The distinguished Russian archeologist Aleksei P. Okladnikov's study reveals how a field archeologist goes about determining and writing prehistory. Over the course of his career, Okladnikov and his wife Vera Zaporozhskaya travelled across Siberia from the Lena River in the north to the Amur River in the south excavating archaeological sites. During that time Aleksei and Vera found and interpreted the rock art of the vast region from the Paleolithic Era to the present day. Relying on petroglyphs and pictographs left on cliffs and boulders, Okladnikov lays out in detail and straightforward language the prehistory of Siberia by "reading" these artifacts. This book permits the past to be told in its own words: the art portrayed on the cliffs of Siberia.

Alexander Nefedkin's highly original new book, translated by the noted American scholar Richard L. Bland, is devoted to the understudied topic of the military and military-political history of Chukotka, the far northeastern region of the Russian Federation, separated from Alaska by Bering Strait. This study is based on primary sources, including archeological, folkloric, and documentary evidence, dating from ancient times to the cessation of conflict in the territory in the nineteenth century. Nefedkin's analysis surveys the military history of these eras, reassessing well known topics and bringing to light previously unknown events.

"Fine and Turner present a wonderful exploration into what our seemingly mundane rumor-sharing means for race in our society. Filled with examples that we all can recognize, and superbly written and argued, "Whispers on the Color Line will be a classic in the study of race and culture."--Mary Pattillo-McCoy, author of "Black Picket Fences: Privilege and Peril among the Black Middle Class

"Fine and Turner have written a disturbing, yet important book. Taking racially tinged (or drenched, as the case may be) rumors as an unobtrusive measure of the state of black-white relations in the U.S., the authors document the yawning social-cultural chasm in the nation. Contradicting the tepid national narrative that celebrates the "before" and "after" racial transformation achieved by the civil rights struggle, Whispers on the Color Line reminds us that the "peculiar dilemma" Gunnar Myrdal wrote about fifty-seven years ago is still very much with us. Until the "whispers" grow into a far more open and honest dialogue, nothing will change."--Doug McAdam, author of Freedom Summer

""Whispers on the Color Line is a logical and necessary extension of the authors' earlier books (Fine's "Manufacturing Tales and Turner's "I Heard It Through the Grapevine), which work in tandem to explore racial issues through everyday narratives. The authors themselves represent an American cultural dialectic."--Janet Langlois, author of "Belle Gunness, The Lady Bluebeard

""Whispers on the Color Line is insightful and thought-provoking, powerfully underscoring the social significance of hearsay, rumors, and legends in everyday life. This rich and poignant narrative reveals and educates--an important contribution tosocial science understanding and to the ongoing discourse about race matters in this country."--Elijah Anderson, author of "Code of the Street: Decency, Violence, and the Moral Life of the Inner City

"This book speaks loudly to our most troubling contemporary problem: interactions among the "races" that are carried out in secret. The development of media such as the Internet (with its various aspects, from personal email to screeds sent out through listserves) has helped us recognize that rumors have gone public--and that we need to become involved in managing this process."--Roger Abrahams, author of "Singing the Master: The Emergence of African-American Culture in the Plantation South

By analysing the folk stories and personal narratives of a cross-section of Palestinians, Sirhan offers a detailed study of how content and sociolinguistic variables affect a narrator's language use and linguistic behaviour. This book will be of interest to anyone engaged with narrative discourse, gender discourse, Arabic studies and linguistics.

Now back in print for the first time in many years is one of the most comprehensive studies of Celtic mythology, legend, and poetry ever written, presenting the entire enthralling panorama of the mythical and legendary traditions of the ancient Gaelic and British Celts. Here, in clear, compact, readable form are stories of all the chief characters of Celtic myth: the Gaelic gods and the giants they battled; the "Champions of the Red Branchy" of Ulster, heroes of the great "Irish Iliad;" Finn and the Fenians; and the gods and heroes of the ancient Britons, down through the great deeds of King Arthur and his Knights of the Round Table. You will find the original adventures of such great heroes and heroines as Cuchulainn, Diarmait, Conan, Ossian, Emer, Dierdre, Rhiannon, and Bran. These legendary figures and their epics of magic and might greatly influenced the writings of such authors as Lord Dunsany, E.R. Eddison, J.R.R. Tolkien, Kenneth Morris, and Robert E. Howard.

Erna Brodber and Velma Pollard, two sister-writers born and raised in Jamaica, re-create imagined and lived homelands in their literature by commemorating the history, culture, and religion of the Caribbean. Velma Pollard was born in St. Catherine, Jamaica. By the time she was three, her parents had moved to Woodside, St. Mary, in northeast Jamaica, where her sister, Erna, was born. Even though they both travel widely and often, the sisters both still live in Jamaica. The sisters write about their homeland as a series of memories and stories in their many works of fiction, nonfiction, and poetry. They center on their home village of Woodside in St. Mary Parish, Jamaica, occasionally moving the settings of their fiction and poetry to other regions of Jamaica and various Caribbean islands, as well as other parts of the diaspora in the United States, Canada, and England. The role of women in the patriarchal society of Jamaica and much of the Caribbean is also a subject of the sisters' writing. Growing up in what Brodber calls the kumbla, the protective but restrictive environment of many women in the Anglo-Caribbean, is an important theme in their fiction. In her fiction, Pollard discusses the gender gaps in employment and the demands of marriage and the special contributions of women to family and community. Many scholars have also explored the significance of spirit in Brodber's work, including the topics of "spirit theft," "spirit possession," and spirits existing through time, from Africa to the present. Brodber's narratives also show communication between the living and the dead, from Jane and Louisa (1980) to Nothing's Mat (2014). Yet, few scholars have examined Brodber's work on par with her sister's writing. Drawing upon interviews with the authors, this is the first book to give Brodber and Pollard their due and study the sisters' important contributions.

Baring-Gould's eye-opening history of lycanthropy - the werewolf curse - delves deep into the lore, unearthing various historical cases, several of which date back to Ancient or Medieval times. The concept of a human transforming into a wolf has ancient origins, with several Greek and Roman authors such as Virgil, Ovid, Herodotus and Pliny raising the concept in their poetry and other writings. Rumors of sorcery that could induce a human to change was attributed to magicians in far off places such as Scythia, and such beliefs were widely held. Later, the Norse civilization's mythology introduced lycanthropy and other kinds of transformation. Humans as wolves, bears, birds and other beasts were said to appear in the northern wilds; the Norse God Odin took the form of a bird on regular occasions. Berserker warriors would clad themselves in wolf skins; Bj rn, son of Ulfheoin, was famed for his ability to shift between human and wolf forms.

This book entitled, Garden of Eden Found, is divided into three almost equal parts. Part I of the book is exactly what the title says. It reveals and explains the exact geographical location of the ancient site of the Garden of Eden. This is an absolutely new and a previously undiscovered site. People suppose that we must yet wait on a prophet of God to reveal its location, but this book explains that God through the prophet Moses said everything he could to explain the location of the Garden of Eden in the second chapter of Genesis. It is just that the names of the lands and rivers have changed. Garden of Eden was located upon the North American continent. Note that according to Genesis 1:10 each land was called earth. Thus, it could have been on any continent. There has never been one fact of evidence to show that the Garden of Eden was located in the Middle East anyway. This has only been a supposition of the so-called learned; even those who write the text books; and most of whom do not believe in God or in revelation. The author has simply put together the Genesis account of Eden with the latter-day revelations concerning Adam-ondi-Ahman in America. nights and Sabbath of the creation account in Genesis chapter one. No one has ever discovered nor understood their ultimate meaning before this work. The author submits that this concept is the greatest concept that can be conceived by the mind of man concerning ultimate reality. This concept ties together the law of eternal progression, the order of the universes of the cosmos, and the days and nights of creation as one and the same thing. So the author begins Part II of his book with the following paragraph. would name my address, The Number and Order of the Universes of the Cosmos. If I was a philosopher and was presenting this topic before my fellow philosophers, I would entitle my presentation, The Law of Eternal Progression to Ultimate Continuum. But if I happened to be a theologian, and was preaching a sermon to my parishioners, I would call my message, The Meaning of the Six Days and Six Nights and a Sabbath of Creation. This is because these three subjects concern the same ultimate reality. The first is scientific, the second is philosophical, and the third is religious. Actually, this is the concept of mankind at the present time. Most people, including scientists, the philosophers, and the theologians, consider that the universe is the cosmos and that the cosmos is the universe. However, this is simply not the true case of the matter, for the cosmos is the sum total of the series of the twelve universes of the cosmos. found in the first chapter of the Book of Genesis in the Bible? Who would have thought that God had hidden it in the simple account of the six days and the six nights and Sabbath of creation? I will attempt to show, in plainness and simplicity, that this is the true interpretation. Book of Revelation. The new truth to understand is that they represent only natural things and historical events of the past two-thousand years of Christian history. There are three general principles that we must accept in order to understand the symbolism of the Book of Revelation. Let me now list the general principles in this order. The first thing to understand is that the prophecy of the Book of Revelation covers the past two-thousand years of western history. The second thing to understand is that the prophecy is only about Christianity.