This is a collection of stories recounting Irish encounters with the Devil.Take a night-rambler (Jack Murt in "Jack o'the Lantern"); a fisherman (Sean O Duinn); a gambler (Martin the Cards in "The Two-Rooted Briar") or a plain ordinary farmer (Larry in "Larry and the Devil"). There are certain things no one should do, certain conventions that must be obeyed, such as not fishing on Good Friday or talking to spectral figures in graveyards in the dead hours of the night. But sadly, common sense does not always rule. The only trouble is that when the cause of trouble is the Devil, the consequences for the luckless victim are very serious indeed - unless he has the presence of mind to beat the Evil One...

Explore the fascinating and often inexplicable tales of strange ghostly events in this western state. From coastal Cannon Beach and Newport to Salem, Bend and La Grande and many places in between, these stories of fright-filled folklore are sure to delight.

Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.

Spring Man: A Belief Legend between Folklore and Popular Culture deconstructs the nationalistic myth of Spring Man that was created after the Second World War in visual culture and literature and presents his original form as an ambiguous ghostly denizen of oral culture. Petr Janecek analyzes the archetypal character, social context, and cultural significance of this fascinating phenomenon with help of dozens of accounts provided by period eyewitnesses, oral narratives, and other sources. At the same time, the author illustrates the international origin of the tales in the originally British migratory legend of Spring-heeled Jack that reaches back to the second third of the 19th century and draws parallels between the Czech myth of spring man and similar urban phantom narratives popular in the 1910s Russia, 1940s U.S. and Slovakia, 1950s Germany, as well as other parts of the world.

Just about everyone is familiar with folk and fairy tales. Children learn about them from parents, teachers, and other adults, while researchers study these tales at colleges and universities. At the same time, folk and fairy tales are inseparable from everyday life and popular culture. Movies, music, art, and literature offer imaginative retellings and interpretations of fairy and folk tales. But despite the pervasiveness of this folklore type, most people have only a vague understanding of these tales. This reference is a convenient introduction to folk and fairy tales for students and general readers. Written by a leading authority, this handbook offers a broad examination of folk and fairy tales as a folklore type. It looks at tales from around the world and from diverse cultures. The volume defines and classifies folk and fairy tales and analyzes a number of examples. It studies the varied manifestations of fairy and folk tales in literature and culture and reviews critical and scholarly approaches to this folklore genre. The volume also includes a glossary and extensive list of works for further reading.

What does it mean if a cat sits and washes itself in your doorway? And why should women have their hair cut only when the moon is waxing? Belief in superstitions links us to a time when everyday events and objects had magical significance, and knowledge of these could change your fate. If you avoid anything with the number thirteen and cross the road to avoid walking under ladders, then you would be wise to learn about the many other signs that surround us. Whether you wish to increase your good fortune, ward off bad luck, or simply desire to know what today has in store, A Dictionary of Omens and Superstitions provides a complete guide to hundreds of portents, signs and customs from around the world, tracing the origins of our superstitions and explaining their rich symbolism.

Avian Aesthetics in Literature and Culture: Birds and Humans in the Popular Imagination closes the gap between ornithological and humanities knowledge. This book contains fifteen innovative essays that bridge various environment-focused perspectives and methodologies in order to include birds in current conversations within the field of animal studies. This collection challenges species centrism, advances a biodiverse ontology, and embraces bird-centered topics as diverse as gaming, comic strips, window collisions, conservation literature, youth birding, mourning theory, and the "Birds Aren't Real" movement.

Meet mythology's fifty fiercest females in this modern retelling of the world's greatest legends. From feminist fairies to bloodsucking temptresses, half-human harpies and protective Vodou goddesses, these are women who go beyond long-haired, smiling stereotypes. Their stories are so powerful, so entrancing, that they have survived for millennia. Lovingly retold and updated, Kate Hodges places each heroine, rebel and provocateur fimly at the centre of their own narrative. Players include: Bewitching, banished Circe, an introvert famed and feared for her transfigurative powers. The righteous Furies, defiantly unrepentant about their dedication to justice. Fun-loving Ame-no-Uzume who makes quarrelling friends laugh and terrifies monsters by flashing at them. The fateful Morai sisters who spin a complex web of birth, life and death. Find your tribe, fire your imagination and be empowered by this essential anthology of notorious, demonised and overlooked women.

The Kumulipo (1897) is a traditional chant translated by Lili'uokalani. Published in 1897, the translation was written in the aftermath of Lili'uokalani's attempt to appeal on behalf of her people to President Grover Cleveland, a personal friend. Although she inspired Cleveland to demand her reinstatement, the United States Congress published the Morgan Report in 1894, which denied U.S. involvement in the overthrow of the Kingdom of Hawaii. The Kumulipo, written during the Queen's imprisonment in Iolani Palace, is a genealogical and historical epic that describes the creation of the cosmos and the emergence of humans, plants, and animals from "the slime which established the earth." "At the time that turned the heat of the earth, / At the time when the heavens turned and changed, / At the time when the light of the sun was subdued / To cause light to break forth, / At the time of the night of Makalii (winter) / Then began the slime which established the earth, / The source of deepest darkness." Traditionally recited during the makahiki season to celebrate the god Lono, the chant was passed down through Hawaiian oral tradition and contains the history of their people and the emergence of life from chaos. A testament to Lili'uokalani's intellect and skill as a poet and songwriter, her translation of The Kumulipo is also an artifact of colonization, produced while the Queen was living in captivity in her own palace. Although her attempt to advocate for Hawaiian sovereignty and the restoration of the monarchy was unsuccessful, Lili'uokalani, Hawaii's first and only queen, has been recognized as a beloved monarch who never stopped fighting for the rights of her people. With a beautifully designed cover and professionally typeset manuscript, this edition of Lili'uokalani's The Kumulipo is a classic of Hawaiian literature reimagined for modern readers.

The amphibious cult classic: a magical tale of a suburban housewife's affair with a frogman ... 'Disturbing but seductive ... Wonderful.' Margaret Atwood 'Perfect.' Max Porter 'Still outpaces, out-weirds, and out-romances anything today.' Marlon James 'A feminist masterpiece: tender, erotic, singular.' Carmen Maria Machado ''Genius ... A broadcast from a stranger and more dazzling dimension.' Patricia Lockwood 'Kind of weird and cool. ' Irvine Welsh 'Genius ... Like Revolutionary Road written by Franz Kafka ... Exquisite.' The Times 'Incredibly liberates readers from the awfulness of convention to a state where weirdness and otherness are beautiful.' Sarah Hall 'A devastating fable of mythic proportions ... Wondrously peculiar.' Irenosen Okojie (foreword) Dorothy is a grieving housewife in the Californian suburbs; her husband is unfaithful, but they are too unhappy to get a divorce. One day, she is doing chores when she hears strange voices on the radio announcing that a green-skinned sea monster has escaped from the Institute for Oceanographic Research - but little does she expect him to arrive in her kitchen. Muscular, vegetarian, sexually magnetic, Larry the frogman is a revelation - and their passionate affair takes them on a journey beyond their wildest dreams ... Rachel Ingalls's Mrs Caliban is a bittersweet fable, a subversive fairy tale, as magical today as it was four decades ago 'A miracle . A perfect novel.' New Yorker 'Every one of its 125 pages is perfect ... Clear a Saturday, please, and read it in a single sitting.' Harper's What Readers Are Saying: 'Maybe the most gorgeous, lyrical book ever written'***** 'A fantastic wee novel, strange and brilliant, and absolutely the inspiration for The Shape of Water.'***** 'Wonderful, sharp minimal prose offers big truths. Superb - brilliant, in fact.'***** 'Absolutely incredible. It's weird, funny, and heartbreaking, like a Richard Yates novel except with lizardman sex.'***** 'One of the best tongue-in-cheek social satires that I've ever read. It delves into gender politics. It takes a long, hard look at mental health. It addresses female sexual freedom and agency. It asks the reader to examine what it means to be human ... Genius.'***** 'Really brilliant: a deconstruction of suburbia by way of monster movies that examines sad realities with hilarious verve ... Sometimes you need a sexy frog person to break you out of the ties that bind. '***** 'Hooked me so deeply I picked it up and finished it the same night ... Beautiful ... Will stay with me.'***** 'What the hell just happened?'*****

The West Virginia University Mountaineer is not just a mascot: it is a symbol of West Virginia history and identity embraced throughout the state. In this deeply informed but accessible study, folklorist Rosemary Hathaway explores the figure's early history as a backwoods trickster, its deployment in emerging mass media, and finally its long and sometimes conflicted career - beginning officially in 1937 - as the symbol of West Virginia University. Alternately a rabble-rouser and a romantic embodiment of the state's history, the Mountaineer has been subject to ongoing reinterpretation while consistently conveying the value of independence. Hathaway's account draws on multiple sources, including archival research, personal history, and interviews with former students who have portrayed the mascot, to explore the complex forces and tensions animating the Mountaineer figure. Often serving as a focus for white, masculinist, and Appalachian identities in particular, the Mountaineer that emerges from this study is something distinct from the hillbilly. Frontiersman and rebel both, the Mountaineer figure traditionally and energetically resists attempts (even those by the University) to tame or contain it.

Lilia must save her best friend, Kai, from a terrible enchantment caused by their perilous encounter with the Elf King and his beautiful daughter. The only way for Lilia to break the spell is to find a mysterious jewel of ancient power hidden somewhere in the North Kingdoms. But the jewel will not be easy to find. The castle where it lies is caught up in a different kind of search--the search for a true princess

Only a few decades ago, American folklore research focused primarily on narrative folklore with obvious literary connections, such as the ballad and the folktale. In the past twenty years, however, folklore studies have veered sharply away from literature and even from text-based products to focus largely on oral folkloric process. In this thoughtful work, a distinguished scholar describes key ways in which theories and methodologies developed in such oral folklore studies have benefited literary criticism and analysis. Vladimir Propp devised a theory of structuralism to examine folktales. Popularized versions of Propp's theory were used in literary theory for nearly twenty years. Parry and Lord, using folkloric techniques to study Yugoslavian folksingers as a means of learning how Homeric epics were composed, established principles since employed by thousands of literary critics. Folk narratives persist in contemporary life and literature in such forms as "urban legends." Knowledge of folk custom, ritual, and belief can enhance aesthetic understanding. And analyzing lineality and simultaneity in literature and folklore yields fruitful insights. In addition to summarizing extant ideas and studies, Bruce Rosenberg offers surprising new interpretations and discoveries that expand the boundaries of both folklore and literature. Illustrating his contentions with examples from widely varying periods and cultures, the author affirms the unique potential of interdisciplinary inquiry.