Here are the great stories of the Blackfeet, including the entertaining Na'Pi (Old Man) stories of mischief and trickery; the hero Kut-o-yis', who got rid of the bad things; the secret societies and how the earth was created. Recorded in person by the famous conservationist and ethnologist, George Bird Grinnell, who became a tribal member in 1885.

Nothing like some good ghost stories on a cool Florida evening around a campfire (or at home in your favorite reading chair). And nothing like a swamp as a good, scary setting, especially Florida's famous ones--from the Everglades to Mosquito Lagoon. Mysterious things just happen in swamps. Maybe it's because they are often wet, shadowy places of wild beauty where few people go. Where else but a swamp can you find a ghost who is obsessed with the ghost orchid? Throw in a skunk ape or two and you've got the ingredients for many entertaining hours. In writing tales for this book, Doug Alderson drew upon many years of entertaining young people as a summer camp counselor and storyteller, and also from decades as a swamp explorer. He is a former associate editor of Florida Wildlife magazine. To learn more about his writing and photography, log onto his website at www.dougalderson.net.

Most of today's familiar fairy tales come from the stories of Charles Perrault, the Brothers Grimm, and Hans Christian Andersen, but this innovative study encourages us to explore the marvelous tales of authors from the early modern period Giovanni Straparola, Giambattista Basile, Madame Marie-Catherine D'Aulnoy, and others whose works enrich and expand the canon. As author Jo Eldridge Carney shows, the queen is omnipresent in these stories, as much a hallmark of the genre as other familiar characteristics such as the number three, magical objects, and happy endings. That queens occupy such space in early modern tales is not surprising given the profound influence of so many powerful queens in the political landscapes of early modern England and Europe. Carney makes a powerful argument for the historical relevance of fairy tales and, by exploring the dynamic intersection between fictional and actual queens, shows how history and folk literature mutually enrich our understanding of the period.

This book offers an unusual yet effective approach to the subject of mythology by stressing the universal rather than national themes. Leeming collects a wide array of narrative texts from the Bible to English literature to interpretations by Joseph Campbell, C.G. Jung and others, which illustrate the stages of the universal hero. The arrangement of texts by themes such as "Childhood, Initiation and Divine Signs" and "The Descent to the Underworld" help readers strip mythic characters of their many national and cultural "masks" to reveal their archetypal aspects. Real figures such as Jesus and Mohammed are also included to underline the text theory that myths are real and can be applied to real life. Changes to the third edition include additional heroine myths (including Navajo, Indonesian, Indian, Chinese and African tales) and an updated bibliography.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

Each chapter of the book takes as its starting point a myth, a legend, a story or a fable and explores its contemporary relevance for a world of globalization, organizations and consumerism. Each contributor is inspired by a relatively short but rich text which is then used as a springboard for an analysis of contemporary social and organizational realities. The idea behind this book is that by looking at contemporary society through the prism of pre-modern narratives, certain features emerge in sharp relief, while others are found to be entrenched in societies across the ages. The texts that have inspired the authors of this collection differ-some are myths, some are stories, one is a children's tale. The origins of these texts differ, from the scriptural to the folkloric, from high art to oral tradition. What all the texts have in common is a distinct and compelling plot, a cast of recognizable characters with an ability to touch us and speak to us through the ages, and above all, a powerful symbolic aura, one that makes them identifiable landmarks in storytelling tradition. The driving force behind this project was each author's love for their narratives. It is not an exaggeration to say that the book is a true labor of love. The chapters are introduced by the editor and are arranged in four parts, each with its own introduction. The chapters in each part spring from stories that share a narrative character, and are labeled as Knowledge Narratives, Heroic Narratives, Tragic Narratives and Reflective Narratives. The book offers a set of probing, original and critical inquiries into the nature of human experience knowledge and truth, the nature of leadership, power and heroic achievement, postmodernity and its discontents, and emotion, identity and the nature of human relations in organizations. Different chapters deal, among pother things, with the nature of leadership in the face of terrorism, friendship, women's position in organizations, the struggle for identity, the curse of insatiable consumption and the ways the hero and heroine are constructed in our times.

Mysterious lights in the sky. Alien abductions. Government cover-ups. Dedicated ufologists have spent years documenting unexplained phenomena from flying saucers to extraterrestrial life. Uncover the history of UFOs in this illustrated guide, which separates the science fiction from the facts. The mysterious history of flying saucers is explored in-depth, from potential alien visitors as far back as Stonehenge to UFO cults and the secrets of Area 51. Adam Allsuch Boardman details in his signature graphic style the aircraft and artefacts associated with the search for the truth about UFOs.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

There are far fewer publications on the ethnology of Micronesia than for any other region in the Pacific. This dearth is especially seen in the traditional religion, folklore, and iconography of the area. Haynes and Wuerch have located 1,193 relevant titles. For the first time, these mostly scarce or unpublished materials are now accessible in this essential research tool. The focus is on tradition, which became modified after contact with the West--the adaptation and persistence of these traditions are included in this bibliography.

Traditional Micronesian iconography is largely religious in nature, as is the case with most tribal or preliterate societies. There is also a large corpus of Micronesian myths, legends, beliefs, and practices that may not fit the Western concept of religion, but would be classified under folklore. That distinction cannot be consistently made in Micronesian cultures, nor in most other preliterate, thus prehistoric, societies. The overlap of religion and folklore is pervasive, so the scope of subjects included is broad. The subject matter encompasses magic, sorcery, ritual, cosmology, mythology, iconography, iconology, oral traditions, songs, chants, dance, music, traditional medicine, and many activities of daily life. Only those works that directly treat these subjects in the context of religion or folklore are included in this volume.

Originally published in 1913. Author: J.G.Frazer, D.C.L., Ll.D., Litt.D. Language: English Keywords: Religion / Magic / Folklore / Mythology Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Obscure Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This is a reissue of a much-admired variorum edition of Yeats's stories. 'This edition, which includes previously unpublished texts, gives a text history, which establishes once and for all the extent to which Yeats's work was modified by editors. Truly definitive. Indispensible for any major collection, including public libraries.' Library Journal

Spontaneous shrines have emerged, both in the United States and internationally, as a way to mourn those who have died a sudden or shocking death, and to acknowledge the circumstances of the deaths. The contributors to "Spontaneous Shrines and the Public Memorialization of Death "address events such as the Texas A&M bonfire collapse, the Pentagon and New York City after 9-11, roadside crosses, a memorial wall in Philadelphia, and the use of Day of the Dead altars to bring attention to deceased undocumented immigrants. The first comprehensive work to examine and theorize the phenomenon as a whole, this book explores the origins, types, uses, and meanings of these shrines.""

Scheherazade's Children gathers together leading scholars to explore the reverberations of the tales of the Arabian Nights across a startlingly wide and transnational range of cultural endeavors. The contributors, drawn from a wide array of disciplines, extend their inquiries into the book's metamorphoses on stage and screen as well as in literature--from India to Japan, from Sanskrit mythology to British pantomime, from Baroque opera to puppet shows. Their highly original research illuminates little-known manifestations of the Nights, and provides unexpected contexts for understanding the book's complex history. Polemical issues are thereby given unprecedented and enlightening interpretations.

Organized under the rubrics of Translating, Engaging, and Staging, these essays view the Nights corpus as a uniquely accretive cultural bundle that absorbs the works upon which it has exerted influence. In this view, the Arabian Nights is a dynamic, living and breathing cross-cultural phenomenon that has left its mark on fields as disparate as the European novel and early Indian cinema. While scholarly, the writers' approach is also lively and entertaining, and the book is richly illustrated with unusual materials to deliver a sparkling and highly original exploration of the Arabian Nights' radiating influence on world literature, performance, and culture.

Philip F. Kennedy is Associate Professor of Middle Eastern and Islamic Studies and Comparative Literature at New York University, and General Editor of the Library of Arabic Literature series at NYU Press.

Marina Warner is Professor of Literature, Film, and Theatre Studies at the University of Essex and Fellow of the British Academy. Her most recent book, Stranger Magic: Charmed States and the Arabian Nights, has won several awards, including the 2012 National Book Critics Circle Award for Criticism and the Shaykh Zayed Book Award.

Myths are best understood as a convergence of voices from across times and cultures. They are the instruments through which authors and audiences seek to grapple with questions about the fundamental nature of the universe. The answers, however, constantly change in light of changing circumstances such as the interface between western and non-western cultures, or cataclysmic events. The authors argue that these societies' worldviews assume that the process of flow between events, rather than the nature of the events, is critical to a model of human sociality.

Boundaries, whether of a ritual, physical, or social nature, are perceived as constantly broken by the exchange of ideas across time, space, and peoples. Our understanding of such issues as gender relations and the body, social change, imagination, play, and the conceptualization of power is furthered by probing how it is that myth is both expressive as well as constitutive of human thought on these topics.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.

During the day, residents and visitors alike enjoy the quiet beauty of the peaceful coasts and Lowcountry of South Carolina. But in a state where soldiers fell, slaves died without knowing freedom, and the practice of voodoo is still an open secret, the night is bound to be a bit more exciting.

Whether you are an amateur ghost-hunter, a South Carolina buff, or just love a good scare, you will enjoy these tales of ghostly encounters and supernatural happenings. From the bustling streets of Charleston and the graceful old plantations, to the foreboding coastal forts and the darkest heart of the swamps, spirits and creatures seem to lurk in every corner.

This study innovatively explores how Malory’s Morte Darthur responds to available literary vernacular Arthurian traditions—the French defined as theoretical in impulse, the English as performative and experimental. Negotiating these influences, Malory transforms constructions of masculine heroism, especially in the presentation of Launcelot, and exposes the tensions and disillusions of the Arthurian project. The Morte poignantly conveys a desire for integrity in narrative and subject-matter, but at the same time tests literary conceptualizations of history, nationalism, gender and selfhood, and considers the failures of social and legal institutionalizations of violence, in a critique of literary form and of social order.