A luminous translation of Arabic tales of enchantment and wonder Known to us only through North African manuscripts, and translated into English for the first time, A Hundred and One Nights is a marvelous example of the rich tradition of popular Arabic storytelling. Like its more famous sibling, the Thousand and One Nights, this collection opens with the frame story of Shahrazad, the gifted vizier's daughter who recounts imaginative tales night after night in an effort to distract the murderous king from taking her life. A Hundred and One Nights features an almost entirely different set of stories, however, each one more thrilling, amusing, and disturbing than the last. In them, we encounter tales of epic warriors, buried treasures, disappearing brides, cannibal demon women, fatal shipwrecks, and clever ruses, where human strength and ingenuity play out against a backdrop of inexorable, inscrutable fate. Although these tales draw on motifs and story elements that circulated across cultures, A Hundred and One Nights is distinctly rooted in Arabic literary culture and the Islamic tradition. It is also likely much older than Thousand and One Nights, drawing on Indian and Chinese antecedents. This careful edition and vibrant translation of A Hundred and One Nights promises to transport readers, new and veteran alike, into its fantastical realms of magic and wonder. A bilingual Arabic-English edition.

A potent pantheon of gods, heroes engaged in epic battles, fearsome mythical creatures and supernatural transformations - such fantastical elements infuse Greek myths with a wonder and excitement that's hard to beat. These tales of love, courage, conflict and intrigue, shared for thousands of years, still exercise a powerful influence on our modern lives. This comprehensive collection of mythic stories brings to life the origins of the Greek gods and their dominion over the world of humankind. Here you'll find Zeus and hades, Artemis and Aphrodite, with stories of demi-gods and humans alike. Jason and the Argonauts, Perseus the Gordon-Slayer and the heart-breaking tales of Troy sit alongside myths of crime and punishment, love and courage and the adventures of Heracles. Part of Flame Tree's epic collection of myths and legends, classic tales and modern short stories.

These lrish tales all are reprinted from nineteenth-century sources, but they date back to a centuries-old oral tradition of storytelling that had yet to be committed to the printed page. They were passed down through the ages virtually unaltered and feature a wide variety of fantastic beings. This edition has an exquisitely designed bonded-leather binding, with distinctive gilt edging and a silk-ribbon bookmark.

Why are dragons recognised in almost all cultures on Earth? What is the mysterious geomantic gold they secretly guard? Could dragons be a folk memory of something which once hunted us? In this beautiful little book Joyce Hargreaves tells the story of these extraordinary animals through examples drawn from all over the world. Richly illustrated, and with detailed appendices of notable dragon sites around the United Kingdom, this is an essential dragonologists guide. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.

Hey, did you hear the one about the lady who had her beehive hairdo sprayed so hard that spiders started to nest in it? Of course you did, it happened to your next-door neighbor's cousin. Or was it your cousin's next-door neighbor?

The alligatorFlorida's most feared, maligned animal. From the time European settlers first stepped onto Florida soil, the alligator has been a target of dread and revulsionand the hunter's gun.

Collected here are true (and tongue in cheek) accounts of alligators and the people who have hunted them, been attacked by them, and tried to save them from extinction. Journey through the Everglades with 1800's Seminoles, experts at stalking and killing gators. Go along with a "Northern girl" as she shoots "my first alligator in my glove and veil." And learn how modern alligator hunters go about their business, which hasn't changed much in the last hundred years or so.

If you like tall tales, you'll love Henry, the alligator-turned-head-waiter who becomes despondent when a pretty New York girl spurns his lovesick advances. Or Algy, the gator who survives a broiling in a furnace by his owners, who happen to think he's already dead and won't mind the heat.

Europe is a continent weighed down by the shadows of its past, its wars, the traditional enmities, the suspicions of neighbours fuelled by historical memories. This has immediate consequences for the understanding and representation of the past: journalists, politicians, historians often apply simplistic, pre-conceived patterns, i.e., myths, to current events, resulting in distorted and misleading analyses. This volume exposes the way some historical myths, such as Balance of Power, Rapallo, the Special Relationship, the Franco-German Couple, the Peril of Islam, are used to blur, not to clarify our understanding of international affairs, even to manipulate contemporary politics. Cyrill Buffet is Research Fellow at the Centre Marc Bloch, Berlin and Beatrice Heuser is Lecturer in War Studies at King's College, London.

Narrative as Social Practice sets out to explore the complex and fascinating interrelatedness of narrative and culture. It does so by contrasting the oral storytelling traditions of two widely divergent cultures - Anglo-Western culture and the Central Australian culture of the Pitjantjatjara/Yankunytjatjara Aborigines. Combining discourse-analytical and pragmalinguistic methodologies with the perspectives of ethnopoetics and the ethnography of communication, this book presents a highly original and engaging study of storytelling as a vital communicative activity at the heart of socio-cultural life. The book is concerned with both theoretical and empirical issues. It engages critically with the theoretical framework of social constructivism and the notion of social practice, and it offers critical discussions of the most influential theories of narrative put forward in Western thinking. Arguing for the adoption of a communication-oriented and cross-cultural perspective as a prerequisite for improving our understanding of the cultural variability of narrative practice, Klapproth presents detailed textual analyses of Anglo-Western and Australian Aboriginal oral narratives, and contextualizes them with respect to the different storytelling practices, values and worldviews in both cultures. Narrative as Social Practice offers new insights to students and specialists in the fields of narratology, discourse analysis, cross-cultural pragmatics, anthropology, folklore study, the ethnography of communication, and Australian Aboriginal studies.

Laurence Coupe offers students a comprehensive overview of the development of myth, showing how mythic themes, structures and symbols persist in literature and entertainment today. This introductory volume:

• illustrates the relation between myth, culture and literature with discussions of poetry, fiction, film and popular song
• explores uses made of the term myth within the fields of literary criticism, anthropology, cultural studies, feminism, Marxism and psychoanalysis
• discusses the association between modernism, postmodernism, myth and history
• familiarizes the reader with themes such as the dying god, the quest for the Grail, the relation between chaos and cosmos, and the vision of the end of time
• demonstrates the growing importance of the green dimension of myth.

Fully updated and revised in this new edition, Myth is both a concise introduction and a useful tool to students first approaching the topic, while also a valuable contribution to the study of myth.

Of all the countless legendary beasts that have been conjured forth from the seemingly limitless capacity of the human imagination, none can remotely compare with the dragon for its sheer diversity of form, its symbolic significance, and its cross-cultural presence. Dragons are everywhere-still glimpsed in the living, breathing beasts around us that inspired and engendered their birth in our far-distant ancestors' dreams, and nightmares; perennially encountered in the myriad of traditional myths and folklore woven into the fabric of every creed and culture around the world; and ever-visible within the innumerable outpourings of artistic creation that have graced and enhanced our species' existence across all temporal, political, social, and geographical boundaries. So from where, and from what, has such widespread-indeed, worldwide-belief in these creatures stemmed? There can be no doubt that a major factor influencing the origin of the dragon is early humanity's observations and interactions with various distinctive and potentially inimical creatures of reality sharing our world. Equally thought-provoking is how and why the dragon has become so intimately associated with our own species. This multi-faceted monster of mythology is more than amply represented visually, for example, by artwork of every conceivable style, age, and category. And the dragon's status in religion, dreams, alchemy, psychology, astrology, literature, movies, and music is as compelling as it is complex. These many diverse but equally captivating themes are all fully explored in this spellbinding book's uniquely comprehensive coverage, and provide ample confirmation that there is no sign whatsoever of waning interest for what must surely be the most vibrant, tenacious, and fascinating creature that has never existed-the dragon.