"Early Greek Myth" is a much-needed handbook for scholars and others interested in the literary and artistic sources of archaic Greek myths--and the only one of its kind available in English. Timothy Gantz traces the development of each myth in narrative form and summarizes the written and visual evidence in which the specific details of the story appear.

Fairy Tale Architecture is a ground-breaking book, the first study to bring architects in conversation with fairy tales in breathtaking designs. Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than 15 other stories designed by Bernheimer Architecture, Snohetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this ground breaking collection of architectural fairy tales. Story by story, Andrew Bernheimer and Kate Bernheimer - a brother and sister team as in an old fairy tale - have built the ultimate home for lovers of fiction and design. Snow girls and spinning houses. Paper capes and engineered hair braids. Resin beehives and infinite libraries. Here are futuristic structures made from traditional stories, inspired by everything from Hans Christian Andersen's The Snow Queen and The Little Match Girl, to the Brothers Grimm's Rapunzel and The Juniper Tree, to fairy tales by Jorge Luis Borges and Joy Williams and those from China, Japan, Russia, Nigeria, and Mexico. A desire for story and shelter counts as among our most ancient instincts, and this dual desire continues to inspire our most imaginative architects and authors today. Fairy Tale Architecture invites the reader into a space of wonder, into a new form that will endure ever after.

A paperback edition of Campbell's major study of the mythology of the world's high civilizations over five millennia. It includes nearly 450 illustrations. The text is the same as that of the 1974 edition.

Mythologist Joseph Campbell was a masterful storyteller, able to weave tales from every corner of the world into compelling, even spellbinding, narratives. His interest in comparative mythology began in childhood, when the young Joe Campbell was taken to see Buffalo Bill's Wild West Show at Madison Square Garden. He started writing articles on Native American mythology in high school, and the parallels between age-old myths and the mythic themes in literature and dreams became a lifelong preoccupation. Campbell's best-known work is "The Hero with a Thousand Faces" (1949), which became a "New York Times" paperback best-seller for Princeton in 1988 after Campbell's star turn on the Bill Moyers television program "The Power of Myth."

During his early years as a professor of comparative religion at Sarah Lawrence College, Campbell made the acquaintance of Indologist Heinrich Zimmer, a kindred spirit who introduced him to Paul and Mary Mellon, the founders of Bollingen Series. They chose Campbell's "The Mythic Image" as the culmination of the series, giving it the closing position--number one hundred. A lavishly illustrated and beautifully produced study of the mythology of the world's high civilizations, "The Mythic Image" received a front-cover review in the "New York Times Book Review" upon publication. Through the medium of visual art, the book explores the relation of dreams to myth and demonstrates the important differences between oriental and occidental interpretations of dreams and life.

Dichos, or proverbs, offer a daily source of strength and inspiration in Spanish-speaking households all over the world. In this book about growing up in Manila with a Filipina grandmother, Maria Paz Eleizegui Weir shares the centuries-old dichos she learned from her abuelita: wisdom that is still useful today, whether you live in Managua, Mazatlan, or Manhattan. In Lo que mi abuela me dijo Weir tells the moving story of how the folk wisdom she learned from her grandmother shaped her life. Arranged by subjects, the dichos provide wisdom on topics such as childhood, work, strife, and love. On friendship, for example, Si quieres el perro, accepta las pulgas: If you like the dog, accept the fleas. On manners, Los trapos sucios se lavan en casa: Dirty linen is washed at home. With more than one hundred dichos, this collection imparts timeless insight across generations.

With origins lost in the mists of time, these lively folk tales reflect the wisdom (and eccentricities) of South Yorkshire's county and people. Amongst the heroes and villains, giants and fairies, knights and highwaymen, are well-known figures, such as Robin Hood and the Dragon of Wantley, as well as lesser-known tales of mysterious goings-on at Firbeck Hall and Roche Abbey. These enchanting tales, many never before recorded in print, will bewitch readers and storytellers, young and old alike.

The English may say, 'Where there's a will there's a way,' and the Japanese, 'A concentrated mind pierces even a rock', but the meaning is clearly the same; 'Too many boatmen sail the boat up the hill' may be the same as the English, 'Too many cooks spoil the broth', but the Japanese version has a delightful absurdity about it which is illustrated in Kathryn Lamb's witty cartoon. These and many more proverbs and sayings feature in Where There's a Will There's a Way, which joins the family of six other bilingual illustrated proverb books, devised in 1985 by Primrose Arnander and the late Ashkhain Skipwith: three in Arabic, and one each in Italian, French and Chinese. Each title in the series gives the proverb in its original (and where the scripts are different, provides the original script and its transliteration), the literal translation and the English equivalent. They are not intended as weighty works of scholarship, but rather as a source of entertainment. They make the perfect gift, as well as being useful to language students, whatever their native tongue. The cartoonist Kathryn Lamb has brought her skills to all seven titles.

This study sees the nineteenth century supernatural as a significant context for cinema's first years. The book takes up the familiar notion of cinema as a "ghostly," "spectral" or "haunted" medium and asks what made such association possible. Examining the history of the projected image and supernatural displays, psychical research and telepathy, spirit photography and X-rays, the skeletons of the danse macabre and the ghostly spaces of the mind, it uncovers many lost and fascinating connections. The Modern Supernatural and the Beginnings of Cinema locates film's spectral affinities within a history stretching back to the beginning of screen practice and forward to the digital era. In addition to examining the use of supernatural themes by pioneering filmmakers like Georges Melies and George Albert Smith, it also engages with the representations of cinema's ghostly past in Guy Maddin's recent online project Seances (2016). It is ideal for those interested in the history of cinema, the study of the supernatural and the pre-history of the horror film.

Along with Confederate flags, the men and women who recently gathered before the Virginia Museum of Fine Arts carried signs proclaiming "Heritage Not Hate." Theirs, they said, was an "open and visible protest against those who attacked us, ours flags, our ancestors, or our Heritage." How, Nicole Maurantonio wondered, did "not hate" square with a "heritage" grounded in slavery? How do so-called neo-Confederates distance themselves from the actions and beliefs of white supremacists while clinging to the very symbols and narratives that tether the Confederacy to the history of racism and oppression in America? The answer, Maurantonio discovers, is bound up in the myth of Confederate exceptionalism-a myth whose components, proponents, and meaning this timely and provocative book exploresThe narrative of Confederate exceptionalism, in this analysis, updates two uniquely American mythologies-the Lost Cause and American exceptionalism-blending their elements with discourses of racial neoliberalism to create a seeming separation between the Confederacy and racist systems. Incorporating several methods and drawing from a range of sources-including ethnographic observations, interviews, and archival documents-Maurantonio examines the various people, objects, and rituals that contribute to this cultural balancing act. Her investigation takes in "official" modes of remembering the Confederacy, such as the monuments and building names that drive the discussion today, but it also pays attention to the more mundane and often subtle ways in which the Confederacy is recalled. Linking the different modes of commemoration, her work bridges the distance that believers in Confederate exceptionalism maintain; while situated in history from the Civil War through the civil rights era, the book brings much-needed clarity to the constitution, persistence, and significance of this divisive myth in the context of our time.

Storyteller Lea Taylor brings together stories from the rugged coastlines, rushing rivers, uplands and sweeping valleys of Midlothian. In this treasure trove of tales you will meet kings and queens, saints and sinners, witches and wizards, ghosts and giants, fools and tricksters - all as mysterious and powerful as the landscape they inhabit. Retold in an engaging style, and richly illustrated with unique line drawings, these humorous, clever and enchanting folk tales are sure to be enjoyed and shared time and again.

Fight your fears, gain confidence and unlock your future using the power of fairy tales We first engage with fairy tales in childhood and they never leave us. From the "rescuer" Prince Charming to the scary, shapeshifting wolf in Little Red Riding Hood, the characters, symbolism and narratives in these stories are embedded deep within our psyches. This book offers a whole host of tips, creative activities and inspiring illustrations to help you draw on the latent power of fairy tales and apply their magic to your everyday life. These include storyboarding your own fairy tale to boost your imagination, devising a quest to build energy and confidence, and identifying your inner hero to improve your problem solving.

From 2014 to 2018, people all over the world will be commemorating the 100th anniversary of the outbreak of the First World War. They will not only be honouring those who lost their lives on the battlefield between 1914 and 1918, they will also be remembering everyone who played a part in, or lived through, those troubled times. First World War Folk Tales is a very special collection of legends and folk tales from the First World War era. This special centenary collection shows how elements of truth can become legend, how people often attempt to explain the strange and the mysterious through stories and tales, and how storytelling can ease the pain and burden of war.

An important, provocative and original work, of great interest to Indian scholars, historians of religions, psychologists and historians of ideas, but accessible also to the cultivated reader. Even if one does not always agree with the author's interpretation, one cannot but admire her vast and precise learning, her splendid translations and exegesis of so many, and so different, Sanskrit texts, and her uninhibited, brilliant, and witty prose.--Mircea Eliade, University of Chicago
This is . . . a book which is as rich in detail as the carvings of the great Hindu temples. It shares with them a delight in the interplay of myth and mundane experience, and above all an empathy with the Hindu preoccupation with the meaning of human existence in all its complexity.--G. M. Carstairs, Times Literary Supplement

Monsters, Animals, and Other Worlds is a collection of twenty-five medieval Japanese tales of border crossings and the fantastic, featuring demons, samurai, talking animals, amorous plants, and journeys to supernatural realms. The most comprehensive compendium of short medieval Japanese fiction in English, Monsters, Animals, and Other Worlds illuminates a rich world of literary, Buddhist, and visual culture largely unknown today outside of Japan. These stories, called otogizoshi, or Muromachi tales (named after the Muromachi period, 1337 to 1573), date from approximately the fourteenth through seventeenth centuries. Often richly illustrated in a painted-scroll format, these vernacular stories frequently express Buddhist beliefs and provide the practical knowledge and moral education required to navigate medieval Japanese society. The otogizoshi represent a major turning point in the history of Japanese literature. They bring together many earlier types of narrative-court tales, military accounts, anecdotes, and stories about the divine origins of shrines and temples--joining book genres with parlor arts and the culture of itinerant storytellers and performers. The works presented here are organized into three thematically overlapping sections titled, "Monsters, Warriors, and Journeys to Other Worlds," "Buddhist Tales," and "Interspecies Affairs." Each translation is prefaced by a short introduction, and the book features images from the original scroll paintings, illustrated manuscripts, and printed books.