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Books > Arts & Architecture > Industrial / commercial art & design > Fashion design
This textbook describes the structure of the industry in the UK and
globally, and explains the current problems and strategic responses
to global shifts in production. The new edition has been updated
throughout to include the lastest available data, and takes account
of the acceleration of the decline of manufacturing in the UK since
2002, the rapid expansion of production in China, and the final
demise of the system of quota control.
Beads have been a fascinating method for embellishing fashion since ancient cultures sought personal adornment. The twentieth century has seen some of the most innovative, colorful, and wonderful uses for beading as an enhancement in apparel, and, recently, beads have come into fashion as never before. Both vintage and recent costume are desirable as much, if not more, for their beading as for the overall design. This lavishly illustrated book includes chapters on the history, techniques, preservation, and collecting of beads in the world of fashion. With 534 beautiful color photos, a detailed text, captions, value guide, index, and bibliography, it is the first to cover both vintage and recent costume and accessories in one volume. With clothing by designers, ranging from Fortuny and Mackie to unknowns, this volume will delight anyone in the field of fashion.
Aimed at fashion designers, Fabric for Fashion:The Complete Guide is unique in explaining the behaviour, properties and sustainability impacts of a wide range of natural and man-made fabrics. Design is determined by how fabrics work, move, feel and look. Increasingly and out of necessity, design is also led by how fabric choices affect our planet and its inhabitants. The most successful fashion designers are those who truly understand their materials, who match design skill with technical knowledge. This book offers guidance by providing a mix of practical information, including industry vocabulary, and a wealth of stunning visual examples showing how designers, both past and present, have worked with textiles. Highlights of this new edition include additional chapters on: - Sustainable fabrics and fashion - Smart fabrics - Product development - Biosynthetic fibres
Fashion fanatics with a passion for the past will find a smorgasbord of wearable oldies in this new study by an expert in twentieth century fashion. Focusing on the great styles that emerged from the diverse eras between 1925 and 1965, the text places the clothing in its cultural habitat while more than 350 beautiful color photographs demonstrate the quality fabrics, dynamic designs, and careful workmanship that made the clothing last, both in condition and popularity. Chapters cover couture designers whose vintage clothes can be found on the market today, with chronologically arranged coats, suits, dresses, lingerie, handbags, shoes, and hats. The hats chapter has a unique and especially useful pictorial dating guide. Vintage Style was written for museum curators and preservationists, students and fashion designers, dealers, collectors, costumers, and reenactors-everyone who lives for fashion!
Enter an ultra-patriotic era of "military mood" fashions, replete in red, white, and blue. One in a series of books from Schiffer Publishing documenting fashion trends in America, this is an invaluable resource for fashion designers looking to revive and rework retro styles, for costume designers working to recreate an era, and for collectors and historians wanting to document vintage clothing. A visual treasure chest, this book offers more than 400 full-color photographs, with thousands of items of clothing, shoes, and accessories pictured, along with detailed descriptions. A guide to retail values for these items on today's market is featured as well.
Character Sketch outlines a theory of costume rendering that explores how a designer conceptualizes and creates a character on the page. Beginning with how to develop a sense of character through active, gestural poses, this book explores and explains the process of drawing and painting from rough sketch to finished rendering. Helen Q. Huang , an award-winning costume designer for more than 25 years, breaks down her process, from understanding body proportions and active poses to applying research and color concepts to renderings. Her step-by-step watercolor painting techniques cover mixing skin tones, blending colors, and applying paint in different methods for a variety of fabric textures and patterns. Showcasing how to capture a character on the page, Character Sketch is a must-read for any costume designer looking to communicate their artistic vision.
This fresh new book offers an intimate look at shoe styles. More than 550 color photographs reveal foot fashion favorites and their correlation to ever-changing social factors. No other item of apparel is so closely related to the senses as shoes: the scent of leather, the click of a stiletto, the softness of a satin bedroom slipper. Is it any wonder that today shoe lovers form collector clubs, produce shoe videos, and organize sneaker subculture events? But what makes a shoe collectible-design? workmanship? celebrity association? Savor past designs and glimpse the future of shoe styles through the work of avante-garde designers John Fluevog and Danny Sullivan. The glossary, index, and value guide assist archivists, researchers, clothing dealers, designers, and dedicated shoe hounds.
This book reveals the impact of wartime and austerity on British fashion and tells the story of how a spirit of patriotism and make-do-and-mend unleashed a wave of new creativity among women who were starved of high fashion by shortages and rationing. Many home dressmakers copied the high-end looks, and women involved in war work created a whole new aesthetic of less formal street wear. Fashion in the 1940s also shows how the Second World War shifted the centre of the international couture scene away from Paris, allowing British designers to influence Home Front style. Afterwards Paris fashion was re-born with Dior's extravagant New Look, while casual American trends were widely adopted by young British women and men.
When presenting projects in competitive design environments, how you say something is as important as what you're actually saying. Projects are increasingly complex and designers are working from more sources, and many designers are familiar with the struggle to harness this information and craft a meaningful and engaging story from it. Telling the Design Story: Effective and Engaging Communication teaches designers to craft cohesive and innovative presentations through storytelling. From the various stages of the creative process to the nuts and bolts of writing for impact, speaking skills, and creating visuals, Amy Huber provides a comprehensive approach for designers creating presentations for clients. Including chapter by chapter exercises, project briefs, and forms, this is an essential resource for students and practicing designers alike.
This vibrant new survey sets the agenda both for fashion photography and inspirational and innovative image-making in the decade ahead. Leading curator and writer Magdalene Keaney has selected over thirty photographers the emerging talents that hold the prospect of creating enduring fashion images and influencing the cultural and style trends of tomorrow. The world of fashion is obsessed with freshness and youth, and Fashion Photography Next embraces that obsession, looks beyond what is now. From Axel Hoedt s bold graphic experimentation to color-saturated, hyperreal images by Daniel Jackson or the cool, neutral aesthetic of Hanna Putz, the work is diverse, sometimes shocking, utterly memorable. Profiles and critiques of thirty of the hottest careers in fashion photography, an Introduction that considers the evolution of the art form, and provocative images that speak for themselves, make Fashion Photography Next the roster of rising stars for the industry to watch and aspiring photographers to emulate. "
In this classic book, Norah Waugh explores the changing shapes of women's dress from the 1500s to the 1920s. Simple laced bodices became corsets of cane, whalebone and steel, while padding at shoulders and hips gave way to the structures of farthingales, hoops and bustles. Corsets and Crinolines explains the cyclical nature of these fashions, and how waists and skirts changed shape and size through three distinct eras: The 1500s to 1670-farthingales and whaleboned bodies. 1670 to 1800-Stays and hooped petticoats. 1800 to 1925-corsets, crinolines and bustles. Each section describes how these garments originated, how they became popular and how they emerged as central to the fashions of the time. Extracts from diaries, journals, poems and newspapers, as well as over 100 illustrations, demonstrate the variety of these ubiquitous items of clothing throughout modern history. Corsets and Crinolines also contains a wealth of practical notes and resources for today's costume makers and designers, including: Scaleable patterns for the construction of 25 different bustles, crinolines, corsets, corselets, stays, pocket hoops, hooped petticoats and bodices. Detailed appendices on the manufacture of corsets and crinolines, including farthingales, supports and hooped petticoats. A list of further reading, including costume histories; textile and weaving histories; reconstruction of period clothing; contemporary application of foundational garments; and a list of museums and institutions with period clothing collections, for first-hand study. A glossary of terms and materials.
We know that way we dress says a lot about us. It's drilled into us by our parents as children, as adults throughout our working lives, and eternally from the culture surrounding us. Our dress tells the outside world of the culture and era we come from to our social status within that culture. Our dress can be telling of our political views, religious beliefs, sexuality and countless other identifying traits that we can keep hidden or show to the world by our choice of what to wear when heading venturing out. This was absolutely true, famously so, in the Victorian Era in which men and women alike wore their status on their often lavish, embellished sleeves. In her new book, Dr. Madeleine Seyes explores Victorian culture through the lens of fashion in her new book, Double Threads: Fashion and Victorian Popular Literature, which sits at the intersection of the fields of Victorian literary studies, dress and material cultural studies, feminist literary criticism, and gender and sexuality studies.
Containing the stories of four legendary fashion houses, this collectable box holds a beautiful set of covetable style guides. Exploring four designers who exemplify elegance and high couture, these little books of fashion follow these brands from their creation, moving through their style evolutions, the key looks that define them and their impact on the fashion landscape today. Discover the story behind the Birkin with the Little Book of Hermes, the creation of red carpet elegance with Valentino, the construction of architectural masterpieces with Balenciaga and the complete re-imagination of the iconic brand with Chanel by Lagerfeld. Featuring hundreds of exquisite images and text by best-selling authors, these definitive guides to luxury style are the perfect gift for any fashion lover.
This fourth edition of "Metric Pattern Cutting for Children's Wear and Babywear" remains the standard text book but has three majorimprovements. First, the sections have been re-organised to reflect changes in producing and marketing children's clothes. Today's popularity of easy-fitting styles and knitted fabrics means that basic "'flat' pattern" "cutting" is used to construct the majority of children's wear and babywear and this type of cutting is therefore emphasised in this new edition. Shaped blocks and garments, cut to fit the body form, are still included, and are placed in chapters covering some school uniform garments or more expensive fashion or formal clothes. The book now clearly separates the sections useful to student beginners (Parts One, Two and Three), and also offers more advanced or specialist sections for students who wish to pursue a career in children's wear or for designers working in the different manufacturing sectors of the trade. The second change in this fourth edition is the introduction of colour coding to the sections; this makes it easier to identify specific processes in the book and enhances the illustrations. Finally, the size charts have been revised to reflect the changes in body sizing. The clear division of the boys' and girls' measurements in the charts has been in response to the way clothes are marketed and to co-ordinate with European size charts. 'Plus' charts for heavier children have also been added.
Imagine stepping into someone else's shoes. Walking back in time a century ago, which shoes would they be? A pair of silk sensations costing thousands of pounds designed by Yanturni of Paris, or wooden clogs with metal cleats that spark on the cobbles of a factory yard? Would your shoes be heavy with mud from trudging along duckboards between the tents of a front-line hospital or stuck with tufts of turf from a football pitch? Would you be cloaked in green and purple, brandishing a 'Votes for Women' banner, or would you be respectably dressed, restricted by your thigh-length corset? Great War Fashion opens the wardrobe of women in the years before the outbreak of war to explore the real woman behind the stiff, mono-bosomed ideal of Edwardian society, and closes it on a new breed of women who have donned trousers and overalls to feed the nation and work in munitions factories and who, clad in mourning, have loved and lost a whole generation of men. The journey through Great War Fashion is not just about the changing clothes and fashions of the war years - it is a journey into the lives of the women who lived under the shadow of war and were irrevocably changed by it. Using material from her own extensive collection, renowned costume expert Lucy Adlington brings an inspiring generation of women to life with rare and stunning images alongside a narrative that is both deeply poignant and laugh-out-loud funny.
Fashion is the most immediate and intimate form of self-expression. Faster than anything else, what we wear tells the story of who we are - or who we want to be. Yet even as fashion touches the lives of each and every one of us, it can seem mysterious. Who better to guide readers into the dizzying world of fashion than Frances Corner, Head of London College of Fashion and a leading expert on this rapidly expanding, increasingly global, always exciting industry? In 101 provocative entries Corner teases out the glorious intricacies and contradictions of an industry that simultaneously values technology and craft, timeless style and fast fashion, the bespoke and the mass-market, consumption and sustainability, cold-hard numbers and creative expression. From `Karl Lagerfeld and High-Tech Fur' to `The White Shirt' to `The One Trillion Dollar Business', each entry offers a unique avenue into fashion and its impact, both positive and negative, on lives around the globe. Accessible, instructive and hugely enjoyable, this book will be essential reading for anyone involved in fashion, business, education and beyond.
This exciting new Japanese stitch dictionary is from popular designer Yoko Hatta--the founder and driving force behind the Kazekobo Studio. Though this is her first book in English, her work already has an extensive following in Western countries--more than 1,000 of her designs can be seen on Ravelry.com. Hatta is one of several Japanese knitters whose patterns and designs have sparked an explosion of interest in Japanese knitting techniques and aesthetics around the world. Her work in knitwear design spans more than thirty years, and knitters love her modern-yet-timeless, fun-yet-classy styles. This book presents her 200 favorite Kazekobo stitch patterns--a delightful selection of multipurpose knit-and-purl, lace, cable, Aran and rib & twist stitches in solids and motifs. Sample projects give knitters a chance to practice Hatta's techniques. These include: Mini mufflers using knit-and-purl stitches A cozy scallop-edged scarf using lace stitches A beautifully textured pair of mittens using cable and Aran stitches A stylish and sturdy pair of two-tone socks using rib and twist stitches Experienced knitters will find a wealth of unique patterns just waiting to be brought to life. A guide to the basic symbols shows how to knit the stitches, step-by-step. Originally published in Japanese by Nihon Vogue, whose books have brought the designs of artists such as Hitomi Shida, Keiko Okamoto and others to knitters around the world, this book will be a much-anticipated addition to every knitter's library.
Special Make-Up Effects concentrates on the genre of horror
characters and other special creations (fantasy, sci-fi, etc),
giving tips about the materials, techniques, and 'tricks of the
trade' necessary to create unique make-up effects.
Back in print, expanded, and revised, the second edition of Navajo Pictorial Weaving is devoted to all categories of antique Navajo pictorial weaving. The second edition includes 92 new images of weavings discovered in the last three decades, many never before published or exhibited. Through these nearly 300 photos and short texts, both the novice and advanced collector can reach a better understanding of the enigmatic and unusual body of Navajo pictorial weaving. Also featured is a one-of-a-kind comprehensive chart of the Navajo ceremonial system. Offering the newest discoveries, this treasury reemphasizes that Navajo pictorial weaving is a truly American folk art. Significant pictorials are organized into eight chapters covering all major categories, including these and many others: "Birds, Flora, Fauna & Livestock," "Transportation, Technology, the Railroad and Its Influence," "Yeis, Yeibichais, and Corn Yeis," and "Kachinas, Masks, and Images from the Hopi."
In the 1980s David Thomas was an unemployed plumber with a seemingly impossible dream: to become a fashion stylist. He ran away to London, landed a job selling cassettes in Tower Records, spent weekends and evenings washing dishes and working as a lavatory attendant, and every spare moment hammering on the doors of fashion editors until one of them opened a tiny crack. As well as telling the touching and funny story of the "Billy Elliot of fashion's" bumpy ride to success, Vanity Project examines the fascinating relationship between the fairytale worlds fashion and celebrity. It describes how the discipline of styling has evolved from the 1980s to now, from the streets of London to the red carpets of Hollywood. This story is told largely in the words of those in the front row seats: actors, musicians, designers, photographers, editors, directors, artists, and music business power brokers. In short, people who have shaped popular culture over more than three decades. This beautifully designed book features more than 300 iconic images - photographs, sketches, magazine covers, Polaroids, iPhone snaps, and press cuttings - that illustrate the creative process from the mind of the stylist and the client's brief to the end result. The rich visual archive is brought right up to date with a specially commissioned portfolio of never-before-seen portraits by some of the world's leading contemporary photographers. Vanity Project is a tale of stars, of clothes, and of the skill and sweat that goes into creating those glittering moments on stage and screen. Above all, it's the story of how, with the right kind of help and belief, one boy's dream came true. The publisher will donate 10% of the cover price to The Prince's Trust. The total amount donated to The Prince's Trust is expected to be GBP5 per book. The Prince's Trust is a registered charity incorporated by Royal Charter in England and Wales (1079675) and Scotland (SC041198).
When Hong Kong entrepreneur David Tang opened his Shanghai Tang boutique on New York's Madison Avenue, it was not an isolated example of the globalization of Asian fashion. Further evidence is written on the labels in our closets, and paraded in the form of salwaar-kameez and silk sarongs by the rich and famous of London. The phenomenon merits scrutiny. This vanguard attempt points to the colonial era as the origin of fashion globalization, and describes its development as paralleling the gradual take-over of Asian daily wear by Western dress. From indigenous Batak weavers to Hong Kong designers, and from Indonesian businesswomen's power suits to Korean feminists' national costume, this book explores the sartorial interface of East and West.The globalization of Asian dress needs to be understood as part of an ongoing Orientalism that construes Asia as a feminine Other to the masculine West. The conventional Orientalist definition of fashion as an exclusively Western phenomenon has proved self-fulfilling in both East and West so that the conceptual boundary between the two is continually reasserted by design. Paying close attention to Asians' decisions about what clothing to make, sell, buy, and wear, the case studies in this book challenge Orientalist stereotypes of Asian style as passive and traditional and highlight how these actions are often made invisible by global cultural, rhetorical, and material practices that feminize Asia and the fashion world. This timely book will be of interest to dress and fashion theorists, anthropologists, sociologists, historians, art historians and all those interested in globalization, Orientalism and their effects.
In this new addition to the Pattern Magic series from Japan, Tomoko Nakamichi teaches you how to sculpt with fabric, creating beautiful shapes, waves and accents. Next, she looks at creating dynamic movement in garments, using ruffles, shirring and precise, sharply pleated lines. All the measurements and scaling information you need to start pattern making is included. As throughout the series, all the patterns are based on a basic block, supplied in the book. Thorough step-by-step instructions and diagrams will ensure that your own patterns translate beautifully to your choice of garment, while photographs of the finished garments will inspire you to create your own designs.
In The Design Process, Fourth Edition author Karl Aspelund takes readers on a guided tour through the seven stages of design: from the initial Inspiration to Identification, Conceptualization, Exploration/Refinement, Definition/Modeling, Communication, and all the way through Production. This book focuses on developing a solid foundation in design critical thinking, no matter the discipline. The author highlights the all important factors of sustainability, teamwork, and how to best communicate with client or manufacturer. Each chapter is followed by an exercise that allows you to work on one full cross-disciplinary project continuously from brainstorm to a physical product. The appendices provide key references to further readings, artist profiles, design elements and principles, trend analysis, and history of modern design (from the 1800s through to the 21st century). This is the perfect book to make your design dreams into design reality. New to This Edition: -Updated examples, exercises, bibliography, and timelines -Revised coverage of sustainability reflects the newest findings in the field -New and revised Perspectives offer real life examples from artists and designers across fashion, interior design, public arts projects, and industrial and consumer products Instructor Resources -Instructor's Guide provides suggestions for planning the course and using the text in the classroom, supplemental assignments, and lecture notes -Test Bank includes sample test questions for each chapter -PowerPoint (R) presentations include images from the book and provide a framework for lecture and discussion STUDIO Includes: -Study smarter with self-quizzes featuring scored results and personalized study tips |
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