Wonderful catalog real and fanciful beasts: manticore, griffin, phoenix, amphivius, jaculus, many more. White's witty erudite commentary on scientific, historical aspects enhances fascinating glimpse of medieval mind. 128 black-and-white illustrations.

Oral and Literate Culture in England, 1500-1700 explores the rich oral culture of early modern England. It focuses upon dialect speech and proverbial wisdom, "old wives' tales" and children's lore, historical legends and local customs, scurrilous versifying and scandalous rumour-mongering. Adam Fox demonstrates the extent to which this vernacular world was fundamentally structured by written and printed sources over the course of the period.

The perfect bed-time story for all those who hate the dark. Zhazha the porcupine and Duoduo the bear cub live in the DARK MUSHROOM FOREST. They are scared of the night. Awu the elephant arrives in the forest. Awu loves to eat darkness.He sucks it right up his trunk. 'It's yummier than bananas, crunchier than bamboo,' says Awu.'And it's got my name on it.' But when there's no darkness left lurking anywhere, everyone starts to yawn. Even the tigers lose their roars and the Dark Mushroom Forest becomes an annoying, yawning place. -A gorgeous picture book. The story and illustrations perfectly match and are quirky and charming. Feels like a classic! This book has SOUL! Sophie Anderson, The House with Chicken Legs -"This is a lovely bedtime story, full of beautiful images and reassuring thoughts, to send children happily off to sleep." - Parents in Touch

A survey of the motif of the revenant, showing how medieval themes and motifs persist today. The proliferation of books and films about the "undead", those literally returning from the grave, in modern popular culture has been commented on as a recent phenomenon, but it is in fact a storytelling tradition going back more than a millennium. It drew on and was influenced by Christian eschatology, gathered momentum in medieval ecclesiastical chronicles, such as those written by Caesarius of Heisterbach, and then migrated into imaginative literature - famously in John Lydgate's Dance of Death - and art. But why did revenant stories and imagery take such a hold in the Middle Ages? And why has that fascination held on into today's world? This book offers a history of these revenant narratives, demonstrating how modern horror is haunted by past literature and exploring the motif of the risen dead as a focus of cultural anxiety and literary effort. The author examines the long arc of revenant tales from antiquity and the Middle Ages through the Reformation and into modernity, tracing their uncanny similarities and laying bare the rich traditions of narrative, theme, motif, supernatural belief and eschatological fears and preoccupations.

This is a collection of stories recounting Irish encounters with the Devil.Take a night-rambler (Jack Murt in "Jack o'the Lantern"); a fisherman (Sean O Duinn); a gambler (Martin the Cards in "The Two-Rooted Briar") or a plain ordinary farmer (Larry in "Larry and the Devil"). There are certain things no one should do, certain conventions that must be obeyed, such as not fishing on Good Friday or talking to spectral figures in graveyards in the dead hours of the night. But sadly, common sense does not always rule. The only trouble is that when the cause of trouble is the Devil, the consequences for the luckless victim are very serious indeed - unless he has the presence of mind to beat the Evil One...

Stories about dragons, serpents, and their slayers make up a rich and varied tradition within ancient mythology and folklore. In this sourcebook, Daniel Ogden presents a comprehensive and easily accessible collection of dragon myths from Greek, Roman, and early Christian sources. Some of the dragons featured are well known: the Hydra, slain by Heracles; the Dragon of Colchis, the guardian of the golden fleece overcome by Jason and Medea; and the great sea-serpent from which Perseus rescues Andromeda. But the less well known dragons are often equally enthralling, like the Dragon of Thespiae, which Menestratus slays by feeding himself to it in armor covered in fish-hooks, or the lamias of Libya, who entice young men into their striking-range by wiggling their tails, shaped like beautiful women, at them. The texts are arranged in such a way as to allow readers to witness the continuity of and evolution in dragon stories between the Classical and Christian worlds, and to understand the genesis of saintly dragon-slaying stories of the sort now characteristically associated with St George, whose earliest dragon-fight concludes the volume. All texts, a considerable number of which have not previously been available in English, are offered in new translations and accompanied by lucid commentaries that place the source-passages into their mythical, folkloric, literary, and cultural contexts. A sampling of the ancient iconography of dragons and an appendix on dragon slaying myths from the ancient Near East and India, particularly those with a bearing upon the Greco-Roman material, are also included. This volume promises to be the most authoritative sourcebook on this perennially fascinating and influential body of ancient myth.

Spring Man: A Belief Legend between Folklore and Popular Culture deconstructs the nationalistic myth of Spring Man that was created after the Second World War in visual culture and literature and presents his original form as an ambiguous ghostly denizen of oral culture. Petr Janecek analyzes the archetypal character, social context, and cultural significance of this fascinating phenomenon with help of dozens of accounts provided by period eyewitnesses, oral narratives, and other sources. At the same time, the author illustrates the international origin of the tales in the originally British migratory legend of Spring-heeled Jack that reaches back to the second third of the 19th century and draws parallels between the Czech myth of spring man and similar urban phantom narratives popular in the 1910s Russia, 1940s U.S. and Slovakia, 1950s Germany, as well as other parts of the world.

Explore the fascinating and often inexplicable tales of strange ghostly events in this western state. From coastal Cannon Beach and Newport to Salem, Bend and La Grande and many places in between, these stories of fright-filled folklore are sure to delight.

Just about everyone is familiar with folk and fairy tales. Children learn about them from parents, teachers, and other adults, while researchers study these tales at colleges and universities. At the same time, folk and fairy tales are inseparable from everyday life and popular culture. Movies, music, art, and literature offer imaginative retellings and interpretations of fairy and folk tales. But despite the pervasiveness of this folklore type, most people have only a vague understanding of these tales. This reference is a convenient introduction to folk and fairy tales for students and general readers. Written by a leading authority, this handbook offers a broad examination of folk and fairy tales as a folklore type. It looks at tales from around the world and from diverse cultures. The volume defines and classifies folk and fairy tales and analyzes a number of examples. It studies the varied manifestations of fairy and folk tales in literature and culture and reviews critical and scholarly approaches to this folklore genre. The volume also includes a glossary and extensive list of works for further reading.

What does it mean if a cat sits and washes itself in your doorway? And why should women have their hair cut only when the moon is waxing? Belief in superstitions links us to a time when everyday events and objects had magical significance, and knowledge of these could change your fate. If you avoid anything with the number thirteen and cross the road to avoid walking under ladders, then you would be wise to learn about the many other signs that surround us. Whether you wish to increase your good fortune, ward off bad luck, or simply desire to know what today has in store, A Dictionary of Omens and Superstitions provides a complete guide to hundreds of portents, signs and customs from around the world, tracing the origins of our superstitions and explaining their rich symbolism.

'A coming-of-age story filled with magic in language and plot: beautiful and devastating' Observer, Books of the Year 'I felt consumed by this book. I loved it, you will love it' Daisy Johnson, author of Sisters 'A page-turning Appalachian coming-of-age story told in undulating prose that settles right into you' Naoise Dolan, author of Exciting Times 'Vivid and lucid, Betty has stayed with me' Kiran Millwood Hargrave, author of The Mercies 'I loved Betty' Fiona Mozley, author of Hot Stew 'Breahtaking' Vogue 'A GIRL COMES OF AGE AGAINST THE KNIFE' So begins the story of Betty Carpenter. Born in a bathtub in 1954 to a white mother and a Cherokee father, Betty is the sixth of eight siblings: the world they inhabit in the rural town of Breathed, Ohio, is one of poverty and loss, of lush landscapes and blazing stars. Despite the hardships she encounters, Betty is resilient. Her curiosity about the natural world, her fierce love for her sisters and her father's brilliant stories are kindling for the fire of her own imagination, and in the face of all to which she bears witness - the horrors of her family's past and present - Betty discovers an escape: she begins to write.

Avian Aesthetics in Literature and Culture: Birds and Humans in the Popular Imagination closes the gap between ornithological and humanities knowledge. This book contains fifteen innovative essays that bridge various environment-focused perspectives and methodologies in order to include birds in current conversations within the field of animal studies. This collection challenges species centrism, advances a biodiverse ontology, and embraces bird-centered topics as diverse as gaming, comic strips, window collisions, conservation literature, youth birding, mourning theory, and the "Birds Aren't Real" movement.

The Irish folklore of the Otherworld is rich in its many manifestations of supernatural beings and personages. This is represented in many different genres of folklore, such as folktales, legends, ballads, memorates, beliefs and belief statements, and exists within the context of rich literary, historical and imaginative parallels. This book presents a new reading of Irish religious belief and legend in a meaningful socio-historical context, examining popular belief and narratives of sinful women and unbaptised children, as a way of understanding a particular worldview in Irish society. Blending postmodern approaches with traditional methodologies, the author reviews the representation of women, sin and repentance in Irish folklore. The author suggests new ways of seeing this legend material, indicating strong links between the Irish and the French, specifically Breton, religious tradition, and tracing the nature of this inter-relationship through the post-Tridentine Counter Reformation Roman Catholic Church and its teachings. In this way aspects of Ireland's popular religious and cultural inheritance are examined.