This book discusses the origin and dispersion of the Aryans, the mythopoeic world view of early man, the animistic philosophy of savages, and the survivals of primitive belief among peasants, which enlivened the folklore controversies.

Millennium, Messiahs and Mayhem brings together scholars of apocalyptic and millennial groups to explore aspects of contemporary apocalyptic fervor. Opening with a discussion of various theories of apocalypticism, the editors then analyze how millennialist movements have gained ground in largely secular societal circles. Section three discusses the links between apocalypticism and established churches, while the final part of the book looks at examples of violence and confrontation, from Waco to Solar Temple to the Aum Shinri Kyo subway disaster in Japan.

eBook available with sample pages: HB:0415916488

"With her trademark brio and deep-tissue understanding, Maria Tatar opens the glass casket on this undying story, which retains its power to charm twenty-one times, and counting." -Gregory Maguire, author of Wicked The story of the rivalry between a beautiful, innocent girl and her cruel and jealous mother has been endlessly repeated and refashioned all over the world. The Brothers Grimm gave this story the name by which we know it best, and in 1937 Walt Disney sweetened their somber version to make the first feature-length, animated fairy tale, Snow White and the Seven Dwarfs. Since then, the Disney film has become our cultural touchstone-the innocent heroine, her evil stepmother, the envy that divides them, and a romantic rescue from domestic drudgery and maternal persecution. But each culture has its own way of telling this story of jealousy and competition. An acclaimed folklorist, Maria Tatar brings to life a global melodrama of mother-daughter rivalries that play out in unforgettable variations across countries and cultures. "Fascinating...A strange, beguiling history of stories about beauty, jealousy, and maternal persecution." -Wall Street Journal "Is the story of Snow White the cruelest, the deepest, the strangest, the most mythopoeic of them all?...Tatar trains a keen eye on the appeal of the bitter conflict between women at the heart of the tale...a feast of rich thoughts...An exciting and authoritative anthology from the wisest good fairy in the world of the fairy tale." -Marina Warner "The inimitable Maria Tatar offers us a maze of mothers and daughters and within that glorious tangle an archetype with far more meaning than we imagine when we say 'Snow White.'" -Honor Moore "Shocking yet familiar, these stories...retain the secret whisper of storytelling. This is a properly magical, erudite book." -Literary Review

The Mesopotamian influence on Greek mythology in literary works of the epic period is considerable - yet it is a largely unexplored field. In this book Charles Penglase investigates major Mesopotamian and Greek myths. His examination concentrates on journey myths. A major breakthrough is achieved in the recognition of the extent of Mesopotamian influence and in the understanding of the colourful myths involved.
The results are of significant interest, especially to scholars and students of ancient Greek and Near Eastern religion and mythology.

eBook available with sample pages: 0203443918

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

This book describes how the theory and pursuit of folklore evolved in England and were transported throughout the British Isles, the British Empire, and the world at large. It shows the intimate bonds between the culture of the folk and the history of England.

Histories of witchcraft continue to fascinate us in the late twentieth century. Looking at texts from colonial narratvies to court masques, trial records to folktales, and Shakespeare to Sylvia Plath, this book shows how the witch acts as a carrier for the fears, desires and fantasies of women and men both now and in the early modern period.
Among other topics, The Witch in History discusses:
* the way the fantasy body of the witch, viewed as both hard and boundless, represents fear of the maternal body;
* how Macbeth and other Renaissance dramas are exploitative and sensationalist representations of witchcraft;
* how the representations of witchcraft in Europe were influenced by encounters in the New World with Native American religion, and vice versa;
* how radical feminists, modern witches and academic historians have appropriated the figure of the witch to construct their own identities. This extraordinary and fascinating study goes beyond the exploration of the figure of the witch, comprising an innovative contribution to all early modern studies.

Related link: Reviews in History
eBook available with sample pages: 0203359720

One of the quickest ways to understand a people or a culture is to learn their proverbs. This anthology, first published in 1984, compiles in dictionary form proverbs from the Islamic world, particularly the Middle East and North Africa. The Arabs were the first to gather and annotate their own proverbs - the earliest collections date from the n

For centuries Iran hosted numerous travellers and visitors of diverse nationalities and backgrounds. Many of these travellers left behind documents in which they recorded their observations during their residence in Iran, and these embody a vast range of firsthand information about the land and its people at different periods of time. This book, first published in 1990, takes as its subjects the nature and history of Iranian folk narrative scholarship. The contributions of travellers are given their due recognition as important source documents.

This volume is a study of the female aspect of religion both in past and present mythologies. It explores the function and nature of goddesses and their cults in many cultures, including Celtic, Roman, Norse, Caucasian and Japanese traditions. The contributors explore the reasons for the existence of so many goddesses in the mythological traditions of largely patriarchal societies. They demonstrate how, in many myths, the female deity is seen as more ambivalent than her male counterparts, curing and cursing at whim. They show goddesses do not play primarily "feminine" roles in myths; war, hunting and sovereignty being equally important aspects of their cults.

First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

What is an Egyptian pyramid doing on the U. S. dollar bill? Did a pharaoh inspire Moses to worship one God? What's a Canaanite demoness doing at a rock concert?

Since the beginning of time, people have been insatiably curious. They've asked questions about where we come from, why the stars shine and the seasons change, and what constitutes evil. The imaginative answers crafted by our ancestors have served as religion, science, philosophy, and popular literature. In this latest installment of the New York Times bestselling Don't Know Much About(R) series, Kenneth C. Davis introduces and explains the great myths of the world using his engaging and delightfully irreverent question-and-answer style. He tackles the epic of Gilgamesh; Achilles and the Trojan War; Stonehenge and the Druids; Odin, Thor, and the entire Norse pantheon; Native American myths, and much more, including the dramatic life and times of the man who would be Buddha. From Mount Olympus to Machu Picchu, here is an insightful, lively look at the greatest stories ever told.

To primitive man the whisper and movement of leaves and the silent unfolding of flowers were proofs of life and power, and their regeneration was a promise of nature's continuity. Cures, magic, divination and portents were all connected with the rich variety of available plant life, especially in verdant Britain. Some of these beliefs were astonishingly long-lasting and, even if an altered or faded form, have survived the sophistications of modern life, as this book sets out to show. This volume is arranged in alphabetical order and is illustrated with engravings from old herbals.'

A stunningly original adventure from the acclaimed author of The Mask of Aribella, Anna Hoghton. 'The story moves at a great pace and the author depicts the loss and anger of grief in an accessible way for readers.' THE SCHOOL LIBRARIAN Orla and her brother go to stay with their gran in Ireland. Grieving the death of their mum, the children revel in the comfort of their grandmother's house and her magical storytelling. But soon after they arrive, Gran vanishes. Helped by a local boy - and a peculiar creature found in the garden shed - they set out to find her. Shadowed by a shape-shifting darkness known as the Wild Hunt, the children - and especially Orla - must put their sadness behind them if they're to rescue their beloved gran ... The second novel by mesmerising middle-grade writer, Anna Hoghton, author of magical Venetian adventure The Mask of Aribella The novel follows two siblings in a quest to overcome their grief and find their missing gran - a tale brimming with peril, warmth and hope Incorporates real Irish mythology and folklore

This lively account of a pioneering anthropologist's experiences with a Navajo family grew out of the author's desire to learn to weave as a way of participating in Navajo culture rather than observing it from the outside. In 1930, when Gladys Reichard came to stay with the family of Red-Point, a well-known Navajo singer, it was unusual for an anthropologist to live with a family and become intimately connected with women's activities. First published in 1934 for a popular audience, "Spider Woman" is valued today not just for its information on Navajo culture but as an early example of the kind of personal, honest ethnography that presents actual experiences and conversations rather than generalizing the beliefs and behaviors of a whole culture. Readers interested in Navajo weaving will find it especially useful, but Spider Woman's picture of daily life goes far beyond rugs to describe trips to the trading post, tribal council meetings, curing ceremonies, and the deaths of family members.

Following in the tradition of recent work by cultural geographers and historians of maps, this collection examines the apparently familiar figure of Robin Hood as he can be located within spaces that are geographical, cultural, and temporal. The volume is divided into two sections: the first features an interrogation of the literary and other textually transmitted spaces to uncover the critical grounds in which the Robin Hood 'legend' has traditionally operated. The essays in Part Two take up issues related to performative and experiential space, demonstrating the reciprocal relationship between page, stage, and lived experience. Throughout the volume, the contributors contend with, among other things, modern theories of gender, literary detective work, and the ways in which the settings that once advanced court performances now include digital gaming and the enactment of 'real' lives.

The phenomenal success of Tolkien and JK Rowling have restored magical folk to the adult world. The reader will discover that Hobbits hail from Tolkien's aunt's manor farm Bag-End and Harry Potter's Master Dobbs is part of ancient folklore. Fairies are often nothing like the ones conjured up by writers and Hollywood. Some are worse than soccer hooligans. They are irascible, blood-sucking, bed-hopping. A tidal-wave of new fairy sightings has been uncovered by the digitisation of British and Irish local newspapers and other local ephemera, and by the Fairy Census conducted by the authors.

If the head is religion, the gut is magic. Taking up this provocation, this Element delves into the digestive system within transnational Afro-Diasporic religions such as Haitian Vodou, Brazilian Candomble, and Cuban Lucumi (also called Santeria). It draws from the ethnographic and archival record to probe the abdomen as a vital zone of sensory perception, amplified in countless divination verses, myths, rituals, and recipes for ethnomedical remedies. Provincializing the brain as only one locus of reason, it seeks to expand the notion of 'mind' and expose the anti-Blackness that still prevents Black Atlantic knowledges from being accepted as such. The Element examines gut feelings, knowledge, and beings in the belly; African precedents for the Afro-Diasporic gut-brain axis; post-sacrificial offerings in racist fantasy and everyday reality; and the strong stomachs and intestinal fortitude of religious ancestors. It concludes with a reflection on kinship and the spilling of guts in kitchenspaces.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.

Written by an international team of over 130 authorities, no other work approaches this A-Z guide to the legends of King Arthur and his knights of the Round Table for breadth and depth of coverage. It is the ultimate resource for reliable information on topics as diverse as the Grail, Tristan and Isolde, Lancelot and Guenevere, Arthurian operas, the historicity of Arthur and much more.

A groundbreaking collection of essays on a hitherto underexplored subject that challenges the existing stereotypical views of the trivial and innocent nature of children's culture, this work reveals for the first time the artistic and complex interactions among children. Based on research of scholars from such diverse fields as American studies, anthropology, education, folklore, psychology, and sociology, this volume represents a radical new attempt to redefine and reinterpret the expressive behaviors of children. The book is divided into four major sections: history, methodology, genres, and setting, with a concluding chapter on theory. Each section is introduced by an overview by Brian Sutton-Smith. The accompanying bibliography lists historical references through the present, representing works by scholars for over 100 years.