A beautifully illustrated journey through the history of travel-and traveling in style-from one of the world's preeminent fashion brands The mid-19th and early 20th centuries heralded new means of transport and equipment and, with them, new and original ways of exploring the world. Transatlantic liners, automobiles, long-haul airplanes, zeppelins, and express trains unfurled new horizons and changed travel itself into an adventure. Distant lands were no longer solely accessible to aristocrats, explorers, and adventurers. Instead, the world opened up to new groups of people eager to circumvent the globe. And for many of these new globetrotters, traveling was synonymous with Louis Vuitton, the French label whose iconic and functional luggage trunks could be found on nearly every boat, plane, car, and train around the world. In this beautiful book, author Francisca Matteoli recounts 50 tales of thrilling travel undertaken in every possible mode of transit, from the hot air balloon to the space shuttle, each lavishly illustrated with more than 300 historical photographs and ephemera from Louis Vuitton's official archives. Louis Vuitton: Extraordinary Voyages is a journey all its own-an evocative and transporting account of the most surprising and transformative trips taken since the 19th century.

Chanel suits, Louis Vuitton bags and Omega watches are now objects that embody a globalized material culture. Over the past 30 years, the luxury goods industry has undergone a tremendous expansion around the world. However, it remains largely dominated by European companies, ranging from diversified conglomerates such as LVMH and Richemont to independent companies such as the Italian fashion houses Armani and Ermenegildo Zegna, and industrial groups like Swatch and L'Oreal or new start-ups such as Richard Mille. How and why did these companies succeed? How did they manage to transform a sector previously dominated by small family firms into a global big business? Selling Europe to the World presents the development of the global luxury goods industry from the 1980s to the present day. It highlights the strategies implemented by a new generation of entrepreneurs and explains, beyond the glamorous image conveyed by luxury brands, the sources of success of these firms. An essential book for understanding the success of the contemporary luxury industry.

British Fashion Design explores the tensions between fashion as art form, and the demands of a ruthlessly commercial industry. Based on interviews and research conducted over a number of years, Angela McRobbie charts the flow of art school fashion graduates into the industry; their attempts to reconcile training with practice, and their precarious position between the twin supports of the education system and the commercial sector. Stressing the social context of cultural production, McRobbie focuses on British fashion and its graduate designers as products of youth street culture, and analyses how designers from diverse backgrounds have created a labour market for themselves, remodelling `enterprise culture` to suit their own careers.

This title was first published in 2002. To date, studies explaining decorative practice in the early modernist period have largely overlooked the work of women artists. For the most part, studies have focused on the denigration of decorative work by leading male artists, frequently dismissed as fashionably feminine. With few exceptions, women have been cast as consumers rather than producers. The first book to examine the decorative strategies of late nineteenth- and early twentieth-century women artists, Women Artists and the Decorative Arts concentrates in particular on women artists who turned to fashion, interior design and artisanal production as ways of critically engaging various aspects of modernity. Women artists and designers played a vital role in developing a broad spectrum of modernist forms. In these essays new light is shed on the practice of such well-known women artists as May Morris, Clarice Cliff, Natacha Rambova, Eileen Gray and Florine Stettheimer, whose decorative practices are linked with a number of fascinating but lesser known figures such as Phoebe Traquair, Mary Watts, Gluck and Laura Nagy.

The 1910s and 1920s witnessed an outpouring of luxury publications that used a hand-stencilling technique known as pochoir (French for 'stencil'). The highly refined and painterly technique, which consists of applying layers of gouache paint or watercolour to achieve bold blocks of saturated colour, produced works of visual artistry formerly unrivalled in the history of illustration, and it became the medium of choice for avant-garde couturiers seeking to stand apart and cultivate an elite readership. Organized chronologically by publication and showcasing a carefully curated selection of the most exceptional illustrations from couture albums and high-end magazines, Fashion and the Art of Pochoir is the definitive tribute to the artists and couturiers who first united to redefine luxury, inaugurating the enduring alliance between fashion and art, from Schiaparelli and Dali to Vuitton and Murakami today. Closing with biographical notices of illustrators and fashion designers, it offers a unique chance for illustrators, artists, designers and fashion enthusiasts to discover the rarely seen images that defined a short but magnificent golden age.

Sought-after, sophisticated and versatile, the Hermes carre is wearable art that never goes out of fashion. Unveiling the history and artistry of the brand's silk accessory from the first designs in the early twentieth century to today, this fashion story includes a detailed behind-the-scenes look at the artisanship involved at the company's ateliers in France, as well as reviews on different scarf designs, colour palettes, dates of issue and rarity (the 'Grail' scarves). The book includes the collaborators who have helped in the creation of over 2,000 designs, including limited editions, anniversary and tribute scarves, with highlights from renown artists and illustrators such as Hugo Grygkar, Philippe Ledoux, Kermit Oliver and Annie Faivre (who hides a monkey in her designs). Here you will discover the fashion of scarf styles throughout the decades, how to wear and tie a scarf, and the scarf in film and popular culture, along with those who made the Hermes carre a hallmark of their own - such as Queen Elizabeth II, Grace Kelly and Jackie Kennedy Onassis.

From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis.
Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses:
* haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier
* the eroticism of period costume in films such as The Piano and The Age of Innocence
* clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction
* generic male chic in Goodfellas, Reservoir Dogs, and Leon
* pride, costume and masculinity in `Blaxploitation' films, Boyz `N The Hood and New Jack City
* drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.

eBook available with sample pages: HB:0415139562

From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis.
Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses:
* haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier
* the eroticism of period costume in films such as The Piano and The Age of Innocence
* clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction
* generic male chic in Goodfellas, Reservoir Dogs, and Leon
* pride, costume and masculinity in Blaxploitation' films, Boyz N The Hood and New Jack City
* drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.

This textbook describes the structure of the industry in the UK and globally, and explains the current problems and strategic responses to global shifts in production. The new edition has been updated throughout to include the lastest available data, and takes account of the acceleration of the decline of manufacturing in the UK since 2002, the rapid expansion of production in China, and the final demise of the system of quota control.
Essential subject for students at undergraduate and postgraduate levels.
An expert guide to a bewilderingly complex industry.
No competition.
Addresses global issues, the opportunities and threats, with strategies for survival.
Author is Editor of "International Journal of Fashion Marketing and Management."

Beads have been a fascinating method for embellishing fashion since ancient cultures sought personal adornment. The twentieth century has seen some of the most innovative, colorful, and wonderful uses for beading as an enhancement in apparel, and, recently, beads have come into fashion as never before. Both vintage and recent costume are desirable as much, if not more, for their beading as for the overall design. This lavishly illustrated book includes chapters on the history, techniques, preservation, and collecting of beads in the world of fashion. With 534 beautiful color photos, a detailed text, captions, value guide, index, and bibliography, it is the first to cover both vintage and recent costume and accessories in one volume. With clothing by designers, ranging from Fortuny and Mackie to unknowns, this volume will delight anyone in the field of fashion.

Pattern Magic is the cult pattern-cutting book from Japan. Taking inspiration from nature, from geometric shapes and from the street, this book harnesses the sheer joy of making and sculpting clothes. The book takes a creative approach to pattern cutting, with step-by-step projects for fashion designers and dressmakers to enjoy. All the basic information you need to start pattern cutting is included, from the basic block to measurements and scaling. Each project is beautifully illustrated with clear diagrams and photographs showing the stages of construction, the toiles and the finished garments. These easy-to-follow illustrations and detailed instructions make it easy to create stunning, sculptural clothes with a couture look.

Aimed at fashion designers, Fabric for Fashion:The Complete Guide is unique in explaining the behaviour, properties and sustainability impacts of a wide range of natural and man-made fabrics. Design is determined by how fabrics work, move, feel and look. Increasingly and out of necessity, design is also led by how fabric choices affect our planet and its inhabitants. The most successful fashion designers are those who truly understand their materials, who match design skill with technical knowledge. This book offers guidance by providing a mix of practical information, including industry vocabulary, and a wealth of stunning visual examples showing how designers, both past and present, have worked with textiles. Highlights of this new edition include additional chapters on: - Sustainable fabrics and fashion - Smart fabrics - Product development - Biosynthetic fibres

Fashion fanatics with a passion for the past will find a smorgasbord of wearable oldies in this new study by an expert in twentieth century fashion. Focusing on the great styles that emerged from the diverse eras between 1925 and 1965, the text places the clothing in its cultural habitat while more than 350 beautiful color photographs demonstrate the quality fabrics, dynamic designs, and careful workmanship that made the clothing last, both in condition and popularity. Chapters cover couture designers whose vintage clothes can be found on the market today, with chronologically arranged coats, suits, dresses, lingerie, handbags, shoes, and hats. The hats chapter has a unique and especially useful pictorial dating guide. Vintage Style was written for museum curators and preservationists, students and fashion designers, dealers, collectors, costumers, and reenactors-everyone who lives for fashion!

Enter an ultra-patriotic era of "military mood" fashions, replete in red, white, and blue. One in a series of books from Schiffer Publishing documenting fashion trends in America, this is an invaluable resource for fashion designers looking to revive and rework retro styles, for costume designers working to recreate an era, and for collectors and historians wanting to document vintage clothing. A visual treasure chest, this book offers more than 400 full-color photographs, with thousands of items of clothing, shoes, and accessories pictured, along with detailed descriptions. A guide to retail values for these items on today's market is featured as well.

Character Sketch outlines a theory of costume rendering that explores how a designer conceptualizes and creates a character on the page. Beginning with how to develop a sense of character through active, gestural poses, this book explores and explains the process of drawing and painting from rough sketch to finished rendering. Helen Q. Huang , an award-winning costume designer for more than 25 years, breaks down her process, from understanding body proportions and active poses to applying research and color concepts to renderings. Her step-by-step watercolor painting techniques cover mixing skin tones, blending colors, and applying paint in different methods for a variety of fabric textures and patterns. Showcasing how to capture a character on the page, Character Sketch is a must-read for any costume designer looking to communicate their artistic vision.

This fresh new book offers an intimate look at shoe styles. More than 550 color photographs reveal foot fashion favorites and their correlation to ever-changing social factors. No other item of apparel is so closely related to the senses as shoes: the scent of leather, the click of a stiletto, the softness of a satin bedroom slipper. Is it any wonder that today shoe lovers form collector clubs, produce shoe videos, and organize sneaker subculture events? But what makes a shoe collectible-design? workmanship? celebrity association? Savor past designs and glimpse the future of shoe styles through the work of avante-garde designers John Fluevog and Danny Sullivan. The glossary, index, and value guide assist archivists, researchers, clothing dealers, designers, and dedicated shoe hounds.

It was a scene that had many names: some original members referred to themselves as punks, others, new romantics, new wavers, the bats, or the morbids. "Goth" did not gain lexical currency until the late 1980s. But no matter what term was used, "postpunk" encompasses all the incarnations of the 1980s alternative movement. "Some Wear Leather, Some Wear Lace "is a visual and oral history of the first decade of the scene. Featuring interviews with both the performers and the audience to capture the community on and off stage, the book places personal snapshots alongside professional photography to reveal a unique range of fashions, bands, and scenes.
A book about the music, the individual, and the creativity of a worldwide community rather than theoretical definitions of a subculture, "Some Wear Leather, Some Wear Lace" considers a subject not often covered by academic books. Whether you were part of the scene or are just fascinated by different modes of expression, this book will transport you to another time and place.

When presenting projects in competitive design environments, how you say something is as important as what you're actually saying. Projects are increasingly complex and designers are working from more sources, and many designers are familiar with the struggle to harness this information and craft a meaningful and engaging story from it. Telling the Design Story: Effective and Engaging Communication teaches designers to craft cohesive and innovative presentations through storytelling. From the various stages of the creative process to the nuts and bolts of writing for impact, speaking skills, and creating visuals, Amy Huber provides a comprehensive approach for designers creating presentations for clients. Including chapter by chapter exercises, project briefs, and forms, this is an essential resource for students and practicing designers alike.

This book reveals the impact of wartime and austerity on British fashion and tells the story of how a spirit of patriotism and make-do-and-mend unleashed a wave of new creativity among women who were starved of high fashion by shortages and rationing. Many home dressmakers copied the high-end looks, and women involved in war work created a whole new aesthetic of less formal street wear. Fashion in the 1940s also shows how the Second World War shifted the centre of the international couture scene away from Paris, allowing British designers to influence Home Front style. Afterwards Paris fashion was re-born with Dior's extravagant New Look, while casual American trends were widely adopted by young British women and men.

In this classic book, Norah Waugh explores the changing shapes of women's dress from the 1500s to the 1920s. Simple laced bodices became corsets of cane, whalebone and steel, while padding at shoulders and hips gave way to the structures of farthingales, hoops and bustles. Corsets and Crinolines explains the cyclical nature of these fashions, and how waists and skirts changed shape and size through three distinct eras: The 1500s to 1670-farthingales and whaleboned bodies. 1670 to 1800-Stays and hooped petticoats. 1800 to 1925-corsets, crinolines and bustles. Each section describes how these garments originated, how they became popular and how they emerged as central to the fashions of the time. Extracts from diaries, journals, poems and newspapers, as well as over 100 illustrations, demonstrate the variety of these ubiquitous items of clothing throughout modern history. Corsets and Crinolines also contains a wealth of practical notes and resources for today's costume makers and designers, including: Scaleable patterns for the construction of 25 different bustles, crinolines, corsets, corselets, stays, pocket hoops, hooped petticoats and bodices. Detailed appendices on the manufacture of corsets and crinolines, including farthingales, supports and hooped petticoats. A list of further reading, including costume histories; textile and weaving histories; reconstruction of period clothing; contemporary application of foundational garments; and a list of museums and institutions with period clothing collections, for first-hand study. A glossary of terms and materials.

This vibrant new survey sets the agenda both for fashion photography and inspirational and innovative image-making in the decade ahead. Leading curator and writer Magdalene Keaney has selected over thirty photographers the emerging talents that hold the prospect of creating enduring fashion images and influencing the cultural and style trends of tomorrow. The world of fashion is obsessed with freshness and youth, and Fashion Photography Next embraces that obsession, looks beyond what is now.

From Axel Hoedt s bold graphic experimentation to color-saturated, hyperreal images by Daniel Jackson or the cool, neutral aesthetic of Hanna Putz, the work is diverse, sometimes shocking, utterly memorable.

Profiles and critiques of thirty of the hottest careers in fashion photography, an Introduction that considers the evolution of the art form, and provocative images that speak for themselves, make Fashion Photography Next the roster of rising stars for the industry to watch and aspiring photographers to emulate. "

We know that way we dress says a lot about us. It's drilled into us by our parents as children, as adults throughout our working lives, and eternally from the culture surrounding us. Our dress tells the outside world of the culture and era we come from to our social status within that culture. Our dress can be telling of our political views, religious beliefs, sexuality and countless other identifying traits that we can keep hidden or show to the world by our choice of what to wear when heading venturing out. This was absolutely true, famously so, in the Victorian Era in which men and women alike wore their status on their often lavish, embellished sleeves. In her new book, Dr. Madeleine Seyes explores Victorian culture through the lens of fashion in her new book, Double Threads: Fashion and Victorian Popular Literature, which sits at the intersection of the fields of Victorian literary studies, dress and material cultural studies, feminist literary criticism, and gender and sexuality studies.

Christian Dior famously noted that "the real proof of an elegant woman is what is on her feet." From the surprisingly sexy boots hiding under Victorian crinolines to the glittering T-strap heels worn by flappers dancing the Charleston, a woman's shoe choice has long been far more than a mundane practicality. Indeed, a beautifully shaped shoe can be a statement of wealth, style, or sexuality - and often all at once. This petite volume presents 250 eye-catching examples from the 17th century to the present, including many of today's top designers such as Manolo Blahnik, Christian Louboutin, Roger Vivier, and Nicholas Kirkwood. Fashion historian Raissa Bretana introduces each new era with a concise overview of the period's fashionable styles and innovations. A must for shoe collectors and a delight for any fashionista, this Tiny Folio (TM) will inspire you to put your best foot forward.