then and now. She examines the creative output of this most famous of fashion houses, from its infancy in the 1920s through Karl Lagerfeld's incredibly successful tenure, and to the present day as it continues to prosper under Virginie Viard.

Drawing on extensive archival research and interviews, this book delves into the rich world of Ghanaian fashion, demonstrating how, over time, local dress styles and materials have been fused with global trends to create innovative, high fashion garments that reflect a distinctly Ghanaian cosmopolitanism. Ghana has a complex and diverse fashion culture which was in evidence before independence in 1957 and has continued to grow in reputation in the postcolonial period. In this book, Christopher Richards reflects on the contributions of the country's female fashion designers, who have employed fashion to innovate existing, culturally relevant dress styles, challenge gendered forms of dress, and make bold statements regarding women's sexuality. Treated as artworks, the book examines specific garments to illustrate the inherent complexity of their design and how fashion is often embedded with a blending of personal histories, cultural practices and global inspirations. Reflecting in particular on the works of Laura Quartey, Letitia Obeng, Juliana Kweifio-Okai, Beatrice Arthur and Aisha Ayensu, this book makes an important and timely contribution to art history, fashion studies, anthropology, history, women's studies and African Studies.

There is increasing interest in the area of protective vests, either for protection against bullets or protection from the most realistic threats within domestic frontline operations: edged weapon, knives, and medical needles. This volume addresses that need. This new book provides an in-depth survey of the state-of-the-art research and practical techniques in the area of protected fabrics, especially stab-resistant and bulletproof fabrics. The book covers: * The history of protective armor: the long history of the art of protective armor manufacturing. * Materials used for body armor: the design and materials used for soft armor to increase its perforation-resistance utilizing high-performance fibers. * Anti-stab and anti-bullet armor design: the different design parameters required for the design of flexible armor in order to stop high-velocity projectiles. * The comfort of the body armor design: the flexibility, thermal resistivity, and evaporative moisture resistivity through the fabric. * Methods of testing the flexible body armors: testing the components of flexible body armor, according to the level of the protection required, such as NIJ Standards, HOSDB Body Armour Standards for UK Police, and the German SK1 Standard, among others. Written by an expert in textile composite material engineering, this volume fills an important gap in the area of protective fabric against stabbing or bullets and provides invaluable practical knowledge for body armor design.

Drawing on theoretical and empirical insights from art teachers in Canada and Europe, this edited volume explores the question of how learning in the arts can be effectively and fairly assessed in the context of higher education. The chapters consider a rich variety of assessment practices across music, visual and plastic arts, performing arts, design, fashion, dance and music and illustrate how knowledge, competencies, skills and progress can be viably and fairly assessed. Contextual challenges to assessment are also considered in depth, and particular attention is paid to the challenges of reconciling teaching in the arts, aimed at an intuitive transformation of the student, and assessing learning that takes on its meaning in subjectivity and sensitivity. This text will benefit researchers, academics and educators in higher education with an interest in assessment in the artistic disciplines and in the topic of creativity more broadly. Those specifically interested in educational assessment policy and the visual arts will also benefit from this book.