Delightful, oft-reprinted guide to the foliate heads so common in medieval sculpture. This was the first-ever monograph dedicated to the Green Man. The Green Man, the image of the foliate head or the head of a man sprouting leaves, is probably the most common of all motifs in medieval sculpture. Nevertheless, the significance of the image lay largely unregarded until KathleenBasford published this book - the first monograph of the Green Man in any language -and thereby earned the lasting gratitude of scholars in many fields, from art history and folklore to current environmental studies. This book has opened up new avenues of research, not only into medieval man's understanding of nature, and into conceptions of death, rebirth and resurrection in the middle ages, but also into our concern today with ecology and our relationship with the green world. It is therefore a work of living scholarship and its publication in paperback will be greatly and justly welcomed.

With more than one hundred-fifty books and three hundred published articles on proverb studies that have attracted wide attention of folklorists around the world, it is little wonder that international scholars look upon Wolfgang Mieder as the modern-day Pied Piper of paremiology. For this festschrift, some of the world's leading proverb and folklore scholars have come together to commemorate Mieder's sixty-fifth birthday. Authors from Russia, Eastern and Western Europe, Israel, and the United States have contributed essays representative of the scope and breadth of Mieder's own impressive scholarship. The Proverbial «Pied Piper honors Wolfgang Mieder's legendary contributions to the study of proverbs and contains new scholarship by some of the best paremiologists in the world.

This two-volume set collects 300 of the most entertaining and important folk and fairy tales of Giuseppe Pitre, a nineteenth century Sicilian folklorist whose significance ranks alongside the Brothers Grimm. In stark contrast to the more literary ambitions of the Grimms' tales, Pitre's possess a charming, earthy quality that reflect the customs, beliefs, and superstitions of the common people more clearly than any other European folklore collection of the 19th century. Edited, translated, and with a critical introduction by world-renowned folk and fairy tale experts Jack Zipes and Joseph Russo, this is the first collection of Pitre's tales available in English. Carmelo Letterer's illustrations throughout the volume are as lively and vivid as the stories themselves, illuminating the remarkable imagination captured in the tales.

In all cultures and at all times, humans have been telling stories about who they were, what the world and human life is about. To the insider, myths may contain Truth (with a capital 'T'), revelation and the 'history of ourselves'; whereas to the outsider it may be considered anything from folly and pre-logical mentality, to neurotic, infantile and 'wishful thinking'. Such judgements aside, myths tell us about human creativity, the impact of narrativity on human ways of understanding, on cultural epistemologies and the many ways of 'world making'. These issues also spark considerations concerning the linguistic and philosophical notions of meaning and truth and the peculiarities of religious language. The controversial issue of myth has been studied from many different angles. In this volume the contributions are edited according to their theoretical perspectives: 1. philosophical, 2. psychological, 3. sociological, 4. semiological and 5. cognitivist, all with introduction by the editor. This volume will be an indispensable tool for anyone with a serious interest in this field of study.

In all cultures and at all times, humans have been telling stories about who they were, what the world and human life is about. To the insider, myths may contain Truth (with a capital 'T'), revelation and the 'history of ourselves'; whereas to the outsider it may be considered anything from folly and pre-logical mentality, to neurotic, infantile and 'wishful thinking'. Such judgements aside, myths tell us about human creativity, the impact of narrativity on human ways of understanding, on cultural epistemologies and the many ways of 'world making'. These issues also spark considerations concerning the linguistic and philosophical notions of meaning and truth and the peculiarities of religious language. The controversial issue of myth has been studied from many different angles. In this volume the contributions are edited according to their theoretical perspectives: 1. philosophical, 2. psychological, 3. sociological, 4. semiological and 5. cognitivist, all with introduction by the editor. This volume will be an indispensable tool for anyone with a serious interest in this field of study.

A good ghost story can make your hair stand on end, your palms sweat, and your heart race. The bone-chilling collection Tales of Kentucky Ghosts presents more than 250 stories that do just that. In his new book, William Lynwood Montell has assembled an entertaining and diverse array of tales from across the commonwealth that will keep you checking under the bed every night. The first-person accounts in this collection showcase folklore that Montell has drawn from archives, family stories, and oral traditions throughout Kentucky. The stories include that of the ghost bride of Laurel County, who appears each year on the anniversary of her wedding day; the tale of the murdered worker who haunts the Simpson County home of his killer and former employer; and the account of the lost mandolin that plays itself in a house in Graves County. These and many other chilling stories haunt the pages of Tales of Kentucky Ghosts. In the tradition of Montell's previous Kentucky ghost books ( Ghosts across Kentucky and Haunted Houses and Family Ghosts of Kentucky), Tales of Kentucky Ghosts brings together a variety of terrifying narratives that not only entertain and frighten but also serve as a unique record of Kentucky's rich heritage of storytelling.

This timeless collection brings together three hundred of the most enduringly popular of Aesop's fables in a volume that will delight young and old readers alike. Here are all the age-old favourites - the wily fox, the vain peacock, the predatory cat and the steady tortoise - just as endearingly vivid and relevant now as they were for their very first audience. This elegant Macmillan Collector's Library edition of Aesop's Fables features illustrations by Arthur Rackham, the leading decorative illustrator of the Edwardian period, which have been beautifully and sensitively coloured by Barbara Frith. With an afterword by publisher and editor Anna South. Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.

Celebrations of the seasons of life, based on the history, myths, and pageantry of ancient festivals for Isis, Hathor, and other Egyptian goddesses. Illustrations.

For folklorists, students, as well as general readers, this is the most comprehensive survey of American folktales and legends currently available. It offers an amazing variety of American legend and lore - everything from Appalachian Jack tales, African American folklore, riddles, trickster tales, tall tales, tales of the supernatural, legends of crime and criminals, tales of women, and even urban legends.The anthology is divided into three main sections - Native American and Hawaiian Narratives, Folktales, and Legends - and within each section the individual stories explore the myriad narrative traditions and genres from various geographic regions of the United States. Each section and tale genre is introduced and placed in its narrative context by noted folklorist Frank de Caro. Tale type and motif indexes complete the work.

This two-volume set collects 300 of the most entertaining and important folk and fairy tales of Giuseppe Pitre, a nineteenth century Sicilian folklorist whose significance ranks alongside the Brothers Grimm. In stark contrast to the more literary ambitions of the Grimms' tales, Pitre's possess a charming, earthy quality that reflect the customs, beliefs, and superstitions of the common people more clearly than any other European folklore collection of the 19th century. Edited, translated, and with a critical introduction by world-renowned folk and fairy tale experts Jack Zipes and Joseph Russo, this is the first collection of Pitre's tales available in English. Carmelo Letterer's illustrations throughout the volume are as lively and vivid as the stories themselves, illuminating the remarkable imagination captured in the tales.

The Brahan Seer is a legendary figure known throughout Scotland and the Scottish Diaspora and indeed anywhere there is an interest in looking into the future. This book traces the legend of the Seer between the sixteenth and twenty-first centuries. It considers the seer figure in relation to aspects of Scottish Highland culture and society that shaped its development during this period. These include the practice and prosecution of witchcraft, the reporting and scientific investigation of instances of second sight, and the perennial belief in and use of prophecy as a means of predicting events. In so doing the book pro-vides a set of historicised contexts for understanding the genesis of the legend and how it changed over time through a synthesis of historical events, oral tradition, folklore and literary Romanticism. It makes a contribution to the debates not only about witchcraft, second sight and prophecy but also about the relationship between 'popular' and 'elite' culture in Scotland. By taking the Brahan Seer as a case study it argues that 'popular' culture is not antithetical to 'elite' culture but rather in constant (and complex) interaction with it.

This is the history of the development through the ages of Plato's "Atlantis" story - the imperialist island state that disappeared in a cataclysm, leaving Athens to survive it...Instead of simply focusing on the various attempts to 'find' Atlantis - all of which are futile for the very good reason that Plato made the island up - the author re-examines the very different uses made of the myth in different contexts and periods. He shows how Plato's myth was reinterpreted in the medieval period and after through conflation with the search for the lost tribes of Israel; how it became involved with the debate about whether Europe should look back to its origins in the Classical or Biblical worlds; how the myth was reinterpreted with a more geographical emphasis following Columbus' discovery of America; and how it was used in the "Enlightenment" to add colour to nationalist attempts to claim antiquity by finding unrecognised origins. Written in a clear and interesting way, Pierre Vidal-Naquet's original ideas rest on deep knowledge supported by primary references and illustrations.

Fritz Graf here presents a survey of a god once thought of as the most powerful of gods, and capable of great wrath should he be crossed: Apollo the sun god.

From his first attestations in Homer, through the complex question of pre-Homeric Apollo, to the opposition between Apollo and Dionysos in nineteenth and twentieth-century thinking, Graf examines Greek religion and myth to provide a full account of Apollo in the ancient world.

For students of Greek religion and culture, of myth and legend, and in the fields of art and literature, Apollo will provide an informative and enlightening introduction to this powerful figure from the past.

Through the lens of expressive culture, Performing Folklore tracks Portugal s transition from fascism to democracy, and from imperial metropole to EEC member state. Kimberly DaCosta Holton examines the evolution and significance of ranchos folcloricos, groups of amateur musicians and dancers who perform turn-of-the-century popular tradition and have acted as cultural barometers of change throughout 20th-century Portugal. She investigates the role that these folklore groups played in the mid-twentieth-century dictatorship, how they fell out of official favor with the advent of democracy, and why they remain so popular in Portugal s post-authoritarian state, especially in emigrant and diasporic communities. Holton looks at music, dance, costume, repertoire, venue, and social interplay in both local and global contexts. She considers the importance of revivalist folklore in the construction and preservation of national identity in the face of globalization. This book embraces "invented tradition" as process rather than event, presenting an ethnography not only of folkloric revivalism but also of sweeping cultural transformation, promoted alternately by authoritarianism, democracy, emigration, and European unification."

For many, birds represent freedom and spirituality since they are created to be free. Although this may be true for people as well, we are of course not able to be as truly free as our winged friends. Looking out of his office window and seeing the birds flying, emphasising his confinement indoors and the unnecessary complexities of life in general, the author regrets his lost freedom. Life tends to be over-complicated and many would advocate following a simpler life. Birds, on the other hand, live the life they are destined for and this book shows how a common love of birds bridges cultures and distance. The Birds are our Friends is a wonderful and enlightening collection of essential information, curiosities, myths and folklore of birds and people. The author has discovered the role that birds play in people's imagination, and their significance for various cultures. People's accounts of birds give an insight to themselves - what they strive for, what they are afraid of and what they find important. Some birds predict the weather and construct unbelievably sophisticated nests or engage in elegant mating rituals. The author provides new insights on these facts and myths which confound some widely-held assumptions of their activities. Yessengali has a deeply personal connection and relationship with some birds. His fondest memories from childhood or young adulthood are associated with cuckoos, storks, and other birds that remind him of love and friendship. He hopes that these stories will interest readers, remind them of their spirituality and also evoke fine memories. In any event, it is a book that illuminates the world of birds from a slightly different viewpoint.

The mythical werewolf is known for its sudden transformation under the full moon, but the creature also underwent a narrative evolution from bloodthirsty creature to antihero. Beginning with ""The Epic of Gilgamesh"", Ovid's ""Metamorphoses"", and accounts in Petronius' ""Satyricon"", the book analyzes the context that created the traditional image of the werewolf as a savage beast. The Catholic Church's response to the popular belief in were wolves and medieval literature's sympathetic depiction of the werewolf as victim are presented to support a modern view of the werewolf not only as 'the beast within', but as a complex and varied cultural symbol.

Many a book has been written about Key West, but there has never been anything like Stetson Kennedy's "Grits & Grunts," a portrait of the Key West that was. Neither a history (though you will learn a lot about Key West's unique past) nor a guidebook (though you will learn more about Key West than any guides offer), "Grits & Grunts" is a treasure trove gleaned from the rich multiculture that came to full-flower on "The Rock" during the first half of the twentieth century, "when Key West was Key West."

You'll find an abundant sampling of the inimitable art of Mario Sanchez, whose carved bas-relief paintings of Key West street scenes are in great demand around the world, as well as many never-before-published photographs. The overflowing Key West songbag is also here in all its abundance, from lullabies to traditional ballads, as well as games and folktales.

Western interpretations of poverty proverbs in the Old Testament Book of Proverbs have tended to see a status quo acceptance in the ancient texts, thus neglecting existential challenges of the poverty issue. In contrast, Lechion Peter Kimilike argues that African proverbial material on poverty may - when used comparatively to interpret the corresponding Old Testament poverty proverbs - create a more dynamic analysis. The author's new and thought-provoking interpretation suggests "an African transformational hermeneutic" that balances between the questions and methodology of the "global [i.e., western] guild" and the concerns of the African interpretative context.

This dictionary contains 2,375 Russian sayings and proverbs and their English counterparts. Variants of each saying are included, and careful attention is given to the differences in British and American versions. For example, the Russian saying that is interpreted as ""Children behave in a childish way, and they cannot be expected to act like grown-up people,"" is first given in Russian (in the Cyrillic alphabet) and then in English, and is then followed by the nearest English-language equivalent sayings in Britain and the United States: ""Young colts will canter"" (British) and ""Boys will be boys"" (American).The proverbs and sayings are arranged alphabetically by the first Russian word (in the Cyrillic alphabet) and are cross-referenced so the reader can find analogous Russian versions of English sayings. There is a keyword index for each language (one in English, one in Russian in the Cyrillic alphabet), which allows the reader to find a proverb or a saying without knowing the first word. Proverbs and sayings are current and include those popular in both spoken Russian and literature. The prefatory matter is in both English and Russian, for readers who have a command of either language.

'Terrifically strange and thrilling. One for all you storytellers.' -Melissa Harrison, author of All Among the Barley The business of stories is not enchantment. The business of stories is not escape. The business of stories is waking up. Courting the Wild Twin is a book of literary activism-an antidote to the shallow thinking that typifies our age. It challenges us to wake up, to revive our 'condition of wondering' and examine our broken relationship with the world. We need to think boldly, wildly and in new ways about ourselves, as individuals and as a collective, to confront modern challenges with purpose, courage and creativity. After all, stories are our secret weapons-and they might just save us. In Courting the Wild Twin, acclaimed scholar and mythologist Martin Shaw unravels two ancient European fairy tales concerning the mysterious 'wild twin' located deep inside all of us. By reading these tales and becoming storytellers ourselves, he challenges us to confront modern life with purpose, courage, and creativity. Shaw summons the reader to the 'ragged edge of the dark wood' to seek out this estranged, exiled self-the part we generally shun or ignore to conform to societal norms-and invite it back into our consciousness. If there was something we were meant to do with our few, brief years on Earth, we can be sure that our wild twin is holding the key.

The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-Helene, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Halevy, Saint-SaA"ns, Holmes, Faure, Parry, Goldmark, and Bargiel based works of diverse genres on the fable. Romantic authors and composers developed a unique perspective on the myth, emphasizing its themes of rebellion, punishment for transgression and creative autonomy, in great contrast to artists of the preceding era, who more characteristically ignored the tribulations of Prometheus and depicted him as the animator of a naA-ve, Arcadian mankind who, when awakened from their spiritual dormancy, expressed astonishment at the wonders of nature and paid homage to the Titan as a new god. Paul Bertagnolli charts the progress of the myth during the nineteenth century, as it articulates an extraordinary variety of issues pertaining to culture, society, aesthetics, and philosophy. Drawing on archival research, dance history, sketch studies, literary theory, linear analysis, topos theory, and reception history, individual chapters demonstrate that the legend served as a vehicle to express opinions on subjects as diverse as aristocratic patronage, movements of the body on the public stage, rebellion against political and religious authority, outright atheism, humanitarianism of the German Enlightenment, interest in the music of Greek antiquity, industrialization, nationalism inflamed by war, populism, and the aesthetics of musical form. Composers often resorted to varied and unorthodox musical techniques in order to reflect such remarkable subjects: Beethoven outraged critics by implying a key other than the tonic at the outset of the overture to

It is remarkable how often we consider certain constructs in other peoples' worldview to be -myths, while in our own case we regard equally arbitrary assumptions as inherent to the nature of things. As every anthropologist knows, one's most cherished cultural assumptions tend to remain implicit; in other words, worldview is largely unconscious. This book explores the possibility of plumbing obscure aspects of one's own culture in order to assess what some might call (regarding other cultures) the mythic underpinnings of worldview. Seven explorations in folklore and ethnography exhume a conceptual heritage that still influences perception, albeit in unconscious ways. This archeology of intangible heritage provides the sort of break in intellectual routine that allows us to look a new at familiar things."

First published in 2007. This classic work draws together the whole rich field of Jewish Folklore- the popular beliefs, practices, superstitions and traditional wisdom relating to all aspects of life. Dr. Rappaport has organised the book around four main themes: nature, the heavenly bodies and mythological an cosmological motifs; fauna and flora; human life including birth, marriage, illness and death, omens and portents; and supernatural and natural powers including demons and spirits, witchcraft, charms and spells. There are chapters on folk medicine, demonology, customs and practices, as well as a selection of Jewish legends and folktales, and a collection of Hebrew and Yiddish proverbs and popular sayings.

A fascinating examination of how Americans think about and write about witches, from the 'real' witches tried and sometimes executed in early New England to modern re-imaginings of witches as pagan priestesses, comic-strip heroines and feminist icons. The first half of the book is a thorough re-reading of the original documents describing witchcraft prosecutions from 1640-1700 and a re-thinking of these sources as far less coherent and trustworthy than most historians have considered them to be. The second half of the book examines how these historical narratives have transformed into myths of witchcraft still current in American society, writing and visual culture. The discussion includes references to everything from Increase Mather and Edgar Allan Poe to Joss Whedon (the writer/director of Buffy the Vampire Slayer, which includes a Wiccan character) and The Blair Witch Project.