This gorgeous work takes a sentimental journey through 100 years of fashion accessories that have added individuality to each "new look." Hundreds of hats, shoes, gloves, scarves, jewelry, handbags, and more are presented in a decade-by-decade progression of fashion styles. The 478 glorious color photographs, original drawings, and extensive text bring the century to life-for "what" people wore reflects the tenor of the times that tells us "why!" This book is nostalgic, informative and a feast for the eyes. Collectors of vintage clothing will covet the information and outstandingly beautiful illustrations.

This lavish publication celebrates the gentleman's search for the perfect sartorial detail, the ideal accessory, or beautiful gift for a loved one. Presented through the eyes of a connoisseur looking for quality and bepoke goods in London's key stylistic historic periods, it tells the stories of the personalities, shop-keepers and mastercraftsmen who have animated the business of luxury goods for centuries. The book is arranged chronologically in six chapters, each followed by three or four profiles of British luxury marques. A reference section presents the London gentleman's social world, from the shopping arcades to classic hotels and the member's clubs and antiquarians in between. This is the perfect book for the man who has everything.

Brilliant colors, eye-popping designs, luxurious fabrics--all these and more characterize the unforgettable fashion trends of the late 1960s and early 1970s. This was a turbulent, exciting era in our history, and clothing styles clearly reflected the fast-moving, youth-oriented culture we remember now with a sense of awe. Sophisticated or casual, clothing became an expression of personal feelings, ideas, and attitudes. Consumers hungered for bold new looks, and designers--led by Emilio Pucci of Italy--were only too happy to oblige. Using more than 400 color photos and illustrations, this book showcases the wonderful assortment of dresses, blouses, jackets, pants, shoes, and accessories worn by the most stylish of psychedelic era men and women. Pucci's fabulous works take center stage, joined by a kaleidoscopic array of fashions illustrating the influence of Op Art, "flower power," the Eastern world, native-inspired prints, and much more. Author Roseann Ettinger uses her expertise in the vintage clothing field to provide an absorbing look at the history behind these '60s and '70s fashions--looks that are enjoying renewed popularity today. Current values, a bibliography, and an index are all provided.

The Ambassador has been described as 'probably the most daring and enterprising trade magazine ever conceived'. With the motto 'Export or Die!', the magazine was renowned for its innovative design and adventurous editorial approach in promoting British manufacturing in the post-war period. This book takes a detailed look at the background and impact of The Ambassador. The magazine was driven by the vision of its founder Hans Juda and his wife, Elsbeth, who was responsible for much of the magazine's striking photography. Focusing on the perceived strengths of British industry, they set up ambitious photo shoots to showcase the latest couture fashions by the likes of Charles Creed and Victor Stiebel. The magazine promoted fine art as an inspiration for design, and commissioned artists such as John Piper and Henry Moore for their covers.

From choosing the right pair of eyeglasses to properly coordinating a shirt, tie, and pocket square, getting dressed is an art to be mastered. Yet, how many of us just throw on, well, whatever each morning? How many understand the subtleties of selecting the right pair of socks or the most compatible patterns of our various garments,much less the history, imperatives, and importance of our choices?In True Style , acclaimed fashion expert G. Bruce Boyer provides a crisp, indispensable primer for this daily ritual, catalogueuing the essential elements of the male wardrobe and showing how best to employ them. In witty, stylish prose, Boyer breezes through classic items and traditions in menswear, detailing the evolution and best uses of fabrics like denim and linen, accoutrements like neckties and eyeglasses, and principles for combining patterns, colours, and textures. He enlightens readers about acceptable circumstances for donning a turtleneck, declaims the evils of wearing dress shoes without socks, and trumpets the virtues of sprezzatura, the artistry of concealing effort beneath a cloak of nonchalance.With a gentle yet firm approach to the rules of dressing and an incredible working knowledge of the different items, styles, and principles of menswear, Boyer provides essential wardrobe guidance for the discriminating gentleman, explaining what true style looks like,and why.

Classic workwear, sports and military clothing in a new mini format. Curated by connoisseurs of vintage clothing, the Vintage Showroom is a vast collection of rare 20th-century pieces that fashion designers and stylists pay to view, using the cut and detailing of individual garments as inspiration for their own work. Offering one-of-a kind access, Vintage Menswear now makes this unique resource available in book form. Featuring 130 of the most influential examples of 20th-century and earlier European, American and Asian utilitarian tailoring and design, the book is divided into three sections of sportswear, militaria and workwear, covering everything from 1940s flying jackets and polar exploration suits to vintage French denims. Stunning full-page bleeds and front and back views showcase ground-breaking designs in concept, shape and cut. Providing over 300 lavishly illustrated pages of rare, must-see designs, Vintage Menswear is the essential choice of 20th-century vintage tailoring and detailing and an inspirational resource for students and menswear fashion designers and stylists.

After many requests for a book about clothing labels we decided to put one together featuring a wonderful gallery of labels for artists, textile manufacturers, graphic designers, and just plan old ordinary people to enjoy. This book includes a little bit of history and technical information as well as a diverse selection of lovely labels to look at and be inspired by. There are labels dating back to the turn of the century, as well as a current roster of famous names and contemporary designs. A wonderful introduction gives a comprehensive overview of the history of garment labels and manufacturing techniques. A resource guide lists many of today's leading clothing-label manufacturers. After leafing through this book, you'll never take your clothing labels for granted again! This is an excellent, inspirational resource for fashion designers and historians.

This innovative and breathtakingly detailed book from the V&A presents dress patterns, construction details, embroidery, and making instructions (including a knitting pattern and lacemaking) for 15 garments and accessories from a 17th-century British woman's wardrobe. Step-by-step drawings of the construction sequence and scale patterns for each garment enable readers to accurately reconstruct them. There are scale diagrams for making linen and metal thread laces, silk braids, and embroidery designs. Multiple photographs, close-up construction details, and X-ray photography reveal the hidden elements of the clothes, the number of layers, and the stitches used inside. This first book in a new series takes the physical examination and study of historical clothing to a new depth and degree of detail, using the expertise of designers, tailors, and makers from London's Shakespeare's Globe Theatre.

Three decades of fashion brought together in one Collection, worn as originally intended by the Collector herself, and developed over five years by established fashion and portrait photographer Frederic Aranda: this is Electric Fashion. But why is it electric? It is the story of how the Collector, Christine Suppes, blazed an indelible trail into online fashion editorial whilst developing a unique collection in the heart of Silicon Valley. Electric Fashion is essential viewing, punctuated with academic perspective, comprehensive technical references, and archival text from the collection's accompanying website, fashionlines.com. This timeless tome boasts a double vantage point; on the one hand, each garment is photographed in a studio setting to enhance critical academic understanding, whilst on the other, worn by the collector herself at locations around the world to depict the garments as they were originally intended to be worn. The finished product is a 360 degree view of fashion, from historical, cultural, and practical standpoints.

Fashion reveals not only who we are, but whom we aspire to be. From 1775 to 1925, artists in Europe were especially attuned to the gaps between appearance and reality, participating in and often critiquing the making of the self and the image. Reading their portrayals of modern life with an eye to fashion and dress reveals a world of complex calculations and subtle signals. Extensively illustrated, Fashion in European Art explores the significance of historical dress over this period of upheaval, as well as the lived experience of dress and its representation. Drawing on visual sources that extend from paintings and photographs to fashion plates, caricatures and advertisements, the expert contributors consider how artists and their sitters engaged with the fashion and culture of their times. They explore the politics of dress, its inspirations and the reactions it provoked, as well as the many meanings of fashion in European art, revealing its importance in understanding modernity itself.

A comprehensive resource that will prove invaluable to fashion historians, this book presents a detailed exploration of the breadth of visually arresting, consumer-driven styles that have emerged in America since the 20th century. What are the origins of highly specific denim fashions, such as bell bottoms, skinny jeans, and ripped jeans? How do mass media and popular culture influence today's street fashion? When did American fashion sensibilities shift from conformity as an ideal to youth-oriented standards where clothing could boldly express independence and self-expression? Street Style in America: An Exploration addresses questions like these and many others related to the historical and sociocultural context of street style, supplying both A-Z entries that document specific American street styles and illustrations with accompanying commentary. This book provides a detailed analysis of American street and subcultural styles, from the earliest example reaching back to the early 20th century to contemporary times. It reviews all aspects of dress that were part of a look, considering variations over time and connecting these innovations to fashionable dress practices that emerged in the wakes of these sartorial rebellions. The text presents detailed examinations of specific dress styles and also interrogates the manifold meanings of dress practices that break from the mainstream. This book is a comprehensive resource that will prove invaluable to fashion historians and provide fascinating reading for students and general audiences. Offers thorough investigations of American street styles from the early 20th century to the present day Provides theoretical perspectives on the shifts in American culture that created the social context in which American street styles emerged Enables readers to perceive the connections between consumer-driven street styles to the fashion industry and to American culture at large

At a moment of unprecedented creativity in men's fashion, and continuing reflections on gender, contemporary designers are questioning established forms, seeking to liberate wearers from traditional models of masculine dress. This book combines fashion with artistic and broader cultural histories - looking at the designers, tailors and artists who have constructed and performed masculinity from the Renaissance to the present day. It traces connections across and beyond European menswear, celebrating both rich traditions and daring individualists. Divided into three parts, Undressed reveals the role of the body and underwear in fashioning masculinities. Overdressed explores the power dynamics of sartorial bravado, while Redressed deconstructs a modern masculine uniform: the black suit. Featuring a staggering range of cultural touchstones from Hercules to Virgil Abloh, Giovanni Battista Moroni to Jawaharlal Nehru, Yves Saint Laurent to Kehinde Wiley, Marcus Rashford, Marlene Dietrich and even Captain America, Fashioning Masculinities challenges our preconceptions about menswear, revealing the fascinating historical roots beneath the power, artistry and diversity of masculine attire and appearance today.

This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique. -- .

The broader Regency period 1795-1820 stands alone as an incredible moment in fashion history unlike anything that went before or after. It was the most naked period since Ancient Greece and before the 1960s, and for the first time England became a fashion influence, especially for menswear, and became the toast of Paris. With the ancient regime deposed, court dress became secondary and the season by season flux of fashion as we know it came into being, aided and abetted by the proliferation of new ladies' magazines.
Such an age of revolution and innovation inspired a flood of fashions taking influence from everything including the newly discovered treasures of the ancient world, to radical new ideas like democracy. It was an era of contradiction immortalized by Jane Austen, who adeptly used the newfound diversity of fashion to enliven her characters, Wickham's military splendor, Mr. Darcy's understated elegance, and Miss Tilney's romantic fixation with white muslin.

"Fashion is balance, with a dash of theatre," was Nino Cerruti's favourite bon mot. This monograph, the most substantial on him to date, is an entertaining and gorgeously illustrated homage to the great Italian fashion designer, whose deconstructed jackets and supple fabrics revolutionised menswear in the 1960s. He took over the family business, which his father established in 1881, at the age of 20 and immediately began to make his mark. In 1965 he opened a boutique in Paris where he launched women's fashion, being the first designer to focus on pants (this at a time when many restaurants in Paris denied women entry if they were wearing pants). He dressed generations of movie stars, both on and off screen, including Jean-Paul Belmondo, Yves Montand, Catherine Deneuve, Richard Gere (wearing a Cerruti suit in Pretty Woman), Jack Nicholson, Michael Douglas, Tom Hanks, and Kathleen Turner, among others. This book showcases the elegant nonchalance and uncompromising creativity that went into his designs and follows his career as one of the great pioneers of 20th century fashion.

Today, we are living in the New Space Age, where mass commercial space travel is almost within our grasp. This otherworldly possibility has opened up new cultural images of space, both real and fictional, and has caused fashion design and spacesuit engineering to intersect in new, exciting ways. Spacewear traverses this uncharted territory by exploring the changing imagination of space in fashion-and fashion in space-from the first Space Age to the 21st century. Exploring how space travel has stylistically and technologically framed fashion design on earth and how we need to revisit established design practices for the weightless environment, Spacewear connects the catwalk and the space station. This book draws together speculative fantasies in sci-fi films such as Star Trek and 2001: A Space Odyssey, with the engineered spacesuits Biosuit, and the NASA Z-2 and with catwalk interpretations by the likes of Alexander McQueen, Hussein Chalayan, Andre Courreges, and Iris van Herpen. While the development of commercial space agencies has led to new concerns for style in garments for outer space that re-think fundamental design principles such as drape, high fashion has experimented with new possibilities for weightlessness that extend far beyond the 1960s vision of Space Age metallic fabrics and helmet-style headwear. Brownie takes the reader on a fascinating journey from fantasy to function and to form, deepening our understanding of this new category of fashion that is prompting new approaches to garment design and construction both on earth and in outer space.

"A powerful expose of Parisian haute couture" - Book of the Week, Times Higher Education Fashion is one of the most powerful industries in the world, accounting for 6% of global consumption and growing steadily. Since the 1980s and the birth of the neoliberal economy, it has emerged as the glittering face of capitalism, bringing together prestige, power and beauty and occupying a central place in media and consumer fantasies. Yet the fashion industry, which claims to offer highly desirable job opportunities, relies significantly on job instability, not just in outsourced garment production but at the very heart of its creative production of luxury. Based on an in-depth investigation involving stylists, models, designers, hairdressers, make-up artists, photographers and interns, anthropologist Giulia Mensitieri goes behind fashion's glamorous facade to explore the lived realities of working in the industry. This challenging book lays bare the working conditions of 'the most beautiful job in the world,' showing that exploitation isn't confined to sweatshops abroad or sexual harassment of models, but exists at the very heart of the powerful symbolic and economic centre of fashion.

English dress in the second half of the sixteenth century has been studied in depth, yet remarkably little has been written on the earlier years, or indeed on male clothing for the whole century. The few studies that do cover these neglected areas have tended to be quite general, focusing upon garments rather than the wearers. As such this present volume fills an important gap by providing a detailed analysis of not only what people wore in Henry's reign, but why. The book describes and analyses dress in England through a variety of documents, including warrants and accounts from Henry's Great Wardrobe and the royal household, contemporary narrative sources, legislation enacted by Parliament, guild regulations, inventories and wills, supported with evidence and observations derived from visual sources and surviving garments. Whilst all these sources are utilised, the main focus of the study is built around the sumptuary legislation, or the four 'Acts of Apparel' passed by Henry between 1509 and 1547. English sumptuary legislation was concerned primarily with male dress, and starting at the top of society with the king and his immediate family, it worked its way down through the social hierarchy, but stopped short of the poor who did not have sufficient disposable income to afford the items under consideration. Certain groups - such as women and the clergy - who were specifically excluded from the legislation, are examined in the second half of the book. Combining the consideration of such primary sources with modern scholarly analysis, this book is invaluable for anyone with an interest in the history of fashion, clothing, and consumption in Tudor society.

Anna Sui is one of New York's most beloved and accomplished fashion designers, known for creating contemporary original clothing inspired by spectacular amounts of research into vintage styles and cultural arcana. She is especially famous for her textile prints. Sui joined New York's intensely creative cultural underground in the 1970s, forging important relationships in the worlds of fashion, photography, art, music, and design. The World of Anna Sui looks at Sui's eclectic career as a designer and artist, both through her clothing and studio. Through interviews with fashion journalist Tim Blanks, the book explores Sui's lifelong engagement with fashion archetypes the rocker, the schoolgirl, the punk, the goth, the bohemian and reveals their inspiration and influence. Complete with detailed photographs of garments, sketches, moodboards, runway shots, and cultural ephemera, The World of Anna Sui is an inside look at this iconic New York designer with a worldwide cult following.

The 7th Edition of Who's Who in Fashion captures the energy, drama, excitement, and diversity of the luminaries working in the world of fashion. This lushly illustrated book features profiles of fashion legends as well as newcomers who make up the rich tapestry of the fashion industry, spanning designers, photographers, costume designers, writers/editors, illustrators, companies, accessory designers, makeup/cosmetic specialists, and fashion conglomerates. This new edition includes over 400 profiles, 90 of which are new, and 820 images, making this a must-have reference for fashion students, historians, costume curators, and fashion enthusiasts alike. New Profiles Virgil Abloh, Haider Ackermann, Adidas, Adnym, AEFFE, Mike Amiri, Imran Amed, Jonathan Anderson, Paul Andrew, Rosie Assoulin, Kevyn Aucoin, Brendon Babenzien (Noah), BCBGMAXAZRIA, Ritu Beri, Christopher Bevans (DYNE), Blair Breitenstein, Bobbi Brown, Sarah Burton, Giuliano Calza, Ruth Carter, Maria Grazia Chiuri, Moon Choi, Clo 3D, Conde Nast, Peter Copping, Carly Cushnie, Drew Elliot, Edward Enninful, Erdem, Fenty, Ronnie Fieg (Kith), Nicola Formichetti, Furla, Alexander Fury, Mansur Gavriel, H&M, Han Chong (Self-Portrait), Tinker Hatfield, Aurora James, Bouchra Jarrar, Kerby Jean-Raymond (Pyer Moss), James Jebbia (Supreme), Claire Keller, Kering, Laura Kim (Monse), Nick Knight, Loewe, Jerry Lorenzo (Fear of God), LVMH, Brandon Maxwell, Laura Mercier, Alessandro Michelle, MISBHV, Bibhu Mohapatra, Samira Nasr, Irene Neuwirth, Nigo (BAPE), Nike, Noon by Noor, Opening Ceremony, OTB Group, Guo Pei, Heron Preston, Public School, PVH Corp., Richemont, Patrick Robinson, Martine Rose, Olivier Rousteing, Miles Socha, Franca Sozzani, Stussy, Superdry, Zang Toi, Uniqlo, The Vampire's Wife, Iris van Herpen, VF Corporation, Rhuigi Villasenor (Rhude), Junya Watanabe, Wooyoungmi, Y/Project, Lynn Yaeger, ZARA, Ermenegildo Zegna Instructor's Guide, Test Bank, PowerPoint presentations, and third party video links available.

Elsa Schiaparelli (1890-1973) was one of the leading fashion designers of the 1920s and 1930s with a flair for the unusual. The first to use shoulder pads, animal print and the inventor of shocking pink, Schiaparelli collaborated with artists including Jean Cocteau, Alberto Giacometti and Salvador Dali, to create extraordinary garments such as the Dali Lobster Dress. Schiaparelli had an affluent clientele, from Katherine Hepburn to Marlene Dietrich, who embraced her outrageous but elegant designs. She designed aviator Amy Johnson's wardrobe for her solo flight to Cape Town in 1936, the culottes for tennis champion Lily d'Alvarez that outraged the lawn tennis establishment, and her clothes appeared in more than 30 films including Every Day's a Holiday with Mae West and Moulin Rouge. Schiaparelli's fascinating autobiography charts her rise from resident of a rat-infested apartment to designer to the stars.

Dear Fashion Diary is an illustrated diary full of fashion assignments for young fashionistas to explore their taste and style and trust their deepest fashion longings to. It is a highly creative activity book letting you collect your favourite outfits, create inspiration collages, list your must-haves and much more
This diary is a wonderful way of recording your fashion life and collect your style inspiration between two covers
* Attractively illustrated and produced
* A real wannahave for young fashionistas
Dear Fashion Diary has been created by Emmi Ojala and Laura de Jong, two young fashion professionals, illustrators and bloggers living in the Netherlands.

"Fascinating." Perspective "A fascinating, often funny, and eminently stylish personal memoir ... I loved it." - Chris Breward, author of The Suit "Wide-ranging, thought-provoking and important." - Claire Wilcox, author of Patch Work Elizabeth Wilson is a pioneer of fashion studies, yet she never intended to become an academic. Starting her literary career as a feminist activist writing for the underground press, she went on to explore tennis, 'bohemians' and of course fashion - her obsession - along with forays into fiction. Throughout, she has never seen her work as abstract or disengaged from 'real life'. In her memoir, she traces this relationship between personal experience and her writing, revisiting pivotal moments from childhood, adolescence and adult life to explore her belief that research, by its nature, is always a form of autobiography. She unfolds the garment of her life in a wide-ranging exploration of scenes from her past: her difficult relationship with her mother, fashion in the 60s and gay liberation. In this journey through time she shows how experiences are inseparable from the way we seek to explain and understand them, offering a unique and deeply personal account of her - and our - cultural world.

Furoshiki is a traditional Japanese wrapping cloth, and is used to wrap gifts and create bags for carrying things more easily. Once you have learned the basic methods of tying and folding, you can tie furoshiki in different ways to suit the size and shape of the contents within. There is no sewing involved and, using just a square of fabric, Aurelie Le Marec shows you how to wrap all kinds of items from books to guitars and laptops to wine bottles. You can adapt furoshiki to suit items of all shapes and sizes and, with more than 50 furoshiki folds explained with step-by-step illustrations and clear instructions, you can help to reduce waste by making furoshiki part of your everyday life!