Gloucestershire's stories go back to the days of Sabrina, spirit of the Severn, and the Nine Hags of Gloucester. Tales tell of sky-ships over Bristol, the silk-caped wraith of Dover's Hill, snow foresters on the Cotswolds, and Cirencester's dark-age drama of snake and nipple. They uncover the tragic secrets of Berkeley Castle and the Gaunts' Chapel, a lonely ghost haunting an ancient inn, and twenty-first-century beasts in the Forest of Dean. From the intrigue and romance of town and abbey to the faery magic of the wild, here are thirty of the county's most enchanting tales, brought imaginatively to life by a dynamic local storyteller.

Beyond its housing estates and identikit high streets there is another Britain. This is the Britain of mist-drenched forests and unpredictable sea-frets: of wraith-like fog banks, druidic mistletoe and peculiar creatures that lurk, half-unseen, in the undergrowth, tantalising and teasing just at the periphery of human vision. How have the remarkably persistent folkloric traditions of the British Isles formed and been formed by the identities and psyches of those who inhabit them? In her sparkling new history, Carolyne Larrington explores the diverse ways in which a myriad of imaginary and fantastical beings has moulded the cultural history of the nation. Fairies, elves and goblins here tread purposefully, sometimes malignly, over an eerie, preternatural landscape that also conceals brownies, selkies, trows, knockers, boggarts, land-wights, Jack o'Lanterns, Barguests, the sinister Nuckleavee, or water-horse, and even Black Shuck: terrifying hell-hound of the Norfolk coast with eyes of burning coal. Focusing on liminal points where the boundaries between this world and that of the supernatural grow thin those marginal tide-banks, saltmarshes, floodplains, moors and rock-pools wherein mystery lies the author shows how mythologies of Mermen, Green men and Wild-men have helped and continue to help human beings deal with such ubiquitous concerns as love and lust, loss and death and continuity and change. Evoking the Wild Hunt, the ghostly bells of Lyonesse and the dread fenlands haunted by Grendel, and ranging the while from Shetland to Jersey and from Ireland to East Anglia, this is a book that will captivate all those who long for the wild places: the mountains and chasms where Gog, Magog and their fellow giants lie in wait."

Early in the twentieth century, a Sioux woman named Zitkala-Sa published these fourteen Native legends that she had learned during her own childhood on the Yankton Reservation. Her writing talent, developed during her education back east, was put to good use in recording from oral tradition the exploits of Iktomi the trickster, Eya the glutton, the Dragon Fly, and other magical and mysterious figures, human and animal, known to the Sioux. Until her death in 1938, Zitkala-Sa stood between two cultures as preserver and translator.

The Gods and Symbols of Ancient Mexico and the Maya is the first-ever English-language dictionary of Mesoamerican mythology and religion. Nearly 300 entries, from accession to yoke, describe the main gods and symbols of the Olmecs, Zapotecs, Maya, Teotihuacanos, Mixtecs, Toltecs, and Aztecs. Topics range from jaguar and jester gods to reptile eye and rubber, from creation accounts and sacred places to ritual practices such as bloodletting, confession, dance, and pilgrimage. In addition, two introductory essays provide succinct accounts of Mesoamerican history and religion, while a substantial bibliographical survey directs the reader to original sources and recent discussions. Dictionary entries are illustrated with photographs and specially commissioned line drawings. Mary Miller and Karl Taube draw on their research in the fast-changing field of Maya studies, and on the latest Mexican discoveries, to produce an authoritative work that will serve as a standard reference for students, scholars, and travelers.

This "Reader" collects 25 stories of heroes of all kinds from around the world. Included are both non-Western and Western, female and male, modern and ancient, young and adult, lowly and noble, comic and tragic, national and universal, and historical and fictional heroes. Failed as well as successful heroes are represented, as are anti-heroes as well as conventional heroes.

"Hero Myths" offers not only an array of kinds of hero myths but also a guide to understanding the myths selected. In a substantial introduction, Robert Segal, a leading authority on theories of myth, provides an overview of both the history of the study of heroes and the history of the study of hero myths from the fields of psychology, anthropology, folklore, literature, and religious studies.

Meet mythology's fifty fiercest females in this modern retelling of the world's greatest legends. From feminist fairies to bloodsucking temptresses, half-human harpies and protective Vodou goddesses, these are women who go beyond long-haired, smiling stereotypes. Their stories are so powerful, so entrancing, that they have survived for millennia. Lovingly retold and updated, Kate Hodges places each heroine, rebel and provocateur fimly at the centre of their own narrative. Players include: Bewitching, banished Circe, an introvert famed and feared for her transfigurative powers. The righteous Furies, defiantly unrepentant about their dedication to justice. Fun-loving Ame-no-Uzume who makes quarrelling friends laugh and terrifies monsters by flashing at them. The fateful Morai sisters who spin a complex web of birth, life and death. Find your tribe, fire your imagination and be empowered by this essential anthology of notorious, demonised and overlooked women.

'James Crowden is Britain's best cider writer ... Cider Country is the book we've all been waiting for.' Oz Clarke Join James Crowden as he embarks on a journey to distil the ancient origins of cider, uncovering a rich culture and philosophy that has united farmer, maker and drinker for millennia. LONGLISTED FOR THE 2021 ANDRE SIMON FOOD AND DRINK AWARD Cidermaking has been at the heart of country life for hundreds of years. But the fascinating story of how this drink came into existence and why it became so deeply rooted in the nation's psyche has never been told. In order to answer these questions, James Crowden traces an elusive history stretching back to the ancient, myth-infused civilisations of the Mediterranean and the wild apple forests of Kazakhstan. Meeting cider experts, farmers and historians, he unearths the surprising story of an apple that travelled from east to west and proved irresistible to everyone who tasted it. Upon its arrival in Britain, monks, pirates and politicians formed a pioneering and evangelical fan base, all seeking the company of a drink that might guide them through uncertain times. But the nation's love-affair with cider didn't fully blossom until after the reformation, when the thirst for knowledge about the drink was at its peak. This infatuation with experimentation would lead to remarkable innovations and the creation of a 'sparkling cider', a technique that pre-dated Dom Perignon's champagne by forty years. Turning to the present day, Crowden meets the next generation of cider makers and unearths a unique philosophy that has been shared through the ages. In the face of real challenges, these enterprising cider makers are still finding new ways to produce this golden drink that is enjoyed by so many. Spanning centuries and continents, Cider Country tells the story of our country through the culture, craft and consumption of our most iconic rural drink.

Once upon a time, most of Britain and Ireland was covered in woodland. Many of the trees have been cleared, but our connection with the wildwood remains. It is a place of danger, adventure and transformation, where anything could happen. Here is a collection of traditional folk tales of oak, ash and thorn; of hunting forests and rebellion, timber and triumph in battle, wild ghosts and woodwoses. Lisa Schneidau retells some of the old stories and relates them to the trees and forests in the landscape of our islands today.

The vital index to all previous volumes, I-X; plus new research. Epitomises what is best in Arthurian scholarship today.ZEITSCHRIFT FUR ROMANISCHE PHILOLOGIE Arthurian Literatureis now established as a leading publication for research articles of monograph length on subjects of perennial interest to Arthurians. The Indexto the first ten volumes, representing the years 1980-1990, will be warmly welcomed by Arthurians and other scholars with an interest in medieval and later literature. Additionally an extended biographical essay by JANET GRAYSON draws together material relating to the life and work of Jessie Weston, who, largely working outside the mainstream of scholarly tradition, exercised a powerful influence on Arthurian studies. The regular "Update" feature catalogues Arthurian legend in the fine and applied art of the 19th and early 20th centuries, contributed by ROGER SIMPSON.

The Complete Language of Trees is a comprehensive encyclopedia providing the meanings, powers, facts, and folklore for over 400 types of trees. Along with a stunning visual depiction, each entry provides the tree's scientific and common name, characteristics, historic and hidden properties from mythology, legends, and folklore. Some of the lore of trees will include: Hackberry Tree - encourages someone to continuously do their best Manchineel Tree - it is so toxic that the smoke from a burning tree can cause blindness, and it is not even advised to inhale the air around the tree Bark from the Bird Cherry Tree was placed on doors during medieval times to ward off plague Washi paper is created from the inner bark of the Paper Mulberry Tree. Pando is a Quaking Aspen colony that is 108 acres wide (about the size of 83 football fields!). It is technically one tree. Imagine developing a spiritual connection with a tree in a way that exceeds visual perception? Where learning its meaning and value simultaneously improves your own mental and physical wellness? Throughout history, floriographies-flower dictionaries-have gained notoriety for regulating human emotions; giving depth, symbolism, and meaning to extremely delicate aspects of nature. Following the success of The Complete Language of Herbs and its predecessor The Complete Language of Flowers, author S. Theresa Dietz continues this custom with The Complete Language of Trees. Coupled with two indexes, one for searching by common tree name and the other organized by meaning, Dietz cleverly connects quality time in nature with the overall improvement of mental health by developing a stunningly depicted dictionary for gardeners, environmentalists, and nature lovers alike. Elegantly designed and beautifully illustrated, the Complete Illustrated Encyclopedia series offers comprehensive, display-worthy references on a range of intriguing topics, including birthday astrology, dream interpretation, astrological self-care practices, techniques for harnessing the power of dreams, and the stories behind signs and symbols.

Following the success of Black Sci-Fi Short Stories comes a powerful new addition to the Flame Tree short story collections: the first peoples in Africa, Asia, Oceania and the Americas, the first migration, the first exploration, the discovery of land and landscape without the footprint of humankind. Stories of injustice sit with memories of hope and wonder, dreamtime tales of creation and joy highlight the enduring spirit of humanity. These stories, selected from submissions by new writers and cast alongside ancient stories and oral traditions from around the world bring new perspectives to the legacy of First Nations, of First Peoples. Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

A fresh and sympathetic investigation of the depiction of wolves in early medieval literature, recuperating their reputation. The best-known wolves of Old English literature are the Beasts of Battle, alongside ravens and eagles as ravenous heralds of doom who haunt the battlefield in the hope of fresh meat plucked from still-warm bodies. Yet to reduce these animals to mere corpse-scavengers is to deny that they are frequently imbued with a variety of far more nuanced meanings elsewhere in the corpus. Two such meanings are inherited from ancient and medieval European lupine motifs: the superstition that the wolf could steal a person's speech, and the perceived contiguous natures of wolves and human outlaws. Tracing the history of these associations and the evidence to suggest that they were known to writers working in early medieval England, this book provides new, animal-centric readings of Wulf and Eadwacer, Abbo of Fleury and AElfric's Passiones Eadmundi, and Beowulf, placing these texts within a lupine literary network that transcends time and place. By exploring the intricate, contradictory, and even sympathetic depictions of the wolves and wolf-like entities found within these texts, this book banishes all notions of the medieval wolf as the one-dimensional, man-eating creature that it is so often understood to be.

Little is known of Dutch author MARINUS WILLEM DE VISSER (1876-1930) beyond his academic life as a classicist with an interest in Chinese and Japanese language and culture, and as a popularizer of Japanese art in the Netherlands. He is best remembered today for having given us a cornerstone examination of the legends of fantastic flying reptiles known as dragons. The Dragon in China and Japan contains "the most interesting quotations concerning the dragon in China, systematically arranged, selected from the enormous number of passages on this fantastic animal in Chinese literature, from the remotest eras down to modern times," notes cryptozoologist Loren Coleman in his new introduction. Coleman also praises the book's use of primary source material. "If cryptozoologists are to study the Asian dragons of India, China, and Japan, it must not be done through the screen of today's New Age mentality. Scholarly, level-headed examinations of living, breathing reports of serpentine flying beasts, water-borne megafauna, and shadowy entities must be balanced with investigations of the legends and folktales of these dragons from Asian texts," such as de Visser's here. This new edition, a replica of the 1913 first edition complete with extensive notes in the original Asian alphabet, is part of Cosimo's Loren Coleman Presents series. LOREN COLEMAN is author of numerous books of cryptozoology, including Bigfoot : The True Story of Apes in America and Mothman and Other Curious Encounters.

Originally published in the 1920s. It is generally accepted that no legend, however incredible, exists or came into being without some reason or foundation. This fascinating book is a comprehensive study of both legend and superstition in the world of birds. Ancient thoughts, facts and fallacies apertaining to over 100 bird species are discussed in detail. The author has investigated many rare and early bird books to glean a wealth of information. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Home Farm Books are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Wonderful catalog real and fanciful beasts: manticore, griffin, phoenix, amphivius, jaculus, many more. White's witty erudite commentary on scientific, historical aspects enhances fascinating glimpse of medieval mind. 128 black-and-white illustrations.

The perfect bed-time story for all those who hate the dark. Zhazha the porcupine and Duoduo the bear cub live in the DARK MUSHROOM FOREST. They are scared of the night. Awu the elephant arrives in the forest. Awu loves to eat darkness.He sucks it right up his trunk. 'It's yummier than bananas, crunchier than bamboo,' says Awu.'And it's got my name on it.' But when there's no darkness left lurking anywhere, everyone starts to yawn. Even the tigers lose their roars and the Dark Mushroom Forest becomes an annoying, yawning place. -A gorgeous picture book. The story and illustrations perfectly match and are quirky and charming. Feels like a classic! This book has SOUL! Sophie Anderson, The House with Chicken Legs -"This is a lovely bedtime story, full of beautiful images and reassuring thoughts, to send children happily off to sleep." - Parents in Touch

Oral and Literate Culture in England, 1500-1700 explores the rich oral culture of early modern England. It focuses upon dialect speech and proverbial wisdom, "old wives' tales" and children's lore, historical legends and local customs, scurrilous versifying and scandalous rumour-mongering. Adam Fox demonstrates the extent to which this vernacular world was fundamentally structured by written and printed sources over the course of the period.