In this bestselling modern classic, a young boy's lost mitten leads to a charming snowy adventure. Jan Brett's beautiful retelling makes a perfect holiday gift. When Nicki drops his white mitten in the snow, he goes on without realizing that it is missing. One by one, woodland animals find it and crawl in; first, a curious mole, then a rabbit, a badger and others, each one larger than the last. Finally, a big brown bear is followed in by a tiny brown mouse and what happens next makes for a wonderfully funny climax. As the story of the animals in the mitten unfolds, the reader can see Nicki in the borders of each page, walking through the woods unaware of what is going on. In her distinctive style, Jan Brett brings the animals to life with warmth and humor, and her illustrations are full of visual delights and details faithful to the Ukrainian tradition from which the story comes. Jan Brett is also the creator of such wintery classics as The Hat, The Snowy Nap, Three Snowy Bears, The Animal's Santa, and The Night Before Christmas. This book is also available in Spanish, as El miton.

Since he was a youngster, W. C. Jameson has hiked, explored, and been captivated by the Guadalupe Mountains of west Texas and southeast New Mexico, just southwest of Carlsbad. He has searched the caves in the mountains (even finding a few gold nuggets tucked away years earlier by an unknown prospector) and visited with longtime residents in the local cafs and taverns, and on their ranches. He spent hours listening to them share historical events of the Guadalupes as well as the legends.

Sometimes the people of the mountains talked about buried treasures and other times they spoke of ghosts and spirits that many believed resided in the dark interior of the range. They shared personal experiences and exchanged stories of strange things encountered high in the mountains and tales of unexplainable happenings.

There are countless stories associated with the Guadalupe Mountains. Many are factual, having been historically documented. Others are part of the legend and lore. A few are bizarre. W. C. Jameson includes numerous tales and stories here for the armchair traveler or the travel planner.

Open-access edition: DOI 10.6069/9780295745701 The Nuosu people, who were once overlords of vast tracts of farmland and forest in the uplands of southern Sichuan and neighboring provinces, are the largest division of the Yi ethnic group in southwest China. Their creation epic plots the origins of the cosmos, the sky and earth, and the living beings of land and water. This translation is a rare example in English of Indigenous ethnic literature from China. Transmitted in oral and written forms for centuries among the Nuosu, The Book of Origins is performed by bimo priests and other tradition-bearers. Poetic in form, the narrative provides insights into how a clan- and caste-based society organizes itself, dictates ethics, relates to other ethnic groups, and adapts to a harsh environment. A comprehensive introduction to the translation describes the land and people, summarizes the work's themes, and discusses the significance of The Book of Origins for the understanding of folk epics, ethnoecology, and ethnic relations.

Winner, Wayland D. Hand Prize, American Folklore Society, 2018 Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore-and "Frankie and Johnny" in particular-became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan's research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.

Ever since its domestication, the horse has played a central role in the history of mankind. This multifunctional animal was responsible for revolutionizing transportation and fighting techniques, which led ultimately to significant social, economic and cultural changes. "Horses in Celtic Culture "examines a fascinating topic that to date has received very little attention from historians and literary specialists.

In an illustrious career spanning over forty years, Americo Paredes has often set the standard for scholarship and writing in folklore and Chicano studies. In folklore, he has been in the vanguard of important theoretical and methodological movements. In Chicano studies, he stands as one of the premier exponents.

Paredes's books are widely known and easily available, but his scholarly articles are not so familiar or accessible. To bring them to a wider readership, Richard Bauman has selected eleven essays that eloquently represent the range and excellence of Paredes's work. The hardcover edition of Folklore and Culture was published in 1993. This paperback edition will make the book more accessible to the general public and more practical for classroom use.

First published in 1983, Nahuat Myth and Social Structure brings together an important collection of modern-day Aztec Indian folktales and vividly demonstrates how these tales have been shaped by the social structure of the communities in which they are told.

Here in one slim volume is a selection of the best-known and best-loved Lao folktales that have entertained the Lao people for generations. We meet the legendary trickster Xieng Mieng who matches his wits with merchants, monks, and kings. We find a quick-witted toad that terrifies tigers, a turtle that flies, a cadre of snails that race a rabbit, and a mynah bird that speaks five languages fluently. The reader may recognize a whisper of Aesop or a Jataka tale, but each story is distinctively Lao, retold with Lao humor and charm reflecting a Buddhist culture in a Marxist state. Works by Anoulom Souvandouane, the foremost illustrator in Laos, enliven the stories. Steven Epstein lived in Laos from 1990 to 1997. He worked for the Swedish government setting up English training programs in different ministries.

All the world over, people tell stories to express their deepest feelings about such things as what makes a "real" man or woman; what true love, courage, or any other virtue is; what the proper relationships are between people. Often groups of people widely separated by space or time will tell the same basic story, but with differences in the details that reveal much about a particular group's worldview.

This book looks at differences in the telling of several common Hispanic folktales. James Taggart contrasts how two men--a Spaniard and an Aztec-speaking Mexican--tell such tales as "The Bear's Son." He explores how their stories present different ways of being a man in their respective cultures.

Taggart's analysis contributes to a revision of Freud's theory of gender, which was heavily grounded in biological determinism. Taggart focuses instead on how fathers reproduce different forms of masculinity in their sons. In particular, he shows how fathers who care for their infant sons teach them a relational masculinity based on a connected view of human relationships. Thus, The Bear and His Sons will be important reading not only in anthropology and folklore, but also in the growing field of men's studies.

The first full-length study to focus exclusively on American reinterpretations of the Arthurian legends. The Arthurian legends have had an immense and enduring appeal in America, influencing both America's own mythologies and its literature, film, social history, and popular culture. This is the first full-length study to focus exclusively on American re-interpretations of Arthuriana, and it offers detailed treatments of major authors traditionally associated with the legends, including Mark Twain, Edwin Arlington Robinson, T.S. Eliot, and John Steinbeck; italso explores the important use of Arthurian material by authors not usually considered in an Arthurian context, and by lesser-known writers. Among the topics addressed in the chronological survey are the beginnings of American Arthurian literature and the different reactions to Tennyson; satire and parody; the moralising of knighthood and the development of a body of didactic literature for children; and the reinterpretations of Arthurian tradition in theworks of contemporary writers such as Walker Percy and John Updike. A concluding chapter analyses Arthurian themes in American popular fiction and film and demonstrates the extent to which the Arthurian tradition has influenced American popular culture. The volume is completed with a comprehensive bibliography. ALAN LUPACK is Curator of the Rossell Hope Robbins Library at the University of Rochester; BARBARA TEPA LUPACKis former AcademicDean at SUNY and Fulbright Professor of American Literature in Poland and France.

"Mules and Men" is a treasury of black America's folklore as collected by a famous storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed an oral history of the South since the time of slavery. Returning to her hometown of Eatonville, Florida, to gather material, Zora Neale Hurston recalls "a hilarious night with a pinch of everything social mixed with the storytelling." Set intimately within the social context of black life, the stories, "big old lies," songs, Vodou customs, and superstitions recorded in these pages capture the imagination and bring back to life the humor and wisdom that is the unique heritage of African Americans.

Wry political fairy tales from a nineteenth-century politician that speak to our current times Edouard Laboulaye (1811-1883), one of nineteenth-century France's most prominent politicians and an instrumental figure in establishing the Statue of Liberty, was also a prolific writer of fairy tales. Smack-Bam, or The Art of Governing Men brings together sixteen of Laboulaye's most artful stories in new translations. Filled with biting social commentary and strong notions of social justice, these rediscovered tales continue to impart lessons today. Inspired by folktales from such places as Estonia, Germany, Iceland, and Italy, Laboulaye's deceptively entertaining stories explore the relationships between society and the ruling class. In "Briam the Fool," the hero refuses the queen's hand after he kills the king. In "Zerbino the Bumpkin," the king and prime minister are idiots, while the king's daughter runs away with a woodcutter to an enchanted island. And in the title story, "Smack-Bam, or The Art of Governing Men," a superficial prince is schooled by a middle-class woman who smacks him when he won't engage in his lessons and follows him across Europe until he falls in love with her. In these worlds, shallow aristocrats come to value liberty, women are as assertive and intelligent as men, and protagonists experience compassion as they learn of human suffering. With an introduction by leading fairy-tale scholar Jack Zipes that places Laboulaye's writing in historical context, Smack-Bam, or The Art of Governing Men presents spirited tales from the past that speak to contemporary life.

From Carolyn Turgeon, editor in chief of Enchanted Living and author of The Faerie Handbook and The Mermaid Handbook, comes this exquisitely illustrated and beautifully designed lifestyle compendium, a complete guide to the world of unicorns covering fashion and beauty; arts and culture; and home, food, and entertaining with step-by-step crafts and recipes. Strong, regal, and dazzling, there is no more romantic a creature in both folklore and pop culture than the majestic unicorn. Known for its preference for solitary living in the depths of enchanted and perfumed forests, the unicorn will only occasionally reveal itself to virginal ladies and/or save the day with its magical horn, which is said to neutralize poison when dipped into food or drink. In medieval times, unicorns were a symbol of chivalry and aristocracy, so it's no surprise that they became the ideal companion for gallant knights, and eventually, the symbol of Jesus in many illuminated bestiaries. They also came to represent unknown danger in the ancient city of Persepolis in 515 BCE, a belief immortalized on the British coat of arms with the unicorn shown as the mighty lion's fiercest opponent. This feud also appears in a traditional English nursery that was the origin of the quarrel between The Lion and the Unicorn in Lewis Carroll's Through the Looking-Glass. It wasn't long before a piece of the unicorn's mane, blood, and horn became hot commodity in man's pursuit for immortality. Today, unicorns can be found in modern tales like Harry Potter, television shows like My Little Pony, colorful Lisa Frank-inspired fashion and makeup trends, and must-have food crazes like the Unicorn Frappuccino and bagels. Divided into four sections: flora and fauna; fashion and beauty; arts and culture; home, food, and entertaining-The Unicorn Handbook is the ultimate compilation and guidebook filled with step-by-step projects and recipes throughout. Learn how to make your very own unicorn tail loop braid or unicorn dust for that extra sparkle in your life. There are recipes to make a plum cake straight from the world of Alice in Wonderland and tips on how to throw the most unique garden party ever (complete with instructions on how to make unicorn horn table favors and utensils). And there's also an exclusive interview with Peter S. Beagle, the author of the classic tale The Last Unicorn.

'A poetic, erudite exploration of history and myth' Financial Times An unforgettable journey through centuries and across cultures to the pivotal moment in evolution - when humans did something that no species had yet tried - when we became the hunter and no longer the prey. Informed by Greek and Egyptian myth, the stories of poets, shamans and gods, Roberto Calasso's expansive exploration of our relationship to animals and sacrifice, encourages us to reframe our understanding of our place in history, and in the world. 'Calasso has created a much discussed original genre for these books ... a dense pastiche of myth, biography, criticism, philosophy, history and minutiae ... woven together by Calasso's unflagging vision' The New Yorker

Classical Mythology in English Literature brings together a range of English versions of three classical myths. It allows students to explore the ways in which they have been reinterpreted and reinvented by writers throughout history. Beginning with a concise introduction to the principle Greco-Roman gods and heroes, the anthology then focuses on three stories:
* Orpheus, the great musician and his quest to free his wife Eurydice from death
* Venus and Adonis, the love goddess and the beautiful youth she loved
* Pygmalion, the master sculptor who fell in love with his creation.
Each section begins with the classical sources and ends with contemporary versions, showing how each myth has been used/abused or appropriated since its origins

This "Reader" collects 25 stories of heroes of all kinds from around the world. Included are both non-Western and Western, female and male, modern and ancient, young and adult, lowly and noble, comic and tragic, national and universal, and historical and fictional heroes. Failed as well as successful heroes are represented, as are anti-heroes as well as conventional heroes.

"Hero Myths" offers not only an array of kinds of hero myths but also a guide to understanding the myths selected. In a substantial introduction, Robert Segal, a leading authority on theories of myth, provides an overview of both the history of the study of heroes and the history of the study of hero myths from the fields of psychology, anthropology, folklore, literature, and religious studies.

Set in a wild and immaculate landscape threatened by industry and environmental degradation, a compassionate and gripping exploration of one of the world's most baffling mysteries-the existence of the Sasquatch On the central and north coast of British Columbia, the Great Bear Rainforest is the largest intact temperate rainforest in the world, containing more organic matter than any other terrestrial ecosystem on the planet. The area plays host to a wide range of species, from thousand-year-old western cedars to humpback whales to iconic white Spirit bears. According to local residents, another giant is said to live in these woods. For centuries people have reported encounters with the Sasquatch-a species of hairy bipedal man-apes said to inhabit the deepest recesses of this pristine wilderness. Driven by his own childhood obsession with the creatures, John Zada decides to seek out the diverse inhabitants of this rugged and far-flung coast, where nearly everyone has a story to tell, from a scientist who dedicated his life to researching the Sasquatch, to members of the area's First Nations, to a former grizzly bear hunter-turned-nature tour guide. With each tale, Zada discovers that his search for the Sasquatch is a quest for something infinitely more complex, cutting across questions of human perception, scientific inquiry, indigenous traditions, the environment, and the power and desire of the human imagination to believe in-or reject-something largely unseen. Teeming with gorgeous nature writing and a driving narrative that takes us through the forests and into the valleys of a remote and seldom visited region, In the Valleys of the Noble Beyond sheds light on what our decades-long pursuit of the Sasquatch can tell us about ourselves and invites us to welcome wonder for the unknown back into our lives.

From Macbeth to The Wizard of Oz, from the hysteria of witch trials to emblems of 20th-century female empowerment, no matter how she is portrayed, the witch is an enduring source of fear and fascination. In this study, Diane Purkiss investigates the diverse interpretations and meanings attributed to the figure of the witch, encompassing a wide range of cultural norms which include Canonical literature, such as Shelley and Yeats, visual arts, fairy tales, folklore and real-life witch stories. Also considered are pornography and sado-masochism, film, from the classic Swedish Haxan to The Witches of Eastwick, and the stage, including Shakespeare and Jonson.

For more than 150 years, individuals have traveled the countryside with pen, paper, tape recorders, and even video cameras to document versions of songs, music, and stories shared by communities. As technologies and methodologies have advanced, the task of gathering music has been taken up by a much broader group than scholars. The resulting collections created by these various people can be impacted by the individual collectors' political and social concerns, cultural inclinations, and even simple happenstance, demonstrating a crucial yet underexplored relationship between the music and those preserving it.Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre NI Chonghaile argues for a culturally equitable framework that considers negotiation, collaboration, canonization, and marginalization to fully understand the immensely important process of musical curation. In presenting four substantial, historically valuable collections from the nineteenth and twentieth centuries, she illustrates how understanding the motivations and training (or lack thereof) of individual music collectors significantly informs how we should approach their work and contextualize their place in the folk music canon.