Presents eight essays on translations and reinterpretations of Old Norse myth and saga from the eighteenth century.

Through a mixture of original stories and traditional tales, Adventures in Nature offers an abundance of ways for families to connect with the earth. As our ancestors did before us, the book follows the seasons contained in the 'Wheel Of The Year', with each entry focusing on a story that brings us closer to the natural world, accompanied by simple craft projects, activities and mindful moments. In our busy, modern lives we have become increasingly disconnected from the world around us, and stories are an age-old way of re-establishing that link, nurturing a love for the environment and embedding awareness and respect for the planet within our culture. This book allows you to discover your very own adventures in nature through story.

This selection of 14 stories from Michigan's past explores some of the Great Lakes State's most compelling mysteries and debunks some of its most famous myths.

An illuminating look at Native origins and lifeways, a treasure for all who value Native wisdom and the stories that keep it alive.

Ancient monuments, legends and folklore interpreted to illuminate the realities of prehistoric Irish belief. The myths and legends of prehistoric Ireland have inspired writers through the ages, down to W.B. Yeats and Seamus Heaney in our own century, but what do we know of the realities of ancient Irish belief? Daithi O hOgain's book approaches the question by studying archaeological remains such as tumuli, stone henges and circular enclosures and analysing the rich materials that have been handed down both in the great cycles of Irish heroic tales and the humblebut significant survivals of modern folklore, for instance the traditions associated with wells and springs. Drawing evidence from these varied sources, he arrives at a balanced picture of a society and its beliefs which have alltoo often been the subject of conjecture and fancy. CONTENTS Pre-Celtic Cultures . Basic Tenets in the Iron Age . The Druids and their Practices . The Teachings of the Druids . The Society of the Gods . The Rites of Sovereignty . The Triumph of Christianity. DAITHI O HOGAIN was Professor of Folklore at University College Dublin.

Almost three centuries have passed since the oldest manuscript of "The Thousand and One Nights" arrived in Europe. Since then, the "Nights" have occupied the minds of scholars world-wide, in particular the questions of origin, composition, language and literary form. In this book, Muhsin Mahdi, whose critical edition of the text brought so much praise, explores the complex literary history of the "Nights," bringing to fruition the search for the archetype that constituted the core of the surviving editions, and treating the fascinating story of the growth of the collection of stories that we now know as "The Thousand and One Nights,"

This book traces the construct of female monsters as an embodiment of sociocultural fears of female sexuality and reproductive power. It examines the female maturation cycle and the various archetypes of female monsters associated with each stage of development in literature, art, film, and television with a particular focus on Latin American work.

David Wiles argues that the prolific Robin Hood plays of the fifteenth and sixteenth centuries were the Spring equivalent of the Christmas mumming tradition. Robin Hood was the subject of many fifteenth and sixteenth century folk-plays, of which only traces remain. As a result, the ballads, many of which have survived, have usually been regarded as the main-spring of traditions about the famous outlaw. David Wiles however, argues that the dramatic tradition was equally, if not more, important. He sees the plays, associated with Whitsun revels, died out much earlier, and so must be reconstructed from fragmentaryscripts and the tantalising glimpses afforded by sources such as churchwardens' accounts. Robin Hood emerges as an emblem both of the Spring and of rebellion; as a Summer king, the player of Robin Hood flouted and parodied regular authority. With such a background, the plays ceased to be an acceptable part of parish life after the Reformation, and the games were suppressed, while the myth of Robin Hood was manipulated and made respectable.

In this engrossing retelling of Greek myth, Jean-Pierre Vernant combines his profound knowledge of the subject with brilliant and original story-telling. Beginning with the creation of Earth out of Chaos, Vernant continues with the castration of Uranus, the war between the Titans and the gods of Olympus, the wily ruses of Prometheus and Zeus, and the creation of Pandora, the first woman. His narrative takes us from the Trojan War to the voyage of Odysseus, from the story of Dionysus to the terrible destiny of Oedipus and to Perseus's confrontation with the Gorgons. Jean-Pierre Vernant has devoted himself to the study of Greek mythology. In recounting these tales, he unravels for us their multiple meanings and brings to life cherished figures of legend whose stories lie at the origin of our civilization.