Betty Halbreich is a true original. Now in her eighties, she has spent nearly forty years at the luxury store Bergdorf Goodman, working with socialites, stars and ordinary women. She has led many to appreciate their real selves through clothes, frank advice and her unique brand of wisdom; she is trusted by the most discriminating persons - including Hollywood's top stylists - to tell them what looks best. But her own transformation from cosseted girl to fearless truth-teller is the greatest makeover of all. Born into a successful Chicago family, aged twenty Betty married dashing Sonny Halbreich and came to Manhattan, where the couple threw themselves into a whirlwind of long hours, cocktails and Park Avenue parties, living the high life in 1950s New York. However, the marriage began to fray and after two decades came undone completely. Bereft, Betty attempted suicide. As she embarked on the frightening process of reclaiming herself, she was offered a lifeline: a job at Bergdorf Goodman. For Betty, with her innate sense of style and craftsmanship, it was a perfect fit. Hardworking, elegant, and gifted with sparkling wit and razor-sharp powers of observation, in her amazing life story as in her style guidance Betty Halbreich is never afraid to tell it straight.

Sneakers are more than just athletic shoes -- they are also fashion statements, status symbols, and cultural icons.This book traces the progression of sneaker design from the early canvas-topped rubber soles to the hi-tech innovations of the late 1980s. Over 450 colour and black-and-white images compiled from magazine advertisements that date back to 1940 explore a half-century of athletic shoe design for track, football, soccer, baseball, basketball, running, tennis, and casual wear. Included are designs by Converse, Keds, Adidas, Nike, Puma, Reebok, and New Balance, among other companies. Fashion historians, designers, and sneaker fans will all love this exciting book.

During Queen Victoria's long reign there were constant, often subtle, changes to men's clothing in the large, diverse and growing population. This practical book guides you through the male fashions of the time and includes eighteen garments typical of the era. Each project is carefully grounded in historical research, while traditional tailoring techniques are simplified for the modern costume maker. It is an essential handbook that describes fabrics and tools for pattern drafting, tailoring and costume construction, and explains how to get the best results from each. It covers a wide variety of gentleman's attire adaptable for different occupations and social status, including assorted shirts, trousers, breeches, a tailcoat, a jacket, a frockcoat and several waistcoats. There is a full set of patterns for each outfit, along with clear, full colour construction photographs and finally, the author suggests how outfits can be adapted to fit different sizes and characters, and gives practical insights into the making process.

Bring new life to your old clothes and fabrics with this fun, easy-to-follow guide to modern mending. Across the globe, we send tonnes of clothing to landfills each year. In fact, clothing consumption in the UK and US is one of the highest in the world. But the good news is that mending is trending, and it's never been easier to repair and reinvent your favourite clothes. Inspired by the slow fashion movement that's taking the sewing world by storm, Erin Lewis-Fitzgerald has created a comprehensive guide to repairing your own clothes in a way that combines creativity and sustainability. In Modern Mending, she demystifies mending and shares step-by-step instructions for a range of techniques, including stitching, darning, patching, needle felting and machine darning. Furthermore, there's an invaluable "Troubleshooting" section at the end of each tutorial, as well as a "Quick-fix" section for buttons, snags, ladders and zippers, so no stone is left unturned in your mending process! So next time you tear your favourite jeans or find a hole in your jumper, think twice before throwing them away. With Modern Mending, you'll gain the skills and confidence needed to rebel against fast fashion, be less wasteful and more sustainable for years to come.

Fashionary has teamed up with idiosyncratic Danish artist and designer Henrik Vibskov to create its first ever pocket planner. As an artist, stage designer, musician and head of his fashion brand, Henrik Vibskov is an icon of the Scandinavian design industry, and now you can own an incredible fashion dictionary and notebook in his signature African print.

Fashion is intimately tied to the material world. With a focus on diverse cultural practices, this book offers new insights into the dynamic relationships between fashion, bodies, and material culture. In a series of original case studies, both historical and contemporary, the collection explores how fashion and clothing affect articulations of body and self, experiences of time and place, and the shaping of social and local/global relationships. With chapters from leading international scholars, Fashion and Materiality takes the reader from the study of clothing and biography, and an early modern "foreign dress" collection, to Chinoiserie clothing in 18th-century Europe and fast fashion production in today's China. The book also examines fashion's role in nation building, and entanglements between fashion and migration across clothing donations for Syrian refugees in Germany and the circulation of "refugee chic" on international fashion runways. Scrutinizing the dense connections between fashion, clothing, materiality, and humanity, the book shows how the material interacts forcefully with the personal and political.

Bringing together more than 100 items of clothing, this book reveals the intricacies of Japanese dress from the 18th century to the present. Including garments for women, men and children, the details have been selected both for their exquisite beauty and craftsmanship, and for how much they impart about the wearer's identity, be it age, status or taste. A comprehensive introduction, illuminating the main periods and key themes of Japanese fashion history, is followed by thematic chapters that cover all aspects of clothing, from hair accessories and necklines to hemlines and shoes. Each garment or object is accompanied by a short text exploring its structure and the fascinating range of decorative techniques employed, including embroidery, weaving, lacquering, stencilling, dyeing and digital technology. Specially commissioned detail photography and line drawings provide an invaluable resource for Japanophiles, students, collectors, designers and lovers of fashion and world dress.

We dress to communicate who we are, or who we would like others to think we are, telling seductive fashion narratives through our adornment. Yet, today, fashion has been democratized through high-low collaborations, social media and real-time fashion mediation, complicating the basic dynamic of identity displays, and creating tension between personal statements and social performances. Fashioning Identity explores how this tension is performed through fashion production and consumption,by examining a diverse series of case studies - from ninety-year old fashion icons to the paradoxical rebellion in 'normcore', and from soccer jerseys in Kenya to heavy metal band T-shirts in Europe. Through these cases, the role of time, gender, age memory, novelty, copying, the body and resistance are considered within the context of the contemporary fashion scene. Offering a fresh approach to the subject by readdressing Fred Davis' seminal concept of 'identity ambivalence' in Fashion, Culture and Identity (1992), Mackinney-Valentin argues that we are in an epoch of 'status ambivalence', in which fashioning one's own identity has become increasingly complicated.

'Miss Caroline Charles, aged 22 - youngest of the English designers whose fashions have captured New York - returns there to show her Spring collection. She is dark, beautiful and frail, with a small voice. But she is deceptive; she is made of iron; her energy is matched only by her persistence. Nothing will stop her. She is at the top now, and might stay there for 50 years.' John Gale, Observer Oct 25th 1964 Caroline Charles is one of London's most respected womenswear designers. She has developed her business over the past five decades and the label is sold and marketed throughout the world. Caroline Charles began in the world of fashion art school followed by a couture apprenticeship and a stint as a photographer's assistant; she then worked for Mary Quant and was inspired by couturiers as well as being a leading designer in the '60s youthquake and swinging London. Her first collections were kooky and fresh and included a white cotton dress made from a bedspread! Caroline Charles was one of the original designers to join what was later to become British Fashion Week. Caroline opened a shop in Beverly Hills in the '70s and in the '90s had many successes with shops and shows in Japan. Her clothes were quickly snapped up by celebrities, which over the years have ranged from Lulu, Marianne Faithful and Cilla Black as well as special suits being made for Mick Jagger and Ringo Star. Princess Diana became a regular client as did Emma Thompson who wore a Caroline Charles design to receive an Oscar. Caroline Charles has been invited over the years to be a design consultant to major brands such as Burberry and Marks and Spencer as well as having design collaborations with major accessories and textile companies. In the '90s Caroline Charles designed the official scarf to mark the 40th anniversary of the accession of the Queen. As she celebrated her own 40th anniversary, Caroline Charles was awarded an OBE for services to the British Fashion Industry. Celebrations followed at the Victoria & Albert Museum with another award from the British Fashion Council.

Guiding you through key fashion drawing and design techniques, this title contains self-explanatory drawings, photographs of the fashion model, together with artwork from international designers and illustrators, demonstrating the accepted design standards used in the fashion industry.

Enter an ultra-patriotic era of "military mood" fashions, replete in red, white, and blue. One in a series of books from Schiffer Publishing documenting fashion trends in America, this is an invaluable resource for fashion designers looking to revive and rework retro styles, for costume designers working to recreate an era, and for collectors and historians wanting to document vintage clothing. A visual treasure chest, this book offers more than 400 full-color photographs, with thousands of items of clothing, shoes, and accessories pictured, along with detailed descriptions. A guide to retail values for these items on today's market is featured as well.

THE SECOND VOLUME OF THE POPULAR STEAMPUNK STYLE SERIES!A gorgeously illustrated book of inspiration and projects to create for all Contraptors, Gizmologists and Primocogglers living the Steampunk lifestyle! Featuring gas masks, apparel, and step-by-step guides.

A Cultural History of Color in the Renaissance covers the period 1400 to 1650, a time of change, conflict, and transformation. Innovations in color production transformed the material world of the Renaissance, especially in ceramics, cloth, and paint. Collectors across Europe prized colorful objects such as feathers and gemstones as material illustrations of foreign lands. The advances in technology and the increasing global circulation of colors led to new color terms enriching language. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Amy Buono is Assistant Professor at the Wilkinson College of Arts, Humanities, and Social Sciences at Chapman University , USA. Sven Dupre is Professor of History of Art, Science and Technology at Utrecht University and the University of Amsterdam, The Netherlands. Volume 3 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

A Cultural History of Color in the Age of Industry covers the period 1800 to 1920, when the world embraced color like never before. Inventions, such as steam power, lithography, photography, electricity, motor cars, aviation, and cheaper color printing, all contributed to a new exuberance about color. Available pigments and colored products - made possible by new technologies, industrial manufacturing, commercialization, and urbanization - also greatly increased, as did illustrated printed literature for the mass market. Color, both literally and metaphorically, was splashed around, and became an expressive tool for artists, designers, and writers. Color shapes an individual's experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Alexandra Loske is Curator at the Royal Pavilion and Museums, Brighton, UK Volume 5 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf

Fashion is the most immediate and intimate form of self-expression. Faster than anything else, what we wear tells the story of who we are - or who we want to be. Yet even as fashion touches the lives of each and every one of us, it can seem mysterious. Who better to guide readers into the dizzying world of fashion than Frances Corner, Head of London College of Fashion and a leading expert on this rapidly expanding, increasingly global, always exciting industry? In 101 provocative entries Corner teases out the glorious intricacies and contradictions of an industry that simultaneously values technology and craft, timeless style and fast fashion, the bespoke and the mass-market, consumption and sustainability, cold-hard numbers and creative expression. From `Karl Lagerfeld and High-Tech Fur' to `The White Shirt' to `The One Trillion Dollar Business', each entry offers a unique avenue into fashion and its impact, both positive and negative, on lives around the globe. Accessible, instructive and hugely enjoyable, this book will be essential reading for anyone involved in fashion, business, education and beyond.

Praise for the previous edition: "[A] fascinating book." John Thackara, Doors of Perception "Provides the foundations for a radical new perspective." Ethical Pulse "At last a book that dispels the idea that fashion is only interested in trend-driven fluff: not only does it have a brain, but it could be a sustainable one." Lucy Siegle, Crafts Magazine Fully revised and updated, the second edition of Sustainable Fashion and Textiles: Design Journeys continues to define the field of design in fashion and textiles. Arranged in two sections, the first four chapters represent key stages of the lifecycle: material cultivation/extraction, production, use and disposal. The remaining four chapters explore design approaches for altering the scale and nature of consumption, including service design, localism, speed and user involvement. While each chapter is complete in and of itself, their real value comes from what they represent together: innovative ways of thinking about textiles and garments based on sustainability values and an interconnected approach to design. Including a new preface, updated content and a new conclusion reflecting and critiquing developments in the field, as well as discussing future developments, the second edition promises to provide further impetus for future change, sealing Sustainable Fashion and Textiles: Design Journeys as the must-buy book for fashion and textiles professionals and students interested in sustainability.

Uncovers the extraordinary breadth of designer Mariano Fortuny, including and beyond his fashion output, alongside the personal and political catalysts that inspired him Mariano Fortuny y Madrazo (1871-1949) was a polymath who experimented in a variety of media including electric lighting, stage design, photography, the development of pigments, and textile and garment design. Yet his vision as a painter, persistently attuned to light and color, shaped all his artistic endeavors. Fortuny: Time, Space, Light examines Fortuny's Venetian workspaces, clothing designs, stage lighting inventions, and paintings to find unifying themes of revivalism, memory, light, magic, and secrecy that run throughout his wide-ranging career. It features new archival discoveries, including unseen artworks and unpublished personal writings, as well as a new analysis of Fortuny's paintings, never-before discussed in an English-language publication. In addition to providing historical context and visual analysis of his work, the book delves into the relationships between Fortuny and Proust, Wagnerian opera, and Italian fascism. It also aims to illuminate more of Fortuny's personal motivations through new archival evidence and unpublished notes to explore how his object collection and library were used as catalysts for his innovative creations.

Terence Donovan was one of the foremost photographers of his generation - among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography. Alongside David Bailey and Brian Duffy, photographers of a similar working-class background and outlook, Donovan was a new force in fashion photography. Together, they captured and helped create the Swinging 60s. They socialized with celebrities and royalty, and found themselves elevated to stardom in their own right. Gifted with an unerring eye for the iconic image, Donovan was also master of his craft, a technical genius who pushed the limits of what was possible with a camera. And yet despite his fame and status, there has never been a publication devoted to his fashion work, for he allowed none to be released during his lifetime. Terence Donovan Fashion is thus the first time his fashion pictures have been collected together in book form. Arranged chronologically, from the gritty monochromatic 1960s and 1970s to the vibrant and colourful 1980s and 1990s, the book reveals how his constant invention and experimentation not only set him apart from his contemporaries, but also influenced generations to come. Contributions from some of the many designers, models and art directors who worked with him provide fascinating insights into his practice. Compiled by the artist's widow Diana Donovan and former art director of Nova magazine and Pentagram partner David Hillman, who worked closely with Donovan for over a decade, and including an illuminating text by Robin Muir, ex-picture editor of Vogue, and foreword by Grace Coddington, creative director of American Vogue and advisor to the project, Terence Donovan Fashion is indisputably a landmark in the history of fashion photography.

Haute couture often dazzles us with its precision, craftsmanship and the extravaganza inherent in it. Clothing items are made out of proportion; unique materials are used and everything is hand-finished. But, the Pret-a-porter collections of today comply with the classic principles of Haute Couture. The items shown on the catwalk should theoretically be wearable, but often in reality this is not entirely the case. Includes conversations with Angelo Flaccavento, Antonio Mancinelli, Alexander Fury, Colin McDowell, Farida Khelfa, Irene Silvagni, Natasha Fraser-Cavassoni, Nicole Phelps, Pierre Hardy, Robin Schulie, Rick Owens, Stephen Jones, Thom Browne, Tim Blanks, Vivienne Westwood, Yohji Yamamoto, Zandra Rhodes, Viktor & Rolf and many more Photographs and artworks by Ali Mahdavi, Anthony Maule, Brian Griffin, Daniel Jackson, Erik Madigan Heck, Fabien Baron, Francois Berthoud, Giampaolo Sgura, Jackie Nickerson, Kevin Tachman, Luigi & Iango, Michal Pudelka, Mikael Jansson, Miles Aldridge, Peter Lindbergh, Rene Habermacher, Txema Yeste, Sebastian Kim, Sheila Metzner and others.

Malene Birger is the epitome of creativity, timelessness, and eclectic style. Whether as a fashion designer and founder of her brands - the latest being By Malene Birger - or as an interior designer, until now only expressed in her own homes and offices - Birger's love for uncompromising design and traditional craftsmanship is in evidence everywhere. In her newest book, Move and Work, this self-proclaimed nomad, who searches around the world for inspiration, grants an exciting insight into her three homes that amaze with their limitless wealth of design ideas. She additionally provides an exclusive preview of her new showroom in Copenhagen for her design and interiors firm Birger1962. This creative studio is dedicated to design, interiors, and art and provides others with a source of inspiration on how to redecorate and rearrange their own homes and spaces. Thanks to numerous personal and professional moves, Malene Birger is the best example of how to create new environments using one's existing furniture while moving forward and adding new expressions. Her houses are a perfect mix of old and new, craftsmanship, modernity, art, and influences from other cultures. Malene Birger lived in Mallorca for 6 years and moved to London in 2013, where she is now personally and professionally based. Text in English, German, French and Spanish.

More than 300 colorful photos and behind-the-scenes details reveal the fascinating story of Japan's cotton and indigo, and their enormous contribution to fiber arts worldwide. Learn how Japan and its top fabric designers, quilters, scientists, and artists combine tradition and high tech to weave the thread, fabrics, and stunning designs that are so coveted in today's fiber art world. Take a tour of Japan's elite textile printing mills to understand why Japan is considered the world's finest producer of quilting cotton. Learn where all this cotton comes from, and its close connection to another prized plant, indigo. Dozens of beautiful fabric designs and quilts by Shizuko Kuroha, Keiko Goke, Yoshiko Jinzenji, Yoko Saito, and others are featured, as well as cotton and indigo folk textiles through the ages. This journey gives a deeper understanding of the connection between contemporary textile art and Japan's cotton, indigo, and traditions.

Foreword by Anya Hindmarch Decade by decade, the lavishly illustrated Vintage Handbags recounts over 100 years of handbag history, from Elsa Schiaparelli's mesh bags for Whiting & Davis in the 1920s through the Hermes Kelly bag in the 1950s to the Fendi Baguette of the 1990s. Accompanied by archive images, fashion photography and specially commissioned photographs of period pieces, the most collectible and beautiful handbags are showcased. An invaluable and visually stunning reference, the book explores the key designers, technical developments and cultural influences that shaped handbag design, revealing exquisite and groundbreaking work from such luminaries as Salvatore Ferragamo, Coco Chanel, Hermes, Fendi, Bonnie Cashin and Judith Leiber.

Bestselling author Claire Shaeffer teaches you everything you need to know to plan and sew the perfect jacket. Based on couture techniques learnt from master tailors, this book begins with the equipment, materials, design elements, and sewing and construction techniques used in all types of tailoring. Part Two provides an illustrated step-by-step guide to making a couture jacket, explaining all the design options and alternative methods for making every element including collars, sleeves and pockets. Couture Tailoring includes over 800 step-by-step illustrations throughout, over 200 photographs of couture jackets by Chanel, Dior, Yves Saint Laurent and more than 100 couture tips. Any aspiring tailor must have this book in their fashion library.

Exam board: AQA Level: A-level Subject: Design and Technology First teaching: September 2017 First exams: Summer 2019 Target success in AQA A-level Fashion and Textiles with our proven formula for effective, structured revision; key content coverage of both papers - Technical Principles and Designing and Making Principles - is combined with exam-style tasks and practical tips to create a revision guide that students can rely on to review, strengthen and test their knowledge. With My Revision Notes, every student can: - Plan and manage a successful revision programme using the topic-by-topic planner - Consolidate subject knowledge by working through clear and focused content coverage - Improve exam technique, including interpretation and application, through practice questions, sample answers and exam tips

POP! Design, Culture, Fashion 1955-1976 explores the impact of music, art and personality on the development of the design and fashion of the times. Published to accompany an exhibition at the Fashion and Textile Museum, London, July - October 2012. Pop! Design, Culture, Fashion 1956-1976 covers all aspects of Pop design in Britain and America, from early rock 'n' roll to punk. It looks at record covers and packaging designs by Pop artists such as Andy Warhol, Peter Blake and Richard Hamilton, and the work of fashion designers such as Mary Quant, Barbara Hulanicki from Biba, Vivienne Westwood and John Stephen of Carnaby Street fame, as well as their contemporaries in America such as Betsey Johnson of Paraphernalia. Pop graphics are also covered, from the psychedelic posters of Alan Aldridge, and the design collective 'Hapdash and the Coloured Coat' to rock posters from San Francisco and the west coast of America. There are also reproductions of rarely-seen underground magazines such as Oz, Gandalf's Garden, l' Actuel and the International Times. The ephemeral nature of much of Pop design is explored - from paper furniture and 'throwaway' paper dresses, to longer-lasting trends such as Union Jack clothing, metal badges, machine-embroidered denim, printed t-shirts and tin badges. The book also looks at the work of 'Them', an influential group of 'Baroque Pop' designers who coalesced around Zandra Rhodes in the early 70s, and ends with the anti-design of punk fashion by Vivienne Westwood, and the self-proclaimed 'horrible by design' punk graphics of Jamie Reid. Whilst there have been innumerable books on the Swinging Sixties, and on Pop Art, this is the first book to look at Pop design over a twenty year span, and to examine the interconnected nature of so many elements of the phenomenon such as books and magazines, music, film, fashion and graphic art. It is also unique in that the illustrations are not sourced from the usual magazine archive images, but are photographs of the artefacts themselves, from Elton John's waistcoat, embroidered with suns, stars and rainbows, to Twiggy coathangers, psychedelic book covers and every teenager's must-have item: 'Glo Glo boots for Go Go girls'. Geoff Rayner and Richard Chamberlain are experts in post-war design, specialising in the history of textiles. They have curated a number of exhibitions, and written (with Annamarie Stapleton) several books most recently Artists' Textiles 1945-76ISBN: 9781851496297 (published by Antique Collectors' Club, 2012).