There is more material available on Herakles than any other Greek god or hero.aHis story has many more episodes than those of other heroes, concerning his life and death as well as his battles with myriad monsters and other opponents.aIn literature, he appears in our earliest Greek epic and lyric poetry, is reinvented for the tragic and comic stage, and later finds his way into such unlikely areas as philosophical writing and love poetry.? In art, his exploits are amongst the earliest identifiable mythological scenes, and his easily-recognisable figure with lionskin and club was a familiar sight throughout antiquity in sculpture, vase-painting and other media.aHe was held up as an ancestor and role-model for both Greek and Roman rulers, and widely worshipped as a god, his unusual status as a hero-god being reinforced by the story of his apotheosis.aOften referred to by his Roman name Hercules, he has continued to fascinate writers and artists right up to the present day.

In Herakles, Emma Stafford has successfully tackled the OCyHerculean taskOCO of surveying both the ancient sources and the extensive modern scholarship in order to present a hugely accessible account of this important mythical figure.aCovering both Greek and Roman material, the book highlights areas of consensus and dissent, indicating avenues for further study on both details and broader issues.aEasy to read, Herakles is perfectly suited to students of classics and related disciplines, and of interest to anyone looking for an insight into ancient GreeceOCOs most popular hero.

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The Masks of God is the summation of Joseph Campbell's lifelong study of the origins and function of myth. In this volume, Occidental Mythology, Campbell examines the themes that underlie the art, worship and literature of the Western world. Occidental Mythology traces European consciousness from the Levantine earth-goddesses of the Bronze Age and the subsequent tribal invasions that shaped Judaic and Greek myth before examining the influence of Persia, Rome, Islam and Christian Europe on ancient beliefs. The Masks of God traces mankind's history as a search for meaning through ideas, themes and quests of culture and religion.

Huffington Post Weird News columnist and author Varla Ventura takes readers on a wild ride through the shadowy hills of rural Ireland, the dark German forests and along abandoned farms and country roads across the world to discover some of the most frightening and freak-tacular tales, titbits and encounters with all those beasties that go bump in the night.

Narrative as Social Practice sets out to explore the complex and fascinating interrelatedness of narrative and culture. It does so by contrasting the oral storytelling traditions of two widely divergent cultures - Anglo-Western culture and the Central Australian culture of the Pitjantjatjara/Yankunytjatjara Aborigines. Combining discourse-analytical and pragmalinguistic methodologies with the perspectives of ethnopoetics and the ethnography of communication, this book presents a highly original and engaging study of storytelling as a vital communicative activity at the heart of socio-cultural life. The book is concerned with both theoretical and empirical issues. It engages critically with the theoretical framework of social constructivism and the notion of social practice, and it offers critical discussions of the most influential theories of narrative put forward in Western thinking. Arguing for the adoption of a communication-oriented and cross-cultural perspective as a prerequisite for improving our understanding of the cultural variability of narrative practice, Klapproth presents detailed textual analyses of Anglo-Western and Australian Aboriginal oral narratives, and contextualizes them with respect to the different storytelling practices, values and worldviews in both cultures. Narrative as Social Practice offers new insights to students and specialists in the fields of narratology, discourse analysis, cross-cultural pragmatics, anthropology, folklore study, the ethnography of communication, and Australian Aboriginal studies.

Anteros: A Forgotten Myth explores how the myth of Anteros disappears and reappears throughout the centuries, from classical Athens to the present day, and looks at how the myth challenges the work of Freud, Lacan, and Jung, among others. It examines the successive cultural experiences that formed and inform the myth and also how the myth sheds light on individual human experience and the psychoanalytic process.

Topics of discussion include:

• Anteros in the Italian Renaissance, the French Enlightenment and English Modernism
• psychologizing Anteros: Freud, Lacan, Girard, and Jung
• three anterotic moments in a consulting room.

This book presents an important argument at the boundaries of the disciplines of analytical psychology, psychoanalysis, art history, and mythology. It will therefore be essential reading for all analytical psychologists and psychoanalysts as well as art historians and those with an interest in the meeting of psychoanalytic thought and mythology.

The Masks of God is the summation of Joseph Campbell's lifelong study of the origins and function of myth. In this volume, Oriental Mythology, Campbell examines Eastern mythology as it developed in the distinctive religions of Egypt, India, China and Japan. While Western religions dwell on good and evil, Eastern religions focus on the promise of eternal life. Oriental Mythology explores how Eastern religions came to manifest their varying modes of thought and expression. The Masks of God traces mankind's history as a search for meaning through ideas, themes and quests of culture and religion.

Wisdom's Way is a collection of true stories from ancient China. Filled with palace intrigue, ambitious warlords, greedy swindlers, and justice-seeking wise men, each story evokes the legendary wisdom of the Far East. These delightful tales offer both historical lessons and insight into human relationships, from the grand maneuvering of emperors to a pair of tradesmen arguing over an old coat.

First published in 1960. Over a century ago the Chinese discovered in a sealed-up cave in the west of China a collection of manuscripts dating from the fifth century to the end of the tenth. These included many specimens of popular literature of a kind that was not previously known to exist. Although the find was made long ago, only two or three of these pieces had been translated before. Arthur Waley here translates, whole or as extracts, twenty-six pieces, making an invaluable addition to world literature.

From the beginning of time, the physical characteristics of the world around us have shaped the way we think and live. Early cultures felt closer to nature than society does today, and the most vivid imagery of the physical world is to be found often in ancient myths from throughout the world.

A unique description and analysis of the domains and genres of UAE folklore, including folk customs and beliefs, traditional arts and crafts, folk dances, folk narratives and proverbs. Challenging the established meaning of folklife, this volume also deals with folklore in public life, in the mass media, in education and in politics.

Designed to provoke controversy, the papers in this volume concentrate on two main themes: the study of myth and totemism. Starting with an English translation of La Geste d'Asdiwal, which is widely considered to be the most brilliant of all of Levi-Strauss's shorter expositions of his technique of myth analysis, the volume also contains criticism of this essay. The second part of the volume discusses how far Levi-Strauss's treatment of totemism as a system of category formation can be correlated with the facts that an ethnographer encounters in the field. First published in 1967.

Tama in Japanese Myth attempts to elucidate Japanese religious experiences by presenting a new interpretation of the oldest existing text of Japanese myth, the Kojiki. Informed by phenomenological hermeneutics, Iwasawa shows that the concept of tama lies at the core of Japanese religious experiences. Tama is often compared to spirit and soul in Western philosophy and religion and especially to the German concept of Geist. Tama develops in ways that do not assume a dichotomy between the ideational and the sensible, which is precisely the dichotomy informing Western theism and the Platonic tradition of metaphysics. Iwasawa argues that the Western concept of God, far from explaining all possible connections between the human and the divine, is less than satisfactory for analyzing Japanese religious experiences. Iwasawa proceeds by examining the Japanese notion of tama as an inquiry into the origin of values wholly unaffected by the Western idea of a moral God.

'His cornucopia of tellers and tales is a delight, a riveting celebration of a genre that revels in its own hybridity and the imaginative riches produced by the crossing of cultural and literary borders' Financial Times 'Like a child after the Pied Piper I pursued Jubber into a world both human and full of magic. A carnival of a book, rigorously researched and jostling with life' Amy Jeffs, author of Storyland: A New Mythology of Britain 'Magical tales about magical tales and tellers. Jubber, congenially and fascinatingly, explores the land from which the great fairy stories seeped, making the stories more resonant, powerful and important than ever' Charles Foster, author of Being a Human and Being a Beast The surprising origins and people behind the world's most influential magical tales: the people who told and re-shaped them, the landscapes that forged them, and the cultures that formed them and were in turn formed by them. Who were the Fairy Tellers? In this far-ranging quest, award-winning author Nicholas Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'. From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar. Following these and other unlikely protagonists, we travel from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland. In the process, we discover a fresh perspective on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.

Despite the considerable amount of scholarship on Mann's work, his tetralogy - composed prior to and during his exile from Nazi Germany - has received less attention and has not been examined from the perspective of the relationship of visuality to narrative. In this study of Mann's reworking of the biblical account of Jacob, father of Joseph, the author examines the ways the novel's protagonists frame their environment through knowledge and meaning gained via specific acts of seeing. While considering Mann's oft-stated intent to refunctionalize myth by means of psychology for humane and progressive purposes, the book explores the lavish narrative attention Mann gives to visual detail, visual stimulation, the protagonists' eyes, ways of seeing, and even to staging and performance in anticipation of another's way of seeing. The results reveal that the plot of the first Joseph novel is carried and propelled by a series of visual encounters during which the narrative draws attention to the protagonists' eyes and acts of looking.

In this sequel to the bestselling Mythos, legendary author and actor Stephen Fry moves from the exploits of the Olympian gods to the deeds of mortal heroes. Perseus. Jason. Atalanta. Theseus. Heracles. Rediscover the thrills, grandeur, and unabashed fun of the Greek myths. Whether recounting a tender love affair or a heroic triumph, Fry's distinctive voice and writing style lend humor and emotion to his fresh yet reverential interpretations that deftly find resonance with our own modern minds and hearts. Illustrated throughout with classical art inspired by the myths, this fresh take on ancient tales invites you to explore a captivating world with a brilliant storyteller as your guide. BELOVED AUTHOR: Stephen Fry is an icon whose signature wit and mellifluous style makes this retelling utterly unique. Fans will love hearing his interpretations as he draws out the humor and pathos in both tender love affairs and heroic battles and discovering each myth's relevance for our own time whether they are familiar with the original Greek myths or not. STUNNING SERIES SEQUEL: The celebrated and internationally bestselling trilogy that begins with Mythos and concludes with Troy continues with Heroes. Fans of the first book will be thrilled to continue the adventure in this compelling sequel. STRIKING GIFT: With a vibrant contemporary design, full-color artwork throughout, and a luxe, foil-stamped jacket, this gorgeous collector's edition makes a superb present. Perfect for: Mythology and history buffs, lovers of ancient Greece, art aficionados, and devoted fans of Stephen Fry Adding to the home library alongside Neil Gaiman's Norse Mythology, Madeline Miller's Circe or Song of Achilles, and Edith Hamilton's Mythology: Timeless Tales of Gods and Heroes Readers who enjoy timeless stories, from the Grimm Brothers' fairy tales to Egyptian mythology to legends of Greek gods

This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood on critical, anthropological, and cultural themes only hinted at in his previously available work. At the centre of the book are six chapters of a study of folktale and magic, composed by Collingwood in the mid-1930s and intended for development into a book. Here Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. This is preceded, in Part I, by a range of contextualizing material on such topics as the relations between music and poetry, the nature of language, the value of Jane Austen's novels, the philosophy of art, and the relations between aesthetic theory and artistic practice. Part III of the volume consists of two essays, one on the relationship between art and mechanized civilization, and the second, written in 1931, on the collapse of human values and civilization leading up to the catastrophe of armed conflict. These offer a devastating analysis of the consequences that attend the desertion of liberal principles, indeed of all politics as such, in the ultimate self-annihilation of military conquest. The volume opens with three substantial introductory essays by the editors, authorities in the fields of critical and literary history, social and cultural anthropology, and the philosophy of history and the history of ideas; they provide their explanatory and contextual notes to guide the reader through the texts. The Philosophy of Enchantment brings hitherto unrecognized areas of Collingwood's achievement to light, and demonstrates the broad range of Collingwood's intellectual engagements, their integration, and their relevance to current areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology.

This book was awarded a Special Mention Citation in the 2010 competition for the 'de la Torre Bueno Prize' by The Society of Dance History Scholars. In the region of Salento in Southern Italy, the music and dance of the pizzica has been used in the ritual of tarantism for many centuries as a means to cure someone bitten by the taranta spider. This book, a historical and ethnographic study of tarantism and pizzica, draws upon seven hundred years of writings about the ritual contributed by medical practitioners, scientists, travel writers and others. It also investigates the contemporary revival of interest in pizzica music and dance as part of the 'neo-tarantism' movement, where pizzica and the history of tarantism form a complex web of place, culture and identity for Salentines today. This is one of the first books in English to explore this fascinating ritual practice and its contemporary resurgence. It uses an interdisciplinary framework based in performance studies to ask wider questions about the experience of the body in performance, and the potential of music and dance to create a sense of personal and collective transformation and efficacy.

Alluring, nurturing, dangerous, and vulnerable the yamamba, or Japanese mountain witch, has intrigued audiences for centuries. What is it about the fusion of mountains with the solitary old woman that produces such an enigmatic figure? And why does she still call to us in this modern, scientific era? Co-editors Rebecca Copeland and Linda C. Ehrlich first met the yamamba in the powerful short story "The Smile of the Mountain Witch" by acclaimed woman writer Oba Minako. The story revealed the compelling way creative women can take charge of misogynistic tropes, invert them, and use them to tell new stories of female empowerment. This unique collection represents the creative and surprising ways artists and scholars from North America and Japan have encountered the yamamba.

Why did the Vikings sail to England? Were they indiscriminate raiders, motivated solely by bloodlust and plunder? One narrative, the stereotypical one, might have it so. But locked away in the buried history of the British Isles are other, far richer and more nuanced, stories; and these hidden tales paint a picture very different from the ferocious pillagers of popular repute. In this book, Eleanor Parker unlocks secrets that point to more complex motivations within the marauding army that in the late-9th century voyaged to the shores of eastern England in its sleek, dragon-prowed longships. Exploring legends from forgotten medieval texts, and across the varied Anglo-Saxon regions, she depicts Vikings who came not just to raid but also to settle personal feuds, intervene in English politics and find a place to call home. Native tales reveal the links to famous Vikings like Ragnar Lothbrok and his sons, Cnut, and Havelok the Dane. Each myth shows how the legacy of the newcomers can still be traced in landscape, place-names and local history. Meticulously researched and elegantly argued, Dragon Lords uncovers the remarkable degree to which England is Viking to its core.

The legends of King Arthur have not only endured for centuries, but also flourished in constant retellings and new stories built around the central themes of the legends. Clearly, soon after movie-making was underway, Arthur was destined to hit the screen. This revised edition of ""Cinema Arthuriana"" presents 20 essays on the topic of the recurring presence of the legend of King Arthur in film and television from 1904 to 2001. Four of the essays included are taken directly from the previous edition, ten are revised from the original, and six are newly written. The essays cover such films as ""Excalibut"" (1981), ""Monty Python and the Holy Grail"" (1975), television productions up to the televised version of ""The Mists of Avalon"" (2001), and French and German films about the Quest for the Holy Grail and the other adventures of King Arthur and the Knights of the Round Table.

This collection explores folklore and folkloristics within the diverse and contested national discourses of Britain and Ireland, examining their role in shaping the islands' constituent nations from the eighteenth century to our contemporary moment of uncertainty and change. This book is concerned with understanding folklore, particularly through its intersections with the narratives of nation entwined within art, literature, disciplinary practice and lived experience. By following these ideas throughout history into the twenty-first century, the authors show how notions of the folk have inspired and informed varied points from the Brothers Grimm to Brexit. They also examine how folklore has been adapting to the real and imagined changes of recent political events, acquiring newfound global and local rhetorical power. This collection asks why, when and how folklore has been deployed, enacted and considered in the context of national ideologies and ideas of nationhood in Britain and Ireland. Editors Cheeseman and Hart have crafted a thoughtful and timely collection, ideal for students and scholars of folklore, history, literature, anthropology, sociology and media studies.

As President Barack Obama outlined his promise for change during the presidential campaign, he made effective use of proverbs and proverbial phrases, and invented many quotable epithets that have all the makings of future proverbs. This book examines how Obama's natural and authentic reliance on traditional metaphors enhances his impressive rhetoric, rather than reducing it to mere sound bites. Proverbs, with their often colorful metaphors, add expressiveness and emotion to his communications, giving people the opportunity to follow his pragmatic or philosophical arguments through common language. No matter the subject, Obama's prose contains metaphorical language that makes his rhetoric and oratory universally accessible. This book contains detailed analyses of the proverbial rhetoric in Obama's books Dreams from My Father (1995) and The Audacity of Hope (2006). A section looks at his proverbial language in 229 speeches, news conferences, interviews, and radio addresses, and the final section presents in-depth studies of his seven most significant addresses. It includes a comprehensive contextualized index of 1714 proverbial texts found within the writings and speeches from Obama's political beginnings to his memorable inaugural address.