What do exotic area rugs, handcrafted steel-string guitars, and fiddling have in common today? Many contemporary tradition bearers embrace complexity in form and content. They construct objects and performances that draw on the past and evoke nostalgia effectively but also reward close attention. In Rugs, Guitars, and Fiddling: Intensification and the Rich Modern Lives of Traditional Arts, author Chris Goertzen argues that this entails three types of change that can be grouped under an umbrella term: intensification. First, traditional creativity can be intensified through virtuosity, through doing hard things extra fluently. Second, performances can be intensified through addition, by packing increased amounts of traditional materials into the conventionally sized packages. Third, in intensification through selection, artistic impact can grow even if amount of information recedes by emphasizing compelling ideas-e.g., crafting a red and black viper poised to strike rather than a pretty duck decoy featuring more colors and contours. Rugs handwoven in southern Mexico, luthier-made guitars, and southern US fiddle styles experience parallel changes, all absorbing just enough of the complex flavors, dynamics, and rhythms of modern life to translate inherited folklore into traditions that can be widely celebrated today. New mosaics of details and skeins of nuances don't transform craft into esoteric fine art, but rather enlist the twists and turns and endless variety of the contemporary world therapeutically, helping transform our daily chaos into parades of negotiable jigsaw puzzles. Intensification helps make crafts and traditional performances more accessible and understandable and thus more effective, bringing past and present closer together, helping folk arts continue to perform their magic today.

The dazzlingly brilliant Chris Riddell brings his magical illustration talents to J.K. Rowling's gloriously inventive The Tales of Beedle the Bard in a fully illustrated colour edition of this essential classic for Harry Potter fans. Translated from the runes by Hermione Granger, the volume includes 'The Tale of the Three Brothers', familiar to readers of Harry Potter from the crucial role it played in Harry Potter and the Deathly Hallows.

Mischievous and witty, these five rollicking tales are a deeply satisfying read in the tradition of all great fables and fairytales. Kindnesses are rewarded and selfishness shown to be the ruin of many a wizard. Burping cauldrons, hairy hearts and cackling stumps are met along the way. Each of the tales is accompanied by a deliciously subversive and insightful commentary by Professor Albus Dumbledore, all brought vividly to life with Riddell's trademark wit and elegance.

Former Waterstones Children's Laureate Chris Riddell is the only illustrator to have won the Kate Greenaway Medal three times, and is brought together here for the first time with one of the world's best loved storytellers in this new edition of J.K. Rowling's fairytale classic.

Much loved by generations of witches and wizards since they first appeared in the fifteenth century, this beautifully illustrated edition is set to become a firm favourite at bedtime in non-magical households the world over.

The Tales of Beedle the Bard is published in aid of Lumos, an international children's charity founded in 2005 by J.K. Rowling.

At the height of the blues revival, Marina Bokelman and David Evans, young graduate students from California, made two trips to Louisiana and Mississippi and short trips in their home state to do fieldwork for their studies at UCLA. While there, they made recordings and interviews and took extensive field notes and photographs of blues musicians and their families. Going Up the Country: Adventures in Blues Fieldwork in the 1960s presents their experiences in vivid detail through the field notes, the photographs, and the retrospective views of these two passionate researchers. The book includes historical material as well as contemporary reflections by Bokelman and Evans on the times and the people they met during their southern journeys. Their notes and photographs take the reader into the midst of memorable encounters with many obscure but no less important musicians, as well as blues legends, including Robert Pete Williams, Mississippi Fred McDowell, Al Wilson (cofounder of Canned Heat), Babe Stovall, Reverend Ruben Lacy, and Jack Owens. This volume is not only an adventure story, but also a scholarly discussion of fieldwork in folklore and ethnomusicology. Including retrospective context and commentary, the field note chapters describe searches for musicians, recording situations, social and family dynamics of musicians, and race relations and the racial environment, as well as the practical, ethical, and logistical problems of doing fieldwork. The book features over one hundred documentary photographs that depict the field recording sessions and the activities, lives, and living conditions of the artists and their families. These photographs serve as a visual counterpart equivalent to the field notes. The remaining chapters explain the authors' methodology, planning, and motivations, as well as their personal backgrounds prior to going into the field, their careers afterwards, and their thoughts about fieldwork and folklore research in general. In this enlightening book, Bokelman and Evans provide an exciting and honest portrayal of blues field research in the 1960s.