-- The unique and often turbulent history of St. Augustine, America's oldest city, has spawned more than four hundred years' worth of ghosts
-- Author Dave Lapham has collected twenty-four stories from St. Augustine's rich oral history into a light yet sometimes hair-raising peek at the spooky side of the Oldest City
-- St. Augustine has loads to offer travelers of all interests

A fascinating and detailed look at English folklore and village customs. Contents Include - What Folklore is - The Calendar - Village Seasonal Life: Part 1: Winter Feasts to Midsummer: Part 2: Midsummer to Christmas - Our Dance and Drama:1. The Sword Dance - 2 . The Play - The Other Play - The Morris Dance - Our Country Dances - Our Songs and their Folklore - Our Tales - A page of Magic

This is the first volume in a set of two. Volume 1 introduces and collects together the scattered quotations of the Greek writers of the sixth to the fourth centuries BC who first recorded in prose the tales of Greek mythology (the 'mythographers'), whilst Volume 2 will be a scholarly commentary.

'James Crowden is Britain's best cider writer ... Cider Country is the book we've all been waiting for.' Oz Clarke Join James Crowden as he embarks on a journey to distil the ancient origins of cider, uncovering a rich culture and philosophy that has united farmer, maker and drinker for millennia. LONGLISTED FOR THE 2021 ANDRE SIMON FOOD AND DRINK AWARD Cidermaking has been at the heart of country life for hundreds of years. But the fascinating story of how this drink came into existence and why it became so deeply rooted in the nation's psyche has never been told. In order to answer these questions, James Crowden traces an elusive history stretching back to the ancient, myth-infused civilisations of the Mediterranean and the wild apple forests of Kazakhstan. Meeting cider experts, farmers and historians, he unearths the surprising story of an apple that travelled from east to west and proved irresistible to everyone who tasted it. Upon its arrival in Britain, monks, pirates and politicians formed a pioneering and evangelical fan base, all seeking the company of a drink that might guide them through uncertain times. But the nation's love-affair with cider didn't fully blossom until after the reformation, when the thirst for knowledge about the drink was at its peak. This infatuation with experimentation would lead to remarkable innovations and the creation of a 'sparkling cider', a technique that pre-dated Dom Perignon's champagne by forty years. Turning to the present day, Crowden meets the next generation of cider makers and unearths a unique philosophy that has been shared through the ages. In the face of real challenges, these enterprising cider makers are still finding new ways to produce this golden drink that is enjoyed by so many. Spanning centuries and continents, Cider Country tells the story of our country through the culture, craft and consumption of our most iconic rural drink.

Proverbs supposedly contain the wisdom of the common folk--eternal truths to be passed down through the ages. They are short, often humorous, expressions that teach lessons or give practical advice, and they are perhaps the best indicators of attitudes and beliefs of any form of folklore. Not only reflecting culture, proverbs also perpetuate the cultural dictates of the past, including the fears, prejudices, and misconceptions of their predominately male authors. Because they are generalizations, proverbs sometimes impede accurate observation and analysis and stifle original thought. Like many other traditions and cultural practices, proverbs often promote misleading stereotypes of women. This reference book collects more than 800 American proverbs about women and analyzes their significance. The volume begins with introductory chapters that explore the relationship between proverbs and culture and the image of women presented in proverbs. The chapters that follow are devoted to particular categories, such as wives and 6~rriage, mothers and daughters, women as property, and old women and grandmothers. Each chapter includes a brief introductory overview and a listing of proverbs relating to the topic. The proverbs were gathered through an extensive review of journal articles, proverb dictionaries, and other literature. In addition to true proverbs, the volume includes some phrases, sayings, and proverbial comparisons. Not included are expressions that contain words like "mother" or "daughter" but do not really describe women or comment about them. The book then presents a concluding analysis of how American proverbs portray women, an alphabetical index of proverbs, and an extensivebibliography.

This book starts with a historical description of the economic development of the various regions within the United States from 1870 together with an analytical discussion of the broad factors affecting the location of economic activity. It then proceeds to a detailed statistical analysis of the state-by-state movement of employment between the 1939 Census of Manufactures and 1958. The last chapter is devoted to programs which may help bring a better balance of labor force and employment opportunity.

The comparison made between Prometheus and Faust occurs so frequently in modern scholarship as to seem commonplace. However, while each figure has been investigated separately, no recent full-length study has brought the two characters together and examined the association. The present volume explores the Prometheus myth from its preliterary origins through treatments in Greek by Hesiod, Aeschylus, Plato, and Lucian, as well as in Latin literature and Roman theatricals. The investigation continues into hitherto unexplored connections with the Greek figure and the magus and occult scientist types of late antiquity, the Middle Ages, and Renaissance. The Prometheus and Faust traditions met in literature and art soon after the emergence of the historical Faustus. The traditions continued to exist independently through the 16th and 17th centuries, until Goethe began to write a play about each character. Ultimately Goethe abandoned Prometheus; however, Faust absorbed much of the Promethean persona.

Myths of the Nation focuses on the construction of forms of historical consciousness in narratives, or schools of narrative. The study seeks to underscore what goes behind the writing of `true' and `authentic' histories by treating historical fiction as the literary dimension of nationalist ideology. It traces nationalism from its abstract underpinnings to its concrete manifestation in historical fiction which underwrites the Indian freedom struggle. The construction of identity through mythicized conceptions of India is examined in detail through Raja Rao's first novel, Kanthapura. The key concept governing the subject is that of representation. Since the `fictional reality' of the nation is a much debated issue, the study examines how history slides into fiction. The author shows how orientalist, nationalist, Marxist, subalternists, and poststructuralists, have all, in their own celebratory ways, used the disenfranchised sub-proletariat in their works. What she finds useful in poststructuralist practices, however, is that subaltern identities are imbued with heterogeneity, thus splitting open an authoritarian and reactionary nationalism, and a continuing neo-colonialism.

Despite protestations to the contrary, myth criticism in literature is not dead: witness the well over 1000 illuminating sources published between 1970 and 1990 selected from thousands more and provided with succinct informative annotations. The modern study of the relation between myths and literature began in the late 19th century with publication of James G. Frazer's The Golden Bough and reached a high water mark with Northrop Frye's archetypal criticism beginning in the late 1950s. The "end of modernism" proclaimed in the late 1960s seemed also to toll the death knell for myth criticism, which was denigrated by some "new critics" of the "post-modernist" era. Instead, however, the authors here have found a wealth of recent materials, some proceeding from traditional psychological or anthropological stances and others taking new directions: studying relationships between myth and language and myth and history, viewing myth as part of the complex fabric of fiction rather than its core, and accommodating feminist theory, among other approaches. The variety of narratives accorded the status of myth has also prompted inquiries on mythopoesis, or the literary creation of myth. The opening chapter surveys work done on the mythic or archetypal approach in general and on such mythic figures in literature as Orpheus, Oedipus, Cain, and Faust; the second chapter covers works on myth in classical literature; and the following five chapters correspond to major periods in British and American literature. Included are general studies and studies of particular authors, notably among them such giants of the past as Shakespeare, Milton, Melville, Joyce, and Faulkner, but also including suchcontemporary writers as Toni Morrison and John Updike. A well-constructed subject index provides access throughout to mythical figures and literary figures as well as major theories and theorists, topics, and themes; and an author index accesses the critical studies.

Folklore has long explored food as a core component of life, linked to identity, aesthetics, and community and connecting individuals to larger contexts of history, culture and power. It recognizes that we gather together to eat, define class, gender, and race by food production, preparation, and consumption, celebrate holidays and religious beliefs with food, attach meaning to the most mundane of foods, and evoke memories and emotions through our food selections and presentations. "The Food and Folklore Reader "is the first comprehensive introduction to folklore methods and concepts relevant to food, spanning the entire discipline with key sources drawn from around the globe. Whilst folklore approaches have long permeated food studies, this is the first dedicated reader to introduce those ideas and to encourage students of food to explore them in their own work.Internationally respected editor Lucy M. Long offers expert commentary and rich learning features to aid teaching. Definitive in scale and scope, the reader covers the history of food in folklore scholarship whilst also highlighting food studies approaches and concepts for folklore readers.From seminal works on identity and aesthetics to innovative scholarship on contemporary food issues such as culinary tourism and food security, this will be an essential resource for food studies, folklore studies and anthropology.

The Kumulipo (1897) is a traditional chant translated by Lili'uokalani. Published in 1897, the translation was written in the aftermath of Lili'uokalani's attempt to appeal on behalf of her people to President Grover Cleveland, a personal friend. Although she inspired Cleveland to demand her reinstatement, the United States Congress published the Morgan Report in 1894, which denied U.S. involvement in the overthrow of the Kingdom of Hawaii. The Kumulipo, written during the Queen's imprisonment in Iolani Palace, is a genealogical and historical epic that describes the creation of the cosmos and the emergence of humans, plants, and animals from "the slime which established the earth." "At the time that turned the heat of the earth, / At the time when the heavens turned and changed, / At the time when the light of the sun was subdued / To cause light to break forth, / At the time of the night of Makalii (winter) / Then began the slime which established the earth, / The source of deepest darkness." Traditionally recited during the makahiki season to celebrate the god Lono, the chant was passed down through Hawaiian oral tradition and contains the history of their people and the emergence of life from chaos. A testament to Lili'uokalani's intellect and skill as a poet and songwriter, her translation of The Kumulipo is also an artifact of colonization, produced while the Queen was living in captivity in her own palace. Although her attempt to advocate for Hawaiian sovereignty and the restoration of the monarchy was unsuccessful, Lili'uokalani, Hawaii's first and only queen, has been recognized as a beloved monarch who never stopped fighting for the rights of her people. With a beautifully designed cover and professionally typeset manuscript, this edition of Lili'uokalani's The Kumulipo is a classic of Hawaiian literature reimagined for modern readers.

Winner of the Saltire Society Fiction Book of the Year 'a beguiling mixture of poetry, moving prose and magical realism' - Stephen McGinty, The Sunday Times Jeda is a girl on the cusp of adulthood, living in Edinburgh; with a white father and a black mother, she feels self-conscious and out of place. Her feelings of alienation allow the stories of the shapeshifting Shadowman, who embodies all that is negative, to feed on her doubts and insecurities. The death of her mother, Rahami, gives the Shadowman an opportunity to control Jeda through her grief and his lies, but her mother's last gift to her daughter was a box of stories. When the box is flung open, the stories escape, setting in motion an incredible journey. Jeda learns more about her African ancestry through tales of slavery, cruelty and colonisation, but she also discovers pride and love and sacrifice, ultimately embracing her dual heritage and her unique place in the world. Filled with tragedy, wonder and magic, Blood and Gold explores the themes of loss and oppression, while asking us to examine our own identities, attitudes, and humanity.

"Peasants tell tales," one prominent cultural historian tells us (Robert Darnton). Scholars must then determine and analyze what it is they are saying and whether or not to incorporate such tellings into their histories and ethnographies. Challenging the dominant culturalist approach associated with Clifford Geertz and Marshall Sahlins among others, this book presents a critical rethinking of the philosophical anthropologies found in specific histories and ethnographies and thereby bridges the current gap between approaches to studies of peasant society and popular culture. In challenging the methodology and theoretical frameworks currently used by social scientists interested in aspects of popular culture, the author suggests a common discursive ground can be found in an historical anthropology that recognizes how myths, fairytales and histories speak to a universal need for imagining oneself in different timescapes and for linking one's local world with a "known" larger world.

This book presents tales of mythical beasts, offering primary sources (e.g., the writings of Herodotus, original fairy tales, poems) within the context of background material and commentary. Discussion questions and activities complete each chapter.

Focusing on the phoenix, the griffin, the unicorn, and the dragon, this book combines tales and lore of each, presenting primary sources (e.g., the writings of Herodotus and original fairy tales and poems) within the context of background material and commentary. The shifting images of these animals offer a unique perspective on myths, religions, art, literature, and science in history. Discussion questions and learning activities at the end of the chapters guide students in exploring the worlds surrounding each beast. Sure to appeal to all ages, this fascinating collection makes a wonderful supplement to world history courses and is a great resource for reports.

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aPersuasively argued...A fascinating study that makes a real contribution to discussions of health, wellness and faith in America.a
--"Publishers Weekly"

"An exploration of the history and practices of black healers and healing illuminating the vital cultural, intellectual, and spiritual expression of a people. This fine multidisciplinary work draws deeply and thoughtfully from the experiences and words of its subjects, offering alternative visions of human creativity, resistance, and community."
--Yvonne Chireau, author of "Black Magic: Religion and the African-American Conjuring Tradition"

Cure a nosebleed by holding a silver quarter on the back of the neck. Treat an earache with sweet oil drops. Wear plant roots to keep from catching colds. Within many African American families, these kinds of practices continue today, woven into the fabric of black culture, often communicated through women. Such folk practices shape the concepts about healing that are diffused throughout African American communities and are expressed in myriad ways, from faith healing to making a mojo.

Stephanie Y. Mitchem presents a fascinating study of African American healing. She sheds light on a variety of folk practices and traces their development from the time of slavery through the Great Migrations. She explores how they have continued into the present and their relationship with alternative medicines. Through conversations with black Americans, she demonstrates how herbs, charms, and rituals continue folk healing performances. Mitchem shows that these practices are not simply about healing; they are linked to expressions of faith, delineating aspects of a holistic epistemology and pointing to disjunctures between African American views of wellness and illness and those of the culture of institutional medicine.

Werewolf Histories is the first academic book in English to address European werewolf history and folklore from antiquity to the twentieth century. It covers the most important werewolf territories, ranging from Scandinavia to Germany, France and Italy, and from Croatia to Estonia.