Few classical stories are as exciting as that of Jason and the Golden Fleece. The legend of the boy, who discovers a new identity as son of a usurped king and leads a crew of demi-gods and famous heroes, has resonated through the ages, rumbling like the clashing rocks, which almost pulverised the Argo. The myth and its reception inspires endless engagements: while it tells of a quest to the ends of the earth, of the tyrants Pelias and Aetes, of dragons' teeth, of the loss of Hylas (beloved of Hercules) stolen away by nymphs, and of Jason's seduction of the powerful witch Medea (later betrayed for a more useful princess), it speaks to us of more: of gender and sexuality; of heroism and lost integrity; of powerful gods and terrifying monsters; of identity and otherness; of exploration and exploitation. The Argonauts are emblems of collective heroism, yet also of the emptiness of glory. From Pindar to J. W. Waterhouse, Apollonius of Rhodes to Ray Harryhausen, and Robert Graves to Mary Zimmerman, the Argonaut myth has produced later interpretations as rich, salty and complex as the ancient versions. Helen Lovatt here unravels, like untangled sea-kelp, the diverse strands of the narrative and its numerous and fascinating afterlives. Her book will prove both informative and endlessly entertaining to those who love classical literature and myth.

" A] brilliant and altogether engaging new translation" ("Los Angeles Times") of the greatest epic in Irish literature
Dating from the eighth century, "The Tain" is the oldest Irish epic, a mythic tale on par with "Beowulf" and "The Aeneid." Following legendary warrior Cu Chulainn into his battle against the invading army of Connacht, "The Tain" is the story of the emergence of a hero, a paean to the Irish landscape, and a bawdy and contentious marital farce. In its first translation in forty years, Ciaran Carson brings this seminal work of Irish literature fully to life, capturing all of its visceral power in what acclaimed poets Seamus Heaney and Paul Muldoon individually called one of the best books of the year.

This book is not about religion, and David Young is not a christian. This story is the result of three years of perpetual synchronicities and esoteric messages that came to Young through his artwork and evidential channeling, which ultimately guided him toward the hidden truth behind history's most monumental deception. Jesus and Mary Magdalena's incredible journey of love, family and survival is masterfully illustrated with breathtaking images of Young's art and clearly explained in the narrative, shaking the foundation of a blindly accepted tale created many years ago. Every page of this 13" x 10" book is in full color with paintings that were created with divine guidance to depict the truth of what really happened to history's most misrepresented people, Jesus and Mary Magdalena. This unconventional book will soothe you with 90 minutes of heavenly music, activated through 12 QR codes, while inspiring you with a new mind-expanding concept of true historical events.

'he sat down and wept, to think that even the rams knew more about the deeds of love than he did' Daphnis is fifteen years old, Chloe thirteen. They are drawn to each other and long to make love. But no one has told them what love is, nor do they know how to accomplish the physical act. Round their predicament Longus weaves a fantasy which entertains and instructs, but never errs in taste. The hard toil and precariousness of peasant life are here, but so are its compensations - revelry, music, dance, and storytelling. Above the action brood divine presences - Eros, Dionysus, Pan, the Nymphs - who collaborate to guide the adolescents into the mystery of Love, at once a sensual and a religious initiation. Daphnis and Chloe is the best known, and the best, of the early Greek romances, precursors to the modern novel. Admired by Goethe, it has been reinterpreted in music and art by Ravel and Chagall. This new translation is immensely readable, and does full justice to the humour and humanity of the story. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Worcestershire is a county of contrasts, with one face turned to the modern buzz of Birmingham and the other turned towards the quiet rural landscape of the West Country. Its folk tales reflect this dichotomy, with some stories based in the fears and superstitions of village life, and others evolving from the strains and pressures of a new industrial reality. From battles of the Civil War to witchcraft trials, Worcestershire is steeped in history - and almost every village has some dark tale of magical events to tell. Ordinary folk from all walks of life mix with devils, ogres and ghosts. Even the holy community is not safe - vengeance, infidelity and murder loom large in the county's religious history. Complemented by beautiful illustrations, Worcestershire Folk Tales is crammed with these myths, legends and mysterious yarns. David Phelps has worked as an oral storyteller since 2005, being much inspired by his grandmother's tales of Worcestershire's folklore. He is a member of both the Folklore Society and the Society for Storytelling, and is the author of Herefordshire Folk Tales and Haunted Hereford.

Pembrokeshire, often referred to as 'Gwlad yr Hud' (the Enchanted Land), is home to a rich and diverse collection of tales - from the ancient saga of the Mabinogion, and stories of Owain Glyndwr, to accounts of smugglers, haunted vessels and pirates. The village of Brynberian has been tormented by the gigantic and frightful Afanc; fishermen from St Dogmaels have been forewarned of storms by mermaids; and captivating princesses have been kidnapped from Cilgerran Castle. These stories, beautifully illustrated by the author, bring to life the landscape of the county's spectacular coastline and rolling hills. Christine Willison has told stories all over the world since 1982, when she created and ran 'Bookbug', bringing books and stories to schoolchildren across East Anglia. She tells yarns from many traditions in schools, arts centres, stately homes and parks.

An overview of the cultural transmission of the Arabian Nights within nineteenth-century Britain An overview of the cultural transmission of the Arabian Nights within nineteenth-century Britain Fresh readings of canonical texts such as Charlotte Bronte's Jane Eyre, Charles Dickens's Hard Times, and Lewis Carroll's Alice in Wonderland Diverse primary sources analysing the presence of the Arabian Nights in distinct areas of cultural production: constructions of childhood, archaeological and geological science, theatrical display, and exhibitions Aladdin, Sinbad, Ali Baba and the Forty Thieves, Scheherazade winding out her intricate tales to win her nightly stay of execution: the stories of the Arabian Nights are a familiar and much-loved part of the English literary inheritance. But how did these tales become so much a part of the British cultural landscape? Dickson identifies the nineteenth century as the beginning of the large-scale absorption of the Arabian Nights into British literature and culture. She explores how this period used the stories as a means of articulating its own experiences of a rapidly changing environment. She also argues for a view of these tales not as a depiction of otherness, but as a site of recognition and imaginative exchange between East and West, in a period when such common ground was rarely found

By establishing a dialogue in which the meditative practices of Buddhism and Christianity speak to the theories of modern philosophy and science, B. Alan Wallace reveals the theoretical similarities underlying these disparate disciplines and their unified approach to making sense of the objective world.

Wallace begins by exploring the relationship between Christian and Buddhist meditative practices. He outlines a sequence of meditations the reader can undertake, showing that, though Buddhism and Christianity differ in their belief systems, their methods of cognitive inquiry provide similar insight into the nature and origins of consciousness.

From this convergence Wallace then connects the approaches of contemporary cognitive science, quantum mechanics, and the philosophy of the mind. He links Buddhist and Christian views to the provocative philosophical theories of Hilary Putnam, Charles Taylor, and Bas van Fraassen, and he seamlessly incorporates the work of such physicists as Anton Zeilinger, John Wheeler, and Stephen Hawking. Combining a concrete analysis of conceptions of consciousness with a guide to cultivating mindfulness and profound contemplative practice, Wallace takes the scientific and intellectual mapping of the mind in exciting new directions.

Ridout uses the language of the fairy story and visceral images of the female form and femininity to explore how personal trauma and instability makes their mark on the wider world. Different voices and twisted accounts of the body and mind are combined with the mythological and the esoteric to create striking, beautifully unsettling and unusual poems-each a celebration of the extremes of being human. Spotlight is a collaboration between Creative Future, New Writing South and Myriad Editions to discover, guide and support writers who are under-represented due to mental or physical health issues, disability, race, class, gender identity or social circumstance. In the same series: Stroking Cerberus by Jacqueline Haskell; Memories of a Swedish Grandmother by Sarah Windebank; The Haunting of Strawberry Water by Tara Gould; Crumbs by Ana Tewson-Bozic and Cora Vincent by Georgina Aboud.

'The Voice of the People' presents a series of essays on literary aspects of the pan-European folk revival from the late 18th century to the beginning of the 20th.

By Rosemary Holsinger with illustrator, P.I. Piemme. These tales, charming for all ages, come from the storytelling heritage of the Shasta, an Indian tribe that lived in the presence of the highest mountain in Northern California. A variety of myths recount the story of creation, of the animals, especially Coyote, Eagle, Bear, and phenomena such as Why Crickets are Black, Why the Sun Rolls, or Racing with Thunder.

Butterfly Mother is a collection of epic songs from the rich oral tradition of the Miao (Hmong) people of southwest China. These poetic narratives, traditionally performed by two groups of singers, relate the creation of a world in which everything is alive, and listeners find that besides mountains, rivers, trees, and creatures, inanimate objects are also 'born' and have spirits. In his engaging introduction, Mark Bender places these mythic narratives in their social and historical context, describing the workings and traditions of Miao society. Brimming with cultural lore, Butterfly Mother is a virtual encyclopedia of time-honored myths, legends, and folk customs of the Miao people.

Bronze Winner - Independent Publisher Book Awards Winner - 2013 USA Best Book Award If Death takes a man it is called fate, when Death leaves a man it is called destiny. Wounded in battle (900 A. D.), a near dead Celtic warrior is taken by Viken raiders and sold into a Baghdad slave market. He is dragged further East, through the desert, into the 'Middle Kingdom' where he is bought by a Taoist Priest and his beautiful daughter. Hazy images of silk, herbs, needles, potions and steel, can only lead to one thing, he has been purchased by a wizard and his witch. Arkthar fears for his soul. Death finds Arkthar's predicament interesting. I have heard the delirious ramblings of countless dying minds. I am amused by yours." Don't be afraid, I won't take you now. Your life sentence has just begun." Arkthar's 'owners' become his teachers and then his companions. The priest wizard and his witch daughter heal and teach Arkthar their Eastern ways of medicine, science, war and philosophy. Under the watchful eye of death, this journey unfolds, as a slave becomes a king, and new root of Arthurian legend takes hold.

In the late 18th and early 19th centuries, attitudes toward history and national identity fostered a romantic rediscovery of folk and fairy tales. This is the period of the Golden Age of folk and fairy tales, when European folklorists sought to understand and redefine the present through the common tales of the past, and long neglected stories became recognized as cultural treasures. In this rich collection, distinguished expert of fairy tales Jack Zipes continues his lifelong exploration of the story-telling tradition with a focus on the Golden Age. Included are one hundred eighty-two tales--many available in English for the first time--grouped into eighteen tale types. Zipes provides an engaging general Introduction that discusses the folk and fairy tale tradition, the impact of the Brothers Grimm, and the significance of categorizing tales into various types. Short introductions to each tale type that discuss its history, characteristics, and variants provide readers with important background information. Also included are annotations, short biographies of folklorists of the period, and a substantial bibliography. Eighteen original art works by students of the art department of Anglia Ruskin University not only illustrate the eighteen tale types, but also provide delightful-and sometimes astonishing-21st-century artistic interpretations of them.