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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore > Folklore
Bring ancient methods of healing and magic into the modern world
with this impressive book on Ozark folk magic. Providing lore,
herbs, magical alignments, verbal charms, and more, folk healer
Brandon Weston sheds light on the region s secretive culture and
shows you how to heal both yourself and others. Ozark Folk Magic
invites you to experience the hillfolk s traditional magic through
the eyes of an authentic practitioner. Discover how to optimize
your healing work and spells according to the moon cycles, zodiac
signs, and numerology. Explore medicinal uses for native Ozark
plants and instructions for healing magical illnesses. Combining
personal stories and practical advice, this grounded book makes it
easy to incorporate Ozark folk magic into your practice.
The building of human towers (castells) is a centuries-old
competitive practice where hundreds of men, women, and children
gather in Catalan squares to create breathtaking edifices through a
feat of collective athleticism. The result is a great spectacle of
suffering and overcoming, tension and release. Catalonia's Human
Towers is an ethnographic look at the thriving castells
practice—a symbol of Catalan cultural heritage and identity amid
debates around autonomy versus subsummation by the Spanish state.
While the main function of building castells is to grow community
through a low-cost, intergenerational, and inclusive leisure
activity, Mariann Vaczi reveals that this unique sport also
provides a social base, image, and vocabulary for the
pro-independence movement. Highlighting the intersection of
folklore, performance, and self-determination, Catalonia's Human
Towers captures the subtle and unconscious processes by which the
body becomes politicized and ideology becomes embodied, with all
the risks and precarities of collective constructions.
Storytelling is alive and well in Texas! Let storyteller and
biographer Jim Gramon give you a personal introduction to some of
his legendary storytelling friends.
Before the arrival in Ireland of Christian monks in the fifth
century, sagas, poems, and sayings were spread across the
countryside by minstrels and storytellers. This is a book of some
of the most heart-warming, ancient Irish wisdom, from the original
Gaelic (although how old they are is anybody's guess). Some of the
tales may be familiar, while others are truly lost Gaelic
treasures.
African cults and religions enrich all aspects of Cuba's social,
cultural and everyday life, and encompass all ethnic and social
groups. Politics, art, and civil events such as weddings, funerals,
festivals and carnivals all possess distinctly Afro-Cuban
characteristics. Miguel Barnet provides a concise guide to the
various traditions and branches of Afro-Cuban religions. He
distinguishes between the two most important cult forms - the Regla
de Ocha (Santeria), which promotes worship of the Oshira (gods),
and the traditional oracles that originated in the old Yoruba city
of lle-lfe', which promote a more animistic worldview. Africans who
were brought to Cuba as slaves had to recreate their old traditions
in their new Caribbean context. As their African heritage collided
with Catholicism and with Native American and European traditions,
certain African gods and traditions became more prominent while
others lost their significance in the new Afro-Cuban culture. This
book, the first systematic overview of the syncretization of the
gods of African origin with Catholic saints, introduces the reader
to a little-known side of Cuban culture.
The book analyses the work of R.G. Collingwood and Romantic
thinkers, taking an interdisciplinary approach to mythology The
book traces the changing relationship between history and myth and
argues for new methodological approaches The book brings forward
the broader perspective of idealism, where history is viewed as a
form of knowledge, to bear upon a discussion of the nature of myths
Originally published in London, 1910. A collection of eleven
important early Chinese Folk Lore Tales. The book is rich in the
myth and legend of early China. Contents include: The Widow Ho,
Kwang-Jui and the God of the River, The Beautiful daughter of
Liu-Kung, The Fairy Bonze, The Mysterious Buddhist Robe, The
Vengeance of the Goddess, The Wonderful Man, The God of the City,
The Tragedy of the Yin Family, Sam-Chung and the Water Demon, The
Reward of a benevolent life. Many of the earliest books,
particularly those dating back to the 1900s and before, are now
extremely scarce and increasingly expensive. Home Farm Books are
republishing these classic works in affordable, high quality,
modern editions, using the original text and artwork.
In Greek mythology the beautiful Narcissus glimpsed his own
reflection in the waters of a spring and fell in love. But his was
an impossible passion and, filled with despair, he pined away. Over
the years the myth has inspired painters, writers, and film
directors, as well as philosophers and psychoanalysts. The tragic
story of Narcissus, in love with himself, and of Echo, the nymph in
love with him, lies at the heart of this collection of essays
exploring the origins of the myth and some of its many cultural
manifestations and meanings relating to the self and the self's
relationship to the other. Through their discussion of the myth and
its ramifications, the contributors to this volume broaden our
understanding of one of the fundamental myths of Western culture.
Lieve Spaas is Research Professor of Arts and Culture, Faculty
of Arts and Social Sciences, Kingston University and has worked in
social anthropology, French literature, and francophone film.
Within every woman there is a wild and natural creature, a powerful
force, filled with good instincts, passionate creativity, and
ageless knowing. Her name is Wild Woman, but she is an endangered
species. Though the gifts of wildish nature come to us at birth,
society's attempt to "civilize" us into rigid roles has plundered
this treasure, and muffled the deep, life-giving messages of our
own souls. Without Wild Woman, we become over-domesticated,
fearful, uncreative, trapped. Clarissa Pinkola Estes, Ph.D.,
Jungian analyst and cantadora storyteller, shows how woman's
vitality can be restored through what she calls "psychic
archeological digs" into the bins of the female unconscious. In
Women Who Run with the Wolves, Dr. Estes uses multicultural myths,
fairy tales, folk tales, and stories chosen from over twenty years
of research that help women reconnect with the healthy,
instinctual, visionary attributes of the Wild Woman archetype. Dr.
Estes collects the bones of many stories, looking for the
archetypal motifs that set a woman's inner life into motion. "La
Loba" teaches about the transformative function of the psyche. In
"Bluebeard", we learn what to do with wounds that will not heal; in
"Skeleton Woman", we glimpse the mystical power of relationship and
how dead feelings can be revived; "Vasalisa the Wise" brings our
lost womanly instincts to the surface again; "The Handless Maiden"
recovers the Wild Woman initiation rites; and "The Little Match
Girl" warns against the insidious dangers of a life spent in
fantasy. In these and other stories, we focus on the many qualities
of Wild Woman. We retrieve, examine, love, and understand her, and
hold her against our deep psyches as one whois both magic and
medicine. In Women Who Run with the Wolves, Dr. Estes has created a
new lexicon for describing the female psyche. Fertile and
lifegiving, it is a psychology of women in the truest sense, a
knowing of the soul.
"Scottish Myths and Legends" is an entertaining taste of the feast
of stories that Scotland has to offer. Fairy folk, witches, giants,
monsters, tales of heroic princes, magic and miraculous feats - all
are the stuff of the myths and legends of Scotland. Scotland is a
nation made up of many peoples and cultures. This diversity of
cultural influence is reflected in Scotland's vast store of myths
and legends. This book contains a fascinating selection of these;
some recent, some ancient, some obscure in origin and others based
(however loosely) on fact. We invite you to revel in engaging tales
of selkies, kelpies, glaistigs, fairy queens and changelings;
wonder at the mysteries that may be hidden in the depths of
Scottish lochs; and, shiver at tales of supernatural
disappearances, deadly creatures and grisly deeds, and if you ever
meet someone called Sawney Bean, who lived in a cave with his
family and ate people - run for your life!
Meet mythology's fifty fiercest females in this modern retelling of
the world's greatest legends. From feminist fairies to bloodsucking
temptresses, half-human harpies and protective Vodou goddesses,
these are women who go beyond long-haired, smiling stereotypes.
Their stories are so powerful, so entrancing, that they have
survived for millennia. Lovingly retold and updated, Kate Hodges
places each heroine, rebel and provocateur fimly at the centre of
their own narrative. Players include: Bewitching, banished Circe,
an introvert famed and feared for her transfigurative powers. The
righteous Furies, defiantly unrepentant about their dedication to
justice. Fun-loving Ame-no-Uzume who makes quarrelling friends
laugh and terrifies monsters by flashing at them. The fateful Morai
sisters who spin a complex web of birth, life and death. Find your
tribe, fire your imagination and be empowered by this essential
anthology of notorious, demonised and overlooked women.
The hill of Uisneach lies almost exactly at the geographical center
of Ireland. Remarkably, a fraction at least of the ancient Irish
population was aware of that fact. There is no doubt that the place
of Uisneach in Irish mythology, and more broadly speaking the
Celtic world, was of utmost importance: Uisneach was - and probably
still is - best defined as a sacred hill at the center of Ireland,
possibly the sacred hill of the center of Ireland. Uisneach or the
Center of Ireland explores the medieval documents connected with
the hill and compares them with both archeological data and modern
Irish folklore. In the early 21st century, a Fire Festival started
being held on Uisneach in connection with the festival of
Bealtaine, in early May, arguably in an attempt to echo more
ancient traditions: the celebration was attended by Michael D.
Higgins, the current president of Ireland, who lit the fire of
Uisneach on 6 May 2017. This book argues that the symbolic
significance of the hill has echoed the evolution of Irish society
through time, be it in political, spiritual and religious terms or,
perhaps more accurately, in terms of identity and Irishness. It is
relevant for scholars and advanced students in the fields of
cultural history, Irish history and cultural studies.
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