"Peasants tell tales," one prominent cultural historian tells us (Robert Darnton). Scholars must then determine and analyze what it is they are saying and whether or not to incorporate such tellings into their histories and ethnographies. Challenging the dominant culturalist approach associated with Clifford Geertz and Marshall Sahlins among others, this book presents a critical rethinking of the philosophical anthropologies found in specific histories and ethnographies and thereby bridges the current gap between approaches to studies of peasant society and popular culture. In challenging the methodology and theoretical frameworks currently used by social scientists interested in aspects of popular culture, the author suggests a common discursive ground can be found in an historical anthropology that recognizes how myths, fairytales and histories speak to a universal need for imagining oneself in different timescapes and for linking one's local world with a "known" larger world.

Hermann Rebel was born in Frankfurt/Main, Germany, and educated at the University of Toronto and at UC Berkeley. He has taught at York University in Toronto, the University of Iowa, and the University of Arizona and has published Peasant Classes (Princeton, 1983) as well as articles on Austrian and German agrarian and cultural history.

Bees existed long before human beings, but our future is perhaps more reliant upon them than any other species. They pollinate 80 per cent of the world's crops and plants, but how much do we really know about them? Small, clever and mysterious, the honeybee in particular has long been celebrated in human culture as a sacred insect, a symbol of the sun, bridging the gap between our world and the next. They are expert communicators, skilled aviators and natural alchemists, turning fresh nectar into sweet, golden honey. They are also in trouble and need our help. This beautifully illustrated guide explores the honeybee's historic relationship with humans, the basics of beekeeping, and how we can help save the bees' dwindling population.

Soviet Heroic Poetry in Context discusses key issues surrounding the composition and recording of folklore as well as its often intensely political aspect and its preoccupation with chimerical cultural authority. These issues are dramatically displayed in Soviet epic compositions of the 1930s and 1940s, the so-called noviny ("new songs"), which took their formal inspiration largely from traditional Russian epic songs, byliny ("songs of the past"), and their narrative content from contemporary, political, and other events in Stalinist Russia. The story of the noviny is at once complex and comprehensible. While it may be tempting to interpret the excrescences of Stalinism as unique aberrations, the reality was often more complicated. The noviny were not simply the result of political fiat, an episode in an ideological vacuum. Their emergence occurred in part because of specific trends and controversies that marked European folklore collection and publication from at least the late eighteenth century on, as well as developments in Russian folkloristics from the mid-nineteenth century on that assumed exaggerated proportions. The demise of the noviny was equally mediated by a host of political and theoretical considerations. This study tells the story of the rise and fall of the noviny in all its cultural richness and pathos, an instructive tale of the interaction of aesthetics and ideology.

In this book, first published in 1987, Wolfgang Mieder follows the intriguing trail of some of the best known pieces of folk literature, tracing them from their roots to modern uses in advertising, journalism, politics, cartoons, and poetry. He reveals both the remarkable adaptability of these tales and how each variation reflects cultural and historical changes. Fairy tales, legends, folk songs, riddles, nursery rhymes, and proverbs are passed from generation to generation, changing both in form and meaning with each use. This book will be of interest to students of literature.

Proving conclusively that `mad folks and proverbs reveal many truths', this is an authoritative and hugely browsable treasury of over 15,000 sayings, adages, and maxims commonly used in the United States and Canada.

Based on oral as well as written sources, it covers thousands of uniquely American proverbs as well as those hailing from classical, biblical, European, and English literature. The culmination of over 40 years' research, the dictionary includes nuggets of wisdom on all aspects of life: weather, romance, food, families, politics, health, religion, and the arts, and includes thousands of proverbs that have never previously been recorded.

This study on Kapsiki-Higi tales compares two corpuses of stories collected over two generations. In this oral setting, folktales appear much more dynamic than usually assumed, depending on genre, performance and the memory characteristics of the tales themselves. In northeastern Nigeria the author collected these tales twice with a time gap of two generations, in order to assess the dynamics of this oral transmission. The comparison between the two corpuses shows that folktales are a much more dynamic cultural system than is usually thought. These dynamics affect some types of tales more than others, reflect social change and intergroup contact, but also depend on characteristics of the tales themselves. Cognitive approaches of memory shed light on these varieties of transmission, as do performance aspects in tale telling, in particular ideophones.

Exploring the pedagogical power of the monstrous, this collection of fresh essays provides curriculum and teaching strategies that use our cultural fascination with monsters to enhance learning in high school and college courses. The contributors explore the implications of inviting fearsome creatures into the classroom and describe how they work to create compelling narrative and illustrative models. Topics include gender, sexuality and rhetoric in monster literature; monsters as subversive imagination; teaching monstrosity in American Gothic narratives; and using zombies to teach theater. Some essays provide sample syllabi, assignments and class materials.

Zombies are upon us as never before. So what should we do about it? Recent zombie apocalypses on the screen and page reshape our understanding of the walking dead and ourselves; we find that all bets are off in the case of apocalypse. The undead have begun to mirror our cultural fears of ourselves, always demanding a response, exposing our weaknesses, chewing social rules. Whether we fear the unknown of space, governmental control, lawlessness, or interpersonal relationships, zombies are there. Even now we live with intense nostalgia, longing for a simple time before the beginning of apocalypse even as we imaginatively create ever more complex and horrifying versions of postapocalyptic life. With this thin veneer covering our real fears in mind, the focal points of zombie criticism shift toward cause and cure. This ultimately spotlights a way forward: possible cures for the zombies that ail us. For students, critics, and zombie aficionados, we offer responses to the end of the world as we know it. Along the way, we argue that the traditional evolutionary model of interpreting zombies is not enough; we must also chase zombies from advent through destruction and toward reintegration as we learn to live alongside them.

"A love letter to the Welsh language... Ellis' detailed watercolor illustrations are the main attraction, providing fresh artistic representations to inspire a new generation of readers. Mythology fans and art enthusiasts alike will enjoy this beautiful book." - Booklist ''Packed with lore, history, and beautiful illustrations, Welsh Monsters & Mythical Beasts is an indispensable registry of everything that lurks in the shadows, glides just beneath the surface, or goes bump in the night. I love it!'' - Todd Lockwood My first thought upon seeing Welsh Monsters was "Goodness, what a useful book!" -John Howe Upon the dramatic landscape of Wales there have been born many creatures and beings of legend. This lushly illustrated guide delves into the dragons, beasts, fair folk, and spirits of Wales. Tales become blended and one with history, and this history meets illustration with C.C.J. Ellis' rich renderings of these creatures. Detail and colour lift these beings off the page and bring this compendium to life. Now available worldwide, this new edition includes a Welsh language guide so that each of the creatures might be known by their original Welsh names. You may have heard of the Red Dragon (Draig Goch) featured on the national flag of Wales, but have you heard of the Water Leaper (Llamhigyn Y Dwr) or of the Mary White (Mari Lwyd)? Ellis aims to re-introduce the beasts of Welsh myth and legend to the world and bring a touch of Wales to your shelves. Part of the Wool of Bat series focused on the preservation and promotion of folklore and oral history from around the world.

This examination of the heroic journey in world mythology casts the protagonist as a personification of nature-a ""botanical hero"" one might say-who begins the quest in a metaphorical seed-like state, then sprouting into a period of verdant strength. But the hero must face a mythic underworld where he or she contends with mortality and sacrifice-embracing death as a part of life. For centuries, humans have sought superiority over nature. Yet the botanical hero finds nothing is lost by recognizing that one is merely a part of nature. Instead, a cyclical promise of continuous life is realized, in which no element fully disappears, and the hero's message is not to dwell on death.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

"Scottish Myths and Legends" is an entertaining taste of the feast of stories that Scotland has to offer. Fairy folk, witches, giants, monsters, tales of heroic princes, magic and miraculous feats - all are the stuff of the myths and legends of Scotland. Scotland is a nation made up of many peoples and cultures. This diversity of cultural influence is reflected in Scotland's vast store of myths and legends. This book contains a fascinating selection of these; some recent, some ancient, some obscure in origin and others based (however loosely) on fact. We invite you to revel in engaging tales of selkies, kelpies, glaistigs, fairy queens and changelings; wonder at the mysteries that may be hidden in the depths of Scottish lochs; and, shiver at tales of supernatural disappearances, deadly creatures and grisly deeds, and if you ever meet someone called Sawney Bean, who lived in a cave with his family and ate people - run for your life!

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Who is Osiris? Which god was invoked by common folk to bring good luck? Who is the patron of childbirth? Such questions are answered in this updated and comprehensive dictionary of Egyptian mythology. This fascinating volume has alphabetically arranged entries on all the major gods, goddesses, myths, and themes of Egyptian mythology. In addition, there are entries on such topics as amulets, mummies, and pyramids; a chronology of Egyptian dynasties; a detailed introduction; and a complete annotated bibliography. Fifty pen-and-ink drawings by the author capture the spirit of ancient Egyptian art. In reworking this edition, Bianchi has attempted to retain Anthony Mercatante's sensitive approach to the religion of ancient Egypt, but has modified his treatment to bring it into conformity with more recent academic opinion. In addition, the annotated bibliography has been completely revised to eliminate outdated works and incorporate recent scholarship. The result should be useful to student and amateur alike.

The Penn State University Press is pleased to introduce Metalmark Books, a joint imprint of the Press and the University Libraries at Penn State. Books published under this imprint are selected from the collections of the University Libraries. They may be viewed online or ordered as print-on-demand paperbacks. Initially, books published under the Metalmark imprint will be chosen from the Libraries extensive Pennsylvania holdings. Over time, the scope will broaden to include other significant out-of-print titles. These five Metalmark reprints preserve and make available once again some of the early writing of folklorist Henry W. Shomaker. He authored hundreds of pamphlets and books on nature, history, and folklore. He was publisher of several influential newspapers in Pennsylvania, including the Altoona Tribune and the Reading Eagle. He became the first state folklorist in America, one of the first chairs of the Pennsylvania Historical Commission, and an influential member of the State Forest Commission and the State Geographic Board.

This book constitutes the first attempt to gather into a single body as many Judeo-Spanish tales published in Latin characters as could be assembled. It represents a major contribution to Sephardic and Hispanic studies, as well as to comparative folklore scholarship in a world-wide perspective.

Few regions have had as energetic and influential a promoter as Henry W. Shoemaker (1880-1958), who devoted his life's work to preserving Pennsylvania's cultural and natural heritage. His memory lives on in the legends he helped promote, such as that of the Indian princess "Nita-Nee," for whom Central Pennsylvania's Nittany Mountain is supposedly named. He was also instrumental in creating Pennsylvania's noted system of parks and forests and the Pennsylvania Historical and Museum Commission. In his own day, Shoemaker was a controversial figure, talked about for his immense wealth, powerful connections, eccentric hobbies, and, above all, his consuming passion for conserving and promoting Pennsylvania's wildlife, mountains, and common folk. During the Progressive Era, he fell in with national leaders such as Theodore Roosevelt and Gifford Pinchot, who encouraged Americans to commune with nature and to appreciate its history and legend. He espoused the Progressive belief that nature and folk cultures held vital, even spiritual, powers for a modern age, especially in America, where Shoemaker hoped to create a mythology supporting nationalism. Shoemaker hoped to "sell Pennsylvania to Pennsylvanians" and instill an appreciation for the state's wilderness, threatened by industrialization. He authored hundreds of pamphlets and books on nature, history, and folklore. He was publisher of several influential newspapers in Pennsylvania, including the Altoona Tribune and the Reading Eagle. He became the first state folklorist in America, one of the first chairs of the Pennsylvania Historical Commission, and an influential member of the State Forest Commission and the State Geographic Board. He is responsible for the network of historical markers that dot the byways of the Commonwealth. For this book, the first full-length biography of Shoemaker, Simon Bronner has located never-before-available private papers and interviewed many people who knew Shoemaker. Included are rare photographs and a sampler of Shoemaker stories.

First Published in 2005. The true folk riddle of oral traditions that have been rapidly disappearing from the face of the earth in the last hundred years is one of the most ancient threads of culture. One of the smallest genres of verbal culture-usually under a dozen of words, it is an intensely articulated utterance. It is eccentric and as such breaks every logical mould. This volume presents results of a study driven by the sheer intellectual curiosity of the author.

A new, feminist translation of Beowulf by the author of the acclaimed novel The Mere Wife. A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. This radical new verse translation of Beowulf by Maria Dahvana Headley brings to light elements that have never before been translated into English. The familiar elements of the epic poem are seen with a novelist's eye toward gender, genre, and history it has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story. While crafting her contemporary adaptation of Beowulf, Headley unearthed significant shifts lost over centuries, transforming the binary narrative of monsters and heroes into a thrilling tale in which the two categories often entwine.

The Mesopotamian influence on Greek mythology in literary works of the epic period is considerable - yet it is a largely unexplored field. In this book Charles Penglase investigates major Mesopotamian and Greek myths. His examination concentrates on journey myths. A major breakthrough is achieved in the recognition of the extent of Mesopotamian influence and in the understanding of the colourful myths involved. The results are of significant interest, especially to scholars and students of ancient Greek and Near Eastern religion and mythology.

The Penn State University Press is pleased to introduce Metalmark Books, a joint imprint of the Press and the University Libraries at Penn State. Books published under this imprint are selected from the collections of the University Libraries. They may be viewed online or ordered as print-on-demand paperbacks. Initially, books published under the Metalmark imprint will be chosen from the Libraries extensive Pennsylvania holdings. Over time, the scope will broaden to include other significant out-of-print titles. These five Metalmark reprints preserve and make available once again some of the early writing of folklorist Henry W. Shomaker. He authored hundreds of pamphlets and books on nature, history, and folklore. He was publisher of several influential newspapers in Pennsylvania, including the Altoona Tribune and the Reading Eagle. He became the first state folklorist in America, one of the first chairs of the Pennsylvania Historical Commission, and an influential member of the State Forest Commission and the State Geographic Board.

This is the fifth supplement in the classic reference series begun by Mary Huse Eastman in 1926. Ireland and Sprug analyze 262 collections published between 1978 and 1986, with some 2,000 subject headings, plus copious cross-references. Many new headings are found in this volume, including additional adult headings of folklore and mythology to accommodate and increase in the number of adult books indexed on these subjects. This supplement will be useful, therefore, to academic libraries, as well as to children's departments in public libraries and to school libraries.

The triumphant conclusion to both the Fall of Shannara series and the entire Shannara saga - a truly epic final adventure from the master of modern fantasy. As the Four Lands reels under the Skaar invasion, its defenders must decide what they will risk to save their home. As one group remains to protect the Four Lands, another undertakes a perilous journey across the sea to the Skaar homeland, carrying with them a new piece of technology that could change the face of the world forever. And yet a third is trapped in a deadly realm from which there may be no escape. Packed with all of the hallmarks of Terry Brooks's magnificent storytelling, The Last Druid is a fitting end to a saga that has enthralled millions of readers around the world. Praise for Terry Brooks: 'I can't even begin to count how many of Terry Brooks's books I've read (and re-read) over the years' Patrick Rothfuss 'Terry's place is at the head of the fantasy world' Philip Pullman 'I would not be writing epic fantasy today if not for Shannara' Peter V. Brett 'A master of the craft . . . required reading' Brent Weeks

The Mythology of Modern Law is a radical reappraisal of the role of myth in modern society. Peter Fitzpatrick uses the example of law, as an integral category of modern social thought, to challenge the claims of modernity which deny the relevance of myth to modern society.