With potent, lyrical language and a profound knowledge of storytelling, Shaw encourages and illuminates the mythic in our own lives. He is a modern-day bard. Madeline Miller, author of Circe and The Song of Achilles Through feral tales and poetic exegesis, Martin Shaw makes you re-see the world, as a place of adventure and of initiation, as perfect home and as perfectly other. What a gift. David Keenan, author of Xstabeth At a time when we are all confronted by not one, but many crossroads in our modern lives - identity, technology, trust, love, politics and a global pandemic - celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high. We are losing our sense of direction, our sense of self. We have "networks", not communities. Smoke Hole is a passionate call to arms and an invitation to use these stories to face the complexities of contemporary life, from fake news, parenthood, climate crises, addictive technology and more. Martin asks that we journey together, and let these stories be our allies, that we breathe deeper, feel steadier and become acquainted with rapture. He writes, 'It is not good to be walking through these times without a story or three by your side.' Available now as a podcast! Subscribe to Smoke Hole Sessions to hear amazing conversations between Martin Shaw and some of our most admired writers, actors, comedians, musicians and more, including: Sir Mark Rylance, Tommy Tiernan (Derry Girls), David Keenan (For the Good Times, This is Memorial Device), Jay Griffiths (Wild, Why Rebel), John Densmore (The Doors), Natasha Khan (Bat for Lashes), John Mitchinson (QI, Backlisted podcast) and others. Subscribe to Smoke Hole Sessions * On Apple here: https://podcasts.apple.com/us/podcast/smoke-hole-sessions/id1566369928 * On Spotify: https://open.spotify.com/show/2ISKkqLlP1EzAOni9f9gGt?si=lnq8jApxRlGZ2qpLlQaOSg

For more than 150 years, individuals have traveled the countryside with pen, paper, tape recorders, and even video cameras to document versions of songs, music, and stories shared by communities. As technologies and methodologies have advanced, the task of gathering music has been taken up by a much broader group than scholars. The resulting collections created by these various people can be impacted by the individual collectors' political and social concerns, cultural inclinations, and even simple happenstance, demonstrating a crucial yet underexplored relationship between the music and those preserving it.Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre NI Chonghaile argues for a culturally equitable framework that considers negotiation, collaboration, canonization, and marginalization to fully understand the immensely important process of musical curation. In presenting four substantial, historically valuable collections from the nineteenth and twentieth centuries, she illustrates how understanding the motivations and training (or lack thereof) of individual music collectors significantly informs how we should approach their work and contextualize their place in the folk music canon.

A collection of magical Italian folk and fairy tales-most in English for the first time The Pomegranates and Other Modern Italian Fairy Tales presents twenty magical stories published between 1875 and 1914, following Italy's political unification. In those decades of political and social change, folklorists collected fairy tales from many regions of the country while influential writers invented original narratives in standard Italian, drawing on traditional tales in local dialects, and translated others from France. This collection features a range of these entertaining jewels from such authors as Carlo Collodi, most celebrated for the novel Pinocchio, and Domenico Comparetti, regarded as the Italian Grimm, to Grazia Deledda, the only Italian woman to have received the Nobel Prize in Literature. With one exception, all of these tales are appearing in English for the first time. The stories in this volume are linked by themes of metamorphosis: a man turns into a lion, a dove, and an ant; a handsome youth emerges from a pig's body; and three lovely women rise out of the rinds of pomegranates. There are also more introspective transformations: a self-absorbed princess learns about manners, a melancholy prince finds joy again, and a complacent young woman discovers gratitude. Cristina Mazzoni provides a comprehensive introduction that situates the tales in their cultural and historical context. The collection also includes period illustrations and biographical notes about the authors. Filled with adventures, supernatural and fantastic events, and brave and flawed protagonists, The Pomegranates and Other Modern Italian Fairy Tales will delight, surprise, and astonish.

The Curse is changed. You'll never know. The truth is lost. The lie will grow. The year is 1726 and the Royal Sorcerer of England is on the hunt for those who are Magicborn. When Tempest is captured, she is taken to Kensington Palace alongside a boy like her, Thomas. Trapped, Tempest and Thomas find their magic flickering to life and, with it, long-buried memories. For they are the lost prince and princess of Fairyland, bound by a deadly curse. But now the fairies are coming to get them, and with the truth revealed...can they both survive? The first in a sumptuous and enthralling new historical-fantasy adventure series from the bestselling author of The Cogheart Adventures.

'Haunting. Geppetto's voice, full of wistful overemphases and bewildered revelation, is absorbing as he takes in the oddity of his situation. And the book, sentence by sentence, offers much in which to luxuriate.' - Sunday Times 'Profound and delightful. It is a strange and tender parable of two maddening obsessions; parenting and art-making' - Max Porter 'Strange, moving and musical, it's a delight' - A. L. Kennedy 'A re-imagining of Pinocchio, told from the viewpoint of the beast-entrapped Geppetto, it surprise and delights, and saddens and gladdens, from start to finish.' - Jane Graham I am writing this account, in another man's book, by candlelight, inside the belly of a fish. I have been eaten. I have been eaten, yet I am living still. 'Art objects live in the belly of this marvellous novel, images swallowed by text, sustained by a sublime and loving imagination. Like all Edward Carey's work The Swallowed Man is profound and delightful. It is a strange and tender parable of two maddening obsessions; parenting and art-making' Max Porter 'Strange and lovely' Rhik Samadder 'A beautiful and dark meditation on fatherhood, mercy, redemption and the alchemy of isolation. Strange, moving and musical, it's a delight' A. L. Kennedy From the acclaimed author of Little comes this beautiful and haunting imagining of the years Geppetto spends within the belly of a sea beast. Drawing upon the Pinocchio story while creating something entirely his own, Carey tells an unforgettable tale of fatherly love and loss, pride and regret, and of the sustaining power of art and imagination.

Rich in cultural significance, each title in this bestselling series includes a collection of 20 to 30 tales together with an introduction and a historical overview that give the reader compelling insights into the culture, the folk literature, and the lives of the people in the region.

These 27 traditional folk stories were written down, shortly before her death, by Jamal Sleem, who had recounted them to the children of her extended family over many years. Authentically Arab in their themes, yet timelessly universal, they are sometimes magical, sometimes naturalistic, and combine a wealth of vivid detail with elements of pathos and humor. Translated by family members of various generations, then expertly edited, the book is a precious store of the kind of tale endlessly cherished but in danger of disappearing.

Whether on top of the Christmas tree, at the bottom of the garden, or in school plays, today fairies are considered sweet, dainty creatures with wands and butterfly wings. But, as Diane Purkiss shows, they have far more wicked origins as troublemakers, child snatchers, seducers, and changelings, representing society's deepest fears and desires regarding birth, sex, and death. From these dangerous beings of ancient myths and medieval folklore to the sanitized "wingy thingies" of Shakespeare and the Victorians, and even modern myths of alien abduction, this is a riveting chronicle of the need to believe in fairies.

The four stories which make up the "Mabinogi "along with three additional tales from the same tradition form this collection and comprise the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. In this first thoroughly revised edition and translation since Lady Charlotte Guest's famous "Mabinogion "in 1849, Patrick Ford has presented a scholarly document in readable, modern English, a literary achievement of the highest order.

"An illuminating contribution to scholarship on the vampire figure."-Slavic Review Even before Bram Stoker immortalized Transylvania as the homeland of his fictional Count Dracula, the figure of the vampire was inextricably tied to Eastern Europe in the popular imagination. Drawing on a wealth of previously neglected sources, this book offers a fascinating account of how vampires-whose various incarnations originally emerged from folk traditions from all over the world-became so strongly identified with Eastern Europe. It demonstrates that the modern conception of the vampire was born in the crucible of the Enlightenment, embodying a mysterious, Eastern otherness that stood opposed to Western rationality. From the Prologue: From Original Sin to Eternal Life For a broad contemporary public, the vampire has become a star, a media sensation from Hollywood. Bestselling authors such as Bram Stoker, Anne Rice and Stephenie Meyer continue to fire the imaginations of young and old alike, and bloodsuckers have achieved immortality through films like Dracula, Interview with a Vampireand Twilight. It is no wonder that, in the teenage bedrooms of our globalized world, vampires even steal the show from Harry Potter. They have long since been assigned individual personalities and treated with sympathy. They may possess superhuman powers, but they are also burdened by their immortality and have to learn to come to terms with their craving for blood. Whereas the Southeast European vampire, discovered in the 1730s, underwent an Americanization and domestication in the media landscape of the twentieth century, the creole zombies that first became known through the cheap novels and horror films of the 1920s still continue to serve as brainless horror figures. Do bloodsuckers really exist and should we really be afraid of the dead? These are the questions that I seek to tackle, following the wishes of my daughter, who was ten when I started this project.

The West Virginia University Mountaineer is not just a mascot: it is a symbol of West Virginia history and identity embraced throughout the state. In this deeply informed but accessible study, folklorist Rosemary Hathaway explores the figure's early history as a backwoods trickster, its deployment in emerging mass media, and finally its long and sometimes conflicted career - beginning officially in 1937 - as the symbol of West Virginia University. Alternately a rabble-rouser and a romantic embodiment of the state's history, the Mountaineer has been subject to ongoing reinterpretation while consistently conveying the value of independence. Hathaway's account draws on multiple sources, including archival research, personal history, and interviews with former students who have portrayed the mascot, to explore the complex forces and tensions animating the Mountaineer figure. Often serving as a focus for white, masculinist, and Appalachian identities in particular, the Mountaineer that emerges from this study is something distinct from the hillbilly. Frontiersman and rebel both, the Mountaineer figure traditionally and energetically resists attempts (even those by the University) to tame or contain it.

Just about everyone is familiar with folk and fairy tales. Children learn about them from parents, teachers, and other adults, while researchers study these tales at colleges and universities. At the same time, folk and fairy tales are inseparable from everyday life and popular culture. Movies, music, art, and literature offer imaginative retellings and interpretations of fairy and folk tales. But despite the pervasiveness of this folklore type, most people have only a vague understanding of these tales. This reference is a convenient introduction to folk and fairy tales for students and general readers. Written by a leading authority, this handbook offers a broad examination of folk and fairy tales as a folklore type. It looks at tales from around the world and from diverse cultures. The volume defines and classifies folk and fairy tales and analyzes a number of examples. It studies the varied manifestations of fairy and folk tales in literature and culture and reviews critical and scholarly approaches to this folklore genre. The volume also includes a glossary and extensive list of works for further reading.

J.D. Lewis-Williams, a leading South African archaeologist and ethnographer, examines the complex myths of the San-Bushmen to create a larger theory of how myth is used in cultures worldwide. Exploring ethnographic, archival and archaeological lines of research, he extracts the `nuggets', the far-reaching but often unspoken words and concepts of language and understanding that are opaque to outsiders, to establish a more nuanced theory of the role of these myths in the thought-world and social circumstances of the San. The book draws from the author's own work, the unique 19th-century Bleek & Lloyd archive, more recent ethnographic work, and San rock art and includes well-known San stories such as The broken string, Mantis dreams, and Creation of the eland.

Explore Louisiana and uncover it's supernatural stars, including voodoo queens, loups garous and plantation phantoms.

The familiar stories of the book of Genesis affirm that God made the universe, planet earth, and you and me. However, various anomalies in the text clue us that we are not reading the original version of these stories. So what were the original narratives and what did they say about who we are and where we all came from? What was the earlier story of human origins, almost obliterated from the Hebrew Scriptures in the 6th century BC, and suppressed from Christian writing in the 2nd and 3rd centuries AD? And what does any of this have to do with Extra Terrestrials? Escaping from Eden will take you on a journey around the world and into the mythologies of ancient Sumeria, Mesoamerica, India, Africa, and Greece to reveal a profound secret, hidden in plain sight in the text of the Bible. Far reaching and deeply controversial, this book points to truths about ourselves, the universe and everything that you may have long suspected but not dared to speak!

A colorful illustration of Hawaii's most cherished origin story, the myth of Pele and Hiiaka. Pele and Hiiaka: A Myth From Hawaii (1915) is a collection of folktales by Nathaniel B. Emerson. Drawing from written histories, personal experience, and extensive interviews, Emerson provides a lyrical account of the myth surrounding these goddess sisters. Pele, the goddess of volcanoes and ruler of Kilauea, and her sister Hiiaka encounter adventure, tragedy, and love during their respective journeys. These stories are not only appreciated for their beauty, but also their deep religious and cultural impact. With a professionally designed cover and manuscript, this edition of Nathaniel B. Emerson's Pele and Hiiaka: A Myth From Hawaii is a classic of Hawaiian literature reimagined for modern readers.

Hawaiian Legends of Volcanoes (1916) explores Hawaiian folktales and myths collected by W. D. Westervelt. Connecting the origin story of Hawaii to the traditions of other Polynesian cultures, Westervelt provides an invaluable resource for understanding the historical and geographical scope of Hawaiian culture. Beginning with the origin story of Pele, the goddess of volcanoes, Westervelt introduces his groundbreaking collection of legends on the volcanic nature of the Hawaiian Islands. When the goddess Pele comes to the island of Hawaii seeking a permanent home, she finds Ai-laau, another god of fire, already in possession of the territory. Despite his fearsome power over creation and destruction, Ai-laau disappeared the moment he became aware of Pele's presence. Having traveled across the limitless ocean, her name was already known far and wide, along with her reputation for strength, anger, and envy. Establishing herself within the crater of Kilauea, Pele quickly took command over the gods, ghost-gods, and the people inhabiting the islands. Central to Hawaiian history and religion, Pele continues to be celebrated in Hawaii and across the Pacific today. With a professionally designed cover and manuscript, this edition of W. D. Westervelt's Hawaiian Legends of Volcanoes is a classic of Hawaiian literature reimagined for modern readers. Add this beautiful edition to your bookshelf, or enjoy the digital edition on any e-book device.

The Irish folklore of the Otherworld is rich in its many manifestations of supernatural beings and personages. This is represented in many different genres of folklore, such as folktales, legends, ballads, memorates, beliefs and belief statements, and exists within the context of rich literary, historical and imaginative parallels. This book presents a new reading of Irish religious belief and legend in a meaningful socio-historical context, examining popular belief and narratives of sinful women and unbaptised children, as a way of understanding a particular worldview in Irish society. Blending postmodern approaches with traditional methodologies, the author reviews the representation of women, sin and repentance in Irish folklore. The author suggests new ways of seeing this legend material, indicating strong links between the Irish and the French, specifically Breton, religious tradition, and tracing the nature of this inter-relationship through the post-Tridentine Counter Reformation Roman Catholic Church and its teachings. In this way aspects of Ireland's popular religious and cultural inheritance are examined.

The Coddy was one of the most renowned storytellers and characters of the Western Isles at the turn of the nineteenth into the twentieth and beyond, and was the inspiration for Compton MacKenzie's Whisky Galore. His warmth and personality shine through these stories, which are a wonderful mix of myth, tradition and anecdote. This edition includes a large number of traditional tales told in the inimitable style of The Coddy, grouped in a number of themed sections: Tales of the Macneils of Barra and Other Lairds - The MacLeods of Dunvegan - The Laird of Boisdale - Stories of Olden Times - Ecclesiastical Traditions - Place-names - Tales of Treasure - Tales of Local Characters - Stories of the Politician - Stories of Sea Monsters - Fairies, Second Sight and Ghost Stories - Witchcraft. For any student of folklore, for anyone interested in the traditions and history of the islands, or for anyone who simply likes a tale well told, The Coddy is essential reading. This edition is enhanced with a plate section consisting of period photographs of the Western Isles and informative notes on The Coddy and his stories.

In a remote Nigerian village, thirteen-year-old Simi is desperate to uncover a family secret ... WINNER OF THE TIMES/CHICKEN HOUSE CHILDREN'S FICTION COMPETITION 2019 SHORTLISTED FOR THE WATERSTONES CHILDREN'S BOOK PRIZE 2022 'A joy of a book: rich, warm, powerful storytelling' KATHERINE RUNDELL 'A thrilling adventure bright with the gorgeous colours of Nigeria - glorious!' JASBINDER BILAN 'An excellent book ... rich in tradition and realism.' HANNAH GOLD, AUTHOR OF THE LAST BEAR '[A] beautifully evoked story' THE TELEGRAPH City girl Simi is sent to stay with her long-lost grandmother in a remote Nigerian village. There's no TV, internet or phone. Not a single human-made sound can be heard at night, just the noise of birds and animals rustling in the dark forest outside. Her witchlike grandmother dispenses advice and herbal medicine to the village, but she's tight lipped about their family history. Something must have happened, but what? Determined to find out, Simi disobeys her grandmother and goes exploring. Caught in the sinking red quicksand of a forbidden lake, her fantastical journey begins ... A richly imagined magical fantasy adventure set in West Africa by a prize-winning new voice in children's writing. Introduces readers to Yoruba myths and legends whilst showcasing the wealth of culture, traditions, adventure, fun, joy, celebrations, music, pride and love found in Nigeria. Beautifully explores themes of grief and belonging. Efua is the winner of the Commonwealth Short Story Prize 2018. More praise for Children of the Quicksands: 'Gorgeous ... an enthralling story' ABI ELPHINSTONE '[A] terrific debut novel' YABA BADOE 'Traore's storytelling feels almost otherworldly ... exhilarating' THE TIMES 'A stunning debut' THE SCOTSMAN 'Full of secrets and myths' THE OBSERVER

Comprising three parts, this book is a companion volume to The Boggart: Folklore, History, Place-Names and Dialect. Part one, 'Boggart Ephemera', is a selection of about 40,000 words of nineteenth-century boggart writing (particularly material that is difficult to find in libraries). Part two presents a catalogue of 'Boggart Names' (place-names and personal names, totalling over 10,000 words). Finally, part three contains the entire 'Boggart Census' - a compendium of ground-breaking grassroots research. This census includes more than a thousand responses, totalling some 80,000 words, from older respondents in the north-west of England, to the question: 'What is a boggart?' The Boggart Sourcebook will be of interest to folklorists, historians and dialect scholars. It provides the three corpora on which the innovative monograph, The Boggart, is based.