A collection of investigations into strange and mysterious phenomena from around the world. * Explores ancient and modern sacred sites, places of power, natural wonders, altered states, UFO encounters, and the afterlife * Investigates sites and phenomena in Egypt, China, Ireland, and throughout North America, including Oak Island, Florida's Coral Castle, Wisconsin's UFO hot-spot, and giant-built constructions in Illinois * Examines the forgotten or suppressed work of extraordinary personalities, including Jules Verne, Sir Francis Bacon, and the real-life Indiana Jones, Count Byron de Prorok Sharing his personal investigations into a wide range of ancient mysteries and paranormal enigmas in America and abroad, Frank Joseph takes us on a journey into the high strangeness of our world. Beginning with the work of the master builders of antiquity, the author examines Old World connections with New World sacred centers, such as the similarities between Ohio's Mound City and the pyramids and tombs of the Giza Plateau, as well as ancient American cities of the Sun, China's Great Pyramid, and the possibility of a Templar treasure on Oak Island. He explores modern sacred sites, such as Iowa's Grotto of Gems, Tennessee's Greek Temple of the goddess Athena, and Florida's Coral Castle. He investigates pre-Columbian sites and underwater pyramids in the Midwest, Wisconsin's UFO hot-spot, lost Aztec Cities of Gold in Kansas, and giant-built constructions in Illinois. He details how the intriguing acoustics of Newgrange in Ireland are echoed in its spiral carvings. Exploring spiritual uses of altered states, he looks at the practices of Minoan snake handlers, Mayan shamans, and prophets through the ages.

These fourteen myths and tales, probably first written down around the eighth century a.d., represent the oral tradition of Iron Age Celts who flourished in Europe during the seven centuries before Christ.

Finally available in a popularly priced,  non-illustrated, smaller-format edition, which is ideal  for the college market and general reader alike,  this extraordinary best-seller is a brilliant  evocation of the noted scholar's teachings on mythology.

The nornir or norns were a group of female supernatural beings closely related to ideas about fate in Old Norse tradition. Karen Bek-Pedersen provides a thorough understanding of the role played by norns and other beings like them in the relevant sources. Although they are well known, even to people who have only a superficial knowledge of Old Norse mythology, this is the first detailed discussion of the norns to be published amongst the literature dealing with Old Norse beliefs. Surprisingly little has been written specifically about the norns. Although often mentioned in scholarship treating Old Norse culture, the norns are all too often dealt with in overly superficial ways. The research presented in this book goes much deeper in order to properly understand the nature and role of the norns in the Old Norse world view. The conclusions reached by the author overturn a number of stereotypical conceptions that have long dominated our understanding of these beings. The book has a natural focus on Old Norse culture and is especially relevant to those interested in or studying Old Norse culture and tradition. However, comparative material from Celtic, Anglo-Saxon and Classical traditions is also employed and the book is therefore of interest also to those with a broader interest in European mythologies.

'A marvellously original slice of social history' Daily Mail (Book of the Week) 'The facts and folklore of birdlife , and man's equivocal relationship with birds, are dissected in admirable detail in this handsome new book' Sunday Times Birds are a joy and solace in troubled times, as well as a reminder of past experiences and a symbol of hope for the future. For centuries, they were also seen as a source of food, feathers and even fuel, and being so numerous, many were persecuted as pests. When There Were Birds is a social history of Britain that charts the complex connections between people and birds, set against a background of changes in the landscape and evolving tastes, beliefs and behaviour. Birds were once key elements of the nation's history, traditions and sports, and this gave rise to a rich legacy of literature, language and myths. No other group of animals has had such a complex and lengthy relationship with humankind. Birds have been kept in cages as pets, taught to speak and displayed as trophies. More practically, they have been used to tell the time, predict the weather, foretell marriages, provide unlikely cures for ailments, convey messages and warn of poisonous gases. Although very familiar, birds have often seemed strange, sinister and alarming. With their ability to fly, they bridged the gap between the earth and the heavens, and superstitions were rife because they were presumed to be linked to the supernatural. When There Were Birds draws together many disparate, forgotten strands to present a story that is an intriguing and unexpectedly significant part of our heritage.

Fairy tales are supposed to be magical, surprising, and exhilarating, an enchanting counterpoint to everyday life that nonetheless helps us understand and deal with the anxieties of that life. Today, however, fairy tales are far from marvelous - in the hands of Hollywood, they have been stripped of their power, offering little but formulaic narratives and tame surprises. If we want to rediscover the power of fairy tales - as Armando Maggi thinks we should - we need to discover a new mythic lens, a new way of approaching and understanding, and thus re-creating, the transformative potential of these stories. In Preserving the Spell, Maggi argues that the first step is to understand the history of the various traditions of oral and written narrative that together created the fairy tales we know today. He begins his exploration with the ur-text of European fairy tales, Giambattista Basile's The Tale of Tales, then traces its path through later Italian, French, English, and German traditions, with particular emphasis on the Grimm Brothers' adaptations of the tales, which are included in the first-ever English translation in an appendix. Carrying his story into the twentieth century, Maggi mounts a powerful argument for freeing fairy tales from their bland contemporary forms, and reinvigorating our belief that we still can find new, powerfully transformative ways of telling these stories.

Open-access edition: DOI 10.6069/9780295745701 The Nuosu people, who were once overlords of vast tracts of farmland and forest in the uplands of southern Sichuan and neighboring provinces, are the largest division of the Yi ethnic group in southwest China. Their creation epic plots the origins of the cosmos, the sky and earth, and the living beings of land and water. This translation is a rare example in English of Indigenous ethnic literature from China. Transmitted in oral and written forms for centuries among the Nuosu, The Book of Origins is performed by bimo priests and other tradition-bearers. Poetic in form, the narrative provides insights into how a clan- and caste-based society organizes itself, dictates ethics, relates to other ethnic groups, and adapts to a harsh environment. A comprehensive introduction to the translation describes the land and people, summarizes the work's themes, and discusses the significance of The Book of Origins for the understanding of folk epics, ethnoecology, and ethnic relations.

This "Reader" collects 25 stories of heroes of all kinds from around the world. Included are both non-Western and Western, female and male, modern and ancient, young and adult, lowly and noble, comic and tragic, national and universal, and historical and fictional heroes. Failed as well as successful heroes are represented, as are anti-heroes as well as conventional heroes.

"Hero Myths" offers not only an array of kinds of hero myths but also a guide to understanding the myths selected. In a substantial introduction, Robert Segal, a leading authority on theories of myth, provides an overview of both the history of the study of heroes and the history of the study of hero myths from the fields of psychology, anthropology, folklore, literature, and religious studies.

Jean-Pierre Vernant delineates a compelling new vision of ancient Greece that takes us far from the calm and familiar images of Polykleitos and the Parthenon, and reveals a culture of slavery, of blood sacrifice, of perpetual and ritualized warfare, of ceremonial hunting and ecstasies.In his provocative discussions of various institutions and practices including war, marriage, and the city state, Vernant unveils a complex and previously unexplored intersection of the religious, social, and political structures of ancient Greece. He concludes with a genealogy of the study of myth from antiquity to the present, and offers a critique of structuralism.Jean-Pierre Vernant is Professor Emeritus of Comparative Study of Ancient Religions at the College de France in Paris.

In an illustrious career spanning over forty years, Americo Paredes has often set the standard for scholarship and writing in folklore and Chicano studies. In folklore, he has been in the vanguard of important theoretical and methodological movements. In Chicano studies, he stands as one of the premier exponents.

Paredes's books are widely known and easily available, but his scholarly articles are not so familiar or accessible. To bring them to a wider readership, Richard Bauman has selected eleven essays that eloquently represent the range and excellence of Paredes's work. The hardcover edition of Folklore and Culture was published in 1993. This paperback edition will make the book more accessible to the general public and more practical for classroom use.

Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation The rich storytelling traditions of the Alto Perene Arawaks of eastern Peru are showcased in this bilingual collection of traditional narratives, ethnographic accounts, women's autobiographical stories, songs, chants, and ritual speeches. The Alto Perene speakers are located in the colonization frontier at the foot of the eastern Andes and the western fringe of the Amazonian jungle. Unfortunately, their language has a slim chance of surviving because only about three hundred fluent speakers remain. This volume collects and preserves the power and vitality of Alto Perene oral and linguistic traditions, as told by thirty members of the Native community. Upper Perene Arawak Narratives of History, Landscape, and Ritual covers a range of themes in the Alto Perene oral tradition, through genres such as myths, folk tales, autobiographical accounts, and ethnographic texts about customs and rituals, as well as songs, chants, and oratory. Transcribed and translated by Elena Mihas, a specialist in Northern Kampa language varieties, and grounded in the actual performances of Alto Perene speakers, this collection makes these stories available in English for the first time. Each original text in Alto Perene is accompanied by an English translation, and each theme is introduced with an essay providing biographical, cultural, and linguistic information. This collection of oral literature is masterful and authoritative as well as entertaining and provocative, testifying to the power of Alto Perene storytelling.

Thanks to these generous donors for making the publication of the books in this series possible: Lloyd E. Cotsen; the Maurice Amado Foundation; National Endowment for the Humanities; and the National Foundation for Jewish Culture. The second volume in a literary landmark Folktales from Eastern Europe presents 71 tales from Ashkenazic culture in the most important collection of Jewish folktales ever published. It is the second volume in Folktales of the Jews, the five-volume series to be released over the next several years, in the tradition of Louis Ginzberg's classic, Legends of the Jews. The tales here and the others in this series have been selected from the Israel Folktale Archives at The University of Haifa, Israel (IFA), a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the Ashkenazic culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This series is a monument to a rich but vanishing oral tradition.

Winner, Wayland D. Hand Prize, American Folklore Society, 2018 Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore-and "Frankie and Johnny" in particular-became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan's research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.

One of the most remarkable features of life in the Southwest is the presence of Native American religious ceremonies in communities that are driving distance from Sunbelt cities. Many of these ceremonies are open to the public and "Dancing Gods" is the best single reference for visitors to dances at the Rio Grande Pueblos, Zuni Pueblo, the Hopi Mesas, and the Navajo and Apache reservations. Fergussons classic guide to New Mexico and Arizona Indian ceremonies is once again available in print. It offers background information on the history and religion of the areas Native American peoples and describes the principal public ceremonies and some lesser-known dances that are rarely performed. Here is information on the major Pueblo ritualsthe Corn Dance, Deer Dance, and Eagle Danceas well as various dances at Zuni, including the complicated Shalako. Fergusson also describes the Hopi bean-planting and Niman Kachina ceremonies in addition to the Snake Dance, the Navajo Mountain Chant and Night Chant, and several Apache ceremonies.

Still the best of all books about the Indian ceremonials of New Mexico and Arizona. . . .perceptive and simple, reverent and lucid.Lawrence Clark Powell, "Southwest Classics"

First published in 1983, Nahuat Myth and Social Structure brings together an important collection of modern-day Aztec Indian folktales and vividly demonstrates how these tales have been shaped by the social structure of the communities in which they are told.

All the world over, people tell stories to express their deepest feelings about such things as what makes a "real" man or woman; what true love, courage, or any other virtue is; what the proper relationships are between people. Often groups of people widely separated by space or time will tell the same basic story, but with differences in the details that reveal much about a particular group's worldview.

This book looks at differences in the telling of several common Hispanic folktales. James Taggart contrasts how two men--a Spaniard and an Aztec-speaking Mexican--tell such tales as "The Bear's Son." He explores how their stories present different ways of being a man in their respective cultures.

Taggart's analysis contributes to a revision of Freud's theory of gender, which was heavily grounded in biological determinism. Taggart focuses instead on how fathers reproduce different forms of masculinity in their sons. In particular, he shows how fathers who care for their infant sons teach them a relational masculinity based on a connected view of human relationships. Thus, The Bear and His Sons will be important reading not only in anthropology and folklore, but also in the growing field of men's studies.

This one-of-a-kind book will thrill Christians and non-Christians alike, with its emphasis on ancient "sea monsters," those fearsome and marvelous creatures that once roamed the oceans. From the predator Mosasaurus, called the ocean equivalent of T. Rex, to the gigantic turtle Archelon, the beasts who glided through the planet's oceans no doubt were the inspiration for ancient sightings by mariners who described fantastic encounters on the open ocean.

The first full-length study to focus exclusively on American reinterpretations of the Arthurian legends. The Arthurian legends have had an immense and enduring appeal in America, influencing both America's own mythologies and its literature, film, social history, and popular culture. This is the first full-length study to focus exclusively on American re-interpretations of Arthuriana, and it offers detailed treatments of major authors traditionally associated with the legends, including Mark Twain, Edwin Arlington Robinson, T.S. Eliot, and John Steinbeck; italso explores the important use of Arthurian material by authors not usually considered in an Arthurian context, and by lesser-known writers. Among the topics addressed in the chronological survey are the beginnings of American Arthurian literature and the different reactions to Tennyson; satire and parody; the moralising of knighthood and the development of a body of didactic literature for children; and the reinterpretations of Arthurian tradition in theworks of contemporary writers such as Walker Percy and John Updike. A concluding chapter analyses Arthurian themes in American popular fiction and film and demonstrates the extent to which the Arthurian tradition has influenced American popular culture. The volume is completed with a comprehensive bibliography. ALAN LUPACK is Curator of the Rossell Hope Robbins Library at the University of Rochester; BARBARA TEPA LUPACKis former AcademicDean at SUNY and Fulbright Professor of American Literature in Poland and France.

In the 1380s and 90s, Nicolo and Antonio Zen journeyed from Venice up the North Atlantic, encountering warrior princes, fighting savage natives and, just possibly, reaching the New World a full century before Columbus. The story of their adventure travelled throughout Europe, from the workshop of the great cartographer Mercator to the court of Elizabeth I. For centuries, the brothers were international celebrities, until, in 1835, the story was denounced as a 'tissue of lies' and the Zens faded into oblivion. Following in their footsteps Andrea di Robilant sets out to discover the truth about the Zen voyages in a journey that takes him from the crumbling Palazzo Zen in Venice to the Orkney Islands, the Faroes, Iceland and Greenland. Part history, part travelogue, Venetian Navigators is a charming tale of great journeys, fine detective work and faith, against the odds.

The legends of the Norse and Germanic regions of Europe--spanning from Germany and Austria across Scandinavia to Iceland and England--include a broad range of mythical characters and places, from Odin and Thor, to berserkers and Valhalla, to the Valkyries and Krampus. In this encyclopedia, Claude Lecouteux explores the origins, connections, and tales behind many gods, goddesses, magical beings, rituals, folk customs, and mythical places of Norse and Germanic tradition. More than a reference to the Aesir and the Vanir pantheons, this encyclopedia draws upon a wealth of well-known and rare sources, such as the Poetic Edda, the Saga of Ynglingar by Snorri Sturluson, and The Deeds of the Danes by Saxo Grammaticus. The author describes the worship of the elements and trees, details many magical rituals, and shares wild folktales from ancient Europe, such as the strange adventure of Peter Schlemihl and the tale of the Cursed Huntsman. He also dispels the false beliefs that have arisen from the Nazi hijacking of Germanic mythology and from its longtime suppression by Christianity. Complete with rare illustrations and information from obscure sources appearing for the first time in English, this detailed reference work represents an excellent resource for scholars and those seeking to reconnect to their pagan pasts and restore the old religion.

Wry political fairy tales from a nineteenth-century politician that speak to our current times Edouard Laboulaye (1811-1883), one of nineteenth-century France's most prominent politicians and an instrumental figure in establishing the Statue of Liberty, was also a prolific writer of fairy tales. Smack-Bam, or The Art of Governing Men brings together sixteen of Laboulaye's most artful stories in new translations. Filled with biting social commentary and strong notions of social justice, these rediscovered tales continue to impart lessons today. Inspired by folktales from such places as Estonia, Germany, Iceland, and Italy, Laboulaye's deceptively entertaining stories explore the relationships between society and the ruling class. In "Briam the Fool," the hero refuses the queen's hand after he kills the king. In "Zerbino the Bumpkin," the king and prime minister are idiots, while the king's daughter runs away with a woodcutter to an enchanted island. And in the title story, "Smack-Bam, or The Art of Governing Men," a superficial prince is schooled by a middle-class woman who smacks him when he won't engage in his lessons and follows him across Europe until he falls in love with her. In these worlds, shallow aristocrats come to value liberty, women are as assertive and intelligent as men, and protagonists experience compassion as they learn of human suffering. With an introduction by leading fairy-tale scholar Jack Zipes that places Laboulaye's writing in historical context, Smack-Bam, or The Art of Governing Men presents spirited tales from the past that speak to contemporary life.