Storytelling is alive and well in Texas! Let storyteller and biographer Jim Gramon give you a personal introduction to some of his legendary storytelling friends.

From the international bestselling creator of Lost Ocean comes a beautiful new colouring book that takes you on a wondrous expedition through the jungle.

Follow ink evangelist and queen of colouring, Johanna Basford down an inky trail through Magical Jungle and discover a forgotten world of flora and fauna just waiting to be coloured in. Through intricate pen and ink illustrations, colour-inners of all ages are invited to explore an exotic rainforest teeming with creatures large and small. Encounter speckled tree frogs and dainty hummingbirds, prowling tigers and playful monkeys. Let your imagination run wild in the leafy treetop canopy or find yourself drawn to the delicate world of sensational blossoms and tropical plants below. There are ancient relics to be found along the way, each one leading toward the mystical treasure hidden at the heart of the magical jungle. Only the bravest, most inquisitive colourers will discover what lies hidden at the end of this inky quest.

For Magical Jungle Johanna has picked a crisp ivory paper that accentuates and compliments your chosen colour palette. The smooth, untextured pages allows for beautiful blending or gradient techniques with coloured pencils, or are perfect for pens, allowing the nib to glide evenly over the surface without feathering.

Before the arrival in Ireland of Christian monks in the fifth century, sagas, poems, and sayings were spread across the countryside by minstrels and storytellers. This is a book of some of the most heart-warming, ancient Irish wisdom, from the original Gaelic (although how old they are is anybody's guess). Some of the tales may be familiar, while others are truly lost Gaelic treasures.

African cults and religions enrich all aspects of Cuba's social, cultural and everyday life, and encompass all ethnic and social groups. Politics, art, and civil events such as weddings, funerals, festivals and carnivals all possess distinctly Afro-Cuban characteristics. Miguel Barnet provides a concise guide to the various traditions and branches of Afro-Cuban religions. He distinguishes between the two most important cult forms - the Regla de Ocha (Santeria), which promotes worship of the Oshira (gods), and the traditional oracles that originated in the old Yoruba city of lle-lfe', which promote a more animistic worldview. Africans who were brought to Cuba as slaves had to recreate their old traditions in their new Caribbean context. As their African heritage collided with Catholicism and with Native American and European traditions, certain African gods and traditions became more prominent while others lost their significance in the new Afro-Cuban culture. This book, the first systematic overview of the syncretization of the gods of African origin with Catholic saints, introduces the reader to a little-known side of Cuban culture.

Originally published in London, 1910. A collection of eleven important early Chinese Folk Lore Tales. The book is rich in the myth and legend of early China. Contents include: The Widow Ho, Kwang-Jui and the God of the River, The Beautiful daughter of Liu-Kung, The Fairy Bonze, The Mysterious Buddhist Robe, The Vengeance of the Goddess, The Wonderful Man, The God of the City, The Tragedy of the Yin Family, Sam-Chung and the Water Demon, The Reward of a benevolent life. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

In Greek mythology the beautiful Narcissus glimpsed his own reflection in the waters of a spring and fell in love. But his was an impossible passion and, filled with despair, he pined away. Over the years the myth has inspired painters, writers, and film directors, as well as philosophers and psychoanalysts. The tragic story of Narcissus, in love with himself, and of Echo, the nymph in love with him, lies at the heart of this collection of essays exploring the origins of the myth and some of its many cultural manifestations and meanings relating to the self and the self's relationship to the other. Through their discussion of the myth and its ramifications, the contributors to this volume broaden our understanding of one of the fundamental myths of Western culture.

Lieve Spaas is Research Professor of Arts and Culture, Faculty of Arts and Social Sciences, Kingston University and has worked in social anthropology, French literature, and francophone film.

Reynard - a subversive, dashing, anarchic, aristocratic, witty fox from the watery lowlands of medieval East Flanders - is in trouble. He has been summoned to the court of King Noble the Lion, charged with all manner of crimes and misdemeanours. How will he pit his wits against his accusers - greedy Bruin the Bear, pretentious Courtoys the Hound or dark and dangerous Isengrim the Wolf - to escape the gallows? Reynard was once the most popular and beloved character in European folklore, as familiar as Robin Hood, King Arthur or Cinderella. His character spoke eloquently for the unvoiced and disenfranchised, but also amused and delighted the elite, capturing hearts and minds across borders and societal classes for centuries. Based on William Caxton's bestselling 1481 English translation of the Middle Dutch, but expanded with new interpretations, innovative language and characterisation, this edition is an imaginative retelling of the Reynard story. With its themes of protest, resistance and duplicity fronted by a personable, anti-heroic Fox making his way in a dangerous and cruel world, this gripping tale is as relevant and controversial today as it was in the fifteenth century.

A luminous translation of Arabic tales of enchantment and wonder Known to us only through North African manuscripts, and translated into English for the first time, A Hundred and One Nights is a marvelous example of the rich tradition of popular Arabic storytelling. Like its more famous sibling, the Thousand and One Nights, this collection opens with the frame story of Shahrazad, the gifted vizier's daughter who recounts imaginative tales night after night in an effort to distract the murderous king from taking her life. A Hundred and One Nights features an almost entirely different set of stories, however, each one more thrilling, amusing, and disturbing than the last. In them, we encounter tales of epic warriors, buried treasures, disappearing brides, cannibal demon women, fatal shipwrecks, and clever ruses, where human strength and ingenuity play out against a backdrop of inexorable, inscrutable fate. Although these tales draw on motifs and story elements that circulated across cultures, A Hundred and One Nights is distinctly rooted in Arabic literary culture and the Islamic tradition. It is also likely much older than Thousand and One Nights, drawing on Indian and Chinese antecedents. This careful edition and vibrant translation of A Hundred and One Nights promises to transport readers, new and veteran alike, into its fantastical realms of magic and wonder. A bilingual Arabic-English edition.

The sky forms fifty percent of our visual world and has a voice across cultures. This complex sky-voice contains great diversity and is informed by human images, dreams, and aspirations. The inherent nature of this sky-voice is transmitted from one generation to another through text, image, oral tradition, physical mapping, and painted description. This volume is written by some of the most noted scholars in their fields of British history, history of art, social anthropology, Greek horoscopes and narratology, globe cartography, comets and Irish mythology, western astronomy, Australian aboriginal sky astronomy and mythology, and cultural astronomy and astrology. These scholars acknowledge the presence of such a voice, in the sky's movement mirrored in the archoeastronomy of British prehistory, the apocalyptic myths of comets and meteors, the sky cartography reflected in European globes and frescoes, the Australian aboriginal sky myths, the issue of disappearing dark skies, and in contemporary reflections on the sky. It recognises that sky imagery has persisted in similar forms since its potential roots in the Palaeolithic period.These eleven essays offer critical engagement in understanding the sky in human imagination and culture and contribute to the new fields of cultural astronomy and skyscapes, the role and importance of the sky in the interpretation of cultures, emerging within the academy.

Why are dragons recognised in almost all cultures on Earth? What is the mysterious geomantic gold they secretly guard? Could dragons be a folk memory of something which once hunted us? In this beautiful little book Joyce Hargreaves tells the story of these extraordinary animals through examples drawn from all over the world. Richly illustrated, and with detailed appendices of notable dragon sites around the United Kingdom, this is an essential dragonologists guide. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

The extensive influence of the creative traditions derived from slave culture, particularly black folklore, in the work of nineteenth- and twentieth-century black authors, such as Ralph Ellison and Toni Morrison, has become a hallmark of African American scholarship. Yet similar inquiries regarding white authors adopting black aesthetic techniques have been largely overlooked. Gretchen Martin examines representative nineteenth-century works to explore the influence of black-authored (or narrated) works on well-known white-authored texts, particularly the impact of black oral culture evident by subversive trickster figures in John Pendleton Kennedy's Swallow Barn, Harriet Beecher Stowe's Uncle Tom's Cabin, Herman Melville's Benito Cereno, Joel Chandler Harris's short stories, as well as Mark Twain's Adventures of Huckleberry Finn and Pudd'nhead Wilson. As Martin indicates, such white authors show themselves to be savvy observers of the many trickster traditions and indeed a wide range of texts suggest stylistic and aesthetic influences representative of the artistry, subversive wisdom, and subtle humor in these black figures of ridicule, resistance, and repudiation. The black characters created by these white authors are often dismissed as little more than limited, demeaning stereotypes of the minstrel tradition, yet by teasing out important distinctions between the wisdom and humor signified by trickery rather than minstrelsy, Martin probes an overlooked aspect of the nineteenth-century American literary canon and reveals the extensive influence of black aesthetics on some of the most highly regarded work by white American authors.