Soviet Heroic Poetry in Context discusses key issues surrounding the composition and recording of folklore as well as its often intensely political aspect and its preoccupation with chimerical cultural authority. These issues are dramatically displayed in Soviet epic compositions of the 1930s and 1940s, the so-called noviny ("new songs"), which took their formal inspiration largely from traditional Russian epic songs, byliny ("songs of the past"), and their narrative content from contemporary, political, and other events in Stalinist Russia. The story of the noviny is at once complex and comprehensible. While it may be tempting to interpret the excrescences of Stalinism as unique aberrations, the reality was often more complicated. The noviny were not simply the result of political fiat, an episode in an ideological vacuum. Their emergence occurred in part because of specific trends and controversies that marked European folklore collection and publication from at least the late eighteenth century on, as well as developments in Russian folkloristics from the mid-nineteenth century on that assumed exaggerated proportions. The demise of the noviny was equally mediated by a host of political and theoretical considerations. This study tells the story of the rise and fall of the noviny in all its cultural richness and pathos, an instructive tale of the interaction of aesthetics and ideology.

In this book, first published in 1987, Wolfgang Mieder follows the intriguing trail of some of the best known pieces of folk literature, tracing them from their roots to modern uses in advertising, journalism, politics, cartoons, and poetry. He reveals both the remarkable adaptability of these tales and how each variation reflects cultural and historical changes. Fairy tales, legends, folk songs, riddles, nursery rhymes, and proverbs are passed from generation to generation, changing both in form and meaning with each use. This book will be of interest to students of literature.

Proving conclusively that `mad folks and proverbs reveal many truths', this is an authoritative and hugely browsable treasury of over 15,000 sayings, adages, and maxims commonly used in the United States and Canada.

Based on oral as well as written sources, it covers thousands of uniquely American proverbs as well as those hailing from classical, biblical, European, and English literature. The culmination of over 40 years' research, the dictionary includes nuggets of wisdom on all aspects of life: weather, romance, food, families, politics, health, religion, and the arts, and includes thousands of proverbs that have never previously been recorded.

This study on Kapsiki-Higi tales compares two corpuses of stories collected over two generations. In this oral setting, folktales appear much more dynamic than usually assumed, depending on genre, performance and the memory characteristics of the tales themselves. In northeastern Nigeria the author collected these tales twice with a time gap of two generations, in order to assess the dynamics of this oral transmission. The comparison between the two corpuses shows that folktales are a much more dynamic cultural system than is usually thought. These dynamics affect some types of tales more than others, reflect social change and intergroup contact, but also depend on characteristics of the tales themselves. Cognitive approaches of memory shed light on these varieties of transmission, as do performance aspects in tale telling, in particular ideophones.

Exploring the pedagogical power of the monstrous, this collection of fresh essays provides curriculum and teaching strategies that use our cultural fascination with monsters to enhance learning in high school and college courses. The contributors explore the implications of inviting fearsome creatures into the classroom and describe how they work to create compelling narrative and illustrative models. Topics include gender, sexuality and rhetoric in monster literature; monsters as subversive imagination; teaching monstrosity in American Gothic narratives; and using zombies to teach theater. Some essays provide sample syllabi, assignments and class materials.

Zombies are upon us as never before. So what should we do about it? Recent zombie apocalypses on the screen and page reshape our understanding of the walking dead and ourselves; we find that all bets are off in the case of apocalypse. The undead have begun to mirror our cultural fears of ourselves, always demanding a response, exposing our weaknesses, chewing social rules. Whether we fear the unknown of space, governmental control, lawlessness, or interpersonal relationships, zombies are there. Even now we live with intense nostalgia, longing for a simple time before the beginning of apocalypse even as we imaginatively create ever more complex and horrifying versions of postapocalyptic life. With this thin veneer covering our real fears in mind, the focal points of zombie criticism shift toward cause and cure. This ultimately spotlights a way forward: possible cures for the zombies that ail us. For students, critics, and zombie aficionados, we offer responses to the end of the world as we know it. Along the way, we argue that the traditional evolutionary model of interpreting zombies is not enough; we must also chase zombies from advent through destruction and toward reintegration as we learn to live alongside them.

The perfect gift for bird watchers. 70 of Britain's birds - natural history facts, folklore and literary appearances. Packed with natural history facts, folklore and literary appearances for more than 70 of Britain's birds. A fascinating and charming guide that will make a perfect gift for anyone who loves birds and natural Britain. Did you know that according to legend blackbirds were originally white? Or that the number of times you hear a cuckoo determines how many children you'll have? Or that woodpeckers have special shock absorbers built into their beaks? Or that in 1958 a puffin was blown inland and knocked a man off his bicycle near Bromley? There are 40 beautiful custom illustrations in the book too, which will help beginners to identify the birds.

Storyteller Tony Bonning brings together stories from one of the most enigmatic regions of Scotland: a land hemmed in by rivers and mountains; a land that vigorously maintained its independence, and by doing so, has many unique tales and legends. Here you will meet strange beasts, creatures and even stranger folk; here you will meet men and women capable of tricking even the Devil himself, and here you will find the very tale that inspired Robert Burns's most famous poem, Tam o'Shanter. With each Story told in an engaging style, and illustrated with unique line drawings, these humorous, clever and enchanting folk tales are sure to be enjoyed and shared time and again.

This examination of the heroic journey in world mythology casts the protagonist as a personification of nature-a ""botanical hero"" one might say-who begins the quest in a metaphorical seed-like state, then sprouting into a period of verdant strength. But the hero must face a mythic underworld where he or she contends with mortality and sacrifice-embracing death as a part of life. For centuries, humans have sought superiority over nature. Yet the botanical hero finds nothing is lost by recognizing that one is merely a part of nature. Instead, a cyclical promise of continuous life is realized, in which no element fully disappears, and the hero's message is not to dwell on death.

Vikings, those ancient Norse seafarers, have inspired plenty of pop culture phenomena, from the A&E hit show Vikings to Thor Ragnarok to the ever-expanding world of Viking larp. Known for being skilled craftspeople, accomplished merchants, hardworking farmers, and masters of the sea, the Vikings were a complex and captivating people.The Viking Hondb?k is an engaging, compelling guide -- with a sense of humor -- exploring who the Vikings were and how they lived, from ancient Norse daily life to battles and adventuring. Readers will learn how Vikings ate, dressed, and fought, and even how they weaved the perfect beard braid and built warships and weapons. Interspersed throughout the book are revealing historical anecdotes about Viking conquests, daily life, and relationships, with sections covering personal style, family structure and household, tools and metalwork, sailing and raiding, fishing and hunting, family and neighbors, swordmaking and boatbuilding, famous warriors, myths and afterlife, and more. A two-color design and fifty black-and-white line drawings will bring the style and details of the Vikings world to life.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Who is Osiris? Which god was invoked by common folk to bring good luck? Who is the patron of childbirth? Such questions are answered in this updated and comprehensive dictionary of Egyptian mythology. This fascinating volume has alphabetically arranged entries on all the major gods, goddesses, myths, and themes of Egyptian mythology. In addition, there are entries on such topics as amulets, mummies, and pyramids; a chronology of Egyptian dynasties; a detailed introduction; and a complete annotated bibliography. Fifty pen-and-ink drawings by the author capture the spirit of ancient Egyptian art. In reworking this edition, Bianchi has attempted to retain Anthony Mercatante's sensitive approach to the religion of ancient Egypt, but has modified his treatment to bring it into conformity with more recent academic opinion. In addition, the annotated bibliography has been completely revised to eliminate outdated works and incorporate recent scholarship. The result should be useful to student and amateur alike.

This book constitutes the first attempt to gather into a single body as many Judeo-Spanish tales published in Latin characters as could be assembled. It represents a major contribution to Sephardic and Hispanic studies, as well as to comparative folklore scholarship in a world-wide perspective.

First Published in 2005. The true folk riddle of oral traditions that have been rapidly disappearing from the face of the earth in the last hundred years is one of the most ancient threads of culture. One of the smallest genres of verbal culture-usually under a dozen of words, it is an intensely articulated utterance. It is eccentric and as such breaks every logical mould. This volume presents results of a study driven by the sheer intellectual curiosity of the author.

The Mesopotamian influence on Greek mythology in literary works of the epic period is considerable - yet it is a largely unexplored field. In this book Charles Penglase investigates major Mesopotamian and Greek myths. His examination concentrates on journey myths. A major breakthrough is achieved in the recognition of the extent of Mesopotamian influence and in the understanding of the colourful myths involved. The results are of significant interest, especially to scholars and students of ancient Greek and Near Eastern religion and mythology.

This is the fifth supplement in the classic reference series begun by Mary Huse Eastman in 1926. Ireland and Sprug analyze 262 collections published between 1978 and 1986, with some 2,000 subject headings, plus copious cross-references. Many new headings are found in this volume, including additional adult headings of folklore and mythology to accommodate and increase in the number of adult books indexed on these subjects. This supplement will be useful, therefore, to academic libraries, as well as to children's departments in public libraries and to school libraries.

The Mythology of Modern Law is a radical reappraisal of the role of myth in modern society. Peter Fitzpatrick uses the example of law, as an integral category of modern social thought, to challenge the claims of modernity which deny the relevance of myth to modern society.

Superheroes have been an integral part of popular society for decades. Over time, superheroes have developed their own mythology. Though scholars and fans have recognized and commented on this myth, the structure of the mythology has gone largely unexplored until now. The lexicon at the heart of this book gives a structure that can be used to identify the mythology as it applies to characters, stories, and other forms of narrative. The lexicon is the first effort to codify the mythology and how it works. Included are specific and detailed examinations of the myth in several narratives, including Buffy the Vampire Slayer; Green Arrow, especially in the CW series Arrow; and Beowulf. It also draws on examples from characters as diverse as Batman, Wolverine, Invincible, and John Constantine. This book is a first step toward recognizing the structure of the superhero and helps explain why the myth matters so much in current popular society, not only in America, but worldwide.

This encyclopedia aims to provide a ready reference to various aspects of American culture. The time frame is from the colonial period to the end of the 20th century. The areas covered are fine arts (painting, sculpture, photography); performing arts (music, ballet, theatre, film); architecture; literature; and various non-artistic forms of culture (symbolic, material, culinary).

William Shakespeare's The Taming of the Shrew has succeeded in surviving in contemporary culture, and has even managed to penetrate to the most modern media of mass communications. This book, first published in 1991, examines some of the different literary and oral versions of The Taming of the Shrew. This book is ideal for students of literature, drama, and theatre studies.

The triumphant conclusion to both the Fall of Shannara series and the entire Shannara saga - a truly epic final adventure from the master of modern fantasy. As the Four Lands reels under the Skaar invasion, its defenders must decide what they will risk to save their home. As one group remains to protect the Four Lands, another undertakes a perilous journey across the sea to the Skaar homeland, carrying with them a new piece of technology that could change the face of the world forever. And yet a third is trapped in a deadly realm from which there may be no escape. Packed with all of the hallmarks of Terry Brooks's magnificent storytelling, The Last Druid is a fitting end to a saga that has enthralled millions of readers around the world. Praise for Terry Brooks: 'I can't even begin to count how many of Terry Brooks's books I've read (and re-read) over the years' Patrick Rothfuss 'Terry's place is at the head of the fantasy world' Philip Pullman 'I would not be writing epic fantasy today if not for Shannara' Peter V. Brett 'A master of the craft . . . required reading' Brent Weeks

We live in an era of exploding scientific knowledge about the universe, and our place and future within it. Much of this new knowledge conflicts with earlier wisdom, and some has frightening implications. Cosmic evolution, space exploration, the search for extraterrestrial life, and concerns about humanity's future prompt us to seek new answers to old existential questions. Where did we come from? Why are we here? Are we alone? What will become of us? In our search for answers, we turn to science, religion, myth, and varying combinations thereof. Exploring an ambiguous region between recognized findings and unfettered imagination, Starstruck explores the multifaceted, far-reaching, and often contentious attempts of people with contrasting worldviews to develop convincing and satisfying interpretations of rapidly accumulating discoveries in physics, astronomy, and biology.

Myth into Art is a comparative study of mythological narrative in Greek poetry and the visual arts. Thirty of the major myths are surveyed, focusing on Homer, lyric poetry and Attic tragedy. On the artistic side, the emphasis is on Athenian and South Italian vases. The book offers undergraduate students an introduction both to mythology and to the use of visual sources in the study of Greek myth.