'A masterly achievement, a work of imaginative grandeur and complete artistic control' Ian McEwan 'Brilliant and unputdownable' Salman Rushdie He's a trickster, a player, a jester. His handshake's like a pact with the devil, his smile like a crack in the clouds; he's watching you now and he's gone when you turn. Tyll Ulenspiegel is here! In a village like every other village in Germany, a scrawny boy balances on a rope between two trees. He's practising. He practises by the mill, by the blacksmiths; he practises in the forest at night, where the Cold Woman whispers and goblins roam. When he comes out, he will never be the same. Tyll will escape the ordinary villages. In the mines he will defy death. On the battlefield he will run faster than cannonballs. In the courts he will trick the heads of state. As a travelling entertainer, his journey will take him across the land and into the heart of a never-ending war. A prince's doomed acceptance of the Bohemian throne has European armies lurching brutally for dominion and now the Winter King casts a sunless pall. Between the quests of fat counts, witch-hunters and scheming queens, Tyll dances his mocking fugue; exposing the folly of kings and the wisdom of fools. With macabre humour and moving humanity, Daniel Kehlmann lifts this legend from medieval German folklore and enters him on the stage of the Thirty Years' War. When citizens become the playthings of politics and puppetry, Tyll, in his demonic grace and his thirst for freedom, is the very spirit of rebellion - a cork in water, a laugh in the dark, a hero for all time.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Myth into Art is a comparative study of mythological narrative in Greek poetry and the visual arts. Thirty of the major myths are surveyed, focusing on Homer, lyric poetry and Attic tragedy. On the artistic side, the emphasis is on Athenian and South Italian vases. The book offers undergraduate students an introduction both to mythology and to the use of visual sources in the study of Greek myth.

Traditional Egyptian folktales have a flavour and vivacity that until now has proved impossible to render in translation. Here, Elizabeth Wickett presents a translation into English of five rich and vivid tales from Upper Egypt that accurately captures the drama, wit and vitality of Egyptian oral narrative in performance. The stories include the tale of Maimuna, the slave girl of Mecca, crucified for her beliefs, and the erotic tale of Aziza, the flamboyant daughter of the Sultan of Tunis, who attempts to seduce and capture the handsome and innocent Yunis. The author explores the broader literary and social significance of each tale, as well as the aesthetics of performance, gender issues, and parallels with other Egyptian and Near Eastern tales. It is a unique record of a disappearing and little known tradition.

The Vampire in Folklore, History, Literature, Film and Television is the most comprehensive listing of writings about the vampire and related creatures covering material generated through the nineteenth and twentieth century to the present. The listings document the penetration of the vampire into all areas of Western society from scholarly discourse to popular culture, from politics to cook books. It especially reaches into to the mass market aspects of vampire life in television and the movies from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood, and the Twilight Saga. Beginning with vampire folklore, the volume covers historical writings, the vampire in literature, the cinema and television, and its widespread appearing in academic writings and its presence among true believers who want nothing more than to become a child of the night.

The focus of this book is medieval vernacular literature in Western Europe. Chapters are written by experts in the area and present the current scholarship at the time this book was originally published in 1996. Each chapter has a bibliography of important works in that area as well. This is a thorough and reliable guide to trends in research on medieval Arthuriana.

Originally published in 1996, the articles in this book are revised, expanded papers from a session at the 17th International Congress of the Arthurian Society held in 1993. The chapters cover Arthurian studies' directions at the time, showcasing analysis of varied aspects of visual representation and relation to literary themes. Close attention to the historical context is a key feature of this work, investigating the linkage between texts and images in the Middle Ages and beyond.

Since ancient times, writers and poets have grappled with death, dying, grief, and mourning in their works. The Final Crossing: Death and Dying in Literature compiles fifteen in-depth, scholarly, and original essays on death and dying in literature from around the globe and from different time periods. Written from a variety of critical perspectives, the essays target both scholars and serious students. Death and dying is an important area of study for a variety of disciplines, including psychology, psychiatry, sociology, gerontology, medical ethics, healthcare science, health law, and literary studies. The Final Crossing is a landmark compendium of academic essays on death and dying in literary texts, such as the Iliad, Hayy ibn Yaqzan, Hamlet, The Secret Garden, and The Grapes of Wrath. This collection of essays not only brings an international flavor, but also a unique angularity to the discourse on thanatology. The novelty of perspectives reflects the diverse cultural and intellectual backgrounds of the contributors. This diversity opens up a fresh conversation on a number of age-old questions related to "the final crossing." In this volume, readers will find an intriguing array of topics for further reflection and research.

In an innovative sequence of topics, Ken Dowden explores the uses Greeks made of myth and the uses to which we can put myth in recovering the richness of their culture. Most aspects of Greek life and history - including war, religion and sexuality - which are discernable through myth, as well as most modern approaches, are given a context in a book which is designed to be useful, accessible and stimulating.

The hill of Uisneach lies almost exactly at the geographical center of Ireland. Remarkably, a fraction at least of the ancient Irish population was aware of that fact. There is no doubt that the place of Uisneach in Irish mythology, and more broadly speaking the Celtic world, was of utmost importance: Uisneach was - and probably still is - best defined as a sacred hill at the center of Ireland, possibly the sacred hill of the center of Ireland. Uisneach or the Center of Ireland explores the medieval documents connected with the hill and compares them with both archeological data and modern Irish folklore. In the early 21st century, a Fire Festival started being held on Uisneach in connection with the festival of Bealtaine, in early May, arguably in an attempt to echo more ancient traditions: the celebration was attended by Michael D. Higgins, the current president of Ireland, who lit the fire of Uisneach on 6 May 2017. This book argues that the symbolic significance of the hill has echoed the evolution of Irish society through time, be it in political, spiritual and religious terms or, perhaps more accurately, in terms of identity and Irishness. It is relevant for scholars and advanced students in the fields of cultural history, Irish history and cultural studies.

Jeanne Soileau, a teacher in New Orleans and south Louisiana for more than forty years, examines how children's folklore, especially among African Americans, has changed. From the tumult of integration to the present, her experience afforded unique opportunities to observe children as they played. With integration in New Orleans during the 1960s, Soileau notes how children began to play with one another almost immediately. Children taught each other play routines, chants, jokes, jump-rope rhymes, cheers, taunts, and teases - all the folk games that happen in normal play on the street and playground. When adults - the judges and attorneys, the parents, and the politicians - haggled and shouted, children began to hold hands in a circle, fall down together to ""Ring around the Rosie,"" and tease each other in new and creative ways. Children's ability to adapt can be seen not only in their response to social change, but in how they adopt and utilize pop culture and technology. Vast technological changes in the last third of the twentieth century influenced the way children sang, danced, played, and interacted. Soileau catalogs these changes and studies how games evolve and transform as much as they are preserved. She includes several topics of study: oral narratives and songs, jokes and tales, and teasing formulae gleaned from mostly African American sources. Because much of the field work took place on public school playgrounds, this body of oral narratives remains of particular interest to teachers, folklorists, linguists, and those who study play. In the end, Soileau shows that despite the restrictions of air-conditioning, shorter recess periods, ever-increasing hours of television watching, the growing popularity of video games, and carefully scripted after-school activities, many children in south Louisiana sustain traditional games. At the same time, they invent varied and clever new ones. As Soileau observes, children strive through their folk play to learn how to fit into a rapidly changing society.

Within the English-speaking world, no work of the German High Middle Ages is better known than the Nibelungenlied, which has stirred the imagination of artists and readers far beyond its land of origin. Its international influence extends from literature to music, art, film, politics and propaganda, psychology, archeology, and military history. Now for the first time all references to the vast Nibelungen tradition have been catalogued in this comprehensive encyclopedia containing nearly 1000 entries by several dozen international contributors, including the most distinguished scholars in the field. Readers will find illuminating passages on a variety of topics, including literary and extra-literary references, characters and place names, significant motifs and concepts, historical background, and cultural reception through the centuries. This monumental work is an invaluable guide to a fascinating, age-old tradition.

The Vikings Reimagined explores the changing perception of Norse and Viking cultures across different cultural forms, and the complex legacy of the Vikings in the present day. Bringing together experts in literature, history and heritage engagement, this highly interdisciplinary collection aims to reconsider the impact of the discipline of Old Norse Viking Studies outside the academy and to broaden our understanding of the ways in which the material and textual remains of the Viking Age are given new meanings in the present. The diverse collection draws attention to the many roles that the Vikings play across contemporary culture: from the importance of Viking tourism, to the role of Norse sub-cultures in the formation of local and international identities. Together these collected essays challenge the academy to rethink its engagement with popular reiterations of the Vikings and to reassess the position afforded to 'reception' within the discipline.

In this book, first published in 1987, Wolfgang Mieder follows the intriguing trail of some of the best known pieces of folk literature, tracing them from their roots to modern uses in advertising, journalism, politics, cartoons, and poetry. He reveals both the remarkable adaptability of these tales and how each variation reflects cultural and historical changes. Fairy tales, legends, folk songs, riddles, nursery rhymes, and proverbs are passed from generation to generation, changing both in form and meaning with each use. This book will be of interest to students of literature.

West Virginia University Press is pleased to bring back into print Witches, Ghosts, and Signs, the 1975 classic by the late Patrick W. Gainer, renowned West Virginia folklorist and West Virginia University English professor from 1946 through 1972. Based on material Gainer collected from over fifty years of field research in West Virginia and the region, Witches, Ghosts, and Signs presents the rich heritage of the southern Appalachians in a way that has never been equaled. Passed down from generation to generation from as far back as the earliest settlers in the region come tales of the strange and supernatural--ghosts, witches, hauntings, disappearances, and unexplained murders--stories that raise goose bumps and send chills down spines. Included in the collection are such Appalachian classics as The Black Cat Murders, The Witchery of Mary Leadum, The Bewitched Pigs, The Headless Rider of Spruce Lick, and The Poltergeist of Petersburg. According to Gainer, he himself heard ghostly music coming from an abandoned house at midnight, an incident which is described in Jim Barton's Fiddle. In addition to the many accounts of strange happenings, Gainer presents fascinating material about Appalachian superstitions, planting by moon signs, weather forecasting, and mountaineer doctoring. From his own experience and from the reminiscences of old-timers, the author offers historical background on mountaineers. His key to the pronunciation and vocabulary of indigenous populations makes audible the unique speech patterns of mountain people and provides a linguistic key to today's regional dialects. Gainer also relates social events of years gone by, such as molasses boiling, serenades fornewlyweds, and the busybody's favorite: telephone party lines. This carefully collected and preserved collection of folklore is a delight for readers of all ages and a wonderful teaching text for secondary and higher education classes in West Virginia and Appalachian folklore, and in the study of oral traditions. This new edition of Witches, Ghosts, and Signs includes an introduction and a folk motif index, by Dt. Judy Byers, founder and director of the West Virginia Folklife Center at Fairmont State University and a former student of Dr. Gainer.

The legend of Prester John has received much scholarly attention over the last hundred years, but never before have the sources been collected and coherently presented to readers. This book now brings together a fully-representative set of texts setting out the many and various sources from which we get our knowledge of the legend. These texts, spanning a time period from the Crusades to the Enlightenment, are presented in their original languages and in English translation (for many it is the first time they have been available in English). The story of the mysterious oriental leader Prester John, ruler of a land teeming with marvels who may come to the aid of Christians in the Levant, held an intense grip on the medieval mind from the first references in twelfth-century Crusader literature and into the early-modern period. But Prester John was a man of shifting identity, being at different times and for different reasons associated with Chingis Khan and the Mongols, with the Christian kingdom of Ethiopia, with China, Tibet, South Africa and West Africa. In order to orient the reader, each of these iterations is explained in the comprehensive introduction, and in the introductions to texts and sections. The introduction also raises a thorny question not often considered: whether or not medieval audiences believed in the reality of Prester John and the Prester John Letter. The book is completed with three valuable appendices: a list of all known references to Prester John in medieval and early modern sources, a thorough description of the manuscript traditions of the all-important Prester John Letter, and a brief description of Prester John in the history of cartography.

In "The Story-Time of the British Empire," author Sadhana Naithani examines folklore collections compiled by British colonial administrators, military men, missionaries, and women in the British colonies of Africa, Asia, and Australia between 1860 and 1950. Much of this work was accomplished in the context of colonial relations and done by non-folklorists, yet these oral narratives and poetic expressions of non-Europeans were transcribed, translated, published, and discussed internationally. Naithani analyzes the role of folklore scholarship in the construction of colonial cultural politics as well as in the conception of international folklore studies.

Since most folklore scholarship and cultural history focuses exclusively on specific nations, there is little study of cross-cultural phenomena about empire and/or postcoloniality. Naithani argues that connecting cultural histories, especially in relation to previously colonized countries, is essential to understanding those countries' folklore, as these folk traditions result from both internal and European influence. The author also makes clear the role folklore and its study played in shaping intercultural perceptions that continue to exist in the academic and popular realms today. "The Story-Time of the British Empire" is a bold argument for a twenty-first-century vision of folklore studies that is international in scope and that understands folklore as a transnational entity.

Orality has been central to the transmission of Sephardic customs, wisdom, and values for centuries. Throughout the Middle Ages, Spanish Jews were known for their linguistic skills, and as translators and storytellers they were the main transmitters of Eastern/Islamic culture to the Christian world. Derived from a distinguished heritage, Judeo-Spanish storytelling has evolved over five hundred years through constant contact with the surrounding societies of the past and with modern Israeli influences, making it more universal than other Sephardic oral genres. Told in order to entertain but also to teach, Judeo-Spanish folktales convey timeless wisdom and a colorful depiction of Sephardic communities up to the first half of the twentieth century. King Solomon and the Golden Fish is a selection of fifty-four folktales taken from Matilda Koen-Sarano's collection of stories recorded in Ladino (Judeo-Spanish) and translated by Reginetta Haboucha into fluent and idiomatic English that preserves the flavor and oral nuances of each text. Haboucha provides commentary and annotations to the folktales that enlighten both the academic and the lay reader, making this book at once appealing to s

J.D. Lewis-Williams, one of the leading South African archaeologists and ethnographers, excavates meaning from the complex mythological stories of the San-Bushmen to create a larger theory of how myth is used in culture. He extracts their "nuggets," the far-reaching but often unspoken words and concepts of language and understanding that are opaque to outsiders, to establish a more nuanced theory of the role of these myths in the thought-world and social circumstances of the San. The book -draws from the unique 19th century Bleek/Lloyd archives, more recent ethnographic work, and San rock art;-includes well-known San stories such as The Broken String, Mantis Dreams, and Creation of the Eland;-extrapolates from our understanding of San mythology into a larger model of how people create meaning from myth.

The Dragon Myth appears in numerous languages; it can be found with minor variations in English, Russian, Swedish, German, French, Japanese and Swahili. The author of this work presents the Celtic version of the classic myth in a translation which reflects the spirit and beauty of the original Gaelic. The volume also includes The Geste of Fraoch and The Death of Fraoch, followed by The Three Ways and The Fisherman in the original Gaelic.

The authentic voice of the tribal African woman has rarely been publicised. The picture given in these Ibibio autobiographies is strikingly different from the accepted image. This generation is the 'Iban Isong' - the Daughters of the Land - who have lived close to the soil under conditions little changed from those of their ancestors. But the hardship of subsistence farming has not coarsened them nor subdued their enterprise. The pressures of the polygamous household have only served to stimulate their generosity and tenderness. Tragedy has been their daily lot, but they emerge with dignity, charm and imagination. Their language is steeped in the proverbial wisdom of oral tradition, and has not yet been purged of poetic rhythms by foreign influence. The Introduction to these stories, first published in 1970, describes the historical and geographical background, and examines some of the theories which have grown up around these complex and fascinating people.