The folktales of A. N. Afanas'ev represent the largest single collection of folktales in any European language and perhaps in the world. Widely regarded as the Russian Grimm, Afanas'ev collected folktales from throughout the Russian Empire in what are now regarded as the three East Slavic languages, Byelorusian, Russian, and Ukrainian. The result of his own collecting, the collecting of friends and correspondents, and in a few cases his publishing of works from earlier and forgotten collections is truly phenomenal. In his lifetime, Afanas'ev published more than 575 tales in his most popular and best known work, "Narodnye russkie skazki." In addition to this basic collection he prepared a volume of Russian legends, many on religious themes, an anthology of mildly obscene tales, and voluminous writings on Slavic folk life and Slavic mythology. His works were subject to the strict censorship of ecclesiastical and state authorities that lasted until the demise of the Soviet Union at the end of the twentieth century. Overwhelmingly, his particular emendations were of a stylistic nature, while those of the censors mostly concerned content. The censored tales are generally not included.

Up to now, there has been no complete English-language version of the Russian folktales of Afanas'ev. This translation is based on L. G. Barag and N. V. Novikov's edition (Moscow: Nauka, 1984-1986), widely regarded as the authoritative edition. The present edition includes commentaries to each tale as well as its international classification number.

A complete collection of much loved Irish fairy tales, myths and legends, bound into a beautiful new edition. Enjoy the rich mythical history of Ireland from the arrival of the Tuatha De Danann on the island and their great battles with the Fomorians right up to the modern day fairytales of Irish storytelling. Including the Ulster Cycle, and the Fenian Cycle, the book features heroes such as Cuchulainn and Fionn Mac Cumhaill, and many traditional favourites such as The Children of Lir. Bringing together 18 favourite Irish fairy tales, myths and legends Beautiful new edition of enduring and much-loved Celtic classics Lovely shiny foil highlights on the cover make this a perfect gift

Finally sort out who's who in Greek mythology-from gods, goddesses, heroes, monsters, and everyone in between! Greek mythology continues to appear in popular movies and books today but have you ever wondered about where these characters started out? Discover the origins of your favorite characters from Greek mythology with this collection of profiles to tell you who's who in classical lore! In Greek Mythology, you will discover the backstories of the heroes, villains, gods, and goddesses that enjoy popularity in today's shows and films. With comprehensive entries that outline each character's name, roles, related symbols, and foundational myths, you can get to know the roots of these personas and better understand the stories they inspire today. With this character-focused, handy reference, you will never be confused about Ancient Greece!

All regions and places are unique in their own way, but the Ozarks have an enduring place in American culture. Studying the Ozarks offers the ability to explore American life through the lens of one of the last remaining cultural frontiers in American society. Perhaps because the Ozarks were relatively isolated from mainstream American society, or were at least relegated to the margins of it, their identity and culture are liminal and oftentimes counter to mainstream culture. Whatever the case, looking at the Ozarks offers insights into changing ideas about what it means to be an American and, more specifically, a special type of southerner. In Where Misfits Fit: Counterculture and Influence in the Ozarks, Thomas Michael Kersen explores the people who made a home in the Ozarks and the ways they contributed to American popular culture. Drawing on a wide variety of sources, Kersen argues the area attracts and even nurtures people and groups on the margins of the mainstream. These include UFO enthusiasts, cults, musical troupes, and back-to-the-land groups. Kersen examines how the Ozarks became a haven for creative, innovative, even nutty people to express themselves-a place where community could be reimagined in a variety of ways. It is in these communities that communitas, or a deep social connection, emerges. Each of the nine chapters focuses on a facet of the Ozarks, and Kersen often compares two or more cases to generate new insights and questions. Chapters examine real and imagined identity and highlight how the area has contributed to popular culture through analysis of the Eureka Springs energy vortex, fictional characters like Li'l Abner, cultic activity, environmentally minded communes, and the development of rockabilly music, and near communal rock bands such as Black Oak Arkansas.

Baba Yaga is an ambiguous and fascinating figure. She appears in traditional Russian folktales as a monstrous and hungry cannibal, or as a canny inquisitor of the adolescent hero or heroine of the tale. In new translations and with an introduction by Sibelan Forrester, "Baba Yaga: The Wild Witch of the East in Russian Fairy Tales" is a selection of tales that draws from the famous collection of Aleksandr Afanas'ev, but also includes some tales from the lesser-known nineteenth-century collection of Ivan Khudiakov. This new collection includes beloved classics such as "Vasilisa the Beautiful" and "The Frog Princess," as well as a version of the tale that is the basis for the ballet "The Firebird." The preface and introduction place these tales in their traditional context with reference to Baba Yaga's continuing presence in today's culture--the witch appears iconically on tennis shoes, tee shirts, even tattoos. The stories are enriched with many wonderful illustrations of Baba Yaga, some old (traditional "lubok" woodcuts), some classical (the marvelous images from Victor Vasnetsov or Ivan Bilibin), and some quite recent or solicited specifically for this collection

A folkloric research project on Sefer ha-ma'asim.

Can the study of folklore survive brutal wars and nationalized misappropriations? Does folklore make sense in an age of fearsome technology? These are two of several questions this book addresses with specific and profound reference to the history of folklore studies in Germany. There in the early nineteenth century in the ideological context of romantic nationalism, the works of the Brothers Grimm pioneered the discipline. The sublimation of folklore studies with the nation's political history reached a peak in the 1930s under the Nazi regime. This book takes a full look at what happened to folklore after the end of World War II and the defeat of the Nazis. A special focus on Lutz Rohrich (1923-2006), whose work spans the decades from 1955 to 2006, makes this book a unique window into a monumental reclamation.

In 1945 Rohrich returned from the warfront at the age of twenty-three, a wounded amputee. Resuming his education, he published his seminal "Marchen und Wirklichkeit (Folktale and Reality)" in 1956. Naithani argues that through this and a huge body of scholarship on folktale, folksong, proverbs, and riddles over the next decades, Rohrich transformed folklore scholarship by critically challenging the legacies of Romanticism and Nazism in German folklore work. Sadhana Naithani's book is the first full-length treatment of this extraordinary German scholar written in English."

From unicorns and trolls to werewolves and griffins, this comprehensive guide is the key to discovering every magical creature from myth, folklore and legend around the world. This compendium of magical creatures explores the history, folklore and mythology of fascinating beasts throughout all the magical worlds. Including stories, celebrations, traditions, and amazing facts, the book spans every major culture across the globe. Many of the fantastic creatures described in the book have appeared in the fictitious worlds of the Brothers Grimm, Lewis Carroll, J.K. Rowling, Tolkien and countless other writers who have stirred our imaginations since childhood fairytales. From unicorns, giants, fairies, elves, goblins, dwarves and trolls to nymphs, mermaids, sphinxes, ogres, cyclops, dragons, salamanders, basilisks, banshees, werewolves, griffins, centaurs, satyrs and gremlins - this is the ultimate reference book on creatures from the magical world. Organized from A to Z for easy reference, the cross-cultural focus spans from the most ancient of creatures to those which have come to prominence more recent ly. Discover everything from obscure magical beings to everyday animals that carry magical symbolism. Find out more in The Fantastic World of Magical Creatures.