For hundreds of years, skilled craftspeople in the Syrian centers of Aleppo, Damascus, and Homs produced intricately woven textiles for the royal courts, worldly merchants, and elite Bedouin families of the Ottoman Empire. City dwellers were renowned for wearing brightly colored silk garments that glittered with gold and silver threads. By contrast, nomadic Bedouins wore woolen garments in hues and designs reflecting their desert lifestyle. The allure of these garments stems from the technical virtuosity with which they were woven and the aesthetic beauty of their drape and stylized designs. Dressed with Distinction offers a window onto the history of textile production in the Middle East during the late nineteenth and early twentieth centuries, until political and social changes led to the dominance of Western-style commercially manufactured attire. In addition to articulating the social and seasonal contexts in which the garments were worn, this book examines the styles of dress of women, men, and children in Ottoman Syria, including cloaks (abaya), head coverings (hatta), women's body coverings (carsaf), and jackets (qumbas).

Miss Dior is a wartime story of freedom and fascism, beauty and betrayal and 'a gripping story' (Antonia Fraser). 'Exceptional . . . Miss Dior is so much more than a biography. It's about how necessity can drive people to either terrible deeds or acts of great courage, and how beauty can grow from the worst kinds of horror.' DAILY TELEGRAPH Miss Dior explores the relationship between the visionary designer Christian Dior and his beloved younger sister Catherine, who inspired his most famous perfume and shaped his vision of femininity. Justine Picardie's journey takes her to wartime Paris, where Christian honed his couture skills while Catherine dedicated herself to the French Resistance and the battle against the Nazis, until she was captured by the Gestapo and deported to the German concentration camp of Ravensbruck. Tracing the wartime paths of the Dior siblings leads Picardie deep into other hidden histories, and different forms of resistance and sisterhood. She discovers what it means to believe in beauty and hope, despite our knowledge of darkness and despair, and reveals the timeless solace of the natural world in the aftermath of devastation and destruction. *A beautiful, full colour package featuring over 200 archival images.* 'Extraordinary . . . Picardie uses her investigative reporting skills . . . the result is Netflix-worthy and the pace page-turning . . . Catherine's story shines - the quiet Dior who preferred flowers to fashion, the unsung heroine who survived the abuse of the Third Reich to help liberate France.' SUNDAY TIMES

Exploring the debate over the benefits of legal protection for fashion design, this book focuses on how a combination of minimal legal protections for design, evolving social norms, digital technology, and market forces can promote innovation and creativity in a business known for its fast-paced remixing and borrowing. Focusing on the advantages and disadvantages of the main US and EU IP laws that protect fashion design in the world's biggest fashion markets, it describes how recent US case law in copyright and trademark cases has led to misaligned incentives for the industry and a lack of clear protection, while in the EU, the CJEU's interpretation of the pan-European design rights system has created significant overlap with copyright law and risks leading to the overprotection of design. The book proposes that creativity and innovation in fashion derive some benefit from a limited unregistered design right protection and that cumulation with copyright protection is unhelpful. It also proposes that there is a larger role for developing social norms relating to sustainability, the ethics of cultural appropriation, and the online shaming of counterfeiters, that can also help create a fair equilibrium between protection and borrowing in fashion design.

Exploring the debate over the benefits of legal protection for fashion design, this book focuses on how a combination of minimal legal protections for design, evolving social norms, digital technology, and market forces can promote innovation and creativity in a business known for its fast-paced remixing and borrowing. Focusing on the advantages and disadvantages of the main US and EU IP laws that protect fashion design in the world's biggest fashion markets, it describes how recent US case law in copyright and trademark cases has led to misaligned incentives for the industry and a lack of clear protection, while in the EU, the CJEU's interpretation of the pan-European design rights system has created significant overlap with copyright law and risks leading to the overprotection of design. The book proposes that creativity and innovation in fashion derive some benefit from a limited unregistered design right protection and that cumulation with copyright protection is unhelpful. It also proposes that there is a larger role for developing social norms relating to sustainability, the ethics of cultural appropriation, and the online shaming of counterfeiters, that can also help create a fair equilibrium between protection and borrowing in fashion design.

Fashion is the most immediate and intimate form of self-expression. Faster than anything else, what we wear tells the story of who we are - or who we want to be. Yet even as fashion touches the lives of each and every one of us, it can seem mysterious. Who better to guide readers into the dizzying world of fashion than Frances Corner, Head of London College of Fashion and a leading expert on this rapidly expanding, increasingly global, always exciting industry? In 101 provocative entries Corner teases out the glorious intricacies and contradictions of an industry that simultaneously values technology and craft, timeless style and fast fashion, the bespoke and the mass-market, consumption and sustainability, cold-hard numbers and creative expression. From `Karl Lagerfeld and High-Tech Fur' to `The White Shirt' to `The One Trillion Dollar Business', each entry offers a unique avenue into fashion and its impact, both positive and negative, on lives around the globe. Accessible, instructive and hugely enjoyable, this book will be essential reading for anyone involved in fashion, business, education and beyond.

* Develops the concept of the Celebrity as a Human Fashion Brand, which offers a fresh perspective in the Fashion Marketing field. * Includes a broad range of well-known case studies in every chapter, coupled with reflective questions, which can be used for in-class exercises. * Ideal recommended reading for advanced undergraduate and postgraduate students studying Celebrity Fashion and Influencer Marketing, Fashion Marketing, Fashion Brand Management and Consumer Behaviour.

For more than a century, Rolex has stood apart as the most legendary brand of watch in the world. A Rolex conveys many things: a luxury timepiece, a tool of power for movers and shakers and the symbol of passage into adulthood. New labels pop up, styles come and go, but the brand at the top never changes. Ever the record setter-the Daytona that had belonged to Paul Newman was auctioned by Phillips in New York in October 2017 for $17.8 million- it comes as no surprise that Rolex is the most collected watch brand in the world. The Vintage Watch Company is the only store of its kind in the world, with a devoted client base of devoted Rolex aficionados, from royalty to sporting legends to stars of the silver screen. Throughout, father and son, John and David Silver have been carefully cataloguing and amassing one of the largest pictorial records of vintage Rolex watches in the world. Published to celebrate the company's 25th anniversary in late 2020, the book contains a unique pictorial collection of vintage Rolex watches that have passed through the shop during the past 25 years. More than 1800 watches have been photographed and are described in detail in the book. From early Rolex pocket watches to the world's first wristwatches, elegant in their simplicity yet revolutionary in their impact, to the very first Submariners, iconic Daytonas and jewel-encrusted Crown Collections, the mesmerizing archive of vintage timepieces charts the extraordinary rise of an extraordinary brand. Choose from the First Rolex Submariner, later coined the James Bond, or the Early GMT-Master made for Pan Am transatlantic pilots. Read about the First Explorers made famous by the 1953 Everest Expedition or the later Explorer II worn by Steve McQueen. Marvel at Early Vintage collections, from the Officer's Pocket Watch to the Ladies' Diamond; from the Oyster and the Stella & Stone collections, to the Sport Collection. This book is a perfect gift for all lovers of luxury retail as well as passionate collectors of Rolex watches who will want to read about the models they own.

Deco dandy contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences of decorative modernism, nationalism, gender and sexuality in the years surrounding World War I converge in the protean figure of the 'deco dandy'. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important and productive moments in the history of the cultural life of Paris presented in the book provide insights into the changing role performed by consumerism, masculinity, design history and national identity. -- .

Aimed at fashion designers, Fabric for Fashion:The Complete Guide is unique in explaining the behaviour, properties and sustainability impacts of a wide range of natural and man-made fabrics. Design is determined by how fabrics work, move, feel and look. Increasingly and out of necessity, design is also led by how fabric choices affect our planet and its inhabitants. The most successful fashion designers are those who truly understand their materials, who match design skill with technical knowledge. This book offers guidance by providing a mix of practical information, including industry vocabulary, and a wealth of stunning visual examples showing how designers, both past and present, have worked with textiles. Highlights of this new edition include additional chapters on: - Sustainable fabrics and fashion - Smart fabrics - Product development - Biosynthetic fibres

Wearable textiles hold their own stories of trade, manufacture and regionalism, just to name a few; they also tell a personal tale of the individuals who created our history. When we look at a piece of clothing, a coat, a dress, an undergarment, we see an item that is more personal, more closely related to the human body than nearly anything else it comes in contact with throughout the day. Garments can do far more for exhibitions and interpretation than merely providing a bit of color and beauty. Clothing is both artistic and utilitarian and is capable of adding so much to the story of who we are and where we came from. The Care and Display of Historic Clothing aims to assist with the full integration of costume collections into the interpretation of the past. Often relied on for their ability to add beauty and color to exhibitions, these collection items provide a very personal side to any story at a given moment in history. The topics explored in this publication range from the care and identification of items in a costume collection to discussions about both physical display and how they can be used to engage audiences. The book's focus is on costume collections and discussion topics will include information in regards to *costume collection storage, *display techniques, *basic identification, and *ideas on how to incorporate costumes into exhibitions and programming. A list of further resources at the back of the book helps provide supplemental, in-depth information on individual areas. The layout of this work will aim to provide information that slowly leads from understanding your costume collection and obtaining physical control to incorporating it in a significant and informative way into the work of the organization. Providing all of these resources in one place will make the incorporation of costumes a more obtainable goal for small to mid-sized museums and historical societies.

Artificial intelligence (AI) now infiltrates our culture. After a couple of difficult winters, AI today is a word on everybody's lips, and it attracts everyone's attention regardless of whether they are experts or not. From Apple's Siri to Amazon's Alexa, Tesla's auto-driving cars to facial recognition systems in CCTV cameras, Netflix's film offering services to Google's search engine, we live in a world of AI goods. The advent of AI-powered technologies increasingly affects people's lives across the globe. As a tool for productivity and cost-efficiency, AI also shapes our economy and welfare. AI-generated designs and works are becoming more popular. Today, AI technologies can generate several intellectual creations. Fashion is one of the industries that AI can profoundly impact. AI tools and devices are currently being used in the fashion industry to create fashion models, fabric and jewellery designs, and clothing. When we talk about AI-generated designs, we instead focus on the fruits of innovation - more best-selling apparels, more fashionable designs and more fulfilment of customer expectations - without paying heed to who the designer is. Designers invest a lot of talent, time and finances into designing and creating each article of clothing and accessory before they release their work to the public. Pattern drafting is the first and most important step in dressmaking. Designers typically start with a general sketch on paper; add styles, elements and colours; revise and refine everything; and finally deliver their design to dressmakers. AI accelerates this time-consuming and labour-intensive process. Yet the full legal consequences of AI in fashion industry are often forgotten. An AI device's ability to generate fashion designs raises the question of who will own intellectual property rights over the fashion designs. Will it be the fashion designer who hires or contracts with the AI programmer? Will it be the programmer? Will it be the AI itself? Or will it be a joint work of humans and computers? And who will be liable for infringement deriving from use of third-party material in AI-generated fashion designs? This book explores answers to these questions within the framework of EU design and copyright laws. It also crafts a solution proposal based on a three-step test and model norms, which could be used to unleash the authors, rights holders and infringers around AI-generated fashion designs.

* Develops the concept of the Celebrity as a Human Fashion Brand, which offers a fresh perspective in the Fashion Marketing field. * Includes a broad range of well-known case studies in every chapter, coupled with reflective questions, which can be used for in-class exercises. * Ideal recommended reading for advanced undergraduate and postgraduate students studying Celebrity Fashion and Influencer Marketing, Fashion Marketing, Fashion Brand Management and Consumer Behaviour.

At Nike, the desire to be the best is a journey, not a destination - better is always temporary. Phaidon commemorates the company's influence with Nike: Better is Temporary, a landmark publication that charts Nike's transformation from rebellious upstart to global phenomenon. This immersive visual survey offers an unprecedented, behind-the-scenes exploration into Nike's ethos-driven design formula, placing industry-defining innovations and globally recognized products alongside previously unpublished designs, prototypes, insider stories, and more. Beginning with "Breaking2," an introduction detailing Nike's 2017 attempt to facilitate a sub-two-hour marathon, the book lays out in five thematic chapters Nike's focus on performance, brand expression, collaboration, inclusive design, and sustainability. The book's extraordinary design also nods to its contents. The striking cover features overlapping silkscreened layers of Nike's proprietary Volt yellow and Hyperpunch pink colors overlaying an image of world-champion marathoner Eliud Kipchoge printed in a half-tone dot pattern. The book's spine, visible through the clear jacket, showcases a series of colored tabs that extend from its interior pages and which are referenced in the book's bonus chapter, "Crafting Color." Combining 500 color illustrations with stories, insights, knowledge, passion, and history shared by Nike's remarkable team, Nike: Better is Temporary will serve as a manual of innovation and inspiration for generations to come.

-Offers design educators a comprehensive, hands-on introduction to design education and pedagogy in higher education. -Offers educators concrete methods and strategies to improve design students' learning, holistic development, and design school experience, as well as to help students face challenges posed by the changing nature of the design industry. -Includes international case studies and interviews with thought leaders in design, design education, and higher ed, drawn from across fashion design, architecture, and industrial design. -Written by a leading educator in fashion design.

Most photovoltaic (PV) installations utilise heavy conventional glass or polycarbonate panels, and even newly developed thin plastic or metal films for PV cell use may fracture during both construction and application. Textile fabrics, the most widespread flexible materials in everyday use, offer a solution to the need for lightweight, flexible solar PV generators. Solar Textiles: The Flexible Solution for Solar Power is about the incorporation and operation of solar cells on textile fabrics. The combination of textile manufacturing and solar PV cell technology opens up further avenues for both the textile and semiconductor industries. Thus, this book reflects the progressively increasing commercial interest in PV cell technology and the versatility that their integration in textiles provides. Discusses textiles as electrical substrates Explains the photovoltaic effect and associated parameters Offers special consideration of solar cells on textiles Compares fibres and fabrics and how to implement PV activity on a textile Describes manufacturing methods outside of semiconductor technology Includes applications open only to textiles This work is aimed at textile technologists, electronic engineers, solar technologists, civil engineers and designers in building fabrics and architecture.

Glamorous fashions, personalities, and places captured by iconic photographer Slim Aarons Slim Aarons, at least according to the man himself, did not photograph fashion: "I didn't do fashion. I did the people in their clothes that became the fashion." But despite what he claimed, Aarons's work is indelibly tied to fashion. Aarons's incredibly influential photographs of high society and socialites being unambiguously themselves are still a source of inspiration for modern day style icons. Slim Aarons: Style showcases the photographs that both recorded and influenced the luminaries of the fashion world. This volume features early black-and-white fashion photography, as well as portraits of the fashionable elite-like Jacqueline de Ribes, C.Z. Guest, Nan Kempner, and Marisa Berenson-and those that designed the clothes, such as Oscar de la Renta, Emilio Pucci, Mary McFadden, and Lilly Pulitzer. Featuring some never-before-seen images and detailed captions written by fashion historians, Slim Aarons: Style is a collection of the photographer's most stylish work.

Featuring over 100 images, including step-by-step examples illustrating how to improve costume renderings. This is an invaluable resource for students in Costume Rendering and Costume Design courses, along with professional costume designers looking to improve their rendering skills. Written to complement any rendering style.

From the turn-of-the-century S-bend silhouette to celebrity couture of the new millennium and the evolution of streetwear, this comprehensive survey explores significant developments in fashion from 1900 to the present day. Fashion historians Amy de la Haye and Valerie Mendes focus on key movements and innovations in style, and explore trends through the work of some of the world's most original and influential designers and couturiers. Chapters are organized around crucial shifts in tastes and major world events, and exciting advances in fashion are placed within their socioeconomic, political and cultural contexts. International in scope with colour illustrations throughout, this edition includes updated text as well as a new chapter that discusses some of the defining features of fashion in our time: the industry's proactive embrace of age, gender and race diversity, and its ongoing efforts to combat labour exploitation and encourage global sustainability. With 315 illustrations in colour

Advances in Women's Intimate Apparel Technology discusses the design and manufacture of intimate apparel and how the industry is increasingly embracing novel materials, new technologies, and innovations in sizing and fit. The book reviews the ways in which new materials and methods are improving the range, function, and quality of intimate apparel, with particular focus on brassiere design. Part One introduces the advanced materials used for intimate apparel, including novel fabrics and dyes and finishes, along with materials for wiring and embellishments. Part Two discusses the role of seamless technology in intimate apparel production, covering lamination, moulding, and seamless knitting. Finally, Part Three reviews advances in design, fit, and performance.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Ashmolean: Cranes, Cycads and Wisteria by Nishimura So-zaemon XII. The Ashmolean is the University of Oxford's museum of art and archaeology, founded in 1683. This beautiful hanging was presented to the Ashmolean Museum in 1958 by Sir Herbert Ingram, who travelled to Japan on his honeymoon in 1908. In Japanese culture the crane represents good fortune and longevity and is known as 'the bird of happiness' - a fitting subject for a newly-married couple.

The valuing of old clothes as "vintage" and the recollection of the sartorial past, whether through second-hand consumption or the wearing of new old-fashioned clothes, has become a widespread phenomenon. This book illuminates sartorial and bodily engagements with memory and time through the temporal and nostalgic potency of fashion, and what this means for contemporary wearers. Based on in-depth ethnographic research including participant observation and interviews with sixties enthusiasts in Germany, who relocate British mod style into the twenty-first century, Jenss examines the practices and experiences that are part of the sartorial remembering of "the sixties," from hunting flea markets and eBay, to the affect of material and mediated memories on vintage wearers. Jenss offers unique insights into the fashioning of time, cultural memory, and modernity, tracing the history and current appeal of vintage in fashion and youth culture, and asking: what kind of experiences of temporality and memory are enacted through fashion? How have evaluations of second-hand clothes shifted in the twentieth century? Fashioning Memory provides a unique insight into the diverse use of fashion as a memory mode and asks how style is remembered, performed, transformed, and reinvested across time, place, and generation.

'Don't be into trends. Don't make fashion own you, but you decide what you are, what you want to express by the way you dress...' - Gianni Versace

From Elizabeth Hurley's safety pin dress to Jennifer Lopez's plunging green gown, Versace has always been a brand at the cutting edge of fashion. With a foot firmly placed in pop culture, Versace is beloved by fashionistas and celebrities alike, providing iconic moments like Lil Nas X's gold armour at the 2021 Met Gala, many of Elton John's eclectic tour outfits and the gown worn by Lady Diana in her posthumous tribute in Harper's Bazaar.

Exquisitely illustrated and expertly written, this book explores the story of the brand, from its creation in 1978 by Gianni Versace to its iconic status today. Featuring images of red-carpet moments, key pieces and stunning catwalk shows, this is a fabulous collection of all things Versace.

Since 1921, Gucci has been a titan of the luxury fashion industry. Celebrated for its exclusive high-end accessories, the brand reigns supreme for its signature leather goods and decadent garments that have elegantly combined the understated with the opulent.

More than 100 years ago, Gucci took the world by storm as a luxury luggage and equstrian outfitter, quickly becoming a giant of 1990s haute couture. The highly sought-after products would only become more exclusive with time, and since then the company has gone from strength to strength. Under the watchful eyes of Alessandro Michele and now, Sabato de Sarno, the brand has made its mark on streetwear, inspring a new generation of fans.

Brimming with fascinating facts and inspirational quotes from celebrities, fans and the creative heads at Gucci, this little guide documents not only the brand's extraordinary journey, but also the elusive family at the helm.

'Quality is remembered long after price is forgotten.'
Aldo Gucci

Most photovoltaic (PV) installations utilise heavy conventional glass or polycarbonate panels, and even newly developed thin plastic or metal films for PV cell use may fracture during both construction and application. Textile fabrics, the most widespread flexible materials in everyday use, offer a solution to the need for lightweight, flexible solar PV generators. Solar Textiles: The Flexible Solution for Solar Power is about the incorporation and operation of solar cells on textile fabrics. The combination of textile manufacturing and solar PV cell technology opens up further avenues for both the textile and semiconductor industries. Thus, this book reflects the progressively increasing commercial interest in PV cell technology and the versatility that their integration in textiles provides. Discusses textiles as electrical substrates Explains the photovoltaic effect and associated parameters Offers special consideration of solar cells on textiles Compares fibres and fabrics and how to implement PV activity on a textile Describes manufacturing methods outside of semiconductor technology Includes applications open only to textiles This work is aimed at textile technologists, electronic engineers, solar technologists, civil engineers and designers in building fabrics and architecture.

Megan Hess: The Bag is an illustrated love story about the most timeless and useful of accessories, from internationally renowned fashion illustrator Megan Hess. A piece of fashion is so much more than an object. To the designer who creates it, the muse who inspires it or the fashion lover who lusts after it, that piece is part of a story. A beautiful bag is the ultimate fashion investment. From the Hermes Birkin to the Chanel Classic, the Lady Dior to the Louis Vuitton Trunk, the Valentino Rockstud to the Fendi Baguette, these iconic bags are not just the perfect way to carry your lipstick and book - and complete your outfit. They are works of art and craftsmanship. Megan Hess: The Bag is the latest in the Ultimate Fashion Wardrobe series, filled with fascinating information and stunning illustrations and packaged up in a beautiful hardback: the ideal accessory for any creative life.