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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore > Folklore
__________________ 'Easily my read of the year. Sheer perfection
from start to finish' - Catherine Doyle 'A beautiful and profound
retelling' - Madeline Miller, author of CIRCE and THE SONG OF
ACHILLES 'Utterly transporting ... This dynamic feminist retelling
is illustrated with stunning, polychromatic power' - Guardian Books
of the Year __________________ A dazzling, feminist retelling of
Greek myth from the internationally bestselling author of The
Miniaturist, stunningly illustrated by Olivia Lomenech Gill. Exiled
to a far-flung island by the whims of the gods, Medusa has little
company except the snakes that adorn her head instead of hair. But
when a charmed, beautiful boy called Perseus arrives on the island,
her lonely existence is disrupted with the force of a supernova,
unleashing desire, love and betrayal... Filled with glorious
full-colour illustrations by award-winning Olivia Lomenech Gill,
this astonishing retelling of Greek myth is perfect for readers of
Circe and The Silence of the Girls. Illuminating the girl behind
the legend, it brings alive Medusa for a new generation.
__________________ '... a must read for women of all ages' - Red
Magazine '... stole my heart from its first fierce lines' - Mary
Watson 'A beautiful and compassionate retelling that gives the
serpent-headed monster of myth a powerful and haunting humanity' -
Jennifer Saint '... an impressive addition to the shelves of
feminist retellings, balancing rage with beautiful storytelling' -
Irish Times 'It's an ideal gift for teenage girls finding their
voice and their power' - Stylist 'Gift ideas for the book lovers in
your life'
This book contains a detailed account of the various types of
Icelandic folk-story, their likely origins and sources, the
folk-beliefs they represent, and their meanings. In Iceland, people
do not compose verse just to comfort themselves; they worship
poetry and believe in it. In poetry is a power which rules men's
lives and health, governs wind and sea. Icelanders have faith in
hymns and sacred poems too, because of their content. They also
have faith in secular poetry composed by themselves, believing it
to be no less able to move mountains than religious faith is. By
this belief in their own culture, they transfer it into the realm
of mythology, and the glow of the super-human is shed over it.
Whatever may have been their origin, the folk-stories of Iceland
come to mirror the people's life and character, and in the period
when the idea gained ground that all power comes from the people,
their poetry and lore became sacred things that were revered and
looked to as a potential source of strength. Icelandic folk-stories
were similarly an important element in the Icelanders' struggle for
national and cultural integrity in the nineteenth century. They
were more truly Icelandic than anything else worthy of the name.
In Sorcery in Salem, local author John Hardy Wright examines the
witchcraft delusion that afflicted Salem Village and Salem Town in
the winter of 1691-92. Twenty inhabitants lost their lives at that
time; nineteen were hanged on Gallows Hill, and one elderly man,
Giles Cory, by remaining mute as a personal protest to the
proceedings of the court, was pressed to death under heavy weights.
Once the prosecuting examinations began on March 1, 1692, local
authorities were uncertain what course the following trials would
take. Spectral evidence, in which the shape of a suspected witch
tortured people, was a primary indication of guilt, as was the
"touch test," in which a victim was released from the witch's power
upon the laying on of hands. Not being able to correctly recite the
Lord's Prayer was also damning.
A powerfully poignant tale of one of the most turbulent moments in
Scotland's history: the North Berwick Witch Trials. IT'S THE 4TH OF
DECEMBER 1591. On this, the last night of her life, in a prison
cell several floors below Edinburgh's High Street, convicted witch
Geillis Duncan receives a mysterious visitor - Iris, who says she
comes from a future where women are still persecuted for who they
are and what they believe. As the hours pass and dawn approaches,
Geillis recounts the circumstances of her arrest, brutal torture,
confession and trial, while Iris offers support, solace - and the
tantalising prospect of escape. Hex is a visceral depiction of what
happens when a society is consumed by fear and superstition,
exploring how the terrible force of a king's violent crusade
against ordinary women can still be felt, right up to the present
day. 'This series has already produced two works of note and
distinction. It raises the question - if a country cannot re-tell
its history, will it be stuck forever in aspic and condemned to be
nothing more than a shortbread tin illustration? Hex and Rizzio are
showing the way towards a reckoning, and about time too' - Stuart
Kelly, Scotland on Sunday
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