This is the first book to gather leading designers, creators and industry insiders to reflect on sneaker design and its ground-breaking impact on popular culture. Contributors provide insights into the evolution of sneakers from sport-wear to style icons, the processes and people involved in sneaker design and its global future.

Through conversations with the people directly involved in the creation of sneakers, it speaks to the next generation of sneaker designers and wearers by asking: who are the people involved in the design of a sneaker? How do their roles and approaches differ? How does their individual work contribute to the collective effort of making a sneaker? What will the future of sneaker design be?

Richly illustrated, it includes iconic sneakers, drawings and sketches, prototypes as well as glimpses in the manufacturing process. Across three chapters – Style and Culture, People and Processes, The Future – the approaches and experience of industry leaders unfold the past, present, and future of sneakers as style icons and cultural facilitators. Contributors turn to the next generation of designers with an open challenge to move the industry towards a more positive direction for both the people and the planet.

Ahead of the Curve is the first sewing book to empower curvy and plus size women to feel body confident by sewing a wardrobe that fits. Don't change your body to fit your clothes - change your clothes to fit your body! Ahead of the Curve includes 5 basic garment patterns (UK sizes 16-36/US size 12-32/EUR sizes 44-64), which includes a pair of trousers, a t-shirt, a sleeveless top and two dress designs. Jenny takes you through a series of "Fit Clinics" - tutorials and case studies demystifying the fitting process - showing you how to adjust these patterns to master the perfect fit for your body shape. Once you have got to grips with this, you can go on to customize your closet and create an unlimited array of fantastic clothes that celebrate your body. If you're curvy or plus size, trying to find clothes that fit and reflect your personal style can be incredibly difficult and frustrating. Plus size women feel constantly excluded and like they can't express their personality through clothes. This book finally changes that.

The Fashion Business Manual is everything you need to start building your fashion brand. It takes you step by step through building a brand from startup to retailing, using illustrations to break down complex business information into an easy-to-read visual format - making it a dynamic resource for fashion students, entrepreneurs and people in the fashion industry.

This essential book provides the first comprehensive overview of the symbiotic relationship that exists between fashion and textiles. Because textiles represent a central ingredient of fashion (as with denim jeans, for example), their interrelationship should be an obvious theme for study, yet historically the two subjects are often considered separately. Gale and Kaur analyze fashion and textile's cultural, industrial and social relationships, as well as examining how the two fields compete with and influence one another. Taking as their starting point the nature of the relationship between fashion and textiles, Gale and Kaur then identify and discuss key arenas of commercial and cultural interaction, including raw materials, business, consumers, and future technology. Their examples are drawn from the experiences and opinions of industry professionals - designers, retailers, and manufacturers. Gale and Kaur look at how the raw materials from which clothing is made are heavily influenced by fashion trends on national and global levels. Why do we choose the fabrics we do, and how do our choices affect both industries? The story is very much a human one. Each garment has an intriguing history before a consumer even tries it on. Gale and Kaur unpick this history and examine how retail need and consumer demand impact upon the end product. The result is an exciting new book that begins at the level of supply and demand, and moves forward to consider issues about design, technology, globalization and broader fashion trends. Highlighting cultural differences and similarities between the two industry sectors, Fashion and Textiles offers varied professional perspectives, information about key roles and jobs, and practical considerations relating to economics, design, manufacture and retail. A key text for a wide range of courses on fashion and textiles, it is vital reading for anyone hoping to pursue a career in either field.

Provides the reader with essential foundational fashion knowledge on the history of fashion and key industry terminology. Includes specific instructions on how to approach three styles of fashion writing - service pieces, runway reviews and reports, and trend reports. The reader is taught how to determine and address the audience and the difference between writing for print and online outlets. Looks beyond traditional fashion writing to explore contemporary issues such as slow fashion, cultural appropriation, and diversity, as well as how fashion can be used to discuss other ideas through creative nonfiction and cultural criticism.

Platinum Jubilee edition 'Full of gems ... Angela Kelly is a jewel in the crown' Daily Telegraph 'Entertaining and beautifully illustrated' The Sunday Times 'For real intel, [The Crown] can't come close to The Other Side of the Coin by Angela Kelly' The New York Times 'When Angela Kelly and The Queen are together, laughter echoes through the corridors of Buckingham Palace.' Angela worked with The Queen and walked the corridors of the Royal Household for twenty-eight years, initially as Her Majesty's Senior Dresser and then latterly as Her Majesty's Personal Advisor, Curator, Wardrobe and In-house Designer. As the first person in history to hold this title, she shared a uniquely close working relationship with The Queen. Her Majesty personally gave Angela her blessing to share their extraordinary bond with the world. Whether it was preparing for a formal occasion or brightening Her Majesty's day with a playful joke, Angela's priority was to serve and support. Sharing never-before-seen photographs - many from Angela's own private collection - and charming anecdotes of their time spent together, this revealing book provides memorable insights into what it was like to work closely with The Queen, to curate her wardrobe and to discover a true and lasting connection along the way. Revised and updated to mark The Queen's Platinum Jubilee, this special edition of The Other Side of the Coin contains chapters covering the Royal Household's isolation during the pandemic, Angela's own devotion to service to keep the monarch safe, and the light and laughter that was shared behind closed doors, even in the darkest moments.

"I have always been inspired by what was happening on the street - and anyway, I couldn't afford the high fashion price tags." - Caroline Baker "Featuring an array of - now - infamous covers and high fashion editorials crafted by Baker, readers are encouraged to bask in the success of her trail-blazing tale and indulge in the history of streetwear's rise to the helm of the fashion industry." - Wonderland "A fantastic delve into the story of fashion styling straight from the lips (and visual archive) of the lady who invented it all, Caroline Baker" - Navaz Batliwalla, disneyrollergirl Caroline Baker is the antidote to high fashion. As the legendary fashion editor of Nova magazine in the 1960s and '70s, her style was quite literally cutting-edge (she famously chopped up clothes to achieve her desired looks). She is credited with challenging the status quo of the industry and society at large, and introducing street fashion to the mass market. Stylist-of-choice for the most dynamic female designers on the scene - Katharine Hamnett and Vivienne Westwood - Caroline has continued her trajectory as a fashion provocateur. Her work has appeared on the pages of Vogue, Tatler and Cosmopolitan as well as The Face and i-D - and unsurprisingly, a new generation of style-setters is now looking to Baker's back catalogue for inspiration. This book offers an in-depth overview of Baker's work, expertly curated and considered by Iain R. Webb. It is divided into sections that highlight specific recurring themes and tropes - such as Punk Rock, DIY, Utility and Sportswear. These ideas have defined Baker's evolving sartorial vocabulary over six decades, and set a template for street fashion that endures to this day. Accompanied with personal commentary from Baker herself and specially written contributions by Vivienne Westwood and Katharine Hamnett, this is the definitive guide to Caroline Baker and her influence on fashion.

This sumptuously illustrated book reveals the decorative seams, refined stitching, voluptuous drapery, strict corseting and slashing and stamping that make up some of the garments in the V&A's superlative 19th-century fashion collection. With an authoritative text, exquisite colour photography of garment details and line drawings showing the complete construction of each piece, it gives the reader a unique opportunity to examine historical clothing that is often too fragile to be on display. It is an inspirational resource for students, collectors, designers and anyone who is fascinated by fashion and clothing.

Inspired by new approaches in performance studies, theatre history, research in material culture and dress history, a rich discussion of the many aspects of costume in Shakespearean performance has begun. Shakespeare and Costume furthers this research, bringing together varied and stimulating essays by leading scholars that consider costume from literary, dramatic, design, performative and theatrical perspectives, as well as interviews with renowned theatre practitioners Jane Greenwood and Robert Morgan. The volume amply demonstrates how an analysis of the meaning of costume enriches our understanding of Shakespeare's plays. Beginning with an overview of the stage history of Shakespeare and costume, the volume looks at the historical context of clothing in the plays, considering topics such as royal self-fashioning, festive livery practices, and conceptions of race and gender exhibited in clothing choice, as well as costume in performance. Drawing on documentary evidence in designers' renderings, illustrations in periodicals, paintings, photographs, newspaper reviews and actors' memoirs, the volume also explores costume designs in specific Shakespeare productions from the re-opening of the London theatres in 1660 to the present day.

An examination of the fabrics, garments and cloth of the Iberian Middle Ages, bringing out in particular the international context. The Medieval Iberian Peninsula, encompassing various territories which make up present-day Spain and Portugal, was an ethnic and religious melting pot, comprising Christian, Jewish and Muslim communities, each contributing to a vibrant textile economy. They were also defined and distinguished by the material culture of clothing and dress, partly dictated by religious and cultural tradition, partly imposed by rulers anxious to avoid cross-ethnic relationships considered undesirable. Nevertheless, textiles, especially magnificent Islamic silks, crossed these barriers. The essays in this volume offer the first full analysis of Iberian textiles from the period, drawing on both material remains and historical documents, supported by evidence from contemporary artwork. Chapters cover surviving textiles, many of them magnificent silks; textile industries and trade; court dress and its use as a language of power and patronage; the vast market in utilitarian textiles for lower-status clothing and furnishings; and Muslim and Jewish dress. It also considers Arabic and Jewish texts as sources of information on textiles and the Arabic garment-names which crossed into Spanish. Particular emphasis is given to the the different ethnicities of Iberia and their influences on the use and trade of garments (both precious and common-place) and textiles.

The ever-popular blue jean originated in the Old West frontier of San Francisco in the late 1800s, and here is an extensive look at the entire era of Old West denim. Gathered from collections around the world, it presents never-before-seen pictures of antique miners denim worn in the frontier communities of Nevada and California, including Levi denim that is over 120 years old. More than a dozen other brands that helped make blue jeans what they are today include Greenebaum Brothers, Neustadter Brothers, S. R. Krouse, A. B. Elfelt & Co., Heynemann & Co., Harman Adams, W. & I. Steinhart & Co., Toklas, Brown, and others. Many of these innovative blue-jean designs have been lost in the dust of history and were inaccessible to the public until now. Over 300 color photos and illustrations chronicle examples, patent drawings, and the histories of the manufacturers. This is invaluable information for fashion historians and collectors alike.

THE SECOND VOLUME OF THE POPULAR STEAMPUNK STYLE SERIES!A gorgeously illustrated book of inspiration and projects to create for all Contraptors, Gizmologists and Primocogglers living the Steampunk lifestyle! Featuring gas masks, apparel, and step-by-step guides.

In this practical guide, Michelle Pye demystifies the process of making a handmade jacket. As an experienced bespoke tailor and teacher, she explains each step of the process from making a toile for fitting, cutting out, inserting the pockets, the application of the sleeves and collar, through to hand finishing and pressing the jacket. Much emphasis is placed on the preparation stage and then the alteration steps to ensure you get a fantastic fit. As well as explaining tailoring terms, Ladies Couture Tailoring warns of common mistakes and describes the techniques of the trade - such as using a clapper to absorb steam or shrinking out fullness to make the sleeve easier to put in - so you can enjoy making your jacket as much as wearing it. It is a rare opportunity to learn from an experienced tailor keen to share her skills and advise you throughout with her personal tips.

As in a grammar book, this volume looks at the foundations and rules of the Western wardrobe. By exploring each garment with its functions that often called for extremely precise details, we have developed a teaching tool for the general public, using pieces from the author's enormous collection, to help understand the attraction and appeal of a specific garment. In this first volume, we explore the blousons, raincoats, habits, coats and jackets which - Cover us up ! Both an introductory book and a reference document on the culture of fashion, this first book in the series focuses on exterior pieces : blousons, suits, raincoats, coats and jackets for woman and men.

The generous reception given to Understanding Fashion History when it was first published in 2004 recognised it as a timely reappraisal of the role of fashion and its place in society. The book introduces the reader to the ways fashionable dress has been defined and studied since the late 17th century, considering the theories that surround the subject, the assembling and use of collections of fashion and textiles, the significance of dress and art, the tension between uniformity of appearance and disguise, and the purpose of theatrical costume. This book has been read and recommended by academics, collectors, curators, students and general readers who want context for the contemporary obsession with fashion. Constantly in demand, it has become a classic text in its field.

Despite recent challenges from New York, London and Milan, Paris is renowned as the greatest fashion capital in the world. Its distinctive categorization of haute couture, demi-couture, and prt--porter reflects a highly structured and tightly controlled system that non-western designers have had difficulty penetrating. Yet a number of the most influential Japanese designers have broken into this scene and made a major impact. How? Paris couturiers and designers operate a gate-keeping system that is not only exclusive and rigorous but highly demanding. But, Kawamura asks, does the system facilitate or inhibit new forms of creativity? She shows how traditional French fashion has been both disturbed and strengthened by the addition of outside forces such as Kenzo Takada, Issey Miyake, Yohji Yamamoto, Rei Kawakubo and Hanae Mori. At the same time she considers many other key questions the contemporary fashion industry should be asking itself. Has it, for example, become primarily preoccupied with the commercial projection of product images rather than with the clothing itself? And what direction will French fashion take without Saint Laurent, Miyake and Kenzo? This insightful book provides the first in-depth study of the Japanese revolution in Paris fashion and raises provocative questions for the future of the industry.

This book investigates the interconnections between textile and architecture via a variety of case studies from the Middle Ages through the twentieth century and from diverse geographic contexts. Among the oldest human technologies, building and weaving have intertwined histories. Textile structures go back to Palaeolithic times and are still in use today and textile furnishings have long been used in interiors. Beyond its use as a material, textile has offered a captivating model and metaphor for architecture through its ability to enclose, tie together, weave, communicate, and adorn. Recently, architects have shown a renewed interest in the textile medium due to the use of computer-aided design, digital fabrication, and innovative materials and engineering. The essays edited and compiled here, work across disciplines to provide new insights into the enduring relationship between textiles and architecture. The contributors critically explore the spatial and material qualities of textiles as well as cultural and political significance of textile artifacts, patterns, and metaphors in architecture. Textile in Architecture is organized into three sections: "Ritual Spaces," which examines the role of textiles in the formation and performance of socio-political, religious, and civic rituals; "Public and Private Interiors" explores how textiles transformed interiors corresponding to changing aesthetics, cultural values, and material practices; and "Materiality and Material Translations," which considers textile as metaphor and model in the materiality of built environment. Including cases from Morocco, Samoa, France, India, UK, Spain, the Ancient Andes and the Ottoman Empire, this is essential reading for any student or researcher interested in textiles in architecture through the ages.

Founded in 1990 by Davis and Dean Factor, the great-grandsons of Max Factor, Smashbox has become a legend in the world of makeup. Born in a Los Angeles studio and put to the test by professional makeup artists and photographers, Smashbox is the heir to the most storied family in American cosmetics. It draws from a legacy of over a century of Hollywood glamour, creating for today s celebrities what the house of Factor had done for the likes of Clara Bow, Joan Crawford, Jean Harlow, Bette Davis, Judy Garland and many other icons of the golden age of cinema. As Smashbox continually innovates for applications in the film industry, it has also become one of the most sought-after brands in the multi-billion-dollar cosmetics market. Driven by a core philosophy of making high-quality, super-comfortable, cruelty-free products that give you that gorgeous look anytime, on or off-duty, in front of the camera or behind the lens the brand has continually cultivated a youthful and sophisticated following. This present-day clientele is inspired in no small part by the images of the great and good in Hollywood that are featured in both campaigns and editorials shot by Davis Factor. Indeed, the heart of the book draws on these mythic images. Collected together for the very first time are over three decades of portraits, from stars to ingenues, of the women (and quite a few men) that tell the story of the brand, and include Farrah Fawcett, Jane Fonda, Angelina Jolie, Brad Pitt, Robert Downey Jr., Jennifer Lopez, Charlize Theron, Cindy Crawford, Blake Lively, Kim Kardashian, and many more, with many unpublished outtakes.

Over the last 50 years, W has been the unparalleled laboratory for the world s top-tier photographers and writers, providing a platform for publishing their most ambitious and creative works. The photos and essays presented here will cover all categories including fashion, design, art, celebrity, film, and interiors. Historic and ground-breaking stories include the controversial shoot by Steven Meisel, 'A Sexual Revolution' featuring male and female models (including Jessica Stam and Karen Elson) depicted in gender-bending styles and provocative poses; photographer Steven Klein s notorious Angelina Jolie and Brad Pitt photos entitled 'Domestic Bliss.' Tom Ford s racy shoot and accompanying article on sexuality in fashion; Bruce Weber s tribute to New Orleans; Hallucinatory photographs of Tilda Swinton by photographer Tim Walker; artist Alex de Corta photos of interiors by Jacques Grange. Many have allowed W into their homes for the magazine s 'W House Tours' feature and include Marc Jacobs, Sir Evelyn Rothschild, Imelda Marcos, and Dua Lipa. This book will appeal to the culturally-curious with a great appreciation for photography, design, art, architecture, the stories behind things, and the people that make them unique.

Fern Mallis is the award-winning creator of New York Fashion Week and is often called the Godmother of Fashion. She hosts the sold-out conversation series Fashion Icons with Fern Mallis, assembling an incredible list of guests at the 92nd Street Y. Mallis goes one-on-one with her guests in front of a live audience to discuss everything from their childhood aspirations, career struggles and triumphs, to dishing on the inner workings of the notoriously high-pressure fashion industry. No topic is off-limits. This second volume features fifteen new, provoca-tive, and inspiring interviews with the boldest and brightest names in the fashion world including: Christian Siriano, Billy Porter, Stan Herman, Zandra Rhodes, Bob Mackie, Iris Apfel, Tim Gunn, Leonard Lauder, Arthur Elgort, Victoria Beckham, Rosita and Angela Missoni, Bethann Hardison, and Valentino. The book also features when, by popular demand, the tables were turned and Fern Mallis was interviewed by the smart and sassy Bevy Smith. Each fashion icon shares never-before-seen personal photographs, sketches, and memorabilia to bring their story to life. For readers interested in the fashion industry, popular culture, style and design, this book takes a look behind the very public and glamorous lives of famed designers, creatives, photographers, tastemakers, and media personalities alike.

'A must-have for anyone who calls themselves a fashion fan.' LOVE Magazine This book gathers together, for the first time, every Dior haute couture collection, including also ready-to-wear collections after the arrival of John Galliano (when ready-to-wear presentations took on a new importance), and the first two collections designed by creative director Maria Grazia Chiuri, appointed in 2016. It offers a unique opportunity to chart the development of one of the world's most famous fashion brands and discover rarely seen collections. This definitive publication opens with a concise history of the house of Dior before exploring the collections themselves, which are organized chronologically. Each new 'era' in Dior's history is inaugurated by a brief overview and biography of the new designer, while individual collections are introduced by a short text unveiling their influences and highlights and illustrated with carefully curated catwalk images. A rich reference section, including an extensive index, concludes the book. After Chanel, Dior is the second volume in a series of high-end, cloth-bound books that offer a complete and unrivalled overview of the collections of the world's top fashion houses through original catwalk photography.