Storyteller Tony Bonning brings together stories from one of the most enigmatic regions of Scotland: a land hemmed in by rivers and mountains; a land that vigorously maintained its independence, and by doing so, has many unique tales and legends. Here you will meet strange beasts, creatures and even stranger folk; here you will meet men and women capable of tricking even the Devil himself, and here you will find the very tale that inspired Robert Burns's most famous poem, Tam o'Shanter. With each Story told in an engaging style, and illustrated with unique line drawings, these humorous, clever and enchanting folk tales are sure to be enjoyed and shared time and again.

NAMED A BEST BOOK OF 2022 BY PUBLISHERS WEEKLY After a few billion years of bearing witness to life on Earth, of watching one hundred billion humans go about their day-to-day lives, of feeling unbelievably lonely, and of hearing its own story told by others, The Milky Way would like a chance to speak for itself. All one hundred billion stars and fifty undecillion tons of gas of it. It all began some thirteen billion years ago, when clouds of gas scattered through the universe's primordial plasma just could not keep their metaphorical hands off each other. They succumbed to their gravitational attraction, and the galaxy we know as the Milky Way was born. Since then, the galaxy has watched as dark energy pushed away its first friends, as humans mythologized its name and purpose, and as galactic archaeologists have worked to determine its true age (rude). The Milky Way has absorbed supermassive (an actual technical term) black holes, made enemies of a few galactic neighbors, and mourned the deaths of countless stars. Our home galaxy has even fallen in love. After all this time, the Milky Way finally feels that it's amassed enough experience for the juicy tell-all we've all been waiting for. Its fascinating autobiography recounts the history and future of the universe in accessible but scientific detail, presenting a summary of human astronomical knowledge thus far that is unquestionably out of this world.

Fearless heroes, feisty princesses, sly magicians, terrifying dragons, talking foxes and miniature dogs. They all feature in this enthralling compendium of Chinese fairy tales and legends, along with an array of equally colourful characters and captivating plots. Although largely unknown in the West, the 73 stories in this volume are just as beguiling as the more familiar Grimms' Fairy Tales or Arabian Nights. They were collected in the early 20th century by Richard Wilhelm and first translated into English by Frederick H Martens. This beautifully produced revised and edited new edition includes updated notes which not only provide background on the tales, but also offer a fascinating insight into ancient Chinese folk lore and culture. These are stories to return to time and time again. From awesome adventures to quirky allegories, from the exploits of the gods to fables about beggars who outwit their betters, Chinese Fairy Tales and Legends is extraordinarily diverse and endlessly engaging. These wonderful stories have enduring and universal appeal, and will intrigue both children and adults.

Eclectic British scholar SABINE BARING-GOULD (1834-1924) inspired My Fair Lady, wrote the hymn "Onward Christian Soldiers," and published more than five hundred literary works. Among his foremost folkloric studies is 1865's The Book of Werewolves, the first serious academic study of the shape-shifters of mythological lore. "This work is the most frequently cited early study of lycanthropy and is regarded by most scholars as the foundation work in the field," says cryptozoologist Loren Coleman in his new introduction. "The Book of Werewolves was so visionary that it foresaw that future discussions within werewolf studies would necessarily travel down many side paths. Indeed, midway through The Book of Werewolves, Baring-Gould treks into the shadowy world of crimes vaguely connected to werewolves, including serial murders, grave desecration, and cannibalism." This new edition, complete with the original illustrations, is part of Cosimo's Loren Coleman Presents series. LOREN COLEMAN is author of numerous books of cryptozoology, including Bigfoot : The True Story of Apes in America and Mothman and Other Curious Encounters.

A wide-ranging and detailed investigation of folk heroes, both fictional and historical, from the earliest times to the present, taken from societies throughout the world as they exist in folktales, folksongs, customs, speech, and other folklore genres. From Paul Bunyan to Stagolee, from Queen Mab to the Tooth Fairy, every culture has created folk heroes. But as often as not, these "heroes of the people" accomplish their goals with methods that are anything but heroic-like the American liar hero Davy Crockett, or Galloping Jones, the Australian drinker and bank robber. Then there's the Irishman Finn Mac Cumhal, whose heroism, like that of Rip Van Winkle, was based on oversleeping. In this new collection, readers will enjoy a wildly colorful parade of nearly 400 thieves, tricksters, simpletons, and dragon slayers from around the world. Despite appearances, these "heroes" perform a crucial social function: they allow us to question what is right and what is wrong, to challenge what is legal and what is illegal, to deal with who has power and who does not, and to manage the contradictions and conflicts inherent in all cultures. Spotlights 366 folk heroes, from old acquaintances like Bluebeard and Casey Jones to new friends like Bunuwas and Chokanamma Includes 51 illustrations-paintings, drawings, and photographs A timeline documents the earliest known appearance of each hero A general index combined with indexes by heroic type and by country/culture make research easy

Provides an examination of the social and psychological dimensions of the literary mythology of Shaka, the Zulu founder King, in a genealogy of white writers.

The Jewish Labor Movement was a radical subculture that flourished within the trade union and political movements in the United States in the early part of the twentieth century. Jewish immigrant activists--socialists, communists, anarchists, and labor Zionists--adapted aspects of the traditions with which they were raised in order to express the politics of social transformation. In doing so, they created a folk ideology which reflected their dual ethnic/class identity. This book explores that folk ideology, through an analysis of interviews with participants in the Jewish Labor Movement as well as through a survey of the voluminous literature written about that movement.

A synthesis of political ideology and ethnic tradition was carefully crafted by secular working-class Jewish immigrant radicals who rediscovered and reformulated elements of Jewish traditions as vehicles for political organizing. Commonly held symbols of their cultural identity--the Yiddish language, rituals such as the Passover seder, remembered narratives of the Eastern European "shtetl," and biblical imagery--served as powerful tools in forging political solidarity among fellow Jewish workers and activists within the Jewish Labor Movement.

In Melusine's Footprint: Tracing the Legacy of a Medieval Myth, editors Misty Urban, Deva Kemmis, and Melissa Ridley Elmes offer an invigorating international and interdisciplinary examination of the legendary fairy Melusine. Along with fresh insights into the popular French and German traditions, these essays investigate Melusine's English, Dutch, Spanish, and Chinese counterparts and explore her roots in philosophy, folklore, and classical myth. Combining approaches from art history, history, alchemy, literature, cultural studies, and medievalism, applying rigorous critical lenses ranging from feminism and comparative literature to film and monster theory, this volume brings Melusine scholarship into the twenty-first century with twenty lively and evocative essays that reassess this powerful figure's multiple meanings and illuminate her dynamic resonances across cultures and time. Contributors are Anna Casas Aguilar, Jennifer Alberghini, Frederika Bain, Anna-Lisa Baumeister, Albrecht Classen, Chera A. Cole, Tania M. Colwell, Zoe Enstone, Stacey L. Hahn, Deva F. Kemmis, Ana Pairet, Pit Peporte, Simone Pfleger, Caroline Prud'Homme, Melissa Ridley Elmes, Renata Schellenberg, Misty Urban, Angela Jane Weisl, Lydia Zeldenrust, and Zifeng Zhao.

Women and Folklore concerns itself with the growing body of English-language literature on women's folklore and culture. . . . There are 1,664 bibliographic citations, with a combined subject and name index containing some intriguing topics and names. A significant interdisciplinary bibliographic addition for high school, college, university and public libraries." Choice

Focusing on representations of Celtic motifs and traditions in post-1980s adult fantasy literature, this book illuminates how the historical, the mythological and the folkloric have served as inspiration for the fantastic in modern and popular culture of the western world. Bringing together both highly-acclaimed works with those that have received less critical attention, including French and Gaelic fantasy literature, Imagining the Celtic Past in Modern Fantasy explores such texts as Susanna Clarke's Jonathan Strange & Mr Norrell, Alan Garner's Weirdstone trilogy, the Irish fantasies of Jodi McIsaac, David Gemmell's Rigante novels, Patricia Kennealy-Morrison Keltiad books, as well as An Sgoil Dhubh by Iain F. MacLeoid and the Vertigen and Frontier series by Lea Silhol. Lively and covering new ground, the collection examines topics such as fairy magic, Celtic-inspired worldbuilding, heroic patterns, classical ethnography and genre tropes alongside analyses of the Celtic Tarot in speculative fiction and Celtic appropriation in fan culture. Introducing a nuanced understanding of the Celtic past, as it has been informed by recent debates in Celtic studies, this wide-ranging and provocative book shows how modern fantasy is indebted to medieval Celtic-language texts, folkloric traditions, as well as classical sources.

The Anishinaabe, otherwise named the Ojibwe or Chippewa, are famous for their lyric songs and stories, particularly because of their compassionate trickster, naanabozbo, and the healing rituals still practiced today in the society of the Midewiwin. The poems and tales, interpreted and reexpressed here by the distinguished Anishinaabe author Gerald Vizenor, were first transcribed more than a century ago by pioneering ethnographer Frances Densmore and Theodore Hudson Beaulieu, a newspaper editor on the White Earth Reservation in northern Minnesota.

This superb anthology, illustrated with tribal pictomyths and helpfully annotated, includes translations and a glossary of the Anishinaabe words in which the poems and stories originally were spoken.

The wellerism--so called in English because it is a form of expression typical or reminiscent of Sam Weller or his father, two celebrated characters in Dickens's Pickwick Papers--is a major subtype of the proverb. Known since Sumerian times, it has been popular in most European languages and some African languages. As defined by folklorists and proverb scholars, a wellerism consists of three parts: a speech or statement (often a proverb), identification of the speaker, and identification of the situation, which gives the expression an ironic or humorous twist, often in the form of a pun.

. "Prevention is better than cure," said the pig when it ran away from the butcher.
. "We'll have to rehearse that," said the undertaker as the coffin fell out of the car.
A Dictionary of Wellerisms is the first work to collect all of the wellerisms recorded in the English language. Drawing on periodical literature and other scholarly sources, Mieder and Kingsbury have assembled, edited, and annotated a collection of wellerisms including over 1500 texts found in British, American, Canadian, and other English-language literatures and oral collections. Mieder's preface, bibliography, and extensive introduction explaining the history, meaning, and function of wellerisms, are supplemented by an index of speakers and an index of situations.
Containing a wealth of wit and humor, A Dictionary of Wellerisms is both entertaining and informative, appealing to the casual browser as well as to students and scholars of literature, psychology, folklore, linguistics, anthropology, and cultural history."

Mysterious vanishing hitchhikers, travelers beset by headless dogs, and long-dead moonshiners come alive in this collection of ninety-six Appalachian folktales. Set in coal mines and remote farm cabins, in hidden hollows and on mountain tops, some of these stories look back to the days when West Virginia was first settled; others reflect the rancor and brutality of the Civil War. But most of these tales guide us through the recent past of the uncommonly rich folk heritage of West Virginia. This ghostly collection, with source information and bold illustrations, will thrill longtime lovers of supernatural lore.

Within every woman there is a wild and natural creature, a powerful force, filled with good instincts, passionate creativity, and ageless knowing. Her name is Wild Woman, but she is an endangered species. Though the gifts of wildish nature come to us at birth, society's attempt to "civilize" us into rigid roles has plundered this treasure, and muffled the deep, life-giving messages of our own souls. Without Wild Woman, we become over-domesticated, fearful, uncreative, trapped. Clarissa Pinkola Estes, Ph.D., Jungian analyst and cantadora storyteller, shows how woman's vitality can be restored through what she calls "psychic archeological digs" into the bins of the female unconscious. In Women Who Run with the Wolves, Dr. Estes uses multicultural myths, fairy tales, folk tales, and stories chosen from over twenty years of research that help women reconnect with the healthy, instinctual, visionary attributes of the Wild Woman archetype. Dr. Estes collects the bones of many stories, looking for the archetypal motifs that set a woman's inner life into motion. "La Loba" teaches about the transformative function of the psyche. In "Bluebeard", we learn what to do with wounds that will not heal; in "Skeleton Woman", we glimpse the mystical power of relationship and how dead feelings can be revived; "Vasalisa the Wise" brings our lost womanly instincts to the surface again; "The Handless Maiden" recovers the Wild Woman initiation rites; and "The Little Match Girl" warns against the insidious dangers of a life spent in fantasy. In these and other stories, we focus on the many qualities of Wild Woman. We retrieve, examine, love, and understand her, and hold her against our deep psyches as one whois both magic and medicine. In Women Who Run with the Wolves, Dr. Estes has created a new lexicon for describing the female psyche. Fertile and lifegiving, it is a psychology of women in the truest sense, a knowing of the soul.