This illustrated A to Z of everything you always wanted to know about the world of fashion ranges from Afros, anorexia, and African design to witches, waifs, and wet look, via Naomi Campbell, John Galliano, and Calvin Klein.

Behind-the-scenes looks at contemporary designers and models are combined with insightful accounts of past masters and mistresses of fashion. Find out the facts about careers in modeling and fashion design; discover the fictions behind the beauty industry claims and marketing ploys; share in the fairy tales surrounding human desire to dress and be noticed.

Platinum Jubilee edition 'Full of gems ... Angela Kelly is a jewel in the crown' Daily Telegraph 'Entertaining and beautifully illustrated' The Sunday Times 'For real intel, [The Crown] can't come close to The Other Side of the Coin by Angela Kelly' The New York Times 'When Angela Kelly and The Queen are together, laughter echoes through the corridors of Buckingham Palace.' Angela worked with The Queen and walked the corridors of the Royal Household for twenty-eight years, initially as Her Majesty's Senior Dresser and then latterly as Her Majesty's Personal Advisor, Curator, Wardrobe and In-house Designer. As the first person in history to hold this title, she shared a uniquely close working relationship with The Queen. Her Majesty personally gave Angela her blessing to share their extraordinary bond with the world. Whether it was preparing for a formal occasion or brightening Her Majesty's day with a playful joke, Angela's priority was to serve and support. Sharing never-before-seen photographs - many from Angela's own private collection - and charming anecdotes of their time spent together, this revealing book provides memorable insights into what it was like to work closely with The Queen, to curate her wardrobe and to discover a true and lasting connection along the way. Revised and updated to mark The Queen's Platinum Jubilee, this special edition of The Other Side of the Coin contains chapters covering the Royal Household's isolation during the pandemic, Angela's own devotion to service to keep the monarch safe, and the light and laughter that was shared behind closed doors, even in the darkest moments.

From the iconic stylist and fashion provocateur whose designs transformed culture - bringing the glitz of Studio 54 and the sophistication of Sex and the City to the mainstream - comes a playful yet intimate memoir of a life spent challenging conventions. Carrie Bradshaw's pairing of a tutu with a tank top is one of the most iconic outfits ever seen on television - and a look that turned avant-garde New York designer and stylist Patricia Field into a household name. But before she was crowned the fairy godmother of haute couture, Field was the owner of the longtime East Village emporium Pat Field, a haven for drag queens, club kids, starving artists, NYU freshmen, and creative visionaries alike. Presiding over downtown with her distinctive vermillion hair and a constantly lit cigarette, Patricia was a rock 'n' roll den mother to everyone from Amanda Lepore to Lady Bunny to Patti Smith, with her store providing the city's eccentrics with a place to discover a sense of family, home, and a rhinestone bedazzled bustier or two. In Pat in the City, Patricia describes her journey from scrappy Queens kid peddling men's pants to the fashion world's most notorious renegade. As the daughter of immigrant parents, Field learned the principles of glamour from her entrepreneurial mother, and applied her NYU lessons on democracy to inform a fashion ethos that would reach millions. From her Studio 54 disco-glam styling to her award-winning work in The Devil Wears Prada and Sex and the City to today's buzzy costuming in Emily in Paris, Field's inimitable styling has pushed the envelope and created trends that have become the culture standard. Now in her seventies, Patricia Field is ready to tell her story - not to take a final bow, but to spread her credo of challenging convention and filling the world with joy and dancing.

The marriage between flowers and fashion has never been more pronounced than when seen in the work of Yves Saint Laurent. This retrospective examines Yves Saint Laurent’s use of flowers from their symbolism to their fruition on the runway.

Flowers in every form inspired fashion designer Yves Saint Laurent, serving as a leitmotif in his work. His passion for plants manifested itself in countless patterns and techniques, and he adorned women in floral appliqués, prints, and embroideries. From a thousand and one rose buds to sprigs of lily of the valley, from an avalanche of bougainvillea to delicate poppy touches, and from sheaves of wheat to majestic lilies, nature was an essential part of his visual palette.

Through the discerning eyes of Olivier Saillard, this veritable garden of Yves Saint Laurent’s designs―culled from a broad range of styles―metamorphoses into a bouquet of flowering silhouettes. Under the direction of Elsa Janssen and Alexis Sornin, essays from Emanuele Coccia, Marc Jeanson, and Serena Bucalo Mussely explore, respectively, the symbolism of flowers, characteristics of his recurring prints, and the designer’s signature use of flora in accessories.

As one of the most successful fashion houses in existence, Chanel owes much to the templates first laid down by its founder - Gabrielle 'Coco' Chanel (1883-1971). Some of her most celebrated designs, such as the two-piece suit, the little black dress and the quilted handbag, remain in vogue to this day. Chanel designed first and foremost for herself: by creating clothes fit for an independent and active lifestyle, she anticipated the needs and wants of the modern woman. This beautiful book showcases a stunning array of Chanel's most notable designs from her 60 years in fashion, largely drawn from the collections of the Chanel Patrimoine, Paris and the V&A. It examines the cut, construction, embellishment and provenance of the ensembles, as well as the design themes and motifs Chanel returned to throughout her career. Newly commissioned photographs of the selected pieces, together with archival images, capture the design evolution of thie fashion icon.

The iconic bags, the instantly recognizable packaging, the celebrity fans - Hermes is the last word in luxurious accessories. Through the generations, Hermes have created innovative and exquisite accessories for the most glamorous customers. From their nineteenth-century saddlery workshop to 1960s Paris and beyond, Hermes has graced the arms and wardrobes of style icons from Grace Kelly and Jane Birkin to Victoria Beckham and Kim Kardashian. Little Book of Hermes tells the story of the evolution of the House of Hermes, through beautiful illustrations of the most coveted items and authoritative text by fashion historian Karen Homer.

Deco dandy contests the supposedly exclusive feminine aspect of the style moderne (art deco) by exploring how alternative, parallel and overlapping experiences of decorative modernism, nationalism, gender and sexuality in the years surrounding World War I converge in the protean figure of the 'deco dandy'. The book suggests a broader view of art deco by claiming a greater place for the male body, masculinity and the dandy in this history than has been given to date. Important and productive moments in the history of the cultural life of Paris presented in the book provide insights into the changing role performed by consumerism, masculinity, design history and national identity. -- .

'The perfect printed tool for Prada fans everywhere' Wallpaper* Founded as a luxury leather goods house in 1913 in Milan, Prada entered the field of fashion when Miuccia Prada took the helm of the family company in 1979. After initially focusing exclusively on accessories, she presented the house's first fashion collection in 1988. She would soon transform Prada into one of the world's most influential luxury brands with a deeply personal, sophisticated and subtly subversive approach. This definitive publication opens with a concise history of the house, followed by a brief biographical profile of Miuccia Prada, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images that showcase hundreds of spectacular clothes, details, accessories, beauty looks and set designs - and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Kaia Gerber. A rich reference section, including an extensive index, concludes the book.

Pointed Leaf Press is proud to announce a monograph on English interior designer Sue Timney. To say that Timney's work is eclectic is as obvious as calling the sky blue: eclecticism is her signature. Perhaps it is her peripatetic childhood that has given her a global vision. Born in Libya, her father's military career took her to Germany and Newcastle, England and she cites influences and interests as diverse as the Japanese filmmaker Kurosawa, the beatniks, and African tribal art. In addition to 25 years worth of captivating photographs and some never before published drawings, textile designs, and personal artworks, 'Making Marks' is a journey through a fascinating life - from a career launched in Japan, to the opening of the first Timney Fowler shop in London's hip Portobello area, and her successful career as an interior designer. An exhibition at the Fashion & Textile Museum in London is planned for November 2010.

This unique ethnographic investigation examines the role that fashion plays in the production of the contemporary Indian luxury aesthetic. Tracking luxury Indian fashion from its production in village craft workshops via upmarket design studios to fashion soirees, Kuldova investigates the Indian luxury fashion market's dependence on the production of thousands of artisans all over India, revealing a complex system of hierarchies and exploitation. In recent years, contemporary Indian design has dismissed the influence of the West and has focused on the opulent heritage luxury of the maharajas, Gulf monarchies and the Mughal Empire. Luxury Indian Fashion argues that the desire for a luxury aesthetic has become a significant force in the attempt to define contemporary Indian society. From the cultivation of erotic capital in businesswomen's dress to a discussion of masculinity and muscular neo-royals to staged designer funerals, Luxury Indian Fashion analyzes the production, consumption and aesthetics of luxury and power in India. Luxury Indian Fashion is essential reading for students of fashion history and theory, anthropology and visual culture.