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Books > Arts & Architecture > Industrial / commercial art & design > Fashion design
'The perfect printed tool for Prada fans everywhere' Wallpaper*
Founded as a luxury leather goods house in 1913 in Milan, Prada
entered the field of fashion when Miuccia Prada took the helm of
the family company in 1979. After initially focusing exclusively on
accessories, she presented the house's first fashion collection in
1988. She would soon transform Prada into one of the world's most
influential luxury brands with a deeply personal, sophisticated and
subtly subversive approach. This definitive publication opens with
a concise history of the house, followed by a brief biographical
profile of Miuccia Prada, before exploring the collections
themselves, organized chronologically. Each collection is
introduced by a short text unveiling its influences and highlights,
and illustrated with carefully curated catwalk images that showcase
hundreds of spectacular clothes, details, accessories, beauty looks
and set designs - and, of course, the top fashion models who wore
them on the runway, from Naomi Campbell and Gisele to Kate Moss and
Kaia Gerber. A rich reference section, including an extensive
index, concludes the book.
This book is the first to explore handicrafting practiced by media
fans, their online fan communities and the multiple meanings they
create. Based on in-depth ethnographic research into fans on the
online social network for knitters, crocheters and crafters,
Ravelry, Brigid Cherry explores textile craft by fans as both an
artistic practice and transformative fan work. Including case
studies of projects inspired by Doctor Who, True Blood, Firefly,
Harry Potter, Sherlock and steampunk, the book engages with many
forms of fan production, including fan art, fan fiction and
cosplay. Fans of popular films and TV shows are increasingly
engaging with textile crafts as a way of reworking, reimagining and
engaging with cult media texts. Proving a global phenomenon amongst
fan cultures in the digital media sphere, traditional film and TV
audiences are forging their fan identities and participating in
wider fan communities in innovative ways through online craft
forums and blogs that showcase their knitting, crochet, spinning
and dyeing projects. Exploring key debates from textile and media
theory, surrounding gender, domesticity, the culture industries,
audiences and fan culture, this book is essential reading for
students of textiles, media studies, fashion, cultural and gender
studies.
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Marc Jacobs: Unseen
(Hardcover)
Robert Fairer; Text written by Iain R. Webb
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Entering fashion history in 1993 with his notorious 'grunge'
collection for Perry Ellis, Marc Jacobs would soon be hailed by
American Vogue as 'the dauphin of grungy, understated cool'. He
quickly rose to become one of the most influential designers of his
generation, both at the helm of his own label and as creative
director of Louis Vuitton from 1998 to 2014. Known for his
collaborations with prominent artists, musicians and muses - from
Stephen Sprouse to Sonic Youth, Debbie Harry, Sofia Coppola and
Chloe Sevigny, Marc Jacobs 'changed what it means to be a fashion
designer, just as once upon a time Andy Warhol changed what it
meant to be an artist', according to fashion historian Valerie
Steele. Opening with an essay on the designer's work, Marc Jacobs:
Unseen unfolds chronologically, revisiting the designer's most
iconic creations and revealing previously unseen behind-the-scenes
moments of models, hairdressers, stylists, make-up artists and Marc
Jacobs himself at their most creative. Robert Fairer's stunning and
highenergy photographs capture the youth, glamour and spirit that
defined Jacobs's shows.
This is the first in-depth, book-length study on fashion and
Italian cinema from the silent film to the present. Italian cinema
launched Italian fashion to the world. The book is the story of
this launch. The creation of an Italian style and fashion as they
are perceived today, especially by foreigners, was a product of the
post World War II years. Before then, Parisian fashion had
dominated Europe and the world. Just as fashion was part of
Parisian and French national identity, the book explores the
process of shaping and inventing an Italian style and fashion that
ran parallel to, and at times took the lead in, the creation of an
Italian national identity. In bringing to the fore these
intersections, as well as emphasizing the importance of craft in
cinema, fashion and costume design, the book aims to offer new
visions of films by directors such as Nino Oxilia, Mario Camerini,
Alessandro Blasetti, Federico Fellini, Michelangelo Antonioni,
Luchino Visconti and Paolo Sorrentino, of film stars such as Lyda
Borelli, Francesca Bertini, Pina Menichelli, Lucia Bose, Monica
Vitti, Marcello Mastroianni, Toni Servillo and others, and the
costume archives and designers who have been central to the
development of Made in Italy and Italian style.
The first book to chart a visual history of women’s sportswear, and the
key role that Nike has played in it over the last 50 years
This is a book about Nike sportswear and what it means to women. The
garments women wear, and why they wear them. It’s about athletes, from
the elite to the aspiring amateur, running marathons or running
errands. It’s about the spaces we perform in, and the way we use
clothing to do it: from the track and the fitness studio, to an online
world and the street outside.
Look Good, Feel Good, Play Good visualizes the relationship between
women and the garments they wear through five design archetypes from
sporting history: warm-ups, jerseys, leggings, sport bras, and shorts.
Steeped in narrative, history, and Nike’s abundant archive, the book’s
rich imagery spans reproductions of Nike’s trade catalogues that date
back to the early 1980s, period and contemporary photography, sketches,
advertisements, fabric swatches, seasonal color palettes, original
design proposals and patents, logos, product and campaign shots, and
everything in between.
Each chapter features interviews with Nike athletes, trainers, and
other collaborators, along with insightful texts from cultural
commentators. Across more than 350 pages and 575 images, this
unprecedented volume not only maps the development of women’s sports
apparel but proves its potential, in whatever context, to make athletes
who identify as women feel at their most powerful.
Featuring contributions from: Dina Asher-Smith, Scout Bassett, Joan
Benoit Samuelson, Sue Bird, Deyna Castellanos, Chandra Cheeseborough,
Anna Cockrell, Shelly-Ann Fraser-Pryce, Kirsty Godso, Xochilt Hoover,
Rayssa Leal, Tatyana Mcfadden, Naomi Osaka, Megan Rapinoe, Sha’Carri
Richardson, Caster Semenya, and Dawn Staley.
Featuring essays by: Dal Chodha, the Editor-in-Chief of Archivist
Addendum; Michelle Millar Fisher, the Wornick Curator of Contemporary
Decorative Arts at the Museum of Fine Arts, Boston; Heather Radke, an
essayist, journalist, and contributing editor, and reporter at
Radiolab; Samantha N. Sheppard, an Associate Professor of Cinema and
Media Studies at Cornell University; and Natalie E. Wright, a historian
of design and disability.
Megan Hess: The Shoe is an illustrated love story about the most
coveted accessory of any designer wardrobe, from internationally
renowned fashion illustrator Megan Hess. A piece of fashion is so
much more than an object. To the designer who creates it, the muse
who inspires it or the fashion lover who lusts after it, that piece
is part of a story. Nothing quite says style like an incredible
pair of shoes. The red sole of a Louboutin, the jewelled buckle of
a Manolo Blahnik, the simple perfection of a Chanel slingback, or
the incredible finishes on a Jimmy Choo - these are the details
that complete an outfit and define timeless elegance. Megan Hess:
The Shoe is the latest in the Ultimate Fashion Wardrobe series,
filled with fascinating information and stunning illustrations and
packaged up in a beautiful hardback: the ideal accessory for any
creative life.
'When times are hard, fantasy and escapism are crucial' Alexander
McQueen Having grown up in London's East End, Alexander McQueen
left school at 15 to become a tailor's apprentice on Mayfair's
Savile Row. At 22, he joined the prestigious MA course at Central
Saint Martins and, after presenting his 1992 graduate collection
(bought on the spot by influential fashion stylist Isabella Blow),
went on to change the course of fashion. McQueen was defiant in his
opinions on creativity ('Give me time and I'll give you a
revolution'), women ('I design clothes because I don't want women
to look all innocent and naive ... I want people to be afraid of
the women I dress') and craft ('You've got to know the rules to
break them. That's what I'm here for, to demolish the rules but to
keep the tradition'). He drew much of his inspiration from the
natural world ('I have always loved the mechanics of nature and to
a greater or lesser extent my work is always informed by that') and
consistently challenged perceptions of beauty ('People find my
things sometimes aggressive. But I don't see it as aggressive. I
see it as romantic, dealing with a dark side of personality'). This
attractive book in an accessible format is the perfect gift for
fans of fashion and Alexander McQueen, capturing the wit and spirit
of a true visionary.
"A true collector's item..." - Tim Chan, Rolling Stone "Filled to
the brim with everything from Harry's colour palettes to his
inspiration, this pick combines high-fashion with all the
quirkiness we love about HS and it's just perfect." - Glamour UK
"Have the best-dressed coffee table by adorning it with this book
filled with photos of THE best-dressed man." - Seventeen Magazine
"I'm incredibly lucky to have an environment where I feel
comfortable being myself" - Harry Styles. Stepping bravely into the
cyclone of 21st-century fashions, Harry Styles is more than
weathering the storm. Whether he's breaking the internet with his
$7.99 frog-eyed yellow bucket hat or a pair of black fishnets, or
fronting cult magazine The Beauty Papers, as he did in March 2021,
Hazza's sparkle knows no boundaries. Gucci met Styles in 2014, and
there was instant chemistry. According to designer Alessandro
Michele, Harry is 'a young Greek God with the attitude of James
Dean and a little bit of Mick Jagger' - and that effortless
superstardom certainly radiates from the photos in this collection,
which document the heart of Harry's wardrobe, both on-stage and
off. Part fashion history lesson, pulling references from the rock
and roll greats of the past, and part innovation, Harry's style
pays homage to Kurt Cobain and Marc Bolan, Prince and Little
Richard, while developing into something authentic and entirely his
own. This chic book fizzles with facts about Harry's styling
choices, presenting the star's most revered looks alongside
pictures that trace the roots of each design. With quotes from key
designers, this is the perfect gift for any fan.
Christian Dior: The Illustrated World of a Fashion Master is a
stunning illustrated biography of legendary designer Christian Dior
from internationally renowned fashion illustrator Megan Hess.
Discover the key moments of Dior's fascinating life and iconic
items from the fashion world that he created. Dior's love of
flowers, creativity, femininity and good-luck charms were woven
into everything he designed, and his New Look remains iconic to
this day. Elegantly enclosed by a hardback cover and ribbon,
Megan's beautiful illustrations follow Dior through three distinct
chapters: the highs and lows of his early life, set against a
backdrop of bohemian and wartime Paris; the couture house that he
built into an empire in just ten years; and the incredible legacy
he left behind for one of fashion's most influential brands.
Christian Dior is a celebration of a man whose life was as
remarkable as the clothes that he created, brought to life on the
page by the expert hand of Megan Hess.
'Riello and McNeil's new collection of essays represents an immense
and impressive project' - Choice 'Now, the key contributions from
nearly every expert in the field are assembled in one fascinating
book. This kaleidoscopic and informative volume ranges impressively
across conventional boundaries of chronology, geography, and
discipline.' - Glenn Adamson, Victoria and Albert Museum, London,
UK 'This book is indispensable for anyone interested in fashion.
History has never been more alive than in the pages of this
Reader.' - Patrizia Calefato, University of Bari, Italy The Fashion
History Reader is an innovative work that provides a broad
introduction to the complex literature in the fields of fashion
studies, and dress and fashion history. Twenty-three chapters and
over forty shorter 'Snapshot' texts cover a wide range of topics
and approaches within the history of fashion, ranging from
object-based studies to theory-driven analyses. The book is divided
into six parts, surveying some of the key themes in the history of
fashion. Themes also move in and across time, providing a
chronology to enable student learning: parts one to three cover the
fifteenth to the eighteenth-century parts four and five cover the
nineteenth-century to the contemporary (with particular attention
given to non-European countries) part six provides a survey of the
global setting and current globalized nature of fashion. A
comprehensive introduction by the editors contextualizes debates
for students, synthesising past history and bringing them
up-to-date through a discussion of globalization. Each section also
includes a short, accessible introduction by the editors, placing
each chapter within the wider, thematic treatment of fashion and
its history, and an 'Annotated Guide to Further Reading' encourages
students to enhance their learning independently. The Fashion
History Reader was awarded a prize for 'Best Edited Book' at the
Art Association of Australia and New Zealand: Art Historians of
Australasia, Annual General Meeting, December 2011.
Harness the power of your wardrobe to achieve your dreams with this
timely take on personal style from a world-renowned fashion
psychologist. You may get dressed every day without really thinking
about what you're putting on, but did you know that what you wear
has a powerful effect on how you feel? Or that your clothes
influence the way others perceive you? By making a few adjustments
to your wardrobe, and learning to style from the inside out, you'll
not only elevate your look, but level up your entire life. Dawnn
Karen is a pioneer in the field of fashion psychology, and she has
spent years studying the relationship between attire and attitude.
In Dress Your Best Life she goes far beyond well-known makeover
advice, pushing you to ask yourself: Are my clothing choices
hurting me or helping me to achieve my life goals? Her book will
help you discover your unique style story, become a smarter
shopper, use color to your advantage, match moods to clothing
choices, and embrace new or different standards of beauty. This
knowledge is a power that you'll exercise every time you open your
closet door or walk into an important meeting in just the right
outfit. Packed with practical tips and cutting-edge advice, Dress
Your Best Life will teach you to harness the power of fashion for
the life you want to live.
Is there a peculiarly English 'look' and if so how does one define
it? From the 'traditional' dress of the Victorian rural working
class through to the contemporary collections of Vivienne Westwood
and a younger generation of London-based designers, notions of
Englishness, either real or imagined, have always been at play in
considerations of English fashion and clothing. This provocative
book explores how far these fraught ideals can be applied to the
dress of the past and present. English expressions of taste and
creativity have had a profound influence on style over the last
three centuries, and the pursuit and subversion of an English
'look' have shaped conceptions of fashionability from the
pastoralism of the eighteenth-century through to the eras of
Twiggy, Punk and beyond. But are these simply stereotypical
characterizations that relate to an imagined 'Englishness', or is
there some concrete basis for them? If the former, what has led to
their development? If the latter, what definitions can be employed
to unravel such complicated conceptions of national identity? What
role has social decorum played in developing an 'English' style,
and is this preoccupation with etiquette in fact unique to England
? With chapters authored by leading scholars in the fields of
costume history, social history and cultural studies, this is the
first book to examine the ways in which fashion and dress might be
considered in the context of national identities as they apply in
England. Presenting an overview of how particular designers and
consumer groups have striven to present or contest versions of
Englishness through clothing from the 18th through to the 21st
centuries, it will fascinate anyone interested in dress history,
national and ethnic identity or English cultural history.
She revolutionized how women looked. She banned corsets, shortened
skirts and scented the world with Chanel No.5. Gabrielle 'Coco'
Chanel was an icon. But how closely did her carefully moulded image
match the truth? Born illegitimate and raised in an orphanage - not
by the two aunts that she invented - Gabrielle Chanel fought
constantly to escape the mundane. She rose from back-street
milliner to become the head of a vast business empire, and
socialised with Picasso, Stravinsky and Cocteau. Edmonde
Charles-Roux also reveals one of Chanel's best-kept secrets - her
love affair with a prodigal German spy. Chanel's legend did not
fade with her death, and nor has the mark of sheer elegance that
she left upon the world of fashion. This is the living woman behind
the vibrant legend.
Known for its evocative use of colour, proportion, and subversive
fabrication, the New York based fashion house Sies Marjan, founded
in 2016 by Dutch creative director Sander Lak, had a brief but
influential life. Sies Marjan s pieces were marked by luxurious
construction, the signature use of shining, jewel-toned hues, and
effortlessly cool appeal the house s pastel coats, thrown over
T-shirts, are still regularly seen in downtown New York and
Brooklyn. Since its founding Sies Marjan has garnered a devoted fan
base and praise from notable critics, celebrities, and fans alike
in a city known for its endless affection for a darker palette.
Rejecting the chronologies and seasonality of the typical fashion
compendium, this exhaustive, richly illustrated volume is organized
purely by colour. The trajectory through the colour spectrum traces
the journey through the blazing life of the brand. Images featured
within range from previously unpublished drawings, looks from
iconic runway shows and ad campaigns, as well as found objects that
reveal the inspiration behind the creation of these luxurious,
chromatic garments. The flow of colour is punctuated by a number of
interviews and reflections from Donna Tartt, Isabella Rossellini,
Rem Koolhaas, Nia Dacosta, Hanya Yanagihara, and others.
Gabrielle 'Coco' Chanel was, without doubt, the most influential
designer of the 20th century. This book honours her influence by
celebrating the key elements that defined and still define her
style through inspired pairings of classic and contemporary
photographs. Juxtaposing fashion plates from Chanel's own time with
the most recent creations by Karl Lagerfeld, such as Cecil Beaton's
portrait of Coco Chanel presented alongside one of Cate Blanchett
by Lagerfeld himself, the resonance between archive and
contemporary photographs becomes sharp, vibrant and telling. The
vocabulary of Chanel's style - the little black dress, baroque
inspirations, androgynous chic - is revealed in eleven chapters
that compare original forms in the 1920s with the full range of
their later expressions through every fashion era. Chanel's
legendary fashion house continues to captivate a huge audience with
an insatiable appetite for one of fashion's undisputed style
perennials.
1. Highlights recent advances in material science and armour
technology 2. Provides information on computational methods for
armour design 3. Discusses stress waves and penetration mechanics
4. Covers human vulnerability and reactive armour systems
'Fascinating' Sunday Times 'Deeply sourced and rich with anecdotes'
The Times 'Like a nonfiction version of The Devil Wears Prada'
Elizabeth Day 'Odell's extensive reporting dredges up a wealth of
delightful details' New York Times This definitive biography of
Anna Wintour chronicles the steep climb of an ambitious young woman
who would, with singular and legendary focus, become the most
powerful woman in media. As a child, Anna Wintour was a tomboy with
no apparent interest in clothing but, seduced by the miniskirts and
bob haircuts of swinging 1960s London, she grew into a
fashion-obsessed teenager. Her father, the influential editor of
the Evening Standard, loomed large in her life, and once he decided
she should become editor in chief of Vogue, she never looked back.
Impatient to start her career, she left high school and got a job
at a fashionable boutique in London - an experience that would be
the first of many defeats. Undeterred, she found work in the
competitive world of magazines, eventually moving to New York.
Before long, Anna's journey to Vogue became a battle to ascend, no
matter who or what stood in her way. Once she was crowned editor in
chief - in one of the stormiest transitions in fashion magazine
history - she continued the fight to retain her enviable position,
ultimately rising to dominate all of Conde Nast. Based on extensive
interviews with Anna Wintour's closest friends and collaborators,
including some of the biggest names in fashion, journalist Amy
Odell has crafted the most revealing portrait of Wintour ever
published. Weaving Anna's personal story into a larger narrative
about the hierarchical dynamics of the fashion industry and the
complex world of Conde Nast, Anna charts the relentless ambition of
the woman who would become an icon.
Everything you need to know to sew your own clothes and home
furnishings.
Demystify your sewing machine and get to grips with essential
techniques with The Sewing Book. This bestselling guide covers over 300
techniques with illustrated step-by-step sequences, showing you how to
create everything from seams and hems to darts, gathers, and collars.
Discover how to read a pattern and adapt designs to suit your
measurements, get to grips with tools and materials, and find the best
fabrics to suit whatever you want to make.
Complete with ten homeware and clothing projects to help you put your
new-found skills to the test, The Sewing Book shows you everything you
need to know, stitch by stitch.
The relationship between popular music and fashion has been
culturally significant since the 1950s, and this book explores the
ways in which music and musicians play a key role in the shaping of
identity, taste and consumption. Using a range of historical and
contemporary examples, this book uncovers the way in which fashion
and music have worked to shape contemporary attitudes to bodies and
identities.
Focusing on performers as much as fans, on the mainstream as much
as the underground, "Fashion and Music" provides a lens through
which to examine themes of gender, sexuality, ageing and youth,
ethnicity, body image, consumer culture, fandom and postmodernity.
A Cultural History of Jewish Dress is the first comprehensive
account of how Jews have been distinguished by their appearance
from Ancient Israel to the present. For centuries Jews have dressed
in distinctive ways to communicate their devotion to God, their
religious identity, and the proper earthly roles of men and women.
This lively work explores the rich history of Jewish dress,
examining how Jews and non-Jews alike debated and legislated Jewish
attire in different places, as well as outlining the big debates on
dress within the Jewish community today. Focusing on tensions over
gender, ethnic identity and assimilation, each chapter discusses
the meaning and symbolism of a specific era or type of Jewish
dress. What were biblical and rabbinic fashions? Why was clothing
so important to immigrant Jews in America? Why do Hassidic Jews
wear black? When did yarmulkes become bar mitzvah souvenirs? The
book also offers the first analysis of how young Jewish adults
today announce on caps, shirts, and even undergarments their
striving to transform Jewishness from a religious and historical
heritage into an ethnic identity that is hip, racy, and irreverent.
Fascinating and accessibly written, A Cultural History of Jewish
Dress will appeal to anybody interested in the central role of
clothing in defining Jewish identity.
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