From the 1920s to the 1960s, Rene Hubert (1895-1976) belonged to the creme de la creme of costume designers. He designed costumes for stars such as Tallulah Bankhead, Ingrid Bergman, Marlon Brando, Yul Brynner, Marlene Dietrich, Vivien Leigh, Laurence Olivier, and Marilyn Monroe in one of her first roles. Shirley Temple danced the hula in the film Curly Top wearing a grass skirt ensemble designed by Hubert; he was especially closely associated with Gloria Swanson, who encouraged him to relocate to Los Angeles when she met him in Paris in 1924. Hubert consented, and soon found himself working with directors Rene Clair, Alfred Hitchcock and Otto Preminger, elevating their stars with his flair for opulent color and elegant lines. Hubert's international reputation helped him to win commissions in his native Switzerland, most notably for the Swiss National Exhibition in 1939, for Swissair uniforms and aircraft interiors, and for various theaters and textile companies. This richly illustrated publication compiles sketches, costume photography, stage photos and film stills of Hubert's work. Experts from both sides of the Atlantic reflect on his multifaceted oeuvre at his numerous workplaces in Switzerland, Europe and the US. Excerpts from his unpublished memoirs provide a personal view of his life and the glamor of the era.

Timor has been a divided island at least since the seventeenth century when Dutch and Portuguese colonial empires competed for its control. Despite this fragmentation, the weaving of cloth has remained intimately linked to the cultural history of the Timorese peoples as a whole. Handwoven cotton garments serve as markers of identity and nurture social relationships when they are exchanged. Women in Timor weave an impressive variety of cloth, routinely combining more weaving techniques than any other region of Southeast Asia. This technical prowess and diversity of design make weaving the most important form of artistic expression in Timor and allow groups as small as individual families to proclaim their unique heritage. Independence for Timor-Leste (East Timor) in 2002 - following invasion by Indonesia and years of violent warfare (1975-1999) - brought with it more stable conditions and improved access for researchers. Textiles of Timor, Island in the Woven Sea brings together for the first time woven works from all parts of the island, demonstrating that the textile arts form a common foundation uniting Timor's diverse peoples despite the painful history of the country's division.

'Elegant and multi-focal. Glorious!' Simon Garfield The humble pair of glasses might just be one the world's greatest inventions, allowing millions to see a world that might otherwise appear a blur. And yet how much do many of us even really think about these things perched on the ends of our noses? In this eye-opening history Travis Elborough traces the fascinating true story of spectacles: from their inception as primitive visual aids to monkish scribes right through to today's designer eyewear and the augmented reality of Google Glass. And taking in along the way such delights as lorgnettes, monocles, pince-nez, tortoise-shell 'Windsors' and Ray Ban aviator shades. Peering into early theories about how the eye worked, he considers the theological and philosophical arguments about the limits of perception by Greek thinkers, Roman statesmen and Arab scholars. There are encounters with ingenious medieval Italian glassmakers, myopic Renaissance rulers and spectacle-makers and opticians, brilliant, mad, bad and dangerous to know, in the Londons of Samuel Pepys, Dr Johnson and Sherlock Holmes. We learn how eyeglasses were the making of the silent movie star Harold Lloyd and the rock n roller Buddy Holly and helped liberate an exasperated John Lennon from Beatlemania. Get hip to horn-rims with Dizzy Gillespie and Michael Caine And see girls in glasses through the lenses of the crime fiction by Dorothy L Sayers and Raymond Chandler and the full-screen figure of Marilyn Monroe. Through the Looking Glasses is about vision and the need for humanity to see clearly, and where the impulse to improve our eyesight has led us. The society of the spectacle may finally be upon us . . . but how much of it do we really see?

In this new addition to the Pattern Magic series from Japan, Tomoko Nakamichi teaches you how to sculpt with fabric, creating beautiful shapes, waves and accents. Next, she looks at creating dynamic movement in garments, using ruffles, shirring and precise, sharply pleated lines. All the measurements and scaling information you need to start pattern making is included. As throughout the series, all the patterns are based on a basic block, supplied in the book. Thorough step-by-step instructions and diagrams will ensure that your own patterns translate beautifully to your choice of garment, while photographs of the finished garments will inspire you to create your own designs.

This book provides an overview for identifying and dating vintage eyewear for the growing numbers of collectors. Explore ways in which eyeglass design has developed to reflect both popular fashion and scientific investigation.The designs of frames and lenses were changed as more comfortable and practical styles were invented. In the mid-twentieth century, eyeglass makers carefully sought high profile entertainers to wear their designs in order to promote their companies. Advertising worked its magic and the general public came to prefer the advertised designs. Examples of eyewear from the sevententh century to the present are shown in over 600 color photos and explained in an engaging text. Bifocals, monocles, pince-nez, fanciful and safety styles of eyeglasses and sunglasses are shown along with some price estimates.

This book explores the 'craft of use', the cultivated, ordinary and ingenious ideas and practices that promote satisfying and resourceful use of garments, presenting them as an alternative, dynamic, experiential frame with which to articulate and foster sustainability in the fashion sector. Here Kate Fletcher provides a broad imagining of sustainability in fashion that gives attention to tending and wearing garments, and favours their use as much as their creation. She offers a diversified view of fashion beyond the market and the market's purpose and reveals fashion provision and expression in a world not dependent on continuous consumption. Framing design and use as a single whole, the book uncovers a more contingent and time-dependent role for design in sustainability, recognising that garments, while sold as a product, are lived as a process. Drawing from stories and portrait photography that document the ways in which members of the public from across three continents use their clothes, and the work of seven international design teams seeking to amplify these use practices, Craft of Use presents a changed social narrative for fashion, borne out of ideas of satisfaction and interdependence, of action, knowledge and human agency, that glimpses fashion post-growth.

This book explores the 'craft of use', the cultivated, ordinary and ingenious ideas and practices that promote satisfying and resourceful use of garments, presenting them as an alternative, dynamic, experiential frame with which to articulate and foster sustainability in the fashion sector. Here Kate Fletcher provides a broad imagining of sustainability in fashion that gives attention to tending and wearing garments, and favours their use as much as their creation. She offers a diversified view of fashion beyond the market and the market's purpose and reveals fashion provision and expression in a world not dependent on continuous consumption. Framing design and use as a single whole, the book uncovers a more contingent and time-dependent role for design in sustainability, recognising that garments, while sold as a product, are lived as a process. Drawing from stories and portrait photography that document the ways in which members of the public from across three continents use their clothes, and the work of seven international design teams seeking to amplify these use practices, Craft of Use presents a changed social narrative for fashion, borne out of ideas of satisfaction and interdependence, of action, knowledge and human agency, that glimpses fashion post-growth.

Perfect for students of costume design and history, A Handbook of Costume Drawing illustrates and describes the dominant male and female costume silhouettes for major historical periods ranging from Egyptian dynasties through the 1960s. Important details, including head and footwear, hair styles, fashion accessories, shoulders, waist, hem, and neckline are provided to maximize the historical accuracy of each design and to help you fully recreate the look and feel of each period.

Sewing patterns have been the principle blueprint for making garments in the home for centuries. From their origins in the tailoring manuals of the 16th century to the widely produced pamphlets of the 18th and 19th centuries, through to the full size packet patterns of today, their history and development has reflected major changes in technology (such as the advent of the sewing machine), retailing and marketing practices (the fashion periodical), and shifts in social and cultural influences. This accessible book explores this history, outlining innovations in patternmaking by the companies who produced patterns and how these reflected the fashions and demands of the market. Showcasing beautiful illustrations from original pattern pamphlets, packets and ads, as well as 9 complete patterns from which readers can reproduce vintage garments of different eras, the book provides a unique visual guide to homemade fashions as well as essential exploration of the industry that produced them.

In this timely book, three noted fashion historians examine the global transformations in the fashion industry today, and identify the challenges of the future. Since the dawn of designer fashion at the beginning of the 20th century, the role and position of the designer has drastically changed. This book addresses how the interpretation of creativity, authorship, craft, and innovation have evolved in this new context, and asks what role designers play in a globalised and digitised fashion world.

Beautiful and wild print shirts evolved from the special culture of Hawaii, a paradise of mild climate, clean water, and abundant flowers. With their beautiful Island landscapes, colorful tropical flowers, Asian images, surfer boys, and hula girls, Aloha shirts are great fun to wear and own. In this expansive book, over 425 different shirts are displayed in clear color photographs along with an historical text, women's clothing, 20 different button styles, and - for the first time - 229 researched manufacturer's and retail labels which help to date and identify the shirts. Graphic designers will revel in the diversity of "Hawaiian" designs and the remarkably beautiful colors of the prints.

Fashioning James Bond is the first book to study the costumes and fashions of the James Bond movie franchise, from Sean Connery in 1962's Dr No to Daniel Craig in Spectre (2015). Llewella Chapman draws on original archival research, close analysis of the costumes and fashion brands featured in the Bond films, interviews with families of tailors and shirt-makers who assisted in creating the 'look' of James Bond, and considers marketing strategies for the films and tie-in merchandise that promoted the idea of an aspirational 'James Bond lifestyle'. Addressing each Bond film in turn, Chapman questions why costumes are an important tool for analysing and evaluating film, both in terms of the development of gender and identity in the James Bond film franchise in relation to character, and how it evokes the desire in audiences to become part of a specific lifestyle construct through the wearing of fashions as seen on screen. She researches the agency of the costume department, director, producer and actor in creating the look and characterisation of James Bond, the villains, the Bond girls and the henchmen who inhibit the world of 007. Alongside this, she analyses trends and their impact on the Bond films, how the different costume designers have individually and creatively approached costuming them, and how the costumes were designed and developed from novel to script and screen. In doing so, this book contributes to the emerging critical literature surrounding the combined areas of film, fashion, gender and James Bond.

Special Make-Up Effects concentrates on the genre of horror characters and other special creations (fantasy, sci-fi, etc), giving tips about the materials, techniques, and 'tricks of the trade' necessary to create unique make-up effects. This focused volume is a scaled-down version of Vincent Kehoe's encyclopedic reference for professional make-up artists. It contains new segments and photographs. This book shows how many of cinema's most famous characters and effects were developed. It gives students and make-up artists the techniques they need to perform their own magic.

This book provides a sweeping study of the clothing of the 1930s. Garments of all kinds, from the intimate to the most formal, the flamboyant to the practical, for women, men and children, are displayed and discussed in detail. Accessories including jewelry, hats, and handbags are also explored. Even uniforms used for work, band, and cheerleading are found in this inclusive work. More than 600 color photographs spread the 1930s fashion world out before you. An historical overview explains the turbulent 1930s and the economic depression that so affected every aspect of daily life. Values for the garments and accessories are found in the captions. Finally, a glossary, bibliography, and index round out this fascinating presentation. Designers, historians, and fashion-conscious consumers will find this an indespensible reference.

A timely celebration of British design legend Sir Paul Smith and his one-of-a-kind creativity

This innovative book captures the unique spirit of British fashion icon Sir Paul Smith through 50 objects chosen by Sir Paul himself for the inspiration they have provided him over the years – from a wax plate of spaghetti and a Dieter Rams radio to a Mario Bellini Cab chair and a bicycle seat.

Each object has impacted his worldview, his creative process, and his adherence to a design approach that’s always imbued with distinctly British wit and eccentricity. The book covers subjects as varied as breaking down the formality of wearing a suit, the importance of wit, and the benefits of remaining independent in an increasingly monopolized world, and includes personal contributions – handwritten notes, a sketch, or photograph – from such fashion and design heavyweights as Manolo Blahnik, Inès de la Fressange, Martin Parr, and John Pawson.

Updated with a fresh new fabric cover featuring the brand’s signature stripe and a brand-new preface written by Sir Paul especially for this edition, Paul Smith provides the ultimate insight into one of the fashion world’s most-loved creators.

Images are everywhere. They are displayed in streets. They are leafed through in magazines. They jump out of our screens. And what we most remember about them is the emotion they rouse. The work of photo stylists is still not widely known. Yet this work is vital to conveying the right fashion message. This publication takes you into the anteroom of professions in fashion to discover the work behind the scenes of photo creation: preliminary style drafts, photo studios and casting. It is also a chance to dive into the basics of framing and photography. Theories, focus points, tutorials and interviews with professionals will help you better contemplate the job of photo stylist.

On January 21, 1971, couturier Yves Saint Laurent presented his Spring-Summer haute couture collection. Inspired by the garments of the war years, the collection included short dresses, platform shoes, square shoulders, and exaggerated makeup. The show caused an outrage among the public, the critics, and the press alike, earning it the title of "Paris's ugliest collection." Nevertheless, the haute couture designs of the runway made their way to the boulevards, giving full sway to the "retro" trend that quickly conquered the streets. Yves Saint Laurent: The Scandal Collection, 1971 offers a behind-the-scenes look at the influential collection that "drew fire in the fashion world" from the collection's inspiration to the press coverage that followed. Beautifully illustrated and documented with well-researched essays, this book is enriched with personal interviews and archival photographs of the show, the models, the designs, and the textile and print samples, as well as sketches and international press clippings.

Despite the growing demand for design strategies to reduce our petroleum use, no one has yet brought together the lessons of the world's leading post-petroleum designers into a single resource. Post-Petroleum Design brings them together for the first time. Readers will be introduced to the most current, innovative, plastic-and petroleum-free products and projects in industrial design, architecture, transportation, electronics, apparel and more. Post-Petroleum Design explores firsthand the client and consumer motivations behind the demand, and shares the case studies, principles, best practices, risks and opportunities of the world's leading post-petroleum design experts who are already meeting that demand. It introduces 40 inspiring individuals from across the globe; people like Eben Bayer, the American innovator whose company, Ecovative, is growing houses from mushrooms; Mohammed Bah Abba, whose Zeer Pot is helping families keep produce fresh in the sweltering Nigerian summer without electricity; and the engineers at Mercedes-Benz Advanced Design Studios whose Biome car evolves from genetically engineered DNA. Post-Petroleum Design gives design professionals the information they need to research, evaluate, and select materials, technologies and design strategies that meet the growing demand for sustainable design, plastic-free materials and process energy conservation. Designer profiles, studies, statistics and many colour illustrations all highlight the work-some of the best design work to be found anywhere, and showcased here for the first time.

Jermyn Street in St James's, London, has been the Mecca of fine British shirtmaking for more than a century. Patrons have included Cary Grant, Frank Sinatra, Roger Moore, the Beatles, Warren Beatty, Pierce Brosnan, the Prince of Wales, Sir Michael Caine and Ronald Reagan. Between them, these shirtmaking artisans have styled that most debonair of onscreen heroes, James Bond. Indeed, the Jermyn Street shirt is the ultimate in entry-level luxury menswear. For many years seen as a stuffy and elitist institution, the advent of Instagram has seen the doors to the world's finest shirtmakers blown open as tailoring enthusiasts come together to share their passion. The Jermyn Street Shirt includes a wealth of sartorial showbusiness anecdotes as well as style tips from some of the big screen's most dapper stars. With unique access to many of the makers, including Turnbull & Asser, Hilditch & Key and Budd, Jonathan Sothcott presents an expertly curated pictorial treasure trove of previously unseen ephemera, including celebrity shirt patterns and samples.

Here is a look at some typical and some extraordinary clothing of mid-century. Whether by well-known or unrecognized designers, all are well-designed and well-constructed. Each of the nearly 500 photographs was taken outdoors against a landscape showing the season. With close-ups of fabrics and labels, detailed captions, a fashion timeline with historic context, and a value guide, this book will be an exciting addition to any library and a must for anyone interested in great fashion design and/or the period.

The best way to learn to draw is to DRAW! And this exciting little sketchbook is going to help you do just that. From cover to cover, this book is filled with 900 inspiring, modern drawings of little black dresses, summery hats, stylish shoes, faux fur coats and much, much more-plus plenty of room for sketching your own versions of all these delightful fashions. 20 Ways to Draw is an exciting new illustration series from Quarry Books, designed to offer artists, designers, and doodlers fun and sophisticated exercise books that help foster a creative spirit and provide learning tools and inspiration. This latest addition to the series focuses specifically on drawing and sketching fashion. Each spread features 20 inspiring illustrations of a single fashion item, for example: dresses, shoes, hats, bikinis, scarves-with blank space for you to draw your take on 20 Ways to Draw a Dress. The stylized items are simplified, modernized, and reduced to the most basic elements, showing how simple abstract shapes and forms meld to create the building blocks of any item that you want to draw. Each of the 20 interpretations gives you a different interesting approach to drawing a single item. Get out your favorite drawing tool, and remember, there are not just 20 Ways to Draw a Dress!

Coco Rules takes 30 quotes from the inimitable Coco Chanel and translates them into modern, practical style rules to live by. With her trademark acerbic wit and no-nonsense attitude, Coco Chanel has always been a wonderfully entertaining source on matters of life and style. Coco Rules gathers her words of wisdom on both fashion and empowerment and uses them to provide solutions to many of the style-based conundrums you might encounter, as well as inspiration on how to be the very best version of yourself - strong, fearless and confident - no matter what you wear. Written by acclaimed fashion journalist Katherine Ormerod, each rule is accompanied by a bold and stylish illustration from Carolina Melis.