The first book to chart a visual history of women’s sportswear, and the key role that Nike has played in it over the last 50 years

This is a book about Nike sportswear and what it means to women. The garments women wear, and why they wear them. It’s about athletes, from the elite to the aspiring amateur, running marathons or running errands. It’s about the spaces we perform in, and the way we use clothing to do it: from the track and the fitness studio, to an online world and the street outside.

Look Good, Feel Good, Play Good visualizes the relationship between women and the garments they wear through five design archetypes from sporting history: warm-ups, jerseys, leggings, sport bras, and shorts. Steeped in narrative, history, and Nike’s abundant archive, the book’s rich imagery spans reproductions of Nike’s trade catalogues that date back to the early 1980s, period and contemporary photography, sketches, advertisements, fabric swatches, seasonal color palettes, original design proposals and patents, logos, product and campaign shots, and everything in between.

Each chapter features interviews with Nike athletes, trainers, and other collaborators, along with insightful texts from cultural commentators. Across more than 350 pages and 575 images, this unprecedented volume not only maps the development of women’s sports apparel but proves its potential, in whatever context, to make athletes who identify as women feel at their most powerful.

Featuring contributions from: Dina Asher-Smith, Scout Bassett, Joan Benoit Samuelson, Sue Bird, Deyna Castellanos, Chandra Cheeseborough, Anna Cockrell, Shelly-Ann Fraser-Pryce, Kirsty Godso, Xochilt Hoover, Rayssa Leal, Tatyana Mcfadden, Naomi Osaka, Megan Rapinoe, Sha’Carri Richardson, Caster Semenya, and Dawn Staley.

Featuring essays by: Dal Chodha, the Editor-in-Chief of Archivist Addendum; Michelle Millar Fisher, the Wornick Curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston; Heather Radke, an essayist, journalist, and contributing editor, and reporter at Radiolab; Samantha N. Sheppard, an Associate Professor of Cinema and Media Studies at Cornell University; and Natalie E. Wright, a historian of design and disability.

'A photographic encyclopaedia of one of the 20th century's greatest creators' The Business of Fashion Founded by Yves Saint Laurent and Pierre Berge in 1961, shortly after the young couturier left his post at the helm of Christian Dior, Yves Saint Laurent would soon become one of the most successful and influential haute couture houses in Paris. Introducing Le Smoking, the first tuxedo suit for women, in 1966, Saint Laurent also presented iconic art-inspired creations, from Mondrian dresses to precious Van Gogh embroidery and the famous Ballets Russes collection. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Yves Saint Laurent, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with a gallery of carefully curated catwalk images. These showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway. A rich reference section concludes the book.

The iconic bags, the instantly recognizable packaging, the celebrity fans - Hermes is the last word in luxurious accessories. Through the generations, Hermes have created innovative and exquisite accessories for the most glamorous customers. From their nineteenth-century saddlery workshop to 1960s Paris and beyond, Hermes has graced the arms and wardrobes of style icons from Grace Kelly and Jane Birkin to Victoria Beckham and Kim Kardashian. Little Book of Hermes tells the story of the evolution of the House of Hermes, through beautiful illustrations of the most coveted items and authoritative text by fashion historian Karen Homer.

The marriage between flowers and fashion has never been more pronounced than when seen in the work of Yves Saint Laurent. This retrospective examines Yves Saint Laurent’s use of flowers from their symbolism to their fruition on the runway.

Flowers in every form inspired fashion designer Yves Saint Laurent, serving as a leitmotif in his work. His passion for plants manifested itself in countless patterns and techniques, and he adorned women in floral appliqués, prints, and embroideries. From a thousand and one rose buds to sprigs of lily of the valley, from an avalanche of bougainvillea to delicate poppy touches, and from sheaves of wheat to majestic lilies, nature was an essential part of his visual palette.

Through the discerning eyes of Olivier Saillard, this veritable garden of Yves Saint Laurent’s designs―culled from a broad range of styles―metamorphoses into a bouquet of flowering silhouettes. Under the direction of Elsa Janssen and Alexis Sornin, essays from Emanuele Coccia, Marc Jeanson, and Serena Bucalo Mussely explore, respectively, the symbolism of flowers, characteristics of his recurring prints, and the designer’s signature use of flora in accessories.

FASHIONPEDIA is a visual fashion dictionary covering all the technical terms from style to material to production with illustrations and infographics. It encompasses rich, extensive information and yet is easy to read. Whether you are an industry insider or a fashion connoisseur, FASHIONPEDIA is all you will ever need to navigate the fashion scene.

The Medieval Tailor's Assistant is the standard work for both amateurs and professionals wishing to re-create the clothing of Medieval England for historical interpretation or drama. This new edition extends its range with details of fitting different figures and many more patterns for main garments and accessories from 1100 to 1480. It includes simple instructions for plain garments, as well as more complex patterns and adaptations for experienced sewers. Advice on planning outfits and materials to use is given along with a range of projects and alternative designs, from undergarments to outer wear. Early and later tailoring methods are also covered within the period. There are clear line drawings, pattern diagrams and layouts and over eighty full-colour photographs that show the garments as working outfits.

Capturing the highlights of the major Victoria and Albert Museum exhibition, Christian Dior: Designer of Dreams, this stunning souvenir celebrates the House of Dior from its foundation in 1947 to the present day. Haute-couture gowns by Christian Dior and the illustrious creative directors who followed him -Yves Saint Laurent, Marc Bohan, Gianfranco Ferre, John Galliano, Bill Gaytten, Raf Simons and Maria Grazia Chiuri-are showcased here, each described by Oriole Cullen and atmospherically photographed by Laziz Hamani.

Activated Carbon Fiber and Textiles provides systematic coverage of the fundamentals, properties, and current and emerging applications of carbon fiber textiles in a single volume, providing industry professionals and academics working in the field with a broader understanding of these materials. Part I discusses carbon fiber principles and production, including precursors and pyrolysis, carbon fiber spinning, and carbonization and activation. Part II provides more detailed analysis of the key properties of carbon fiber textiles, including their thermal, acoustic, electrical, adsorption, and mechanical behaviors. The final section covers applications of carbon fiber such as filtration, energy protection, and energy and gas storage.

Knitted textiles and apparel represent approximately one third of the global textile market. This book provides an updated reference to Knitting technology, with specific focus on the developments in knitted fabric production and textile applications. The first set of chapters begin with a brief review of the fundamental principles of knitting, including the types and suitability of yarns for knitting as well as the properties achieved through knitted fabrics. The second part of the book examines the major advances in knitting, such as intelligent yarn delivery systems in weft knitting, knitted fabric composites and advances in circular knitting. The concluding section of the book presents a selection of case studies where advanced knitted products are used. Topics range from knitted structures for moisture management to weft knitted structures for sound absorption. With its distinguished editor and array of international contributors, Advances in knitting technology is an important text for designers, engineers and technicians involved in the manufacture and use of knitted textiles and garments. It will also be relevant for academics and students.

Pointed Leaf Press is proud to announce a monograph on English interior designer Sue Timney. To say that Timney's work is eclectic is as obvious as calling the sky blue: eclecticism is her signature. Perhaps it is her peripatetic childhood that has given her a global vision. Born in Libya, her father's military career took her to Germany and Newcastle, England and she cites influences and interests as diverse as the Japanese filmmaker Kurosawa, the beatniks, and African tribal art. In addition to 25 years worth of captivating photographs and some never before published drawings, textile designs, and personal artworks, 'Making Marks' is a journey through a fascinating life - from a career launched in Japan, to the opening of the first Timney Fowler shop in London's hip Portobello area, and her successful career as an interior designer. An exhibition at the Fashion & Textile Museum in London is planned for November 2010.